Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens

You Really Don't Need a Fast Lens

Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G

How I Digitized Slides with the Leica M9

Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer

Learning From Your Mistakes

A Critique on Mainstream Black and White Photography

My Chosen Subjects - Why I Photograph Them

The Want of More Gear in Hopes of Becoming a Better Photographer

Do Not Desaturate - Featuring Five Black and White Film

The Myth of the Leica M9 - CCD vs CMOS Sensors

Five Digital Sensors vs Four Color Film - Why I Switched to Film

JCH Street Pan 400 - A Story of Friendship

Shooting Very Expired Film - You Really Shouldn't

When the People March

Taking Refuge on a Photowalk

Leica Fans - A Question of Product or Brand Preference

Photography as Problem Solving Process

The Blog at Three Years - A Post Mortem

On Format and Presentation of Photographs

The Price of Film and It's Survival

Searching for Greater Meaning in Photography

Beyond the Superficial in Looking for Idiosyncrasies

A Question of Realism - The Fallacy of High Resolution

What I Learned from Acquiring Too Many Gear

Finding Inspiration In the Ordinary

The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV

My Views on the Leica Q2 - and Why I Won't Be Getting It

The Bragging Rights of Photographing in Film

The Myth of the Decisive Moment

It's Okay If You Don't Want to Share Your Photos Publicly

The Moral Dilemma of Documentary Appropriation in the Age of Social Media

The Relevance of Your Photographs to Others

New Ektachrome Digitized on the FujiFilm FinePix S5 Pro

How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery

Photographing, Like It’s 1999

Low Light without High ISO

A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM

Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M

What We Can Learn From Steve McCurry's Last Roll of Kodachrome

Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept

Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea

The Resilience of Film Capture

To Get or Not to Get - the Leica M10-D

Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens

Leica MP Titanium - A Commentary in Indulgence or an Exercise in Practicality

Canon EOS R - A Question of Adaptation

Why Digital Technology is not the Future of Photography

35mm Full Frame vs 45mm Panoramic in Group Shots

The Impact of Technology in Changing Photographic Trends

My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M

Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture

Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III

On Editing Your Photographs

Three 50mm f/0.95 Lens - Leica, Canon, and Angeniéux

Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5

Rationalizing Film in a Digital World - A Question of Application

Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome

Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses

Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo

When Too Much Photography Gets in the Way of Taking Good Pictures

Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135

Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH

Leica 18mm f/3.8 Super Elmar-M ASPH

Why Super Wide Angle Lenses are Not Recommended for Group Photography

The Role of Familiarity in Making a Better Photograph

Giving Thanks in New York - The Blog at Reaching the Two Year Mark

In Praise of Compact Lenses

Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected

Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10

Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today?

Sony A7 Mark III - A Question of Value

Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II

Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I

Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions

The Role of Personality in Documentation

28mm vs 35mm in Group Shots

Shooting Imperfection

Dear Leica Photographers... have you considered using a flash?

Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS

Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800

Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A

Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA

On Body of Work, Recognition, and Justification of Work Product

Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400

Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS

The Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution

Sony A7R Mark III - So soon after the A9?

Canon 85mm f/1.4L - First Impressions

Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9

Why You Should Photograph Your Everyday Life

The Impact of Social Media in Photography

Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system

Why Context is Important in Photography

What is Art in Photography

Leica 16-18-21mm f/4 - A Super-Wide Lens with Training Wheels

Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles

Nikon D850 - First Impressions 

An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA

Revisiting A Shelved Project... and finding a way to finally use it

Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version

Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner

Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down

Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron

Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron

Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation with Two Friends

Tokyo Story - Leica M10 + 21mm f/1.4 Summilux

Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing?

Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV

Sony A9 vs Leica M10 vs Leica SL - Part III

Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II

Sony A9 - First Impressions from a Leica Perspective

Leica 28mm f/1.4 Summilux-M ASPH vs Nikon 28mm f/1.4D - Analog Edition + Digital Epilogue

Making Sense of the Leica SL... now that the Leica M10 is here

The Only Way to Save Analog Photography - A Far Fetched or Out of the Box Solution

Reflecting on a Photowalk with Anna

Film Photography - A Personal Journey on a Labor of Love

Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version

Leica 50mm f/1.4 Summilux SL - First Impressions

Leica 35mm Summicron Versions I, II + III, IV, V, VI + 35mm Summilux Versions I, II, IV

An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6

Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit

Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering

Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range

An Investigation into why the Leica SL isn't an M Camera

Leica M10 vs Leica SL - Part I - Under Normal Use

Anna in New York with the M10 + 28mm f/1.4 Summilux

Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison

Leica M10 Review - Part 1 - First Impressions

Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II

The Mathematics of Popularity in the Age of Instagram

Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White

Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II

Canon 24-105mm f/4L USM II - Testing the Image Stabilization

Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm

Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R

Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm

Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison

A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts

Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City

Photographing Without Purpose

What To Photograph - Everything or Just One Subject?

Leica 85mm f/1.5 Summarex - Vintage Lens

Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light

Has Digital Technology Ruined Street Photography

Being a Tourist in Milano

Waiting for the Light to Change

24mm f/1.4 Challenge - Between Leica, Canon, and Nikon

Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit

A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment

Huawei P9 Leica Dual Camera

The Leica SL - Zone Focusing + Street Photography - Part 2

Canon 5D Mark IV - Sample Images at High ISO + Pushed

The Leica SL - Low Light Dynamic Range - Part 1 Supplement

A Crisis of Purpose in the Age of Instagram

Leica SL + Leica 24-90mm - Being a Tourist

Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images)

Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open

Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2

Nikon 105mm f/1.4E

The Leica SL - Low Light Review - Part 1

The Sony A7r MKII from a Leica M Photographers POV

*** Taken Offline *** Leica M246 Monochrome vs Leica M240 Desaturated vs Leica M6 B+W Film - plus an appearance from the Sony A7rII Hi-Res Desaturated

*** Taken Offline *** Shooting with the Leica M246, Leica MP-6, and Hasselblad XPan

LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical

An Illustrated Case of the Misguided Photographer Believing his Work is Art

Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street

Saving Badly Photographed Images in Lightroom and Photoshop

What I can do with a Leica 50mm f/0.95 Noctilux on a Sony A7rII that I cannot do on a Leica M Body

Leica 28mm Summilux: The Perfect Vacation Lens?

Has Digital Technology Ruined Black and White Photography

Night Photography: Leica 35mm f/1.4 FLE and 35mm f/1.4 AA

Awesome Comparison: Bokeh Shootout between 50mm 0.95 to 400mm 2.8

REMATCH: Techart Autofocus Accuracy Challenge vs Leica M240 with Noctilux Lenses

Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon

Techart Sony to Leica M Autofocus vs Leica M240 Manual Focus Challenge

Leica 35mm Summicron ASPH I vs II: 24MP vs 42MP Resolution Test

Street Shooting Wide Open with Leica's 50mm f/0.95 Noctilux and the Sony A7rII

Bonus Crazy Comparisons: Bokeh between Fast Leica Primes, Current and Vintage

Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version

Leica's New 28mm Elmarit ASPH - First Impressions Street Shooting

Comparing Image Samples - 3 Generations of 35mm Summicrons

Leica 35mm Summicron ASPH vers. 2

What the Leica MD taught me what the Nikon Df should have been

Differences in Blown Highlights and Crushed Shadows between M246 Mono and M240

Leica M-D Typ 262

A Eulogy For Film

A Defense for the Lonely UV Filter

The Case for Cropping