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The Last Blog Entry - A Question of Community Anna in Hong Kong https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411333494-2066RZ71VWVO77WAJ4KB/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Anna in Hong Kong https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411353832-IBB07XP1ZCXWRWEB8QIB/Last-1005.jpg SERIES I - The Last Blog Entry - A Question of Community Anna in Hong Kong https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411410360-LJL5F9W8BSUQB698V7SW/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Anna in Hong Kong https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411447835-0OW64A4B9D31BTVBUAKO/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Anna in Hong Kong https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411475482-JR44T9HBMTIFPSZ3ZXAL/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Anna in Hong Kong https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411524984-6NNCHRLXSSKVUXXVI3BQ/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Judit in Ho Chi Minh City https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411560005-4WDHY5GVUP99J7YSNGTY/Last-1012.jpg SERIES I - The Last Blog Entry - A Question of Community Judit in Ho Chi Minh City https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411595808-H6Z4204WMS0DTUJ7L5XM/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Judit in Ho Chi Minh City https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411617962-8AKWGJ2BTZ16TDDELDIY/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Judit in Ho Chi Minh City https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411674556-V0XMARCWUWYDHBYPKM1E/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Judit in Ho Chi Minh City https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411707529-L863VNM07U744X0YVTD6/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Judit in Ho Chi Minh City https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411728827-WQ9PRDMK8IP91I1YRTEN/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Judit in Ho Chi Minh City https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411746890-9TXJ03NCONSOGH6228AU/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Judit in Ho Chi Minh City https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411766342-NXQA8VNCLSSPH361ZBIA/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Judit in Ho Chi Minh City https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411786685-8QJHIVC3KSVEKDAMX5GN/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Judit in Ho Chi Minh City https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411813719-FNNQNG0NLDX013CCUWT8/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Lydia in Banff https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411877372-1VEEP7TITCWWB2ACYCHJ/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Lydia in Banff https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411921713-VSI0SWNIRMGPZYKLV2HI/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Lydia in Banff https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411900822-L5VE1IY7QIJ3ZVL6QGWX/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Lydia in Banff https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577412019505-LMDZI6QOX510L953Z47G/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Lydia in Banff https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577412041829-51R0Y92IICSWENWHMIRX/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Lydia in Banff https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577412066610-K8LR2844H69EZQKM6DFZ/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Lydia in Banff https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577580362044-00P4TPUW0SPZGARV3UHR/Unknown.jpg SERIES I - The Last Blog Entry - A Question of Community Lydia in Banff https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411969021-HKKFZ9V7X7RAGBTYGNS6/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Lydia in Banff https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1577411994826-B809V6GG8Y8FSXWE8NUW/image-asset.jpeg SERIES I - The Last Blog Entry - A Question of Community Lydia in Banff https://www.streetsilhouettes.com/home/2019/12/17/leica-90mm-f15-summilux-m-asph monthly 0.5 2021-12-08 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596223964-W2E48G4S2MU68VJ3IJ7A/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH - ISO 400, f/1.5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596270314-XXNL96ZY0FGSK5SOZ9WB/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 1600, f/1.5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596297656-Z0725Q312Q6LN8GSYWLW/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 1600, f/1.5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596321655-Y0CWGQ6FWDAQGTQTUS8I/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 800, f/1.5. 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Background has been darkened for the sake of composition. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596440546-O2M8Y32LPVHNCWI8IV1Z/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 800, f/2. Demonstrating corner sharpness. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596467538-6R4YDILDQZR0S7XBQYYI/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 800, f/1.5. Demonstrating corner sharpness. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596525903-7E75H1HE6XDNWG1C4IRP/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 800, f/1.5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596564655-A4DZKODHTZZ5B97TCV3I/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 800, f/1.5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596611653-6JSZEC8W659FDEIX0COO/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 800, f/1.5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596638034-OH1CY4K5ANC775FR1N39/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 800, f/1.5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596672994-OC6A2TVG62ZAQ96ZXXXT/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 800, f/1.5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596693065-ECDPBQGMATM81WQQ64K4/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 800, f/1.5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596716681-WULZ0KQ4V523ZE65DCQJ/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 800, f/1.5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596771398-KV3RUMW1H52XHU4LY9HJ/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 800, f/1.5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596795629-ADLFFY7F2UJCS9WSRYPU/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 800, f/1.5. 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Minimum focusing distance at 3.3ft (or 1m). https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576596994968-CER8J0VZW0J97LMON848/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 800, f/1.5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576597030082-25H7J4M9KH5EMU80TLTE/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 800, f/1.5. Maximum focus distance at infinity (∞). https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1576597050646-XLIXA2O0E1UKKQJ4FZOB/image-asset.jpeg SERIES I - Leica 90mm f/1.5 Summilux-M ASPH Leica M10 + Leica 90mm f/1.5 Summilux-M ASPH @ ISO 800, f/1.5 https://www.streetsilhouettes.com/home/2019/10/27/the-role-of-the-photographer-in-the-future monthly 0.5 2019-12-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572185970856-BYAVJF1BBO4IS6ATBMEM/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572185996356-MMSWJIWR5SOHF2EZV5O0/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572185884301-8YZVOQT2YGDXXWVKGXZ2/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186023027-RP5R38XLK2FQHKIHBBQK/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186059017-I689VSRKPNHTB6JA8FIV/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186087533-86ORQVI69H6E1YMIUDB1/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575363266143-20EKCQQWAAVGUJMTX2ZA/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575363294755-I2UK54VX2K7QVK7N0C6J/Delta-1014.jpg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186435933-Z0GIBVZJ8OLKFUKYOD1L/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186473741-ONWOUQCDZA2NOFENJ3YQ/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186502300-XX89QIYMBHN5M6AM80LV/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186528099-XFIA4W3W63DRBMUWZZX0/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186189232-JFZ228RV1YXNRMDGMOMU/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186219325-B2HD73O46BBHP0SACJLB/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186247564-OEKTELVPQQ35PCK9HUEW/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186278653-Z9C25S15Y40S5DJKEYAU/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186302926-21UPFWN1L6Z8N6FRNSV3/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186333358-NF5L40E2742ZED1CBLUT/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186734797-622GHCURY8O1AAJB5KHN/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 3200 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186772143-DQHG2VPOK3I5T1W5XIZ9/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 3200 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186810079-U453DTSCFKFNQ273IJT6/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 3200 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186844177-C4YWHPFAUSFGC9TUWDHN/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 3200 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186585878-ELPFMM5LZFG64AH7DIIP/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 3200 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186648808-EITKB8OIEROVXSB5RXYY/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 3200 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572186893559-3JD7W9Z9VSVH6PBV8FBC/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 3200 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572254068369-2NPZT912W5K0J0MFYINJ/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 3200 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572254121723-FU9XS84IUN4DCKLPE6UO/Delta-1027.jpg SERIES I - The Role of the Photographer in the Future Ilford Delta 3200 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572254175985-7NGG1JEML719YFAH5I6B/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 3200 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572254417134-B56BGALVK0PJUPTZ81E0/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 3200 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572254233950-IIH3HBQAL513VKWYP01Q/image-asset.jpeg SERIES I - The Role of the Photographer in the Future Ilford Delta 3200 @ 24mm Focal Length https://www.streetsilhouettes.com/home/2019/9/26/a-tale-of-five-cameras monthly 0.5 2020-05-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569489586374-4DNL49SLXDIDMU643K4L/image-asset.jpeg SERIES I - A Tale of Five Cameras Leica SL + Leica 21mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569489646469-67ZQ62G1QT00KT8ALRN3/image-asset.jpeg SERIES I - A Tale of Five Cameras Leica SL + Leica 21mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575532517284-1HG90PJX6A47NWTJMVRU/image-asset.jpeg SERIES I - A Tale of Five Cameras Leica SL + Leica 21mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569489715974-SW7H88BOS79GT9ZTMLXV/image-asset.jpeg SERIES I - A Tale of Five Cameras Leica SL + Leica 21mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569489738316-MLYXBQ3K0GNNUF8H8D7N/image-asset.jpeg SERIES I - A Tale of Five Cameras Leica SL + Leica 21mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569489758111-LYSFBV8RE3Z0LWWGX2GW/image-asset.jpeg SERIES I - A Tale of Five Cameras Leica SL + Leica 75mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575530739013-8HOOWBJLIHJMF7FTJE5N/Yan-1001.jpg SERIES I - A Tale of Five Cameras Sony A7R Mark II + FE to M Mount Adapter + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569489935951-WE2AFTARV4NLKHS34YV7/image-asset.jpeg SERIES I - A Tale of Five Cameras Sony A7R Mark II + FE to M Mount Adapter + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575535800038-WRCDR3LWPIG4TJWP7YIB/Yana-1003.jpg SERIES I - A Tale of Five Cameras Sony A7R Mark II + FE to M Mount Adapter + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575530708223-G7DBR99OXRBIQL2EHUC6/Yana-1004.jpg SERIES I - A Tale of Five Cameras Sony A7R Mark II + FE to M Mount Adapter + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575530537387-EYBX1C083WUS5N1N5437/image-asset.jpeg SERIES I - A Tale of Five Cameras Sony A7R Mark II + FE to M Mount Adapter + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575533555953-8ENZPYIXGBJC2HTNYCMD/Yana-1006.jpg SERIES I - A Tale of Five Cameras Sony A7R Mark II + FE to M Mount Adapter + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569490061079-RG4X3IPRR8LHTJ8G9P08/image-asset.jpeg SERIES I - A Tale of Five Cameras Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575531793932-OOZ2OIQEU5N7NVPQGRA2/AnnaJudit-1000.jpg SERIES I - A Tale of Five Cameras Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH, Version II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569490147179-UR36A1HJ3NEFDQY1EXVE/image-asset.jpeg SERIES I - A Tale of Five Cameras Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575530030599-4B9SV7LMS51P8JLCH3TG/AnnaJudit-1004.jpg SERIES I - A Tale of Five Cameras Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH, Version II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569490117147-QHC9DVZYCMZ7A9K6Q94R/image-asset.jpeg SERIES I - A Tale of Five Cameras Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569490201025-Y8BIK8237VRPOF5NZNOV/image-asset.jpeg SERIES I - A Tale of Five Cameras Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH, Version II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569490347451-T3KAWQFSBJGTKE483OIP/image-asset.jpeg SERIES I - A Tale of Five Cameras Sony A7R Mark III + FE to M Mount Adapter + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569490407267-OYETWQQFNXRFJ7766XAG/image-asset.jpeg SERIES I - A Tale of Five Cameras Sony A7R Mark III + FE to M Mount Adapter + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569490427480-AMDUYWAMIFBAWJGA437E/image-asset.jpeg SERIES I - A Tale of Five Cameras Sony A7R Mark III + FE to M Mount Adapter + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575531267506-RYU5ED3MF19YCIG1N2QF/image-asset.jpeg SERIES I - A Tale of Five Cameras Sony A7R Mark III + FE to M Mount Adapter + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569490473005-4MX6B6MZWPVAKF2Z3GWL/image-asset.jpeg SERIES I - A Tale of Five Cameras Sony A7R Mark III + FE to M Mount Adapter + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569490495473-DUTLVN7PCT9PCSHC0WJE/image-asset.jpeg SERIES I - A Tale of Five Cameras Sony A7R Mark III + FE to M Mount Adapter + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575524154590-A1Z2TSEG6CY3WIIQ3R6C/FujiS5-1001.jpg SERIES I - A Tale of Five Cameras Leica MP + Leica 50mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575524219233-X1P9TJDKOEJC3VZBLB55/image-asset.jpeg SERIES I - A Tale of Five Cameras Leica MP + Leica 50mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575524262031-7279HO8A9XSQV1YYMVLU/image-asset.jpeg SERIES I - A Tale of Five Cameras Leica MP + Leica 50mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575524294636-N9ORUDGMUJ4WBK61OXF4/image-asset.jpeg SERIES I - A Tale of Five Cameras Leica MP + Leica 50mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575524487628-E59E9UBDG1HHTHVGS101/image-asset.jpeg SERIES I - A Tale of Five Cameras Leica MP + Leica 50mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1575524358505-XAQG2Z4L4RSMQCMGNKRJ/image-asset.jpeg SERIES I - A Tale of Five Cameras Leica MP + Leica 50mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1589516931946-1SMWJ5FHPWO2ADKYJASP/image-asset.jpeg SERIES I - A Tale of Five Cameras FujiFilm GF670 + Fujifilm Provia 400X https://www.streetsilhouettes.com/home/2019/11/15/7the-look-of-nighttime-fill-flash-photography monthly 0.5 2019-12-01 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806906062-PJDMNV40C7OAAZVW8DRC/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573805866190-M6TT9F8P08T6EHY49BXX/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573805993562-X6H3OJHVGMQH60X4S55U/PMFlashFilm-1003.jpg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806102318-HIO6T0U741P3CCMDC0GU/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806138370-IA9BLARLMP7ZI55UEJBD/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1574064915379-RKP2FU2H9RQZ1WD8SHS2/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806209949-X8PNUEWSJ4ZXX8SXTU9O/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806240057-F9SJB7E731AZ462Z5LMM/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806278762-O7WQ1NH1HWXVKGWQIUAE/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806306102-3CY7A7NCOBEM2X1LOWFT/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806346963-S6DUR3QK0XJDJV0LAQQT/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806376149-QA7V96II202R3DXPFSUT/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806420689-MO66AVDOBCH9WNG9XNDP/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length - Background, subject, and on-camera flash are all parallel to one another. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806460935-RNRX6QRG5JVKOCVZ6V25/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length - Background, subject, and on-camera flash are all parallel to one another. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806503632-FK2AD8T677LTCFE2HA5J/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806550336-9AKK0KU7NTCERKNP04Q2/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806595990-3UKIRI8K17P4Y218VOJ0/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806662766-JP73I5LT4H39747MIHZO/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806710989-WVA4TUCTSJI17B68IJBT/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573807027101-X262AB60EWURCZJC2YOT/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573807068576-0NIINI556BNIALZ5WLOQ/PMFlashFilm-1027.jpg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573807116191-D5KCYQ4AZ987LEOR00OF/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573807147718-PQ8RBPWOZ4MSBH4T5CPE/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573807182241-FRK0SH7VS2TK1UAT8GV5/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573806761677-TOUPTJTKO8WQ7VLKM9MC/PMFlashFilm-1020.jpg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573807270103-ACB66YYNWMZSGK675BPA/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573807421246-9J2T6YSNCJYEEFVIXJ78/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573807458417-PT9JX1OVYD2Q4AATZBXF/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573807498047-7698O4K7L5R8P67TCNBZ/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length - Notice the shadow casted by the fill-flash. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573807527234-FHXBCS6CIAPQPLRZSWXK/image-asset.jpeg SERIES I - The Look of Nighttime Fill Flash Photography Fujifilm Superia Venus 800 + Fill Flash @ 28mm Focal Length https://www.streetsilhouettes.com/home/2019/10/27/wide-angle-lenses-are-more-flattering monthly 0.5 2022-01-18 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188628078-SC1CXOZ633DESPPCFF77/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - Perfectly shot to capture the ideal proportions of a height of ten heads measured from the supporting leg (which is weight bearing leg). https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188682430-9YOJRLYKSMQJHBJJM0UV/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - Shot too much at waist level. As such, the midpoint is no longer at the low hip, but rather at the high hip. This means the legs are no longer the same length as the rest of the body. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188720315-Y9XCS7APMMMRHQYF32AE/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - Leg has been cropped out with arms symmetrical and on the same focal plane as the rest of the body. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188754952-6IKCZDV6340AJ1O6FKDI/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188782717-GWW8P26WJ2VB9D2F1UZA/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188817314-5VF1ZEVL45CKZY1WMBIX/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - I forgot to ask her to tilt her head. Imagine that she did. Her chin would recede in a slightly further focal plane, making her chin smaller, and her forehead will be slightly larger on a slightly closer focal plane, resulting a sweetheart face contour. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188852948-U558OG7LV43BFQ893ME0/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188891634-0BAWRF5WY5P09EI81AHU/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188931264-MNSHRZMQEQND1V49HPRZ/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - The head, arms, and legs are all lined-up on the same focal plane. This makes the subject appear undistorted - meaning the legs do not look bottom heavy (if the camera were tilted down) or the torso and head look top heavy (if the camera were tilted up). https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188959547-NGR5V476JNXDARN1CS8Z/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - Legs cropped out in order to conceal the reference points revealing the extent of distortion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189001753-IMCB72PQLSFXT33UGRHD/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189038811-BVAYIF49FW4INLJS3457/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - Shot from eye level with the camera pointed down. This will bring the legs to a further focal plane, which will offset the documentation of the subject slightly away from the ideal proportions. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189066169-68B8YSQYYMN0SHD0ZK8V/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - Again, image that her head is tilted down https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189098719-82RA5FWKKTEPUIZPJST8/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - You can tell from the background perspective lines that I shot at eye level with the camera pointed down. Since her lower body has been cropped, the extent of shortening from distortion is not revealed. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189130977-KDK3T0DSO2RYTQWD6UWY/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189164130-NPXRVOIQEU5B94VN9GO6/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - Shot from below, but her head has been tilted forward, so that the extent of distortion from different focal plane would be minimized. Also, her elbow has been cropped out to reduce the impression of distortion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189193306-W09IV6XJ11W5GS2HMYQE/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - Both legs are actually on the same focal plane. As such, I was able to have some fun with their relative positioning. That said, the supporting leg is pretty much hidden behind that sign so any evidence of any hypothetical distortion would have been covered up. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189220045-36N07PPEVSMNN8I5XP63/A-WanChai-1018.jpg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - Had I captured the other hand, it would be much smaller than the one showing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189296246-T4B9B9Q9BYDGCOSUJK4D/A-WanChai-1019.jpg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189338920-QQJ7BGWQ4620X46NBAKF/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - Shot at eye level with the camera tilted down. Hence, legs are on a further focal plane, which offsets the documentation of the subject slightly away from the ideal proportions. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189367517-UD51IR3J2JS053BAP922/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - This actually took some effort to photograph. Both feet were positioned on focal planes that would make them appear more similar in size. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189392404-D5VIBSBL7C3VSA2CMXTZ/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - Deliberately playing with distortion. Even though the hands are much larger than they really are, they are out of focus, which softens the distortion somewhat. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189429557-7571699C1X3SLAPXK8J7/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - The distortion of the lens accommodated the feet in frame. This created an illusion that elongated the legs, even though the camera was tilted down in the image capture. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189458124-UQ5N3ZINIUZIMJBT47VB/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - Took me forever to take this shot, in waiting for the background to clear. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189488231-EUL435ZJF3B2YDCVLG1S/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - Head and body are on different focal plane. But since her body is in shadows, the shortening of her lower body is not as obvious. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189519559-3E33BRLDK4CXF6KNZF3F/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - Arms almost symmetrical and on the same focal plane. Shot at eye level with the camera tilted slightly down. Legs cropped out to eliminate reference points. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189550305-ZVJQ0LGO8VUXELAS62BL/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189580106-9QAWSJMHY6B6JT7NGRSV/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189610215-913M7PA8VTO59O6LP2XB/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572189645215-2W6JHQU63GMR424B0WDS/image-asset.jpeg SERIES I - Wide Angle Lenses are More Flattering Fujifilm X-Tra 400 @ 24mm Focal Length - Legs are once again on the same focal plane. As such, I was able to have some fun again with their relative positioning. https://www.streetsilhouettes.com/home/2019/10/27/parting-way-with-my-two-leica-m10-p monthly 0.5 2021-01-20 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572187605377-KCKSJP010K2Z754AZ28J/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572187664081-2CHWO1L7NMR5FP21527Q/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572187696716-VEFHKHXOYP8935IW6BIP/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572187721166-WFEW2PHPPI0ZTO12RG64/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572187743261-M3HQ3XGOXTHLCBUGXPUX/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573993004037-FV30ODIAZXJBTF25PU7U/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572187804137-D75DBMBN6SBNUGNIIAU0/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1574242014963-Y4FJL61R4BD9272CX61Z/J-TST-1008.jpg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572187852982-SJ4MV3P8B01ZJTLISL8K/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572187884317-SLSSHBAHW74JAG11LWA3/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572187920303-EOEYYOFPSCLZ7OJV3V76/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572187945143-5X86GSQ1WC7N21CRC99Y/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573993034758-S9BYHCWZFWTFS5EX30GC/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572187995389-UUH9NT08Y6RUFBVPWR77/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573993095459-WN3E5NP68YKWWXRLED55/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188042863-60PU7P8USU6GU9HHX72C/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188072979-98FM2SL3UUBTQZDE3D2W/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188100916-0ZW576RP1RTOBYTZO5CR/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188137496-UNKHWND72QOWEJI5O2JC/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573993124766-Y7K4W5GC1JB8N8XPXBSH/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188190008-VSOXRU2DZOZW9HPHRXPN/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188249289-0141UGQ164KO8WDZCHVR/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188224420-FNYHQMGSM1TWH663EXVP/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188278151-WRKD1V7BYBSRWR135Q6S/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1573993155456-N6HAPRWA4ATQ2KKH0U5Y/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188336518-VI3FQXC71F3RT2RQKEC1/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length - Extreme crop! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188378333-7KVVX22I37BLJ520XOK3/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188409957-WOGZZAHJJ3KBPALTNLX1/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188442241-1A8CVTCTS2P1E2ANK1MZ/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1572188475074-7YWBMY586IY4E4Z0YHOH/image-asset.jpeg SERIES I - Parting Way with my Two Leica M10-Ps Ektachrome E100 @ 28mm Focal Length https://www.streetsilhouettes.com/home/2019/9/23/on-leica-losing-its-soul-a-commentary-on-the-future-and-holding-onto-the-past monthly 0.5 2021-11-09 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571302425976-A04722N34JGO5FOT2L3A/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571302524814-WE9QZA6B51T0TASF069H/Lydia-1002.jpg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571302390439-SVO9KYLA4G9YGBFSIFCZ/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571302675699-WGR3I80RNVFYM3DTF9UN/Lydia-1005.jpg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571302653773-ZKAP2ZOSZ9FA8ABYPSFF/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571302863728-LJC9WRL7U9YAKWUYMZBV/Lydia-1006.jpg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571302917208-YAJVMPR13AURISK0WRQ7/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571302948555-CFHTUGEB4K6YTP092RZK/Lydia-1008.jpg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571302997095-N2RD7KVQ0OF3747Q62BT/Lydia-1009.jpg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571303036451-DLQGHTZ8Q9C251Z0S9GR/Lyd-1010.jpg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571303072052-9Q8AO3A1FG80I1HOMK21/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571303097894-NZ360IZC4QV8GURDVULV/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232770667-L422U79B4OIZV5QNKMXU/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm Natura 1600 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232815471-K4LQZ6WR1JCJK87S8868/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm Natura 1600 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232855170-F8954INRS6KEZ680SQLO/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm Natura 1600 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571303373955-IWHF07I8PLLEMJI87HSA/Ann-1004.jpg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm Natura 1600 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232905450-XIHQS4NM8PEPE7RKO76R/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm Natura 1600 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232928162-KTC5KUL58FAR74X9W9NH/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm Natura 1600 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232956615-HT5IFAPYIMBR9F5DZZND/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm Natura 1600 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232986335-2TPL87YVQXJDUEA8HUTT/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm Natura 1600 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233009327-0VT4GPDPJY08YMV1NJJR/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm Natura 1600 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233035456-2IOU09NG65D9B1V9BCJA/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm Natura 1600 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233076763-DV1BZLY4PKGN342LDXZU/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm Natura 1600 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233097963-K237KSZB9HHW4BENX16H/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm Natura 1600 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233130644-X4H9ZR5JA8L4VPV6TOU8/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233157711-42103II85QQ500M9BZ17/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233181682-1CHFYXXXRNKZIKCLF7P7/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233210933-NW6OGEN6WE2UT3G3CTQP/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233237943-V0QZU7RL5VTHMJBF4ZMK/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233273793-06356D8QSEDIR9Y1XUXM/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233306664-UVV18J7UHUI9SZWTE4FM/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233379806-3AW5AIL65WY0U0GTILX0/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233444462-Z8R952G6HNMD8NZP8BTA/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233472411-XFN0HSJFXYE8JKAB5RTP/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233498187-X9GA512270CZMD6T1T0A/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569233532696-KFHR71KPWDSFC2RHFZBA/image-asset.jpeg SERIES I - On Leica Losing Its Soul - A Commentary on the Future and Holding onto the Past Fujifilm X-Tra 400 @ 50mm Focal Length https://www.streetsilhouettes.com/home/2019/9/23/negative-lab-pro-a-plug-in-for-lightroom monthly 0.5 2021-11-18 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232149527-LGHMXWWZF28GYDPDGTYG/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Pakon F135 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571130711599-1K6PZQQF82XBHOD0UIAJ/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Nikon Z6 + Nikon ES-2 + Nikon AF-S Micro 60mm f/2.8G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571131657708-JD53WAMBVFJE14E9UIG4/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Leica M10 + Leica BEOON Copy Stand + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232240053-FB7IXEFROS3BTPZHWIHZ/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Pakon F135 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571130869612-TCAPB8NNVUKGBCDMAY2N/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Nikon Z6 + Nikon ES-2 + Nikon AF-S Micro 60mm f/2.8G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571131714470-5B8PJNJJQBF7F63JOLU8/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Leica M10 + Leica BEOON Copy Stand + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232286131-3VVLI46GYL7TG9XASUY9/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Pakon F135 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571131051435-DNQTMF4EH59AIK3EWKGI/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Nikon Z6 + Nikon ES-2 + Nikon AF-S Micro 60mm f/2.8G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571132323719-WLTWMISA5A5B7SR5CVT4/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Leica M10 + Leica BEOON Copy Stand + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232347983-XKPLP3MNGT1HS43ZQX50/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Pakon F135 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571131148005-SG4ETCBBHRBEZEDSS1QX/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Nikon Z6 + Nikon ES-2 + Nikon AF-S Micro 60mm f/2.8G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571132297327-DQ5TFWGJ0O49EFS1IKN1/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Leica M10 + Leica BEOON Copy Stand + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232389453-UAH2SNBTLDDRKQ20N33V/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Pakon F135 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571131180531-AFINXVDC0EX3VU5O2YVZ/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Nikon Z6 + Nikon ES-2 + Nikon AF-S Micro 60mm f/2.8G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571132260420-PXM63GHF6U4YMODZKC0N/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Leica M10 + Leica BEOON Copy Stand + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232454179-JWZBCUPSZLX2ZVHQ5BCU/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Pakon F135 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571131229468-61QIF1K4BFS9TAE53UFB/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Nikon Z6 + Nikon ES-2 + Nikon AF-S Micro 60mm f/2.8G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571132225190-UI3LGROM1BWLU4DW7SW5/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Leica M10 + Leica BEOON Copy Stand + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232476594-GIVKH9XFTKO7SY938UJ4/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Pakon F135 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571131293465-691IZRGVS88J1WLGG32S/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Nikon Z6 + Nikon ES-2 + Nikon AF-S Micro 60mm f/2.8G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571132189496-D3J6AX12LS6PQ3OO4NF0/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Leica M10 + Leica BEOON Copy Stand + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232534753-J5GQMLP8LVCYOH6KXV9U/Lyd-1010.jpg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Pakon F135 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571131324723-DUM5G2Y1F69ANQRJG2IT/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Nikon Z6 + Nikon ES-2 + Nikon AF-S Micro 60mm f/2.8G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571132157439-PY53T4VRKYXWJBJM6PIJ/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Leica M10 + Leica BEOON Copy Stand + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232568316-690WLVEU3F176LPL5O7C/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Pakon F135 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571132523731-ISYBVYYJCE0VGKX7401R/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Nikon Z6 + Nikon ES-2 + Nikon AF-S Micro 60mm f/2.8G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571132046438-MQBOFY32C6CEHXPZ7MOV/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Leica M10 + Leica BEOON Copy Stand + Leica APO 50mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569232611687-6ORRYQ10EO9274FD9ACM/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Pakon F135 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571132594749-O1NSD0Z9GVDP2YWY4FPA/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Nikon Z6 + Nikon ES-2 + Nikon AF-S Micro 60mm f/2.8G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571132099047-7BFSBS6RPNVKXH2N757D/image-asset.jpeg SERIES I - Digitizing Negatives with Negative Lab Pro - A Plug-in For Lightroom Kodak Portra 800 @ 35mm Focal Length - Leica M10 + Leica BEOON Copy Stand + Leica APO 50mm f/2 Summicron-M ASPH https://www.streetsilhouettes.com/home/2019/10/3/digitizing-black-and-white-film-with-the-leica-m246 monthly 0.5 2020-07-26 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570101568934-2T2HVPXTCGTB00WN3P3C/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570174665048-YKK3H0EC3G0F39YRQGJJ/FilmMono-1002.jpg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102102657-L85WWYBL60JEYRZ29MHD/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570173951371-6GNBSAOOIFE0IAYJO8BM/M242Scan-1002.jpg SERIES I - Digitizing Black and White Film with the Leica M246 - Leica M240 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570173952548-ZRGK2DL735GX9734QSZT/Pakon-1001.jpg SERIES I - Digitizing Black and White Film with the Leica M246 - Pakon F135 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102164055-JYVMKM88MJ75C7PTFJWB/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102132338-H0YZRS95VA1ETELE644Z/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102235593-0FEUVS8ZTI61VITKBZ8D/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102261134-VC1L13MJ3CDTKC0FERYU/FilmMono-1009.jpg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102363124-JM92H6P5XV6WGH0NYWDU/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102394417-BH3FNE1MZ4WO83JFQ90S/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102422106-7ZJ81BTNVRJ0Z827WFI8/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570174106138-VKY19YT5H63JRUHXKV88/M242Scan-1004.jpg SERIES I - Digitizing Black and White Film with the Leica M246 - Leica M240 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570174107016-254QBQKRR403B55EB897/Pakon-1002.jpg SERIES I - Digitizing Black and White Film with the Leica M246 - Pakon F135 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102455550-AF2TA3JJ9MZL4M30V85N/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102628854-GPQN35HOKIE2VM962TEW/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102505661-21G8SV1UIRPXWAT5X3QO/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102537572-8DAM149BMRKDJDJIA1ZI/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102592867-2269V4K0L999B9OUAMX0/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570174231028-Q6UM227KBG2RQCPP77T3/M242Scan-1005.jpg SERIES I - Digitizing Black and White Film with the Leica M246 - Leica M240 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570174229190-KSOJ87PE18PA2O3QIBYA/Pakon-1003.jpg SERIES I - Digitizing Black and White Film with the Leica M246 - Pakon F135 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102669094-7DF45JIZ2F5P9FYJVA9Z/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102696637-U7C8VIYZRLTVX1XHR7B0/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102732041-8YXRXIP6L1Z8JQIH4MBN/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102765823-H5LYNV16IXT4082X7HFY/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102792282-Q31KNERJ7AAIA6V710N8/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570174318195-L5DKGKLFQIH7IGEPHMHN/M242Scan-1006.jpg SERIES I - Digitizing Black and White Film with the Leica M246 - Leica M240 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570174321346-744K1304C54AIAX6BOKS/Pakon-1004.jpg SERIES I - Digitizing Black and White Film with the Leica M246 - Pakon F135 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102849997-XHHLZA9I8J2ZUBABQL5H/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102873999-AC579VYBYOUTRER3VTCB/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102898885-ZWEFTVK9CA5BW0XQ68DJ/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102926493-R70GJ608HR60LE77U4OM/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length - This image has not been edited. The exposure was corrected on the M246. By comparison, the image digitized on the Pakon F135 has been pushed two stops in exposure. It should be noted that the light condition during the moment of capture was close to pitch darkness. What was captured on the M246 is more reflective of reality than the Pakon F135. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570174441204-U7AW5IIYYOWG3UCCJVEJ/M242Scan-1007.jpg SERIES I - Digitizing Black and White Film with the Leica M246 - Leica M240 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570174443714-P1WGUSW3BCE5AT7QH4MO/Pakon-1005.jpg SERIES I - Digitizing Black and White Film with the Leica M246 - Pakon F135 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570102960897-RJ03DEP5EVECA930WIOV/image-asset.jpeg SERIES I - Digitizing Black and White Film with the Leica M246 Kodak Tri-X 400 @ 24mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570175074819-BUQH2HIVB7QIAR549O8Q/CCD-1001.jpg SERIES I - Digitizing Black and White Film with the Leica M246 Leica M9 Monochrom with Sensor Corrosion https://www.streetsilhouettes.com/home/2019/10/3/facing-limitations-to-improve-your-photo-taking-ability monthly 0.5 2021-11-16 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570257688423-V3YGOCRFXZPCIY8DY4DC/DaiKwan-100A.jpg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570252370715-K3R5QIE62CB5BB4XCVMB/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length - Her left torso has been dodged using the local adjustment tool (with masking selected) in bringing out details to create some visual contrast between her black tank top and the black door in the background. Also, the white of her eyes has also been dodged for added contrast. Highlight on her nose has been burned to reduce contrast with the rest of her face. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571123260283-LPB8F0CJ33JHB5KMDX2I/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length - Shot wide open… I knew this approach wasn’t going to work. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570110314975-159KSIC3BXA5Q6K87MP0/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/4898f72d-685f-40a2-824d-36d81f294f47/11A-1017.jpg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length + Fill Flash. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570110338626-AXQZ0E1RKP757U95D7DS/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570110397934-SGD6BFLSIN5KSZTVLK5B/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571667631458-YY8QY74YOT0ZZ71J11VN/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length - Color balance tweaked in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570110485774-WDRHP3G0GYX2A60ZEM8Y/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570110512811-AHXXPV4N7DC9PBKTYJOS/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571667658800-JWD1FSR22EU9N5DJDOTM/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570110571486-MTCY7V0SDO23CLGVMYCI/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570205562046-IFC99U78RS4LO3BFJ5ZE/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570204650549-NPI5Q44MLX470M1JCL4G/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length + Fill Flash. Her abdominal region has been dodged using the local adjustment tool (with masking selected) in bringing out details to create some visual contrast between her black tank top and the shadow cast by the fill flash on the black bannister of the stairs in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570204678200-32INBCBL6BGXXC9E1IKT/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570110597902-SDRPZ7E9ZC8QMAF99ZU1/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570206804993-Z3M1W49SW5GBR5EPJC6F/DaiKwan-1017.jpg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570110697753-LXNWTTHVFM2EPSS9RZ9Q/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570110828330-W0VSQ55ST7ZIDLKVK2R6/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570110888518-SHS5VUXNU0PQBUQV5UAE/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570110916740-ZWGO9RVKEGHUA22GTS2V/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570110942587-0NTGPOYYNQTGIM3YWIRN/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570110968086-B7TJZXH96YMG4C3E7MB9/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570244197881-NNI8QZ2FHR96NAMP8BHE/DaiKwan-1024.jpg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570111025995-6OOODLJGMRHDI89VBN77/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570110994387-UCK2GAK671NY8WE5Z3B6/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570111056903-FADR4C8GRFIUDTWESXEE/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570111088166-79IESKCNYXSIBTP6XR1F/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570111112469-DASQBIBY9E158SH95GBX/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570111135404-3BTWQ7NQ20MED80P1AMC/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1570111160392-7OH4MZ0TECGHSOW3HACG/image-asset.jpeg SERIES I - Facing Limitations to Improve Your Photo Taking Ability Agfa Vista 200 @ 50mm Focal Length - Don’t waste the first or second uncounted frame on your roll. Take experimental shots and see if they turn out. https://www.streetsilhouettes.com/home/2019/9/30/canon-rf-24-240mm-f-4-63-is-usm monthly 0.5 2021-11-06 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569856974460-VV0HYOGLZZ8ZQYIBLGCX/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 135mm and ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857063716-Z19PMFT479XUW2TOJ57R/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM@ 90mm and ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857141957-L0X1HJ2PF3NQFQWRLPLA/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM@ 240mm and ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857193219-2AWJU89WIGA50AP732GC/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM@ 50mm and ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857674910-25X0FL53O8FPINALWHD4/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 50mm and ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857229085-F3QIZRMEJL9A7F05FLWK/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 75mm and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857290288-EQEY0W6J7BZSBQ6BMM3M/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 24mm (cropped) and ISO 800. Note: Without Fill Flash, getting the optimal exposure to retain details in background highlights and subject shadows is not possible. As such, subject was underexposed to prevent the background highlights from becoming completely blown. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857320167-9ASDC14EO14KBVOW1HA6/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 50mm and ISO 800. As an addendum to the previous image. A better solution was to turn around, where the subject was more optimally exposed to a background that was slightly more in shadow. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857353578-NV9YO3M3K4APDATK669X/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 50mm and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857387063-2D4CCPO18SEAH7P27MT8/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 75mm and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857423311-DCG4UBJ3HNUSJX5LAMUP/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 50mm and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857454953-D97KI1Y9P68DIR6BCXLL/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 24mm (cropped) and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857603638-Z7ZLUIB9QPUBBE8DZQEL/L24240-1020.jpg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 50mm and ISO 6400. Image required considerable color correction, given the horrible interior lighting. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569943577830-NME45C6QCFQCT1SND3WR/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 240mm and ISO 6400. This image required even more color editing than the previous image, including the use of local color and exposure corrections. Additionally, I also dodged the white of the eyes and teeth. That might have been going a little overboard. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857793024-7PX9EY4GEQWBDQNFZZZG/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 50mm and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857838137-PHK5E764EDUEA6H4U8EG/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 24mm (cropped) and ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857884527-WFRKHXG9QFBWMGRRZ18D/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 24mm (cropped) and ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569857940942-UE6S5XW58INRJMNVO6SG/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 50mm and ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569858007920-SXCMH862FV41D5PYYSZS/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 24mm (cropped) and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569858039562-7A79VU53O86M4VW6Q44Z/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 75mm and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569858069973-X7I99U83870MAQ1ZVQEL/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 75mm and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569858105602-XZO84QQJ5I8RTIQYCJFF/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 24mm and ISO 800. Notice the vignetting https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569858132637-LXIA9Z3HCUR4EX89Y0LX/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 24mm and ISO 800. Notice the vignetting https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569858157831-ZOO1IHQR8217YN7YTZR9/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 135mm and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569858192891-MVWCJSYBHKSAOYKO0A3H/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 75mm and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569858222650-5WIIEQBZADMKUL67FNR7/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 105mm and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569858260166-XY5FK4W20P2M8SDSNBC5/L24240-1027.jpg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 240mm and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569858303445-W0UBO9BQCLGY9X3YK7K0/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 35mm and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569858341273-LUHRRFRRUN7V34M25VZL/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 240mm and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569858377182-X7KA3NVEC7KB1I6M90SW/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 240mm and ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571032235834-RI93KQPD9KMU2CVMEF61/L24240-1031.jpg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 24mm and ISO 1600. UPDATED: October 14, 2019. It seems that all-of-a-sudden, the Profiles for the Len Correction in Adobe Lightroom is working. I don’t know if it’s because I’ve updated Canon Digital Photo Professional 4 or because there has been an update to Lightroom that I’m not aware of downloading. In any event, this is currently the best remedy to the vignetting and distortion issue. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1571295386091-ZQ6LZ134OG12LZBIMYRA/image-asset.jpeg SERIES I - Canon RF 24-240mm f/4-6.3 IS USM - My Favorite Digital Lens Canon EOS R + Canon RF 24-240mm f/4-6.3 IS USM @ 24mm and ISO 1600. UPDATED: October 17, 2019. If you compare this, the original RAW image to the above corrected image, you will notice that the vignetting was essentially corrected by fixing the distortion - that is to say - pulling the corners away from the center just a little more. As you can see, the angle of view, given the distortion, is actually wider here in the original image, than the corrected image above. https://www.streetsilhouettes.com/home/2019/9/18/you-really-dont-need-a-fast-lens monthly 0.5 2019-12-29 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790416118-3RLJKLLT3ALBVQ9GAK6D/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790467997-TYPHE3JXXTRXFZXNP567/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790502213-IOL4USHVKPQCWR6SYMQS/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790538329-I763RE3ZL1N7EPM796EX/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790564972-5L4PO8N42XOJO88VTG34/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790597463-JUK0IIQ4GYUE13M2H2EU/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790631164-4EHL24PN2OFSEKW2QTLB/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790657124-QYERQVDP0ISGF2CGYGWK/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790693272-A93LQP6BJ36WQHHSIT3V/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790718538-H7R282K682TJZLDZNXSO/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568794480068-C2BKYJPZDKKR1Q9B8RYZ/Agfa200-1011.jpg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790772487-36A7E3K2FQ710PH4BCWM/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790807410-BNR5ELSYTU3M6KHLWJSA/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790835354-S1K3M7R62W1VHXLMJI7U/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790865996-XF9FKEMLTQTEQTSASOF7/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790892963-330OR5327FL49IUDWLD1/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790923625-VRUE63US0J6QVLDWBBUB/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790952996-3D5OZH1L8A1UGXPM779N/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568790991111-INZU3MH4BYR6U3P4DAAC/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568791022656-KJIQGGFF4PASFKDATISP/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568791072786-AQKY4FL9GOQ20YISHB65/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568794230647-4POC953SI6QPOFP0TMW3/Agfa200-1022.jpg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568791121361-Z2JK4D1S6DEEZII6J4SB/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568791147228-OBQBNHXD58F62TDA9Z5J/Agfa200-1023.jpg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568791244448-ZEACWHVUQJIRYNBNJEN0/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568791281108-7BGNNJZEKGHRAIW1OW6E/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568791317233-NLODJFCKKI728QXG5OYP/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568791347552-KJ6L10O4RU3JH8Y55MV9/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568791441548-S6BAYWFWZL32DBRJK8MI/Agfa200-1029.jpg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568791394728-LBZP04F2JMYR2VBFPPUC/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length - The clouds finally parted in letting the sun shine through, thus allowing me to take this fun shot stopped down and at 1/1000s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568792344386-Y5YSGD34YA6778QR3BNU/image-asset.jpeg SERIES I - You Really Don't Need a Fast Lens Agfa Vista 200 @ 28mm Focal Length https://www.streetsilhouettes.com/home/2019/9/17/rangefinders-are-awful-featuring-the-nikon-f6-nikon-af-s-14-24mm-f28 monthly 0.5 2019-09-30 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698108884-UARGSFU1T0TQC0FRZNBH/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698171280-IFK5YR4HZSWKMJKJK3WA/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698197171-OQ23KFRMEKMGSQXLZ01J/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698221385-9RBKXCO5KR0RS93VOF1U/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698247059-QS67OGE7JIR6IPW9ISTN/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698269615-NS2QLSZKS389S7F5WYAQ/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698291612-WZN72L50OX9FWPXZPHF6/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698316387-C1F89RVYXSBG3CZ26X3Z/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698343770-97AIRJBOQUNUCWP5TTXA/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698368916-YV85M1U8455V6PGH23SE/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698405544-U4RNR85GOG0DZL9UNTD5/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698432142-4W8CYXGM5LIRGFH8K427/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698460826-35Q6O1VFXLK2ZO1HE9BK/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698488563-LJU5IVVYN2O7PNYO0DL0/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698512409-7AR5FNPZ5X85IBXQOZG3/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698552606-HX4S1FK7TZ9MBM75SZ1G/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698581882-CG7OBD9XF68KQ9CGWUAJ/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698647720-SXUS3KVTTMSV787TU9ER/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698677493-IMM5Y09REA3YYFL25G5H/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698705636-PB5RBF434GGQOPFHJ5XH/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698732061-OLRCHWEARUW8GU8XL4TW/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698759219-U3RB1DVU2OJZ8WI4DBAM/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698786346-6NQIVWT79CO9TPJRFUXO/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698813792-6IROC0PF1DIK5SGCS0GO/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698886460-AH2MAKUHTEVCANYZVIDX/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698845729-4D39VXOQWHU8WQT2LHXI/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698964286-QGNR6RKFH1FA8BRDPTRL/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698929444-GUCHUTVSB5D6G40SNS7I/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568698998172-RSL8WKIFGV4SSXP5DSQ9/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568699019767-V1AWG5OHW337K5SUNIL1/image-asset.jpeg SERIES I - Rangefinders are Awful - Featuring the Nikon F6 + Nikon AF-S 14-24mm f/2.8G Ilford Delta 400 @ 14mm Focal Length https://www.streetsilhouettes.com/home/2019/9/17/how-i-digitized-slides-with-the-leica-m9 monthly 0.5 2019-09-22 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568702322238-PTSQQ4CWK4W0XAPAP9BK/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568711645380-DMEAFPDZOFI4XW9HM4EB/ProvS5-1001.jpg SERIES I - How I Digitized Slides with the Leica M9 - Fuji S5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568711654567-MAJ3KGXSNV0Z6GAMTBH8/ProvZ6-1001.jpg SERIES I - How I Digitized Slides with the Leica M9 - Nikon Z6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568702395501-77ONIMN7HUZ9ZL5V7DA2/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568702428450-UOBN5IFC7UB64UIJPVBQ/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569042596895-5O5VWBMCOEF8ROEU149C/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568884405501-QNJBP76OEES0FNOCYAGQ/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568702614321-GF0FFTL3B92FWYJI8R7M/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568711752370-R9LPR7DHW22UNGYQ0226/ProvS5-1002.jpg SERIES I - How I Digitized Slides with the Leica M9 - Fuji S5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568711761700-LC9VEBZTAELH13UL655Q/ProvZ6-1002.jpg SERIES I - How I Digitized Slides with the Leica M9 - Nikon Z6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568702585622-54HOT29KRDR8L7T6GVM6/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568702649493-40NH9S1V03V8FAL1CNFG/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568702675408-NDZGUGJD1628W9GV90XO/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568884499391-JIMUGN8G44YCY9Q196MS/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568702727701-4H3NG2A0AXPMATJMZ3EG/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568884527343-Q6DSGH8JJLTYM6SJLXBG/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568702804073-BYP9ZW6X25WDVY3EZXOK/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568702842550-HAO0ILOE0RMH0IGCBEAP/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568884565469-XM01DHBQHGU4E44ATA10/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568711853506-7GDYADEL7ANPL0DPX8KD/ProvS5-1003.jpg SERIES I - How I Digitized Slides with the Leica M9 - Fuji S5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568712497650-4D4R2VMUKXJ2NS7X98MA/ProvZ6-1003.jpg SERIES I - How I Digitized Slides with the Leica M9 - Nikon Z6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568702913279-YHNU1K9XDDJ21YRQP5AU/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 - NOTE - From this point on, I thought I was shooting Fujifilm X-Tra 400, and was shooting the roll as such. For that reason, my metering was not as accurate, which is why the following photos were not photographed as accurately as the preceding photos. That said, there is a Part II to this review, where the “middle row” was shot in negative film… also digitized with the Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568702942362-W3HDV2PQPASBDT6UP19Q/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1569042634254-SEQW5C8MF4DTHUNTQRT5/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568703058512-63VLZX9ZMGG7DSYYN5WC/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568711949169-FDL1XKTLJBQSLS6U2UWN/ProvS5-1004.jpg SERIES I - How I Digitized Slides with the Leica M9 - Fuji S5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568712551282-FRULTA6WJ4IZ57Y7ABJL/ProvZ6-1004.jpg SERIES I - How I Digitized Slides with the Leica M9 - Nikon Z6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568703095380-M4J0NAU9UBYXZPW3MSXE/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568884627534-4UOYKSGKEV7GTKOHL7MK/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568884686336-KXSV00TXY9MZZAQDFS3T/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568703241435-QF01H9M10SV6NE5NXOHK/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568884713298-TL0MUQM9CCIS8A6YJ966/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568703305120-7XPW9O06SCQG8HRF19QF/image-asset.jpeg SERIES I - How I Digitized Slides with the Leica M9 Fujifilm Provia 400X (Expired 2014) @ 50mm Focal Length - Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568712045905-51QHDCB66RPGL1Z3ITRT/ProvS5-1005.jpg SERIES I - How I Digitized Slides with the Leica M9 - Fuji S5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568712597249-U20A6F6L1TGDTPHH1I83/ProvZ6-1005.jpg SERIES I - How I Digitized Slides with the Leica M9 - Nikon Z6 https://www.streetsilhouettes.com/home/2019/9/14/productivity-vs-pleasure-choosing-digital-or-film monthly 0.5 2019-09-17 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477035863-3KSY43AWHHZOVJZVZEOK/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568511571183-KJ12NUQ2QV4KEBOJKDPK/LeiSL-1002.jpg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477267150-X8GF2PQ0H5KAKBBU3LIH/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477295728-RZVPYKPBXNVPDA3NPEL0/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477334738-XZD3WFR0E5AUENHAH4BO/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477375903-4YWQFU6X63PHYF980YQF/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477413685-OESRMFIDBEUS79M1O9AR/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477441957-REAQS0H00ZIJBIEFVGTF/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477467448-88QHY8JTNHSX51EUHVBS/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477505856-5I3PJ3V7LOF3OHQDKZ5Z/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477536265-PXGH932LIW4FCMPAGUU7/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477572821-4G86XJ7VEXZ2EH36D951/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477611841-WG5134LUTXC5A7Q7TT88/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477639482-QY25FWXHP10JDF5C2U96/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477668669-2753IR8P10NZ7ZQ3DLLX/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477698776-IJCYB4ICK4EDX29BNNU5/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568477726998-0AKJ8H8D5RY3N53NA0Z0/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568512371172-V47CJ3E7JCOSTPDLNS3J/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica Vario 24-90mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568479224785-H10X5UZT5QQRO01TIYD8/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica APO Vario 90-280mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568479256633-94JX78Q3W0D5GNNF55BT/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica APO Vario 90-280mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568512122920-1IQKTJ0XHXSN2EF3513M/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica APO Vario 90-280mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568479177986-MLDWBFG5326XKEDLQGVW/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica APO Vario 90-280mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568479319513-3KVX2I2NLYN1TOXTMZ2N/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica APO Vario 90-280mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568701574508-I69AGVFFTUVWY13OFO3G/LeiSL-1028.jpg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica APO Vario 90-280mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568480576779-RWKA2D4U4TPIRWLF308H/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica APO Vario 90-280mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568479348086-OXEX91HU8RLTE0CLC1S9/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica APO Vario 90-280mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568479499502-PCPF9G4JKC1NYIMASMSN/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica APO Vario 90-280mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568479554281-7H9HR21FD7A2TA0UMEIN/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica APO Vario 90-280mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568479605276-9TD9WF14UAH7ILO93S3Y/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica APO Vario 90-280mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568479643011-ENV70MNJDM1NRA9ZU9Y6/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica APO Vario 90-280mm f/2.8-4 Elmarit-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1568652541036-D5TU98ID0OEKABY64K9U/image-asset.jpeg SERIES I - Productivity vs Pleasure - Choosing Digital or Film as a Working Photographer Leica SL + Leica APO Vario 90-280mm f/2.8-4 Elmarit-SL ASPH https://www.streetsilhouettes.com/home/2018/12/13/learning-from-your-mistakes monthly 0.5 2019-09-23 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550460786627-JM06K3SVC6IKSETZRBIH/LFilm2-1005.jpg SERIES I - Learning From Your Mistakes Agfa CT Precisa 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1566886970525-O77NTC05K39O64NX7W5L/image-asset.jpeg SERIES I - Learning From Your Mistakes Agfa CT Precisa 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550460866950-6ET8MS1HJAB2NJ63C3Q6/image-asset.jpeg SERIES I - Learning From Your Mistakes Agfa CT Precisa 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550460903366-U7X85NPJFDV163O65RH6/image-asset.jpeg SERIES I - Learning From Your Mistakes Agfa CT Precisa 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1566888555190-GO71ZF5P766S7U3XFJ4A/Film2-1008.jpg SERIES I - Learning From Your Mistakes - Before https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1566888580258-IOXMQ3HM004O1F925EG5/LFilm2-1008.jpg SERIES I - Learning From Your Mistakes - After https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550460958590-PEVF88D5MIFJU4GRR46S/image-asset.jpeg SERIES I - Learning From Your Mistakes Agfa CT Precisa 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550460997821-NH1IJ6EF5Z5PSNEZ56GU/image-asset.jpeg SERIES I - Learning From Your Mistakes Agfa CT Precisa 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550461034293-HCA6R3NXE8B2QYTZEPGJ/image-asset.jpeg SERIES I - Learning From Your Mistakes Agfa CT Precisa 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1567887784033-G838VQ01DMSXC28N5ZOI/image-asset.jpeg SERIES I - Learning From Your Mistakes Agfa CT Precisa 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1566888766244-XMKXSWYIFFQ3IOJXJZOC/Film2-1014.jpg SERIES I - Learning From Your Mistakes - Before https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1566888744725-LKU8NVRF3ES6UBZBAHL2/LFilm2-1014.jpg SERIES I - Learning From Your Mistakes - After https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550461107884-411WLTGF1MMW871LNZV5/image-asset.jpeg SERIES I - Learning From Your Mistakes Agfa CT Precisa 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1554353271753-QM8OPWNRAP4O9WN3W1QD/image-asset.jpeg SERIES I - Learning From Your Mistakes Agfa CT Precisa 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544684532587-0RPHZ190OSEGDKFHHKH0/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length + Fill Flash - Flash accidentally set above the maximum flash shutter synchronization speed of 1/50s… hence the incomplete shutter travel on the left side of the image. Plus it didn’t help that I forgot to set the flash at the correct exposure compensation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544684470036-OG2G1636IJ5XVKU1EQYI/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544684431348-CHAAYD66LVT10URKGFMD/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544684388354-4TXLA7OZPHM052AA444Q/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544684336666-EAFHELVFWJCAN0IL7OHB/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1566888847700-ZOHHV455YQKRVAEGWK31/Film3-1008.jpg SERIES I - Learning From Your Mistakes - Before https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1566888858630-FVUGXK93XOI9YGQ273AF/LFilm3-1008.jpg SERIES I - Learning From Your Mistakes - After https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544683987635-5HU9L6K4G3B59WF5HFB8/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544684023782-9NQBMW50A4EAUUMTL8YY/LFilm3-1013.jpg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1566888957935-SZK3VCIMXMBNAY8ABFX8/Film3-1010.jpg SERIES I - Learning From Your Mistakes - Before https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1566888973021-OITOT6JP6LOYQY1D78NJ/LFilm3-1010.jpg SERIES I - Learning From Your Mistakes - After https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544683925762-CDIIXPO86UIU9N8Z0OES/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544683885690-834B6NNTGVQRC4R1I1OS/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544683823159-C6PSEDIVJ2MYMXWCQ7DQ/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544683755468-UVHKX4IX1R9EK7MZ5ZC6/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544685091394-2YDMVML81ELZE5OVAQOT/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544683688815-MLYTIFGQ5GCT9VPIPQJ6/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544683559649-EG6A1VPW53X9HFOT298M/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544683507956-P5LSWS5KC090QK96NY67/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1566888137633-ORJRSH6N34143YJ66L0J/Film3-1033.jpg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544683445929-XTP7VI532U5IPRT4VB7X/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544683406911-5O3EDLFFGIHTDYRB3DN1/image-asset.jpeg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544683336834-XTCW6NT7PFI7Z7WOMDNP/LFilm3-1025.jpg SERIES I - Learning From Your Mistakes Fujifilm Velvia 100 @ 35mm Focal Length https://www.streetsilhouettes.com/home/2019/8/4/a-critique-on-mainstream-black-and-white-photography monthly 0.5 2020-06-19 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564935750160-VHE6ZCLNVXJB9X6GOLA5/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564935831368-PJFUGMME41EHF50P9K5B/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564935865160-G0W619UN1FOHSZEV7D1A/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564935897677-2RZDOPI5ZSAW2DU4Q2QI/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564935926164-BR9F27AN3SQ9PK3S7HCY/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564935962439-MQ5CFOFO8YNKSK0BPFRR/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564937632492-ZYH0CVMY5W6Q1H4UPYGO/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936019027-06WCC57RRZQPOCVSZDWW/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936054668-METI4Y7EQNJ4RY18KHXG/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936080763-KNLNLFC3IGWT41BVDR8K/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936117331-JXZO0B3HK9GKQ1PXGOW9/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936152046-7BVGMOK0IOLP9TMK8ZDZ/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936178463-LJ639TW0X5R3CK8YVL6T/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936210452-V898JDM99PMS2UJTNBTT/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936242667-PB061ZLLOOP37V1DJPOG/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936270968-GWK78W0AJM99Q9SETY5W/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936300118-PE6AH4PRBDV5OVZ826K2/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936333294-ODTJVQ244TJK2F0OAEJN/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936368314-E5KM053TANKF407TA4Y1/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936402759-ZZK01LHFJ6AAKUZXT1I0/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936430097-WZ99GCQPQ2FY80KOXIXC/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936454898-U4QP57AR5KEZ5EE815PJ/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936484994-0SIRA5MLFKLEED706E1L/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936515155-43VVSRUS4LFNUM43WY3P/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564938121791-NZOVLA90Q8PFEBVKZDLT/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936548033-1QH032FK879OF8X11NWV/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936573833-EUWXHZ3WPE0N7UBIOKMP/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936603667-DSSZEQSURA5LXF0CD3VE/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1567344555010-ZTF8OWFPH6V8EPM1MP5B/N1600-1029.jpg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936673985-GEW7RMPASFKQJ98Q04LX/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936702247-02O5BQZ493CIMZKWHJ33/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936747094-791J67C03DXNYPTCLWWX/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564936799320-ERSPPA6HTAHO93VJBZJX/image-asset.jpeg SERIES I - A Critique on Mainstream Black and White Photography Fujifilm Neopan 1600 (Expired 2008, frozen since purchase) @ 35mm Focal Length https://www.streetsilhouettes.com/home/2019/8/1/my-chosen-subjects-why-i-photograph-them monthly 0.5 2021-08-09 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564639682748-6H3FZGBJI9EK347D455C/PMQ01-1001.jpg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1566648213832-ZIXVE5M3ZLALIP43MDYW/PMQ01-1002.jpg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564639786372-W7095J2EXB3WAEF8KDIK/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1566648250387-9TEGI8VJT4HEXJPQLZVD/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564639848826-TAX0MY25MK4NVM6P6XIR/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564639871806-WSBAKOBAECV2L00ZSRGR/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length - When your exposure is off from careless metering https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564639924544-GQOLYOS0IJZN5PVV3IHH/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length - When your exposure is off from an absence of metering https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564639955495-N13Y0MXSM977DQEOXMZ8/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564639976739-OSOWZQ5Q0C0DYIC9YS1Q/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1566542874239-P4OIGFC6QLYX7KEQ7X47/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640003718-UOONKCESNLU0D7EBN0I4/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length - Mosquito https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640034481-1ANFVX4MSYTOKV6IFI72/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640090596-UU2WWDAX0DRZ5UMK7KYD/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640113631-8MGREOFX13B1F5Y7JBU6/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640138753-184GLWD1FEAYWW75106X/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640157124-FE4U77VMDYX3F9OTDB78/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640183784-9NMI8JUTM0FB6QWXH1QB/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640211837-YE0U6PTLGSCU3PMB5WFJ/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640248330-ZSMNV4I8FTXNDZ8JCQF0/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640270510-GSRM9XU2UY0I7JJJLPIY/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640292162-JLW5VC67AV4CGDAG8X3W/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640316796-JEPRT6SHJ5ZKWU6PU5UV/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640345433-AENFV49VSF61A07VR0R1/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640369164-KAZE20VULRGN5N9CGC0O/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length - When your exposure is perfect https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640398120-W302OEY4FSDMEXSPHNE7/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640427642-IBX5UZ7F9MVIWCN4T6ZT/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640459252-M6716E2PL4Z3PC03II69/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1566382556939-KTTCU2ZH9GK1U88B1UB7/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length - photobombing person removed on Judit’s left side https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640501947-GE8V937GMC8ETETF3S4J/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640527002-ALP2H3A8L9OD0JNCG9B1/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640553546-PFXR3T48KW6Q8S1I5HXB/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640580477-LXO7TUIVYCLO4JZ0ARRH/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564640603218-SSCKUO49W5X1UZNOXV9U/image-asset.jpeg SERIES I - My Chosen Subjects - Why I Photograph Them Agfa CT Precisa 100 (Expired 2016) @ 50mm Focal Length https://www.streetsilhouettes.com/home/2019/8/1/the-want-of-more-gear-in-hopes-of-becoming-a-better-photographer monthly 0.5 2019-08-19 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642205277-1WBRAYXNM5XGKGNPGX5F/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564670427111-ED440U1B9JCMEJZTW0Z1/PMQ02-1002.jpg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length - exposure is off by a stop because I did not take greater vigilance in metering… but then again, I didn’t want to appear overly conspicuous with a camera in a public interior space full of people. Recovered midtone and highlight details on the face appear unnatural. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642321508-2PH6K9HCFJB8O3H4ODL5/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642348178-63FETJGVRK49AYO7ERI6/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642373838-VZL1N0U1BC3SMJGNMOV1/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1566120777784-LLIUZ10X3M43YE2J42H8/PMQ-2-1006.jpg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642449000-SB15KHPI5DIJ1WMQ39FH/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length - Speaking of conspicuous sights… umm… this mural. You definitely can’t miss it, caked-on with intensity. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642479154-KINCQFHGLV545F0PEBWB/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642502562-RPKM9DC0E8Q7S3AHGWNO/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564643347386-USHRMTD118ZR2408UNG4/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642545610-PAQNIWDC8QRRVUWRESVA/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642571989-47RUL2BF7H8JCPVVOANN/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length - A lapse in composition with Judit sitting too much outside of center, resulting in distortion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642600866-SFTBL25NV3KIZJ5LRD0L/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length - I think I’m a stop overexposed. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642628824-5Z3IWR2MTU7KFGP4J4L1/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642647733-I3QKU4LUUXWCB50ZDKUJ/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642667054-B2IFBJBZ4RECTZ5OHXMK/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642692292-4YGR4RPE1WCDBFM7C8ZF/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642713254-6DZD8PKK9Y4AN8KNWFPO/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642739823-SSABQ2WQH9OHJK9MS1LW/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642761573-GKUFPYWFMI0KHQVTEFE9/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642794569-4QBX315U81PF22J2ZNRV/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642816809-O8J9VQRD3H1GSQS5U2QE/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642848471-6FYBTK0ZFFM2JP171G41/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642880451-UUG8GV2QRE1CY8CD4A4P/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642911481-I7JB460WUPGK8LNP3S6E/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642934901-6ZDX74VFEN108TKBSPCU/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642954397-KZKBTU8ERFSZ4EOJFTUH/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564642984974-1V5V8TCQUYHJBLONI2P8/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564643013756-2S3O1IA1858FTWP5YL9F/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564643035659-QXSDH95L17V9D54E6EED/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564643069705-9RPDHJ0VEZHKX5TO1R63/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564643094537-ZJCJA7WZN0U7RNG6BAM4/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564643120057-ZYFM4853NRPOTAXZ9KK6/image-asset.jpeg SERIES I - The Want of More Gear in Hopes of Becoming a Better Photographer Fujifilm Provia 100F @ 28mm Focal Length https://www.streetsilhouettes.com/home/2019/7/31/do-not-desaturate-featuring-five-black-and-white-film monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564576826550-GBGJD0N8GADV4ZH69838/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Agfa APX 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564576872106-H904DG3SVPI4A3IYWPKU/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Ilford Delta 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564576936494-O5PRZ1SSQ493KJ4I8ZYF/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film JCH Street Pan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564576996433-QPT2P55S163YC3SAF0CX/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Fujifilm Neopan 400 (Expired 2014) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564577065573-Y6O3L5G6HMXGSQ69QIU2/TriX-1001.jpg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564577129755-DMZPTZIO22E5CVY1SNIN/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Agfa APX 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564577258142-6HD9SXD5G29AR5MN406N/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Ilford Delta 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564577313395-044KOBL8L0LS5IJIZILG/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film JCH Street Pan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564577403563-HZVB4V37Z6VY35QCLZXH/Neopan-1006.jpg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Fujifilm Neopan 400 (Expired 2014) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564577512780-JSU7Y9R2HJM9MGBI7OF6/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564577554550-UIXL1D8A7P5KGSR7ZU8D/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Agfa APX 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564577187223-NFQRK26PKHKI90Z8D5O3/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Ilford Delta 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564577620613-35H02H6AKJBC81FAJRWY/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film JCH Street Pan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564577797559-L33V8485YJJQYGVPDU3L/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Fujifilm Neopan 400 (Expired 2014) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564577716433-IISADH5ASUKRURK1BMOF/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564577928387-J30VL1QJP4U9KG9GOJGH/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Agfa APX 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564577964377-ENFF61I6352QZD1B3S9O/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Ilford Delta 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564578004627-IMMXYWJHJVJV2FHNGYT0/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film JCH Street Pan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564578053392-44TEGZNGN2Z7876AUGH0/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Fujifilm Neopan 400 (Expired 2014) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564578097595-3TD3ZGG8SWHTEJ7I2J54/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564578146756-C9LLV18NJY7RQEJFMK09/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Agfa APX 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564578192588-QH3ZH0NJ96NILFVDIB2T/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Ilford Delta 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564578241991-9SA4MVIEQPFM98SXF439/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film JCH Street Pan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564578292437-87PG6RFGJODV1BQHCB02/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Fujifilm Neopan 400 (Expired 2014) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564578335029-3MZ2H6G4YA7RZ67OOIH8/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564580140938-S1EXMNT4GBAOWPBTVXR9/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Agfa APX 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564579624181-U59TGE91VKMY6N6A00ZP/Delta-1006.jpg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Ilford Delta 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564579808188-3HIQU20ZL7IWHM63V45S/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Fujifilm Neopan 400 (Expired 2014) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564580006022-Z59K1X2MGY0M9ZYFQQ7U/image-asset.jpeg SERIES I - Do Not Desaturate - Featuring Five Black and White Film Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564579859500-3ORCNHP3KQNPNATR5BMU/JCH-1006.jpg SERIES I - Do Not Desaturate - Featuring Five Black and White Film JCH Street Pan 400 https://www.streetsilhouettes.com/home/2019/7/29/the-myth-of-the-leica-m9-ccd-vs-cmos-sensors monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564375655712-QTIQXKFVMLHFR4TSLY6K/M9-1001.jpg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M9 + Leica 35mm f/1.4 Summilux-M @ ISO 400 - Green Hues on foliage are more pure and less wilted in appearance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376224858-IB2HIA40ITAQIGCV9ISE/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M10 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564375793427-LOKEEKM5C3PZB0OPOHQM/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M9 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376342953-YYQS9R2I01G27VLLN923/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M10 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564375816057-OCCXZP61YK8BDMQDTMCU/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M9 + Leica 35mm f/1.4 Summilux-M @ ISO 400 - Red Hues are more pure on the M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376363133-O4HKM5WMYVCUIM0GGRCH/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M10 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564375849808-G2U6NP3S5EM06A3T3SY8/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M9 + Leica 35mm f/1.4 Summilux-M @ ISO 400 - Blue and Green Hues more pure on the M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376383880-2ETHD5UB875KWG7JWJIG/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M10 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564375877717-RMIJIJWVPI2PZF6NM6YV/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M9 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376418052-XCII6UG1MPMWFRGUDVNO/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M10 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564375908320-HCYG8HM34K0RBBFYRL3V/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M9 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376449685-J910DAI5SYFBZRJGEQA2/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M10 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1565066203554-S6DONZPQHZU08YQKLQPV/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M9 + Leica 35mm f/1.4 Summilux-M @ ISO 400 - Magenta Cast appearing somewhat unnatural in the color reproduction of the skin tone and sofa https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376471719-74I0WFD1Y5VQYDNT16WJ/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M10 + Leica 35mm f/1.4 Summilux-M @ ISO 400 - Tertiary Colors like the brown sofa appear more natural on the M10 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1565066372358-00TDHVARGFUKKLS5F1Z8/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M9 + Leica 35mm f/1.4 Summilux-M @ ISO 400 - Magenta Cast issue again https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376494919-IKIOWFKT85Z0GU9ZSVQ7/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M10 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564375975546-OKAF4O9DA106XR6AKYO2/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M9 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376520647-UZD1QHTR07HROVKUD8YQ/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M10 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376013187-B9LKAE9AGQG4E12WO991/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M9 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376578524-V8HJRGDXJYXCO3PVPAPB/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M10 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376058805-52YES9IT496B0BTDOWTL/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M9 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376618513-D0AXJ6HO87Q8889AWJRJ/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M10 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376082209-98N3002RUM0RXIH7FVYX/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M9 + Leica 35mm f/1.4 Summilux-M @ ISO 400 - Black is more pure without yellow cast https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376637839-VLPHVBG9A5XT8VUO4O5G/M10-1012.jpg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M10 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376175593-QO8B1GPJKHN5AARHIN3R/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M9 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564379751231-SCU8IPN5SG4WRAGWZ2TM/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M10 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376111289-HR7I7QKKMZ9VXNKEE2X0/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M9 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376684804-2K85WLB3T5FH9CTLGBXG/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M10 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376139423-HQUUCVT4OHO1O63WMVXU/M9-1015.jpg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M9 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564376704960-0MZNAVTW4NN0D5TNC5IR/image-asset.jpeg SERIES I - The Myth of the Leica M9 - CCD vs CMOS Sensors Leica M10 + Leica 35mm f/1.4 Summilux-M @ ISO 400 https://www.streetsilhouettes.com/home/2019/7/31/digital-sensors-vs-color-film-why-i-switched-to-film monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564556016523-2JYQUVFMQX29OA0U0VUG/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Sony A9 @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564556058904-JKXH722R409WVOL8SW36/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Canon EOS R @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564634580060-4DULMDD85M5ROPWT2FHP/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Nikon Z6 @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564556126664-5AQ6T5JAXTC64VEJG2HL/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Leica M10 @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564556167669-9QWBKM83IBWRGWXXSI3S/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Leica SL @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564732568509-KWHBCAGXIDUEY4LIM83G/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564732594409-E8E7PGZLJ7U0Q99C76A6/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564732617114-3C0DPE0V2A12E4NLR1X8/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Fujifilm Superia 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564746243111-MDA4M95HFG2E4KKJWPCW/06-Provia-1003.jpg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Fujifilm Provia 400X (Expired 2014) - Black Clipping +75 to reduce intensity of color reproduction https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564734734358-L1UMTAV7X3MDWM0FBOLN/01-A9-1005.jpg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Sony A9 @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564734781436-JFBCLGOQWSQ99SGDQNTJ/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Canon EOS R @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564734797394-B67FMIJH9PGJNYEB8R81/03-Z6-1005.jpg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Nikon Z6 @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564734817035-3ENK1PC96XMMUHS0RG3H/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Leica M10 @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564734838745-OX56BD63VBNUSM1VJRSY/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Leica SL @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564734870154-LICBSI6WEDJSH389T3NJ/07-Portra-1005.jpg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564734896137-1TQ9MKDVY5DOQSAMDQDQ/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564734915623-RINBDHGD7L22IKMDRAGU/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Fujifilm Superia 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564797371998-AAI6IQNN1ZX63QRTPZEN/06-Provia-1005.jpg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Fujifilm Provia 400X (Expired 2014) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564756259753-4LY04G8HAPC7QV5A64PC/01-A9-1002.jpg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Sony A9 @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564756238939-9TXZT4TXLEO812XZT4AI/03-EOS-1002.jpg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Canon EOS-R @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564756898240-7R6KJ073SUB27V8ZY27U/03-Z6-1002.jpg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Nikon Z6 @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564794350862-LCR68FHG8Q26X9TB23YE/04-M10-1002.jpg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Leica M10 @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564794851487-DMUO0CJWHYRVTPPNWXS9/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Leica SL @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564794997764-DA0BFYOGBNWN2COO9X8X/07-Provia-1002.jpg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564796046285-771MJO15TOZFEJWRK7VK/08-Agfa-1002.jpg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564796066523-8REGECD4MIRY8Q61DF08/09-Superia-1002.jpg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Fujifilm Superia 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564796678093-IHCOYSP5U5S4LA2HOK7R/06-Provia-1002.jpg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Fujifilm Provia 400X (Expired 2014) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564908538284-TY1Z3FWXZ7Z2PUHL5QPN/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Fujifilm Provia 400X (Expired 2014) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564908078372-KVCRSYEAYWFNI7CU8GHU/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Fujifilm Provia 400X (Expired 2014) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564908105106-LB551IJZ5TDI2TRTA2GW/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Fujifilm Provia 400X (Expired 2014) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564910453225-9EK81KVC8VY5XJQAY0ST/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564910545844-GM00KRQ5A9HM66QBUQE0/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564910588587-VY5PZACA2GTLH9ELGL13/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Fujifilm Superia 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564911748529-FC5R7V0P2XEA2OZAKUDV/image-asset.jpeg SERIES I - Five Digital Sensors vs Four Color Film - Why I Switched to Film Fujifilm Provia 400X (Expired 2014) https://www.streetsilhouettes.com/home/2019/5/21/jch-streetpan-a-story-of-friendship monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558595311868-MHYI8I438O4FHPHLUYA7/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558438405286-4M3GPS58LEO9ARFE751L/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558438519376-SNA68LSTHI8E1UHCSKRQ/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558594241447-7QVQBR4H935P0AZ6M4K2/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558438460437-9QOXHYJ6PHFQNE5I7TY2/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558438337859-9SS6S8IYAHLV4KNU4O9J/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558595730703-VEL479A2DJW2VAGTX9OC/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558438310180-C2ZV72MGK41Y0DFHT5AB/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558438270893-DTJ5CX5LE6Y88RLC3ZO1/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558594493427-JSZ4L3NQ9F9WVYC9ZG0K/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558438240785-I17YBKGS95JSV3SVTCBG/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558438210068-EH6A6Y0C3EMTXCU5WANN/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558438080736-G46AWSNZF2M0AMOO8T42/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1559808402117-GUWFULGMDQOW2V71TB9C/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length - Harsh shadows on the face have been soften. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558438007271-MIPPNSKWKXD3DG1H8UX1/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558437978090-HRUX9QTNMXU0UZXM6MKW/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558594760662-KLHRWOH7A2JPJ0Q02MAJ/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558437952016-FRMH6UUF1OLHI5PSP8KJ/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1564189461755-0WH7EB3DZ9HU8GZ2PN23/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558438881868-L0MEZACSUTOXCQ0CR4QN/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558437888624-3LWPR6K2F1IWACBIL23S/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558437925247-D78BIGHND5CH1LI5SBCK/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558437851869-KYKO1XGHGMG4N2XFX87C/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558437817420-SLG2ILEAQ9AYSPHYLI9R/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558601924833-38X62NZ32C1KAW8Q4H2N/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558601953547-RM2CVPJYTMXEGDDK4U00/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558437724028-62IUXT7KOU4NGEUMWIDL/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558437689253-YB00KM5O33V8REKTEVZK/JCenPier-1032.jpg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558437659209-BCVCP50XNTVVR23GUPVS/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558437629414-XQGY4KUV05RKG6AA4DRM/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558437565862-2K43107T4C98XDA8OK2R/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558595042921-0F3B37DD7U95UOJ68ONM/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558437462290-911R9LCCFU0MZAYDJPN5/image-asset.jpeg SERIES I - JCH Street Pan 400 - A Story of Friendship JCH StreetPan 400 @ 50mm Focal Length https://www.streetsilhouettes.com/home/2019/7/23/shooting-very-expired-film-you-really-shouldnt monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563866919572-QOLI0BS0TTTV5JS31FLV/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867013249-QC7JY1UAC7RVQ0HPT6YJ/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867074463-MCWG15POCBFY6ERB4Y4F/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867100893-9XWP9XJLHCZV3TOM88JI/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867128775-GR0YL8WK8WTPOVD1Z9MO/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867160394-FOAGRDK779U9KE2RT94H/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867206038-UNH7JDQ9XUANPWSZ7HP9/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867239097-J10JUWVQ96DO29IMX68E/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867266936-0X15NEKMNY1SCL501IJK/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867292965-FVDRLEBY2VBLIZT7C0SL/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867322837-JDMX8JT5ZBUA134RSTKN/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867350431-C0CPRNTS2MUGHMOIRBRX/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867385070-B4DPGS2VTXQ448TQOEBV/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867414093-ZHNXSYPLJHPIB5Q3BSD4/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867437817-YP5FKPYCNNJPK8CZS5H0/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867473811-WW7AN64IMZF7DZB0YMVW/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867540000-C9D8GJBYNIHI2CBSWY5C/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867564699-4WOW03EBL0MPX9HIFFCC/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563868347734-IFF405K90LLJGC53KA49/Expired-1021.jpg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867727803-0RAF3IPBUCGM2N90X3B9/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867672444-YX9D0033MG7HLV1MMQ67/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867699843-B9X59X1F31XUR1GVLT58/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867774724-Z5K6O5BPE8TM4SSDPF1P/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563867803556-SD05095J7RCUEHEUH5JH/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563868463666-AM9N9QSWASSLGKWCIIVE/Expired-1029.jpg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563868513109-6V0CORDT0KZG62IMCOYC/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563868545557-M7VOS9KG7H42OCDEPBIY/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563868620314-JKL6DX04DZBIWX2YSECC/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563868665407-95CWPSP4Y02NWV9D3BFW/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563868695622-OTK6YI2ODP8AHC0UR21P/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563868760807-KWPSNMIK6AYJWQYJDV0O/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563868789073-5LGHCXOKXX6POB0030A2/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563868840985-0YZ9LPOQIWUTQAM0NBBJ/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1563868863137-LF4599I60N42WLX43BG6/image-asset.jpeg SERIES I - Shooting Very Expired Film - You Really Shouldn't Kodak Ektachrome 100VS Expired 2004 @ 35mm Focal Length - Example of the raw digitized image before editing in Adobe Lightroom. https://www.streetsilhouettes.com/home/2019/6/17/when-the-people-march monthly 0.5 2023-12-29 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561240963128-HJX2PN6RFIDR4HC0OYJX/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561240989844-IIV4M1BE0NQPCAUY2KHQ/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561241007920-SYWNPEQZ3PEZEK2FSCT2/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561241043381-XHUW1C128P5VZVN3X2MM/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561241060804-J6LKNVNU4B5I9RSKNX48/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561241086386-Y0CXBNNZFWZUK6QH9ZDI/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561241101858-PRAXYXF856I3PVXDBKYK/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561241122742-IMKCD6KJKCHNTK8BS1VI/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561241141003-KAOMRNES6OSW7NNBNTUV/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561241182489-IUBKPQ7998MB35CRNGD0/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561241207452-DLKR98AK72TDHYEIROL7/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561241248852-1D8RK0M8CEKEZGB96LL1/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561241268435-UVQB7ASPTGBUC6OI0BKF/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561241285791-QG8G8RQEN7D7ZDD747BK/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561241303772-8I0TSRKZFWCJDNCVSVMZ/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1561241324424-2VVYANIT6U15HNMB1QKL/image-asset.jpeg SERIES I - When the People March Photographed by Joseph Wai-Hok Cheng https://www.streetsilhouettes.com/home/2019/5/21/taking-refuge-on-a-photowalk monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558434133672-EIV0QBAVL9IR6JO3EFLY/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433937471-P0Q04E32MF2SYR8DMVCY/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433916869-3OXYNGES0LMRIRRVQAWD/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433895985-EOXZ0OBZDA9ZQYYONNVC/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433842691-QZ7FF7PB09N872EFE7M1/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433781252-FQKKWDKTJVG2Z5E4K831/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433731317-DE6P277THMCOHK9XV6AR/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433669642-8PITC6OZT1P8Q9NJKN0J/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433618037-9ORT84MN0FDI9ONRLVAV/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558589728671-BGYNP0XI0PU6IZZ3UMJA/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433545179-9K91NUX37U9XL1P8QXZM/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433594161-GLWWTELPBW7A31SYQFO9/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433518490-6D2QJJDQQRSIRBB4MCND/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558589223519-B0HY07FHBHSZI6Z37HU9/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433490327-75Y8JNTZAKQK0Y3UDFKH/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433465427-B42B6DR058XVJUI5NVLN/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433442762-327FSF1XWRMDUIUZKDOG/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433419106-W9PJYPGSXBZEKAQKP8PG/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2008) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433342471-RJFSQC1WDZHIYIKJ8CYR/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2010) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433315255-O9CH5EL1K759MD2ZZK04/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2010) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433289461-VFPMYM3WIKO0DDX0WEJB/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2010) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433256543-TIGYBFIJVI0XSU9M0WSS/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2010) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558590201380-ZZ7FOXRS03UQMAU5MT04/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2010) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433162490-2UEVU90RBUJYA68EGTYK/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2010) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433135517-IET21BFIISCGCJ1WD9UC/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2010) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433107550-HRD5YNIG4M6WZVFV8QUL/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2010) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433077953-V1YW5ILCK84DIHQ8V5E5/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2010) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558433025474-424G51FGO8AYLT0GR3HO/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2010) @ 28mm Focal Length - Corner and edge distortion has been corrected by vertical and horizontal transformation. As such, the image has been cropped. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558432999932-M2LTVQ49FJ5QNN6S6217/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2010) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558432960590-5J0ZOPV8LYTKRO52GKI0/LVicPark-1043.jpg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2010) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558432920303-B941IMIUKHZOR6NLIY20/LVicPark-1044.jpg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2010) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558432890247-DSSC2K9UNMIU79SWMUPG/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2010) @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558432831577-CG8H32NSHCLYY4WBZQNB/image-asset.jpeg SERIES I - Taking Refuge on a Photowalk Fujifilm Provia 400X (Expired 2010) @ 28mm Focal Length https://www.streetsilhouettes.com/home/2019/4/29/leica-fans-a-question-of-product-or-brand-preference monthly 0.5 2021-10-21 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556524138082-JF9DBEWI614B1WOLHCU4/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556524120103-YH8842FV5EE5BC15FIBX/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556524099338-S2GXOQQK2WBL69I1FEY6/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556524074012-GBRPSQZTLH0DHMCRFIR1/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556524051883-7XMLCWRD2FKD8RDJ2WJE/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556524025302-0OS90Z7C1MVWBSKA2X3B/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Agfa CT Precisa 100 @ 50mm Focal Length - Overexposed by 1 stop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523989776-PQ6G3S5U7NORYNXA970X/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523961498-7EE9W9ZX8QSW5L4KH13E/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523937879-4CZ3RSKUODCXQX7GYWYC/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523915541-L6EZBF1A0WBGOAOBK2C8/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523891590-S9U916DTZISD42WO6KTF/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523814536-EKGGKNKP85NGRV4AW076/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Agfa CT Precisa 100 @ 50mm Focal Length - Overexposed by 1 stop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558869994869-U72YJHB2Z8QTUPUAPECG/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Kodak Ektachrome 100VS (Expired 2014 & Probably Improperly Stored) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523775708-RLZ7SKSXA7869USI9WXA/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Kodak Ektachrome 100VS (Expired 2014 & Probably Improperly Stored) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523741662-AXTY0T660XOU4C48IJF8/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Kodak Ektachrome 100VS (Expired 2014 & Probably Improperly Stored) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523714893-PU2KOKPO10OPYTUQB2WJ/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Kodak Ektachrome 100VS (Expired 2014 & Probably Improperly Stored) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523694194-PB6JM7KWHZLB3MCPH4IS/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Kodak Ektachrome 100VS (Expired 2014 & Probably Improperly Stored) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523669586-VSF2ZEKYIDHE9ARPQ19L/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Kodak Ektachrome 100VS (Expired 2014 & Probably Improperly Stored) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523646818-BWV0BMS9QBTAEKGBQ6AY/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Kodak Ektachrome 100VS (Expired 2014 & Probably Improperly Stored) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523618087-95SXNEA7FRRJSLGM007A/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Kodak Ektachrome 100VS (Expired 2014 & Probably Improperly Stored) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523580915-Z2IJFDS8EJAHPQ3QWEVL/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Kodak Ektachrome 100VS (Expired 2014 & Probably Improperly Stored) @ 50mm Focal Length - Color Balance has been tweaked https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523555015-18MBE3R1V6QXI8OAQ73K/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Kodak Ektachrome 100VS (Expired 2014 & Probably Improperly Stored) @ 50mm Focal Length - Color Balance has been tweaked https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523507218-RPFK0N37JDXPNX7DG397/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Kodak Ektachrome 100VS (Expired 2014 & Probably Improperly Stored) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523479082-DEV2ISK8K4ECZYQ41NSV/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Kodak Ektachrome 100VS (Expired 2014 & Probably Improperly Stored) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558869844639-Z4OMQY39RF4ZXBZ0N06Q/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Kodak Ektachrome 100VS (Expired 2014) @ 50mm Focal Length - Overexposed by 1 stop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523374314-F0WDJRX8THVIYZD97M6H/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Fujifilm Velvia 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523350289-A80NFQBZMP6J516FII0R/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Fujifilm Velvia 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523323605-KCAWICN5PU5MEKFNO1N2/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Fujifilm Velvia 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523281761-W8STKFZQMIMGVJYRXERY/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Fujifilm Velvia 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523249452-VLX9JCRNSJLJV8A7DR4B/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Fujifilm Velvia 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523164543-ME9EHEAMOLHKKC1HL21Y/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Fujifilm Velvia 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523132252-L7JD827TTEI5LERM7DTH/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Fujifilm Velvia 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523102107-WGBLJ4NLCX2F1QJAUGNI/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Fujifilm Velvia 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523078042-NGR5GFU3VLFHZVL8O316/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Fujifilm Velvia 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1558871980895-HAK12PLDUTC4FK576OGY/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Fujifilm Velvia 100 @ 50mm Focal Length - Overexposed by 1 stop with color balance tweaked. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1556523034608-NL5QVW9PQI82M2G9HDNK/image-asset.jpeg SERIES I - Leica Fans - A Question of Product or Brand Preference Fujifilm Velvia 100 @ 50mm Focal Length https://www.streetsilhouettes.com/home/2018/11/19/photography-as-problem-solving-process monthly 0.5 2021-10-28 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544629325567-1TN2TV3QP7ORNOQPYN09/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Tri-X 400 @ 28mm Focal Length - Interacting with the environment by leaning on bamboo scaffolding. Compositional variables include scaffolding, and background signage. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544630316893-HEPO8NTJT3682KJ1KXPV/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Portra 400 @ 35mm Focal Length - Interacting with the environment by balancing on an edge of a shuttered storefront. Compositional variables include strong colors, graffiti, and horizontal lines. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544629287501-3K1P0P5C70QWNPFBCSE1/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Tri-X 400 @ 28mm Focal Length - Interacting with the environment by leaning against a doorway. Compositional variables include rectilinear lines of doorways, buildings, and an incline on the road. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544630268611-0MJMSR1HG5A0ZTC59OIN/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Portra 400 @ 35mm Focal Length - Interacting with the environment by sitting on a fire hydrant. Compositional variables include brickwork, accordion shutter on storefront, and bars on metal door. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544629212824-KUZTAVA8AGU3FVAT61AW/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Tri-X 400 @ 28mm Focal Length - Interacting with the environment by snooping inside a mailbox. Compositional variables include peeling paint, and the mailbox. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544629130182-IEEMBV4WDXS2NMPIHYOV/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Tri-X 400 @ 28mm Focal Length - Interacting with the environment by pulling on a door handle of a store front. Capturing the car was a misstep in documentation, since it seems to compete with the subject. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544629092437-49628492KQLXBK5CRPA6/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Tri-X 400 @ 28mm Focal Length - Walking uphill. Compositional variables include wall texture, HVAC vents, and windows. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544629050007-VDKH6QWX2BV6SIVFKUD7/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Tri-X 400 @ 28mm Focal Length - Interacting with the environment by pulling on an above ground root of a tree. Compositional variables include curvilinear above ground tree roots. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544629007618-F3J3OW65A4AVEKS1USM1/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Tri-X 400 @ 28mm Focal Length - Interacting with the environment by reclining on a metal bench. Compositional variables include background mural. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544713971776-QJH4OPGMGFIRZ6R6E13I/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Tri-X 400 @ 28mm Focal Length - Compositional variables include a collection of air conditioning exhaust units. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544630150457-D1GY2BR0O0ZEMY0UPWD7/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Portra 400 @ 35mm Focal Length - Interacting with the environment by sliding down a bannister. Compositional variables include stairs with discoloration. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544630107142-KPLSD5TQQ3XW23S6T8KF/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Portra 400 @ 35mm Focal Length - Doing a tree pose. Compositional variables include clutter from the background shop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544628965053-7TTSOLQP7QRITPGTXXYD/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Tri-X 400 @ 28mm Focal Length - Interacting with the environment by stepping on an edge of a doorway. Compositional variables include wall texture, external plumbing, and stains. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544628907399-QCBEFKUSEFNKNBVBLET0/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Tri-X 400 @ 28mm Focal Length - Interacting with the environment by looking under a peeling price sticker. Compositional variables include background signage. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544629878495-SJ399NH9P3PH3VZXC1YS/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Portra 400 @ 35mm Focal Length - Compositional variables include storefront of locksmith… or is it really a locksmith… https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544628860766-H47ZZD0CKPQGOQ8PC500/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Tri-X 400 @ 28mm Focal Length - Interacting with the environment by copying a gesture from signage. Compositional variables include keys, and background signage. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544628800866-F8C343VEK70ZNDTY5SP2/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Tri-X 400 @ 28mm Focal Length - Interacting with the environment by playing with a lock. Compositional variables include keys and locks. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550461919812-RDOHCGLK21W3T8U52B2Q/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Portra 400 @ 35mm Focal Length - Compositional variables include strong blue color doorway. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544629826312-2I4GN05DILLHVZDDMMJW/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Portra 400 @ 35mm Focal Length - Interacting with the environment by hanging onto a protruding pole. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544629726463-VYRMZI7UFMM1HM30JFON/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Portra 400 @ 35mm Focal Length - Interacting with the environment by sitting on another fire hydrant. Compositional variables include background mural and strong colors. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544628636868-13K6RUXF1QZCUF9Q1Z1Z/LFilm2-1048.jpg SERIES I - Photography as Problem Solving Process Kodak Tri-X 400 @ 28mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544629634673-JV4TP7BLHP69M188OA1M/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Portra 400 @ 35mm Focal Length - Interacting with the environment by looking into a truck’s sideview mirrors. Compositional variables include pink truck and its contents. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544629596523-DA71AYHBI2GDLX8PAOZS/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544629473420-H3B5J4QAFNQNY81QQ5PF/image-asset.jpeg SERIES I - Photography as Problem Solving Process Kodak Portra 400 @ 35mm Focal Length - Interacting with the environment by hanging on a pole. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544628449433-MTXWP3WRTE0CN3I6DIK7/image-asset.jpeg SERIES I - Photography as Problem Solving Process Fujifilm Superia Venus 800 @ 35mm Focal Length - Photobomber has been edited out next to Lydia’s left arm at center right of image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544628397235-Y4MRUSZ03RR16S89726C/image-asset.jpeg SERIES I - Photography as Problem Solving Process Fujifilm Superia Venus 800 @ 35mm Focal Length - Interacting with the environment by sitting on a ledge. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544628308417-Z7TLWXWGWB80D1QST155/image-asset.jpeg SERIES I - Photography as Problem Solving Process Fujifilm Superia Venus 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544628254965-AQQG1LYQLSW1T51NGS6Z/image-asset.jpeg SERIES I - Photography as Problem Solving Process Fujifilm Superia Venus 800 @ 35mm Focal Length - Interacting with the environment by standing on a hand forklift. Compositional variables include textured wall and wooden pallets. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544628171551-4BM6HGNDIZQZQOD4YQTX/image-asset.jpeg SERIES I - Photography as Problem Solving Process Fujifilm Superia Venus 800 @ 35mm Focal Length - Compositional variables include rust on the door. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544628037777-TCH23KO7CPFEY4BIZDDC/image-asset.jpeg SERIES I - Photography as Problem Solving Process Fujifilm Superia Venus 800 @ 35mm Focal Length - Interacting with the environment by climbing up a ladder. Compositional variables include texture and color on the wall. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544627985172-T7MHM3H7PL1Q2P3HS75O/image-asset.jpeg SERIES I - Photography as Problem Solving Process Fujifilm Superia Venus 800 @ 35mm Focal Length - Compositional variables include textured wall, tiles, bricks, and wooden pallets. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544627943636-0M216RC6XFZTE4CQFM8U/image-asset.jpeg SERIES I - Photography as Problem Solving Process Fujifilm Superia Venus 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544627737382-PXZZ3CDNLXCPEJ5YL78B/image-asset.jpeg SERIES I - Photography as Problem Solving Process Fujifilm Superia Venus 800 @ 35mm Focal Length - blowing hair in front of Lydia’s face has been edited out. https://www.streetsilhouettes.com/home/2018/12/13/the-blog-at-three-years-a-post-mortem monthly 0.5 2021-10-10 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544687822783-XW4LLHM9MH7RTLZH7MW5/image-asset.jpeg SERIES I - 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The Price of Film and It's Survival Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555071680770-3YGMCFSU2VX1BXVK8AQ7/image-asset.jpeg SERIES I - The Price of Film and It's Survival Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555071649521-CPDPY0AUMNJ23FC2XDHL/image-asset.jpeg SERIES I - The Price of Film and It's Survival Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555071612043-N9NY9HN0QX0IPR8XGAMD/image-asset.jpeg SERIES I - The Price of Film and It's Survival Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555071569686-RNKVYAD5F2OA8FU4BMY5/image-asset.jpeg SERIES I - The Price of Film and It's Survival Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555071532473-TICI08OPO0DC5X70ET54/Chaiwan2-19.jpg SERIES I - The Price of Film and It's Survival Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555071496878-3KA94PNAZR01UVJK48OE/image-asset.jpeg SERIES I - The Price of Film and It's Survival Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555071371240-ABY0CRUP5JKPHP6LMOT9/image-asset.jpeg SERIES I - The Price of Film and It's Survival Agfa CT Precisa 100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555071349081-18X3RUC9JS8488ZHEOMF/image-asset.jpeg SERIES I - The Price of Film and It's Survival Kodak Ektachrome 100G (Expired 2010) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555071299622-JBUB8BOWB3WIJF4CIRYV/Chaiwan2-25.jpg SERIES I - The Price of Film and It's Survival Kodak Ektachrome 100G (Expired 2010) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555071205305-BNLWNGXS0GPKYJOZ1KRJ/Chaiwan2-26.jpg SERIES I - The Price of Film and It's Survival Kodak Ektachrome 100G (Expired 2010) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555071049289-KASCAAWJMK06TA4QLAQJ/image-asset.jpeg SERIES I - The Price of Film and It's Survival Kodak Ektachrome 100G (Expired 2010) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555070858170-NN7T22MCS8MD8P4CQFAD/image-asset.jpeg SERIES I - The Price of Film and It's Survival Kodak Ektachrome 100G (Expired 2010) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555070802296-VIV8K3VKUAIAE2RIPGY6/image-asset.jpeg SERIES I - The Price of Film and It's Survival Kodak Ektachrome 100G (Expired 2010) @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555070720928-L9C3W9MNTD8HWTDE6SZE/image-asset.jpeg SERIES I - The Price of Film and It's Survival Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555485599104-ZMU8ZLAE4XR1FMGCOGGA/Chaiwan2-40.jpg SERIES I - The Price of Film and It's Survival Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555070567257-51BA9ZOUF5S3GD3DA2RR/image-asset.jpeg SERIES I - The Price of Film and It's Survival Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555070539909-33XVQFT75UXGTHYA7OGL/image-asset.jpeg SERIES I - The Price of Film and It's Survival Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555070467752-75CD47B2WLE8EYZAG0HV/Chaiwan2-45.jpg SERIES I - The Price of Film and It's Survival Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555471447514-GHSZZEIP4LQLMFWY8A19/Chaiwan2-41.jpg SERIES I - The Price of Film and It's Survival Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555480372130-9ON0BEOUUBJ7BI32H9VW/image-asset.jpeg SERIES I - The Price of Film and It's Survival Kodak Ektachrome 100G (Expired 2010) or Ektachrome E100? https://www.streetsilhouettes.com/home/2019/4/12/searching-for-greater-meaning-in-photography monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555074265456-NE1SKNZE6ZDUQTJZZNGP/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography Agfa APX 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555074201934-1R0IYAB0X2U5NLSM77VA/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography Agfa APX 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555074173912-UBOM6CJDU3YJQQ6JXPLB/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography Agfa APX 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555074111252-3OL6423IIKXLWMOE1FWR/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography Agfa APX 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555074026464-WZ0T81MHY63YCMVYOL6X/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography Agfa APX 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073971770-1XLOGIOQKJZ4UH4FG0DK/Wanchai2-14.jpg SERIES I - Searching for Greater Meaning in Photography Agfa APX 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073927274-MKGP96OEPAAPH9YMBNJI/Wanchai2-15.jpg SERIES I - Searching for Greater Meaning in Photography Agfa APX 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073740715-SZ8PN6P6TEJ6N16ZSHKJ/Wanchai2-16.jpg SERIES I - Searching for Greater Meaning in Photography Agfa APX 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073646401-HK1IYCC33VPYVMN4X498/Wanchai2-18.jpg SERIES I - Searching for Greater Meaning in Photography Agfa APX 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073610041-4IVXVVB7A052HXIQC3X3/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography Agfa APX 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555472778347-QFN4TMZXUDAWJTOH0G0B/Wanchai2-20.jpg SERIES I - Searching for Greater Meaning in Photography Agfa APX 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073551477-ISW7MBBVYHML7CK21153/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography Agfa APX 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073436891-VB1R4LS616390A6479IR/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073397265-B73C8TKOQBJUOHFSM17Q/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073364702-VKPXG0NWI38M47EK4HD4/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555650857023-TH8QB614ZNIG9MN2PRMU/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073226765-TWYGAFT7Y85XNGCX95NX/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073204340-XEV3DJ8EO3J4KIQU06QF/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073163383-CIK4VJSUTFKQQK2BHGPL/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073136756-QHJSODMH1MC9Q4TGKU4I/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073088835-JENTSZI9GT7W0CG4AE6D/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073059648-O08EB6M2SGG4ONCN1RTR/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555471979051-6935L628WLU2526XHL5Y/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555073017648-HDEV9MQFYITDP3ABPC29/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555072985618-4DVCD2JV6C15WJZRWFLJ/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555072954891-31LJA3F2K2SHL3R5PNBM/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555072916186-S8C32RDXRDSJ1SPF09WD/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555072882055-4Y83AR7CZK75HNXQ0BCL/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555072845731-XCGB5KQIW0UCDFUD0IFV/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555072797196-P8EWKI6AMPUT2MQ26VG6/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555480290756-539ZTNBKQZCYH0D64GAH/image-asset.jpeg SERIES I - Searching for Greater Meaning in Photography JCH Streetpan 400 - 50mm Focal Length https://www.streetsilhouettes.com/home/2019/3/27/beyond-the-superficial-in-looking-for-idiosyncrasies monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553748098354-DEJVV4BY658ETES17Z8V/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553748161579-8AL2NN737T69GDSUXMZ0/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553748228662-CV12R580E78LW806XD0Z/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1555216503171-TITW3M8PL6FNZ4WYI7Z4/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 - Cropped to 75mm equivalent... give or take… and edited to remove a stray backpack misjudged in rangefinder viewing, photobombed on the bottom right hand corner. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553700248740-F2R1PL0ZQABDOO89EWHP/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 - Cropped to 75mm equivalent… again, give or take… https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553750263071-LYSXGFOGLZN1D4HX94IW/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553700797774-FS3PONB11ZFWUO4F5Y9A/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553700599922-4KA1MU1W9QBCQ4BWZ9CI/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553700684425-B06Q4OP2IO9C1KKIDJ28/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553700628165-BS61YSKI5DOMS2CYPC9E/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553700652477-BRIWJJ1L6OIN6Z5BCW83/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553700516959-2K5WGDO9XXAHBGWA31SQ/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 - Couldn’t quite line up the rangefinder to crush its head. An hommage to Mark McKinney, from “The Kids in the Hall”. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701055515-UVB9CJDZ80LOKDEC6HOI/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701101795-5TK8XH2N32WPOMNH5OT9/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701147369-NCCBR2B7ICW3TKX8FF1O/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701188803-5DBC2VY789KF3EL5E8K8/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701225321-1D462N0R86W9WKW8JCR7/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701256738-P9ZICCQ8HBMBUJVAXM7N/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553751486222-FWMILVB7MSCQ0R9JQFT5/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701300938-MMZJB28I1S8FB7FQOG7N/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701368837-EARZQSW5X73KHNX4K5TG/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701416446-9P5NEQF16D1E4J3B9JMU/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701460619-X8H9EPI0RC1VEP7560EG/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701534103-MOX57J2J7IJYIX2HY3V6/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701569941-NQUUF1AHTXYDD8QS52YJ/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701608796-CT0ZIVWXSUQWUAFGOIYP/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701648077-O2WF5DPBG0DEASQJNLA8/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701680060-Q27UJDGCGIJ23P8E91H1/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 - Someone left these work gloves here? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701715050-YE7VBHWJB6EGWY8YB56V/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701746578-VBPKZJ9GYXBPVUCL7EAY/image-asset.jpeg SERIES I - Beyond the Superficial in Looking for Idiosyncrasies Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm X-Tra 400 https://www.streetsilhouettes.com/home/2019/3/27/a-question-of-realism-the-fallacy-of-high-resolution monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1591682088844-T2GQ39NDAX52RQ1CWJV3/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown - exposed the highlights incorrectly https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702904880-NKXEWE82BAEYR3F4MTK0/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702880919-WFX8AXD4SDL5KKD1A844/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702849852-AKTDSO6V922DI37YDG1U/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702823132-C1W4RJGVKNF77H6GB324/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702793331-MVU7V1RJW8HE8VXSVU6V/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702747861-E4ITDTAXR1S3LEYHHSEB/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702713793-EUKL78G6YX6WCXITCZKQ/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702684886-K9ZJ8G3Y4P7DBBWG5T2B/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702647439-62ZYY8LDDKPVO3H4O6DO/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702614838-PZYSG5YTL7CP07E828Z0/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702582924-VBXBQP6GGW503X9DYMXD/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702533777-9PTXEKHYIP9OBBYLQ5EN/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702505483-E69RBMCDNPXOIQ8J7M60/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702470455-VSSKQ3DE60BU6SDWFJJW/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702409672-R8N7NTIDOJNKNP9TXKE2/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702379834-PHXDTCSOR1N9XRKKZ0AL/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702346049-KK4P22QI3U2IKVQXS34R/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702302107-9C0VFMCQMHNHV71JEY82/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702269239-CTGS0AIX2JT5HR9BP6RF/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702241583-SP9RMD9I6J9F0TDSZ4EL/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702208108-37TD53H6YMVH2QFIYLVZ/Maus-1022.jpg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702174316-OUWUJ1CE6TGNRV7960ES/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702140523-EHATYZIZXY2LVNQ8G8YL/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702093210-Y0UTQGDMBHVGQCK2HEBV/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702057885-0RTTS0YWWW4YC0O0U266/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553702022897-32GRRCYBGPGOMIO9DNOX/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701988144-5KZ1LYSMBPB599MQDYF8/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701960808-33SV9LU7YCUGDOCLV6ZP/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1553701885078-4TOULW8MZ2D398FCNHWD/image-asset.jpeg SERIES I - A Question of Realism - The Fallacy of High Resolution Leica MP Titanium + Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Provia 400X expiration date unknown https://www.streetsilhouettes.com/home/2019/3/7/what-i-learned-from-acquiring-too-many-gear monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551952042022-RG6LSHN1S1QWEPP83C35/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551952017379-NPD7KR2JXQFQGB1165KI/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951984991-8HV7T93B3VYGH1SK2USS/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951956261-BBMLTOQEQF59LMDCABF0/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951925275-Q90VLCWBSZ7FTL8K5BYV/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951897167-W6B8WFMU26XVV3RR94FY/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951837028-FJPKMGHTBVEOAIO00ZDC/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951866295-2OYZHW3IXA2BF0ML6900/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951807382-1VQDDN8P0YKQD0EQVYKI/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951778485-H2TIU8E7YG8UZ52U092F/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1552027373575-TRBNHXHXJFQWFA40984L/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951730661-O43EG7BK8VY5LCGS8S2V/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951694717-GNNTQOOZVP7KNTB8FG3J/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951660363-TUX61L96FFWZFYP26VNJ/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1552027917196-G45FIVQQEBBC1P5MHYZI/HengFaChuan-1015.jpg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951596202-X2JMM0DF6Z1QYTU0YLB0/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951564668-5PSE5Y7RF1EEC6STDRZO/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951538270-6KT73P1GFVANYAPK6J9Z/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951498486-IP8SW20H0MZUGYTFGOZ5/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951473239-PL9EXE6T2SGLFY5302NI/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951451303-OZMRTUQ7YOVUF3ZJ3KJC/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951386188-DUEG19CZE13ONZ8V7MPC/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951361697-2X9C078SX2C6JKPPMCM2/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951339158-U31S3ROSBB0PDFD9YMLX/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951311190-H85YRXUZ1DFUSDOOJ5BD/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951289271-EIUXQBNNQ5T9K75Z91L7/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951263329-BL99JLU1L2OTZ2ZWUCOH/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951239878-1472ZMT4IE61Y8EVOJIS/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951214001-TCZBYFE4HG8ZEGEYWQKE/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551951132041-N6LO6HD5P2P76BJC6P9D/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Provia 400X Expired 2012 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551953291351-YRH1TQ9HO0ACITTA5V7K/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Tri-X 400 - “Speed Round” - a roll of film shot in less than ten minutes. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551953336899-2AZ5JDPA7NU3DVVF7F8V/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551953363823-FWK9PDFLA0FCVVWDSEQC/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551953437123-OEQ5U81APELP7M0I2JUB/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551953414118-KA5P5PKDW26HNTG8HJ1N/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551953482247-XXD9HHILVO4W4QU7W062/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551953508991-1CEQNTDU4Z930SDIMWAK/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551953535037-AGYM9AT7HBUPS4GL2BLV/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551953560751-Y2V1NT7VO10GVWNWU885/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551953587016-762MY7JH3Q6IWH9BLXRF/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551953613621-LYL1I2YF29Q5HLMSDFAQ/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551953635620-U6VC73MSEMMSZLVPKL80/image-asset.jpeg SERIES I - What I Learned from Acquiring Too Much Gear Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://www.streetsilhouettes.com/home/2019/3/6/finding-inspiration-in-the-ordinary monthly 0.5 2021-03-06 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551860891468-8ALP4AH1DS8Q23B2AYXR/HapValley-1001.jpg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Fujifilm X-Tra 400 - In a shopping arcade within the vicinity of the Leica Store Causeway Bay. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551860959788-CI61BM6XGA21N6B9YBXR/HapValley-1002.jpg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861014635-DYZ2DSKFNFN47DIJ7LDZ/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Fujifilm X-Tra 400 - Hightailing out of Dodge, on the other side of the fork. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861096675-44QNO1GJ3N0JB1EHJXC7/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861058111-RJTS5EV1Q10BDD64XUXH/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861141864-IFW1B2R16R943PBZ31WE/HapValley-1007.jpg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861571158-MN2U7YHK8ZTA7QSKQ6TX/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861239446-S4QSOD743AP8I7P18CU1/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Fujifilm X-Tra 400 - Stopped into a church… https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861349723-IP4P6INL1LHMD6Q18KIT/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Fujifilm X-Tra 400 …I passed along the way… https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861376975-B7QI6IBTDHXYR50VOAY6/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Fujifilm X-Tra 400 …and got down on my knees… https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861408780-P6RJHTYSQPDB9D49JN3M/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861295439-0CP1U71THGY5A7JNMN4C/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Fujifilm X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861707679-RUFCW068KHV33V5U68G9/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861767085-I2U3AXHNDY8IQOOXS5EA/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861810294-BM3FRNJB9CNW8U089XV8/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861857079-X7VAVJXCKKYSA8AFFKM9/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861905762-WS3H8NIM92KNQUEP2XUB/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551861929955-1OGVTHJQOWRCBNLFAICF/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551862023064-7ZIRQA0TBG4XCA2RO2V2/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551862063833-LBNSUOCIYMV69JMIHXT3/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551862098789-Q4QL5THJPPQ9WGZOPHUY/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551862133728-E9UTG266I7AAKA7PCL61/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Leica SF-24D + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551862158220-K9YY4ZB6NXEG9Y8CBMGE/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Leica SF-24D + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551862185835-66Z8W2H5MCB11USHX5BD/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551862271487-5TY8TZNQ2IV4APCXTCUQ/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Kodak Portra 400 - Speed round - this shot and the remaining shots all taken on a roll of 36 in a span of five minutes at f/2 - just for the fun of it. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551862336531-QM65XEF8VC9H3KUFSDIK/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551862406110-CI454UO7S4HBMS2YZ7Q8/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Kodak Portra 400 - So yeah, I missed focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551862457775-AT1SDM6N88T3U4IVKJOT/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551862530432-6Q0G7K586HNI0VSV8R2K/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551862501166-975AYHL4CLAU8CC6MKD4/image-asset.jpeg SERIES I - Finding Inspiration In the Ordinary Leica MP-6 + Leica 50mm f/2 Summicron-M + Kodak Portra 400 https://www.streetsilhouettes.com/home/2019/3/1/the-uncelebrated-forty-year-anniversary-of-the-leica-50mm-f2-summicron-m-version-iv monthly 0.5 2019-05-11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432695282-JSSRUMW3AY9JUN5CI511/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Superia X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432658591-54T5P2AL2GGCS8ZO7520/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Superia X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432630077-GKOJ0WS77JZOCLV35C08/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Superia X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432585256-99AZZRYSPQYJPN71NTS3/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Superia X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432558364-FB51R4RN4HLYWXAU7ZLK/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Superia X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432533312-2H807QQQLXWG7ECI3R28/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Superia X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432494783-4HHGJ6HCNS9ZURZVRKGM/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Superia X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432463053-6GA8GD5HD4RZ0L2J5XK5/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Superia X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432429102-TKMIE74B9SZI5SPFOJKI/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Superia X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432386466-EZZACNMXO012SOX3B42H/3-400-1010.jpg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Superia X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432331247-G3CSN02HTY8BB6OJZWW7/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Superia X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432228956-ZG8XONI6YDY77NRDMD1R/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Fujifilm Superia X-Tra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432189410-56N88ISGTY7H1Z6A0QNS/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432156284-YQIZBKFN7JS5OG9N44F6/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432130955-G3CTYO6VN7QPNK99O50J/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432053935-WRVARIPUCOXPAC8X36TH/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551432012580-SPIV18PD5P21EFLLUC08/3-400-1017.jpg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431979615-K67YU00M1O92OQXNZTAF/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431939001-SNH8PGLBO6XN3R65DDJX/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Agfa Vista 400 - Color has been edited in order to make the lawn and trees appear more lush and green, because of… well.. trees and grass. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431907498-GELEI8DWY3IMCM5K1F7S/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431875967-D1620KVQ8GCPCE4L4A6F/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431841758-SN7RYE08RO608C1SMGCQ/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431815493-NK1446TT7WY6D7NVG0ZI/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431757582-4A3N2D8LBQR8VIY8VT7R/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431711859-FIQPP9M9T8EYBJ3JJ092/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431683279-1ZIW80ZDHQIRC8QKT1GL/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431655611-WEG2I0ATOKOPGI1QH94E/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431622450-Q7AECHOGJ21P7CWQTLFV/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431597573-P4SNP6IAN31PE3MGJ1DX/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431569277-3HH6UTX9HZFUDWYEI07U/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431536901-F376NWJGO3XXKAM0IY3F/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431459547-VICICJIC5HBY8LXYICPS/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431495171-73RG5LSHNF3NT5PDQ6JN/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431424015-SU4GVZB8IN9GUHOGSIXK/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431391345-WTAYCBTJTF4EBLCBRUKK/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551431316057-P4N1ZIPYXJUDM9YC72WP/image-asset.jpeg SERIES I - The Uncelebrated Forty Year Anniversary of the Leica 50mm f/2 Summicron-M Version IV Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 400 https://www.streetsilhouettes.com/home/2019/2/1/my-views-on-the-leica-q2-and-why-i-wont-be-getting-it monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549014382589-DYV3FMMPBP8BA8SUWZZV/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP6 + Leica 35mm f/2 Summicron-M ASPH + JCH StreetPan 400 - The second frame advance after loading the film. Hence, the ghosting. The accompanying images shared on this blog entry demonstrates my solution to digital zooming - which is to carry a second camera. Although, on this photowalk, I was carrying three cameras. My primary camera that day had a 50mm lens. My secondary camera had a 28mm lens. This camera had a 35mm lens. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549014406412-5X43FTGVQ4W5V1BRMKYT/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP6 + Leica 35mm f/2 Summicron-M ASPH + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549014349323-QPPOMYT7SSLK975SAYET/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP6 + Leica 35mm f/2 Summicron-M ASPH + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549014301696-AEWD9EJ8X8RVJVJ4962X/JudJCH-1005.jpg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP6 + Leica 35mm f/2 Summicron-M ASPH + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549014273285-CFFS9FS0GOTMYMHHOUY3/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP6 + Leica 35mm f/2 Summicron-M ASPH + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549014244672-1MWSQBL0IUGAFOY7UHSE/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP6 + Leica 35mm f/2 Summicron-M ASPH + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549014212687-QGTYTOCN3NUO9LI7G5O4/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP6 + Leica 35mm f/2 Summicron-M ASPH + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549014180881-9FNI0CKIBAAT9LUTXZQA/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP6 + Leica 35mm f/2 Summicron-M ASPH + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549014155171-JOIC6XJZHNL65NVP50US/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP6 + Leica 35mm f/2 Summicron-M ASPH + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549014112477-MUOG7OVPG4NVST4FEJON/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP6 + Leica 35mm f/2 Summicron-M ASPH + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549014077156-A1W6D0W85Z69TM3NEHHS/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP6 + Leica 35mm f/2 Summicron-M ASPH + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549014005073-V2I04QCERFU8G33V26FI/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP6 + Leica 35mm f/2 Summicron-M ASPH + JCH StreetPan 400 - Somehow the last frame got scratched up in developing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549013798426-VNX2N79N2E56X7G542FT/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 - I have yet to share this image set on another blog entry. My primary camera that day had a 35mm lens. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549013712149-ZTD06SPC0AOSLWV7MVJN/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549013677649-T7MN2YCPMKN6X6UQU5I4/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549013606303-K9V9X5JV776VWWPSCEKC/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 - Cropped to 35mm equivalent to remove plastic bags on the right side of the image. Incidentally, image was off centered… so the cropping worked out better than expected. A case of poor framing at the moment of documentation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549013566882-SC9CIN1H0DJH102F11GC/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549013899440-ND9ILRZVH0XR3ZP58XCJ/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549013515484-VPD2RL6S7B86R0P05HEO/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549013472670-TQMUG5LOMEVRK2W6C6RR/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549013435247-YF0A8K4ROHH6X6WI9UGL/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549013752497-MK17VLWKJIAXW4WNXMFX/LFilm3-1030.jpg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549013365415-JWWDK7YJD9TK1JS78IOM/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549013259761-30WJVVT8ZRGCLULQ3WBJ/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012995420-9IO9C21G75JVL3NUZGHA/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP-6 + Leica 50mm f/2 Summicron-M Version 4 + Kodak Tri-X 400 - Here is where I goofed. My primary camera that day was also paired to another 50mm f/2 Summicron-M. Originally, I intended to compare black and white versus color photos with this image set. But, then I got side track. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549013041164-Q78LDSJCH9ZRPPF8H3EE/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP-6 + Leica 50mm f/2 Summicron-M Version 4 + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012932761-RJXWFUN7OUEE5JJ4XDVF/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP-6 + Leica 50mm f/2 Summicron-M Version 4 + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012769025-KGYSJF03JXJPGDVDWKIP/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP-6 + Leica 50mm f/2 Summicron-M Version 4 + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012888768-5XIN8DYXDRWQXW8H0C2D/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP-6 + Leica 50mm f/2 Summicron-M Version 4 + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012827050-GFNUAV27VB84K2O8WUD5/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP-6 + Leica 50mm f/2 Summicron-M Version 4 + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012739541-CMXI46N0DHYDSI4QJ942/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP-6 + Leica 50mm f/2 Summicron-M Version 4 + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012713575-U0WWMHROI1L97U3PM51Q/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP-6 + Leica 50mm f/2 Summicron-M Version 4 + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012689977-40OJY2QRZ825WV8BTOCZ/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP-6 + Leica 50mm f/2 Summicron-M Version 4 + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012669715-XM5ZJFA02T5Y7EBE7VI5/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP-6 + Leica 50mm f/2 Summicron-M Version 4 + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012642582-S2ZPLHQ6ZWPY1SQ1H71A/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP-6 + Leica 50mm f/2 Summicron-M Version 4 + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012596937-NKOVPN9HE2K9VUIC16NT/image-asset.jpeg SERIES I - My Views on the Leica Q2 - and Why I Won't Be Getting It Leica MP-6 + Leica 50mm f/2 Summicron-M Version 4 + Kodak Tri-X 400 https://www.streetsilhouettes.com/home/2019/2/26/the-bragging-rights-of-photographing-in-film monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551167522075-MSKGJ5YEPF7W7HFSB3WK/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551190093801-2070X1T8OUA02HBT5JDX/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 - The Drift King in frame - A restored Toyota AE86. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551167472206-OCZTD31H6CQ1Z4QOJILE/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551194097007-G7XAQQH0DVMJ9MCE00JU/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551167414387-CWDRXMKZVRG0H2J6L75G/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551167344879-V954RMHTF42IQQNAPRBJ/SaiWanHo-1006.jpg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 - Cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551167812992-0LB0HZTW0J1LICSIQHK3/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 50mm f/2 Summicron-M + Agfa Vista 200 - Straightened and trimmed. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551167896574-G21C6YFETI74QNA3PGI7/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 50mm f/2 Summicron-M + Agfa Vista 200 - Straightened and trimmed. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551167750238-8Z74DFX45MKVY45RMK2C/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 50mm f/2 Summicron-M + Agfa Vista 200 - Straightened and trimmed. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551167728001-0T22J779LJ4I47ZC7E5F/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 50mm f/2 Summicron-M + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551167697443-NLCEJFUBMIO16R2KQXKE/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 50mm f/2 Summicron-M + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551167643627-G0CZP70T98LV0GVAWBRH/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 50mm f/2 Summicron-M + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551170703457-CH7J1UZQT8IOVG37RC2A/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551168195002-779VAJWQUZX5GXAJG30S/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551168149494-NSAKLF61XGTKVVNQHXWX/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551168121079-3XJUKTVKHMMEQGN6KMBN/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551168092344-94PTGTE71IJUD8ERNUHY/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551168062032-HK7DG4L3Z73PK3BC2XDC/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551168978729-MALRSMVC6RZ1R9HRWBKZ/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551168672021-PBKUHQS725BCOWIFDWQE/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551168691639-EP2RYIQCXLJQ5Y4POOFY/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551189873916-YXV4SSXHWB12HSSBRB10/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551168865056-33P6DWEHT3XXK2BMMDC5/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551168825938-F70CCFE2LXPKSP9CS0QZ/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 200 - Straightened and trimmed. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551169283468-DZVY3N915DRT2LTPRC2N/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 200 - Checking Google Maps after seeing many passersby with bubble tea. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551169252092-2V2MSDTHTFZCYPSPNZAM/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 200 - At Ten Ren for bubble tea. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551169188714-MV135GW5Y00EK6BNXPTF/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551169152024-QV2RDFPW26PBI1428LCD/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551193261719-SEFVMN8WWKQBMKJKSTTO/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 200 - Bubble Tea! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551169064129-65NTTXJ3NG6T87IKYKG1/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP-6 + Leica 50mm f/2 Summicron-M + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551168717732-EGKK2MHGD1IICCFRNCKC/image-asset.jpeg SERIES I - The Bragging Rights of Photographing in Film Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Fujifilm Neopan Acros 100 https://www.streetsilhouettes.com/home/2019/2/24/the-myth-of-the-decisive-moment monthly 0.5 2020-03-30 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993552651-OGSKUP3B4DSQONRWX9UI/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993527771-VNS2XCAL2YIXFEE7UUH6/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993497589-0MNG6SCD04A0PHMPUF0J/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993470974-8SEQDKWUR1CGZ9C05GTX/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993444240-MU6EXNTW6PYD9P2W2QFN/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993418742-5Y2T06NY6ODP3OWGAGRO/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993389522-U2C135PMRKVK2C5H1AO8/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993363292-2DDYVCBADLTKG8JSHVQV/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993335763-SM8WPOHSAO8LP90HIDRC/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993312415-RJP2I32S9X0QBFMBUQ2W/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993284187-0L0XR2XJCGWECJ7U510H/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993259619-0LL3LCC2O2993UH031BW/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Leica SF-24D + Fujifilm Neopan Acros 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993204600-2HL6QAK4FVGOJ8GOAA05/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Kodak Tri-X 400 - Note - the plastic bags in frame are in context with the captured environment… I mean, this is a market. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993178484-5N493KXQIEI3KYWCG9BI/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Kodak Tri-X 400… plastic bags in the market. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993151453-HVA4JW3ERSLTDR6OKGIZ/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Kodak Tri-X 400… plastic bags are unavoidable in the market. I mean, this isn’t France, where everyone carries a woven market basket. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993114092-GPF9HMWK7P8MLRLF4ZCR/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Leica SF-24D + Kodak Tri-X 400 - Goofed with the shutter sync. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993079826-1LT1N5NEFYJB4A92VOOM/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Leica SF-24D + Kodak Tri-X 400 - Goofed with the shutter sync again? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993053794-KAWMTDZS514U9LVSPZVK/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550993021401-W7RSGO43LXYSPEUZWB0H/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550992990783-4OSMZWUUEM6MI9QGJL0H/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550992961631-URCKRMVEDEA2NCN28OOT/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550992929997-761AIG4W8WQ6SJ8TIPMG/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550992902908-MHEHS18GU52VRBME098I/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550992865443-XXHCVP40WFKGD5SG9KKR/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550992830418-H3CHPJVRP852FNYPJ2EO/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550992805982-VECVMAPJOVMJV4C2XUA1/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + JCH StreetPan 400 - Note - carelessness in haste made me miss the photobombing from the background poster on the bus. Nearing my two hour limit, my endurance is always stretched. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550992778807-9J8QBXV977MFE1EGJ4YS/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550992752738-NVVO039MEPG92EIS48Y6/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550992721303-SFUNM22KWT1RME5FHE7R/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550992693410-O56J2K5F8U2HDIEHCERY/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550992637185-GAZHIXZSZGMY36VORJ7F/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550992612346-D9VZIP35ZA32ZZ6K0UOK/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + JCH StreetPan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1550992576666-40WCMJ0H8EOG7WV8BBIR/image-asset.jpeg SERIES I - The Myth of the Decisive Moment Leica M6-J + Leica 35mm f/1.4 Summilux-M “Steel Rim” + JCH StreetPan 400 https://www.streetsilhouettes.com/home/2019/2/1/its-okay-if-you-dont-want-to-share-your-photos-publicly monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012252668-AH52Q8K2DME75DW7O349/AnnRet-1001.jpg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012178819-W7TZL5F370V2QZYTDJMD/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012149109-SXF4VEX7A2GF5MGRXEIW/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012107034-94I5ZPQQDB8YU8U9YJRN/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012078345-ASBY35075XHND1M4ATSP/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549012029829-P0AL03OOYS5VP6V6TC4R/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011886174-YJ4B1RB4VVL059ULQUNQ/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011841302-2JWGB4ML6PM6AGOQKYC7/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549525477371-3TYB8Q3WIQH1W0CEAZYN/AnnRet-1009.jpg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011747639-WQ8TQP1QH3QK5EK1WWV6/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011673378-DCSK6MZ6ZAT1FY12NJ5Y/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011641654-637S23XTX356KWY216JJ/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011597987-7GQR8OEKUIB1QCJ2CZTQ/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011536770-B28YR0RG6JE29EAOE5CG/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011473040-MA4G35444MUAAPFL17RD/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011414896-L6IAYBLRH9A2J66NCEWL/AnnRet-1017.jpg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011382015-B2CKO0RZA5FUQ314CFK7/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011318290-7YMFVBEQ8TUXCLSWOA6L/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011272586-PVFCGMW3UQ68M62BT2ZE/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011241483-FSO433BWPYGUDUUTWGVL/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011191363-72RATYI4XGXICCBTFQRE/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011160094-7ZZ1R4MJKYTTBWOWXSQO/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011125607-D0OG2UEP2Y8SQ0OK1U14/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011088548-VXPFM8B2GDPYY4DOQRL8/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011053102-9B2APZ88AYWXKDIFE52B/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549011017974-7T16U5R7Q8LD3TMV09GB/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549010980926-E0PT1I1NZ00GC78RS4P2/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549010944345-RMPPPZYF456Y7V9CPBR0/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549010869537-3CUKCQNV7E5L960AZBR6/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549010783431-8K8NV30K1AME126MBBVO/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1549010902267-ES3555YVTHW87ZXJIF99/image-asset.jpeg SERIES I - It's Okay If You Don't Want to Share Your Photos Publicly Leica M6J + Leica 50mm f/2 Summicron-M Version 4 + Fujifilm Natura 1600 https://www.streetsilhouettes.com/home/2019/1/21/the-moral-dilemma-of-documentary-appropriation-in-the-age-of-social-media monthly 0.5 2022-01-28 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053648303-DW1D1JVYF4UU8KRC1GPB/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053623211-UZN45BSIMBYRCHVTDN4A/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053600806-D5BPMJ55OPDFI4WUIT3D/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053581760-TQTI9KMCWF2IEBYHONUV/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548079782906-GYRBER5Z6JJJG7E2GROX/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053521400-CDL95V9RAUR9ZXXB5D04/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053493890-7T7SPU1IY0ZHKJMTOEMS/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053463484-7WAOWOYFRLM2ZAG1BPCZ/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053439225-LJBUJZE5US6K97Q6G1WS/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Leica SF-24D + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053413030-A847KNHK680QL81VFE6F/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Leica SF-24D + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053390505-PVKZR2VANXPCHB5IXKF9/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Leica SF-24D + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053366683-OWV2W90PB2CZK7HTSWQU/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Leica SF-24D + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053335412-15AJF9S4M0GOEGITJVEH/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053316070-M5QL92VJWTTZE2LVAECE/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053290730-RIGLE7VSHAT93O8Y7D7S/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053264772-SYJEFGEFRICHSHV0LHP8/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053245095-1BX2BIIWB20EGVXJ7PGA/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053223145-GG86DGTOMXW14K772WZ3/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053199552-YN9NIIYYHW5SJYWNSYH3/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053175796-H4C91XSKDJA5UQPVBREV/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053157483-TV2UC9W25MO4WZ4D6RB9/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053113736-8KRUQMM7IM1Z34SWPDQ0/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053090536-UVA4ZUQ9U4NRJCZ2R90D/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053065105-KF8503YS2QOEF4734F8D/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548052990370-BK2L2LKZCHUDN1W16RHA/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548053025320-6KXD0RKKZMDVYNYE83DX/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548052971251-XTGHT8UULB3JHYRGZC2R/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548052954170-2GZMBWLYK1ER9M5DBN0H/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548052933808-8AHA8ANX5WOMQQQ71GY8/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548052879256-49ENZW1Z16CMUSQYFXHE/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548968910500-JGSOJEB1IFX565KNTOKC/image-asset.jpeg SERIES I - The Moral Dilemma of Documentary Appropriation in the Age of Social Media Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://www.streetsilhouettes.com/home/2019/1/21/the-relevance-of-your-photographs-to-others monthly 0.5 2021-10-30 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048395795-HPZO7QMV3ERS3W8A7IGT/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048377367-AKGR64RDIPGO61GRVLEX/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048359661-QQWHIQ704EGJVJMQH5NC/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048338865-FJRGZAJI77RNLIZKE24W/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048320465-YAUKTNBLULSAUVZ9HTVN/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048295194-AKCHPHPS0Q0E0ZN0GIHL/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048271698-TVM8IHVZOJNNM6DW8N7B/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048253263-PT92E123737YDF1XOZ5Q/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048233245-2AYOSELZSQP4OW1GQBSY/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048210754-TMTI8M1SABHR61XJV8GM/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048190671-ZSAYTZC7FSCKCP2ZSQXX/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048164749-CT6EXSR8BO1MJ1FQITDH/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048127368-SEOX9YYMQBPDFJVRMN0B/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + SF 24D + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048106611-NNK3O7YHC2OSXUPZ64CZ/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + SF 24D + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048083893-H9WJEOOZL3G406TRHS0M/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + SF 24D + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048065074-HT1W2DJQSUJF6N9F35NT/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + SF 24D + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048042254-FS1B4XAH0MB2PHI11WME/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + SF 24D + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548048013524-MKEEM8SLAGQPBMK2WC7G/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + SF 24D + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548047973721-BMHJNYWU2OOD7LE024ZG/JudCTL-1021.jpg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548047929201-GER0QVUD3AGWI706GP2Z/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548047907117-EV2332I3LNOZ3AYLSV3J/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548047881661-IQQL4OMZHUMG2SB0RNFC/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548047854235-Z7JOBO9FN8DPQ29HVLYG/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548047808946-P00O0IBVLHNQ2YHM0HLS/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548047773494-BY3XCBIGMSUTYHJGD0JK/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548047746269-F33IO35Y6K2FTCE1QC70/JudCTL-1027.jpg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548047718996-NENWIYT5TNLWGDGRYWEV/JudCTL-1028.jpg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548047696453-0DQ0DOHBO34UT58VSB61/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548047675694-QB3S2IBO6MGJVWPVF2Z2/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548047657563-UB6FM13EDG0XB3R33YHV/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548047599383-1J6PDKPHGL0JHBNFNY5D/image-asset.jpeg SERIES I - The Relevance of Your Photographs to Others Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Kodak Tri-X 400 https://www.streetsilhouettes.com/home/2019/1/18/new-ektachrome-digitized-on-the-fujifilm-finepix-s5-pro monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547855642680-DERQ7P9ARXR550F8S40Y/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 - off by more than a stop on the highlights, since I did not meter carefully. This image required some work. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820641926-EEN7L1FFAEB2MQG4NLNU/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 - Only color balance tweak. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820605994-TWJ7LRUQVCC10L5UNTF3/QuaBay-1003.jpg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820581410-YWXZBL18QQH2AVRGSIGI/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820547432-XRDPVSN64METJZ65PM91/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820521507-SZL07336ANRMRZV7ZS19/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 - Pushed by one stop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820491748-XG58CSB1JH4BUQFSSCRL/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820449926-QLLAFU6H0JD9TGD8YC9G/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 - Only tweaked color balance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820429039-CGPP04LBD5QQUR8YBW92/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820390025-FAGSJFR6PRPPF1NR4YNK/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 - Only tweaked color balance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547819826003-NB90KPPKL0L37PZMQ4SD/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 - No Photography? Challenge accepted! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547819797432-6K90G5B92YINYJ6SP8G4/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820362375-1QXG5FOEI7Z4LNAF1V4F/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 - Metered for highlights, and recovered 2 stops in the shadows. This image required some work. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820180826-OEPK3N17QFMXR1PXOTT2/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 - At Moltane Mansions. I should have used fill flash here. Metered between highlights and shadow. There really wasn’t any midtones in-frame. This image required some work. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820319367-GF1O6SFICIO4UCNP1I56/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 - NO EDIT https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820288689-QO1OIQZFT0VWF78HMV72/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 - Only tweaked color balance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820253627-9L3UR3EGCTLVXPTQ05QC/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547819853600-ZVWAT3LFDZRRASHV2KYG/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 - Pulled 1 stop from the shadows. This image required some work. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820014975-O6L5EMVWD5RRS5HOV18M/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 - Only tweaked shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547820105290-IROQ39H30ML6NF78XWNC/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547853744208-S56CGW78PJ7KLY2ULX86/QuaBay-1019.jpg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547819977145-K5JROJEPYXTFZM0V74G4/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 - NO EDIT https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547819913864-TELP1HU1C9DEIH12R7RJ/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547819886261-47OHECZA7K8LVLJ462Q2/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547819675781-B1KCWTVELNSAJXZLHUZ3/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547819713873-2AJJ998ZG2PA84IEB1OL/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547819613457-WNEFC3APON54ZBX9CHA6/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 - NO EDIT https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547819543109-E6IKLU4TSNOSHM9E57CN/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547819507742-98V2LFPVBWRQA19XRGEW/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 - Only tweaked shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547819468735-9ZCYR4VGOD2MEL5OJL5G/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1548318893674-LWDXSW4DCFSPPUEBXRUD/image-asset.jpeg SERIES I - New Ektachrome Digitized on the FujiFilm FinePix S5 Pro Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Kodak Extachrome 100 https://www.streetsilhouettes.com/home/2019/1/18/the-role-of-uncertainty-in-the-documentation-process monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547801012400-PEQIFEOKEMIVAIGZE8M3/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800979570-HAWMHZMWZ2KNU698I60V/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800951204-QPTGRVLT1T4XD70JDX2K/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800928519-R3OGB4CXWBFSH4JLBF6T/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + Leica SF-24D + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800894580-FJ80HVVFE24AA530TY2O/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800853517-8Z837ZQXZO0T9349VQQ9/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800790581-JRYZPUEQC3LI9UUBI34E/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800756758-685QTIP3OQ045WOBD5YA/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547900026746-JQR3VSTTI4Z7B36144LY/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547900054902-KV3F7PKBD94YFBN4DUL0/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800662337-LMC3LLK0G52SW3Y4LE6D/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800629915-A459G0OU0X6S9Z8CQCMA/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800603447-RDUADLQ3P5AUM3W7678W/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800577440-YI9SG41ISLSWVS9QW4ZS/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800546125-1OM3JM9NS40FJ2T7MQIN/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800502288-34Q5QZLAFL65TDCCK6MN/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800472644-P2JUZO0R632QL9MG3AP8/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800440751-N9I4G61K71TTTY4ED8S0/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800391521-J17CWNGFO082QOMJZA0K/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800359979-JW6K6B90YWCOKA390Q5V/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800329659-LLDLH7CWG3R7BIAZVLEI/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800280695-HBX2EO0SM6BF2J799NGL/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800215507-X4RK3UT8JI8UB322ZZL4/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800163625-2XRNL612H5OAJTXS8FT0/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547799957212-01SQE7FWIE8VRGDWVZ6I/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547800029746-CF2HVGWG6I9JL0IPQWD8/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547799925957-ZL3KM8BU54C7SX58P2YS/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547799896595-4CDGJJE0D4N7BVS9FR83/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547799865507-N2O5NU2NL0AOSZR3I1C9/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547799767894-84W1LOZRVARI14UFF75V/image-asset.jpeg SERIES I - The Role of Uncertainty in the Documentation Process Leica MP-6 + Leica 50mm f/2 Summicron-M Version IV + FujiFilm Velvia 100 https://www.streetsilhouettes.com/home/2019/1/9/how-digitizing-fuji-provia-400x-velvia-100-with-the-nikon-z6-led-me-to-a-discovery monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547115071774-WCLAGGE90VQC2CFJHKKD/PrvVel-1001.jpg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113087796-UXDCUE9NOB8HTVVCECIQ/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113109401-XSZFKK0V4EOUWBAPH7EG/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113133044-91WYSP1JMA1FTSISJP6W/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113163033-ZC5OLTCGQECPFUBURE33/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113187158-YIE2W9JL5OBX8GD3BG6J/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113223810-D6QF5C884KCMN5YIROXL/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113300151-GNS6LOWIQ9HW8IJLRWZP/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113344159-AYAZMFL52BC8735E4UXK/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113370348-7W8EM7SGY7XV2MS3G42A/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113404996-23ZEF84ADWWMJ9021BZE/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113437671-419BN9UL8H5P3WJLCWHF/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113456364-3FD04P7OHIWT47RWLA6O/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113480167-MSL3TAG0ILCC3ZASYMFJ/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113505774-X6LIS7XUQF1RV9UH838K/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547104121101-K93KF5TC4L86BMUH23TU/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113548051-6YEKZWJ9UHZBXQ2KGYHN/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113577736-4G6MRG99W3Z1V5BTLTM0/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113621456-PUYLM8VP078UZA69H2WJ/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113645293-YZJEJ7HYZGK7GOF70C1V/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Provia 400X https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113938883-0J8V0OFEBDD57S7XFQSA/PrvVel-1026.jpg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113720083-N6FZTJD4DJXPAASVUPM7/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113753711-SKTCEJ077IWMC2VSPEBM/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113781893-RSGNSWY0B40OOQQSHKU3/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113797709-F28LPEWQEUOYE5895A5S/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113820583-UDXT9F0MUG6UWTI540F0/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113838245-U0AM8JTYIUQV0BTHZ8X1/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113858611-9R4B5F0IZC3QA6PKREF6/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113878909-2EO97JCZBCYER8ALXR84/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Velvia 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1547113893133-PSKE0EFSO1XT6TI23K7Q/image-asset.jpeg SERIES I - How Digitizing Fuji Provia 400X + Velvia 100 with the Nikon Z6 Led Me to a Discovery Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Fuji Velvia 100 https://www.streetsilhouettes.com/home/2018/12/21/photographing-like-its-1999 monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545380504475-LLBMCD73COZQQEG7BETC/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545380474189-B786VFWLM0O0W4CWLVO8/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545380440043-AK1S5HCHYENU6SOC32IT/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545380289719-2QCH2HJKR7SIW30SR7MG/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545380258367-G33F0EUES2VLFEJIZNRT/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545380227024-2TMK7AKNKUR9RLZTQ2OF/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545380071537-YD06CP8NFMP7LUI0XAJ8/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545380197871-STOCVT2Z25LCL8T7DLOB/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379960621-RXEDTKN4TO5TKPYDASZO/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379933019-HBQLAYOP0QF3YUQ7HD4X/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379911487-LUEGLN8SHL0MIGW6Q89N/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545560017508-BH6QKQVAU799ZY18CEJX/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379840790-EPFI8SKZCUHZCWV5GXAE/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379810628-HSPP6LRND1XP25MKBH8P/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379726192-EMY33LPQHKFRFO58L6O6/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379752894-N0Y9CQH6EQJXVZMVNKBJ/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379781770-3QU2IHKL82J2FKRNAT73/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379674959-3NNIBFL2GIWYGYN8BQFM/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379642444-461R1FGPG6LHEVQX8IXB/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Leica SF24D + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379617184-BQKCT5EFY1KRNTB78M71/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Leica SF24D + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379593231-WWF8S592IKXG19WVOTSX/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Leica SF24D + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379567381-Z2863K0LBG0HO6WMXMJ2/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Leica SF24D + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379548590-I1EFO1WD0JOFUNOBM7L1/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Leica SF24D + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379503316-OPSKVJM2C8FVEVN33ZMY/DnN-1033.jpg SERIES I - Photographing, Like It's 1999 Leica MP-6 + Leica 35mm f/1.4 Summilux-M Version I + Leica SF24D + Agfa Vista 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379440196-AMV2NJC1XWULUZGZB89P/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Leica SF24D + Kodak Tri-X 400 - Accidentally had the shutter speed set to 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379420688-E7E0SM9J9PHBWVT351X3/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Leica SF24D + Kodak Tri-X 400 - Accidentally had the shutter speed set to 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379350598-5VSY4MWY488397IUGANQ/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Leica SF24D + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1545379328259-NGANAKOVMWMENSBG1MJT/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Leica SF24D + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1546254473080-XQTP6Q3KUPKMHSZZBWO7/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Leica SF24D + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1546256100230-H1ZVKHJRDG5J3M5L1HJ1/image-asset.jpeg SERIES I - Photographing, Like It's 1999 Leica MP Titan + Leica 28mm f/2 Summicron-M ASPH + Leica SF24D + Kodak Tri-X 400 https://www.streetsilhouettes.com/home/2018/4/12/low-light-without-high-iso monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342532253-DBNHM4YT80U6XI5VDBWL/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH - ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342512586-LCY5CVQ2HT5F8ODO9Y3X/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542267698637-YECZS87M0XMS3A4P40BN/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342462714-40Z3GK3RCOPV4VH42ZEJ/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342439899-0AHKKMKREGOVUMFPNBTC/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342408950-B82GMGVBBWAS6GG8MZ3S/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342387654-EVHJFD7AHZ28OZHS7DU3/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342360417-D09989LHOWKP8JSKHFMI/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342342595-AWQKCFBFEN7I9MQ92YQR/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342325237-DZBCEV3H495YKVUM1XDF/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342301024-OUKWTYUGTGDG2CBNRM3C/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342275735-U19A0NRL6M5UZB7PWYSI/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342254840-YMP5L1VYMGI4MWRU3VBV/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342233559-PLQ5AR96OAGKCB6SC1PI/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342213997-RRNRM189ZA5HC8PEC9DM/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342184080-0TXXTBVBIWWD9Y9W3585/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342168920-GQ9HRQV699GJC2UWRBBW/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342149189-OFF500T0ZQ5E8PFSKW1Q/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342127457-GI7UUU8YK6T3ULNUEL5P/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519342072979-FAR6EO4Y0WLQZMVT32PU/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519341987087-EB7IMPPLX9A56G9HIR76/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519341958809-CQNPXDDEDCBTZ43YXJOZ/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519341935252-RK0K5ETHQC1YNPT21BK9/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519341908836-A3TB0U6J9RLGACOHLNMP/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519341869680-7XD4GMLAJ5HXOAI4TESC/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519341851380-SUW96JHI86N5E40API4V/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519341828550-HHCBX7DCBR8QFEU1R91O/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519341805215-NPHN6Q44U35Y8SR7P8M8/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519341781146-WVR0RQ3281A8FHRW59ZY/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519341755790-1BHIEUCNLVG00GSGWC30/image-asset.jpeg SERIES I - Low Light without High ISO Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH + Leica SF-24D - ISO 100 https://www.streetsilhouettes.com/home/2018/12/14/a-whale-of-a-tale-and-lens-the-canon-rf-28-70mm-f/2l-usm monthly 0.5 2018-12-16 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544850880441-EADA9H5NMOK8T4W9LACW/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/40s, ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544850836140-EZZ2XQWWJUKCFTEI24P1/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/40s, ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544850787600-PG32S3EF3RK1IRZX735V/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/40s, ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544850733528-1QEDRT62MX35C6VH6X1A/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/5.6, 1/200s, ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544850685301-VF4QMN473B1NNN8FRWMZ/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @50mm, f/2, 1/1250s, ISO 1600 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544850598624-FJYYNU0RL5O4ARFT7X5J/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/800s, ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544850545259-IOP3WB70UWL2EBGR6IRR/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2.8, 1/250s, ISO 1600 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544850431840-ZVEIII7VZA14TT1UDVSM/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2.8, 1/160s, ISO 1600 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544850373210-4GFG6YQLKLHY1KU0K5JP/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @35mm, f/2.8, 1/80s, ISO 1600 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544850323134-V5MLG7R9K98X16X9LO4C/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/15s, ISO 6400 - I didn’t get many shots inside this very narrow stairwell. It would have benefitted from the 24mm focal length. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544850255817-QXK3ABER7PXFC2F30K2C/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/125s, ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544850198059-MM8KFXSZTWM55IZMFHW0/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/50s, ISO 6400 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544850071494-DM7MK1Y0C5BD1IVSVEI2/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/60s, ISO 2000 - This image capture took me over twenty tries, since I couldn’t get the camera to acquire focus in very low light and extreme backlight… hence the photobombing in the background. Beggars can’t be choosy if they cannot lock onto focus with the background clear of stray passersby. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544849963689-PSXKYF0R5YSGL9LH0ALX/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/160s, ISO 2000 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544849902245-QR46DK09LN0U2HUQV2ZI/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @50mm, f/2, 1/250s, ISO 2000 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544851390982-44GDG7I488UI02Z3ZFE9/Trck-1001.jpg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/1600s, ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544851389752-ZFLMZ5MO71IOF8I5JQGH/Trck-1002.jpg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/1600s, ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544851454574-64SUEAE5NNIBMJTIJLBX/Trck-1003.jpg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/1600s, ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544851455185-31QU3X5X097A20A5RIQC/Trck-1004.jpg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/1600s, ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544851518781-Y9SHDHM8U8V8FT96RE28/Trck-1005.jpg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/1600s, ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544851518744-9KS9YMBB6PCM9VOQXPFO/Trck-1006.jpg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/1600s, ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544851577791-KUQBE0PZJOLK64LD1R2Z/Trck-1007.jpg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/1600s, ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544851577143-PZ9GWSHRGQ2182GQVGR8/Trck-1008.jpg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/1600s, ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544851636775-6LAOOMT2OASULN4Z9FDS/Trck-1010.jpg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/1600s, ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544851638283-7HX78DB2LAJVDI9A8XX1/Trck-1011.jpg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/1600s, ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544851668692-XAC2AAIPWM3P6Z92NNAR/Trck-1009.jpg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/1600s, ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544849142535-ROBC0D0GR3R71S0EOZCA/2870-1017.jpg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/640s, ISO 6400 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544850134472-CR8FGZ963YSISANIMS4E/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/1600s, ISO 6400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544848340737-ST4CKUAZQ1RZP0UXPMEM/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/40s, ISO 800 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544848222783-J03UL40249RHXJGI7MBA/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/40s, ISO 800 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544848185920-W7ZF11MXC4DXRZSENHMM/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @35mm, f/2, 1/30s, ISO 800 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544847785605-PGTACZ4YBJWVHU08Q2PL/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/50s, ISO 800 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544847829225-5J1FMQ1TKX327ROGA49M/2870-1023.jpg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @35mm, f/2, 1/25s, ISO 800 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544847895275-H3D1FB09F10WP2OZZGA0/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + EOS R to EF Adapter + Canon EF 35mm f/1.4L II USM - f/1.4, 1/60s, ISO 800 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544847687653-RKX9XYGYHY6A5R21B6FR/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/25s, ISO 800 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544847640684-6QRVDHKMWCOC9OLWM6ZQ/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/80s, ISO 800 - Only highlights tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544847601675-DTB6J8ZDUMCK5NIVCZCY/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/50s, ISO 800 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544847541121-KN5Y526ICPUHMYAYNS0A/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/50s, ISO 800 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544847511323-F6AQGS8P0BTOXHIJXDGK/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/30s, ISO 100 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544847467022-UI25N2WJOIEQ3RSPP86S/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/30s, ISO 100 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544847303637-JN0E6TVSLSSFYVTGA94N/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/25s, ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544847210918-2566DQWXBN5HXFZHJTYG/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/25s, ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544847177701-2OJDWQ22L8CJ6A846JD5/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @28mm, f/2, 1/60s, ISO 100 - That’s the Canon RF 28-70mm f/2L USM reflected in the mirror… and me… for what it’s worth. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544847142987-CJA2AD67DMPDM284LFIM/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/80s, ISO 100 - This background photobombing strangely makes this accidental documentation work, in creating a left to right rising composition with the white hanging garment anchoring the right of the frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544847113136-UCM87AUZTXI0VMQ80TZC/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/50s, ISO 100 - Not tweaked in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1544846991506-58EALVQ2HW9MYMFSSYRC/image-asset.jpeg SERIES I - A Whale of a Tale... and Lens - The Canon RF 28-70mm f/2L USM Canon EOS-R + Canon RF 28-70mm f/2L USM @70mm, f/2, 1/50s, ISO 100 - Not tweaked in post. https://www.streetsilhouettes.com/home/2018/11/27/to-big-to-fail-the-canon-rf-50mm-f/12l monthly 0.5 2018-12-09 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543304274216-FA1GL8VI5DG58GWYX1BW/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Kipon EOS R to M Adapter + Leica 50mm f/1.2 Noctilux-M Aspherical https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543304474573-YQ0L64SRW1VZ87NZO9XT/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + EOS R to EF Adapter + Canon EF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543304714107-RYJ5RX6AXP3Z61OV9GQN/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543304366539-AMU3K5CAJ96W15G3PQCL/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Kipon EOS R to M Adapter + Leica 50mm f/1.2 Noctilux-M Aspherical https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543304577693-7SUURZK2FIN99Z8VP9PK/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + EOS R to EF Adapter + Canon EF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543304767676-Z0VJ1OZ93F1T776X9NZB/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543304403623-0WOM39PHH2QLDKQIK2UM/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Kipon EOS R to M Adapter + Leica 50mm f/1.2 Noctilux-M Aspherical https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543304633612-PKBH72WRSY4FQZEII6IF/EF5-1003.jpg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + EOS R to EF Adapter + Canon EF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543304814244-3V98LLS964F4I6YZM2R6/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543304429770-3YT6EDTVUPPTJC07D1T2/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Kipon EOS R to M Adapter + Leica 50mm f/1.2 Noctilux-M Aspherical https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543304669925-WM3MC2XCM2E29CQHU6RE/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + EOS R to EF Adapter + Canon EF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543304841723-R6ZNYHXFD5NDB4RE0YG1/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543305079360-KV0W4RG4ETMNT8XBIV2G/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM - Close focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543360657438-69CIB8URH1THE8JHNC1N/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + EOS R to EF Adapter + Canon EF 50mm f/1.2L USM - Close focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543305116452-LOCCXP3QLZMJRGY36SJS/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM - Continuous burst (only one frame uploaded, since there’s really nothing to see with focus consistent at maximum aperture). https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543360782209-ECLKFRXCZI9MVH9PMX7C/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + EOS R to EF Adapter + Canon EF 50mm f/1.2L USM - Continuous burst (only one frame uploaded, since there’s really nothing to see with focus consistent at maximum aperture). https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543305147706-PXQVF09MOL9P0C099MX1/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM - Continuous burst (only one frame uploaded, since there’s really nothing to see with focus consistent at maximum aperture). https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543360725949-S3LOPR2TOUTGHIQUFK9C/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + EOS R to EF Adapter + Canon EF 50mm f/1.2L USM - Continuous burst (only one frame uploaded, since there’s really nothing to see with focus consistent at maximum aperture). https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543305504384-M6RJJ49T2SFKAUA7RY8J/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543325097478-H7E1N9NE6FOU80VL4D2X/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543305573577-T7NL1WP5LT8QLB4BS2H2/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543305611780-84KSDEHOMZ0KOO5HPKHU/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543305646581-ZXM8JZVLHPUXW46KS1X5/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543305676266-CZQBVEZ0WM9WL62HKHI3/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543305714666-TQCEG59LEX2YUNDEGHNG/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543324896139-VRIO0ODWLO1S37XY6W3Q/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543305966738-KT1QAHAYALHCT4MI0LAU/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543305773309-BHK9BIZD6ABEUIX7SFNP/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM - Judit getting off at Central. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543324483813-X3C3EP3CHNJURL2M9RP2/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM - Placeholder because I didn’t shoot enough “b roll” shots to meet my 30 + 1 image requirement per blog entry. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543324516093-5MRRUOFDL6I3Y8XRM8WY/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM - Random parting shot, captured blindly relying solely on face/object detection autofocus… also a placeholder. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543395082519-NVBFPXHQRLPQHIPYOI4M/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Leica M10 + Leica 50mm f/1.2 Noctilux-M Aspherical - In case you’re interested in how this lens natively renders on a Leica M-mount sensor. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543395008505-MTUEUWY4T1WEL3K6JDUN/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Leica M10 + Leica 50mm f/1.2 Noctilux-M Aspherical - missed tack focus by a nose-span. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543385515271-8L4F7UEIVRBKAWMWU6O0/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Kipon EOS R to M Adapter + Leica 50mm f/1.2 Noctilux-M Aspherical - I could probably have hit tack focus if I had opted to shoot with focus magnification. Still, I’d say that the focusing experience on the Canon without magnification is still better than rangefinder focusing process on the Leica M10. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543385478465-SONT5NOF6FW4QLEGCXUD/Mag4-1002.jpg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + EOS R to EF Adapter + Canon EF 50mm f/1.2L USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543385441158-21HIZE02G4HAUSGIW3Z5/image-asset.jpeg SERIES I - Too Big to Fail - the Canon RF 50mm f/1.2L - Plus the Canon EF 50mm f/1.2L + Leica 50mm f/1.2 Noctilux-M Canon EOS-R + Canon RF 50mm f/1.2L USM - Much more definition in resolved details - in the eye lashes especially. https://www.streetsilhouettes.com/home/2018/11/22/what-we-can-learn-from-steve-mccurrys-last-roll-of-kodachrome monthly 0.5 2018-12-10 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542893172521-3IPH7CXMSG2SI224FJYC/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 - Since Kodachrome no longer exists, I resorted to shooting the closest substitute - which is Kodak Ektachrome 100. And for fun, I also shot a roll of Agfa CT Precisa 100 - which unfortunately has also been discontinued. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542893144566-ZHC7H556NR7AGQMRL7A2/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 - In total, I shot three rolls of film. There is no way I can get a hit rate of 30 out of 36 (or 38) on a single roll of film for my blog post. So unlike Mr. McCurry, who had a hit rate of roughly 80%, I had a hit rate of roughly 40%. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543676314151-GMZTWS2AGYD9AMK28XWN/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542893080974-QT3DM4JF0EW85FICIQ8W/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542893056703-7WD5GNGPJRE0HIC11WTU/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542893026599-BBWV8JLLZY0HQHFPH5TQ/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543676334076-GNRO289YWQ9E5ZN6ABWU/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542892734762-Y7E9HTRJ0ZLEFY06IQUN/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542892983286-HF89G177DALWLP519Y2G/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542892661644-ZV71HTKDSUNR2R18ISNP/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542893219524-RPRH0PI32WOK308BG8FH/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542892899414-J9F0B2WZ7RXJ98L4GTV8/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542892439179-YRNJUHCMVF6WWXF234KF/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542892406618-4R1S18VKPITEXFGTGPLV/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542892320947-UHABK80KTH3QTM0QURZR/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542892269913-4PRF9JHR3GEUZXAPVAR2/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542892136277-HWD1DVY6EWF32W951CV0/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542892098799-N8TOA4A0B1GR4B3H1SSF/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542892057940-53DZH5ZAILETFWKZYC08/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Agfa CT Precisa 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542892033056-58MC9LQ90FOWGFUW8XTR/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Agfa CT Precisa 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542891999263-W6D1IZM4PWAVZHLQEX8N/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Agfa CT Precisa 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542891967014-NK0EZLVM7JYHJ0W5K744/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Agfa CT Precisa 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542891936905-BC93NHOW1DU1R4UNSFV2/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Agfa CT Precisa 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542891903683-KZ3R2OZUIVRV9SJDARM7/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Agfa CT Precisa 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542891866558-6V6S9QL2WZTHGLBAVW5M/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Agfa CT Precisa 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542891840687-49KATA5FDBSEW820E95E/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Agfa CT Precisa 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543676352814-T6BQPX29BIJP5H7KI3GN/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Agfa CT Precisa 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542891771871-ZFC0P8IYOCYMMQTOZX5G/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Agfa CT Precisa 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542891737860-VAZA0VC09D7CLY4WG3DM/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Agfa CT Precisa 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542891591018-YXOR3929C97G5G89OIOH/image-asset.jpeg SERIES I - What We Can Learn From Steve McCurry's Last Roll of Kodachrome Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Agfa CT Precisa 100 https://www.streetsilhouettes.com/home/2018/11/20/canon-rf-24-105l-f4l-a-compromise-im-willing-to-accept monthly 0.5 2018-11-25 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542706734567-VOORNA0A3ZIGMG2M2E2T/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/20s, at 65mm and cropped. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542706693995-X8SM1BIO45DNXFZ11H4D/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/30s, at 45mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542708501267-X49LCGWPGHDXK8VF1NCG/RF24-105-1003.jpg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/100s, at 24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542706608575-83972A1WO5LDQIIIB62N/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/100s, at 24mm. Chromatic aberration is present on the sunglasses. In fact, chromatic aberration seems to be an issue whenever there are instances of backlighting or reflected light - though not immediately observable unless under high magnification. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542706565704-WDL50HEB8KW5NDY883HZ/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/80s, at 24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542706524220-FUCKTZOAZHTBBMO4IQ0N/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/50s, at 65mm - Would have benefitted from higher shutter speed and ISO setting in freezing motion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542706319252-UNIIOVWKJ8NNL8V1YU2R/RF24-105-1008.jpg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/50s, at 24mm - Image has been pushed by 2 stops in post to retrieve detail from the shadows. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542706444597-W6XTEWL8NJ3XTH31J57F/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 6400, 1/200s, at 24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542706157257-MROF3S25TJZOI3W9GNOE/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 6400, 1/60s, at 24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542706094585-ZP36BZXVVRL6NYEVTISP/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/160s, at 24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542706030259-XWWOROZF1M67SS0XDC9Y/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/60s, at 24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542705911889-YP0GHU3909LADQ6U133R/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/40s, at 105mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542705791015-OWVR1OCL9X0W4NEX42OP/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/80s, at 24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542705735396-EFXQ54TRQPWYZDN0Y0MH/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/80s, at 65mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542705692965-OCOCDE855LVT7KRLA48T/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/80s, at 45mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542705648000-SH9Z5TLIFTBVVDJBLSEU/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542705601882-UBBE5XIC033NM0RU0MVO/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/60s, at 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542705406064-89SNGCX0DSISJ7VXVSAB/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/125s, at 55mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542705152787-2HBPXNBR3EP5KP9WV1AJ/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/100s, at 24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542705326133-PB1VN1A7CD9KWF4JUQ5D/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/125s, at 24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542705102633-6N3YUK70EGDF9ICITA3D/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/125s, at 45mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542705042461-HY0SL0UUGCLDHAHC04VX/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 12800, 1/125s, at 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542704981334-Q9BLQDG5ZXDJKZUAZR1N/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/60s, at 105mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542704926967-0GD2NIGR5L0I3VIFESIP/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/40s, at 90mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542704886571-RPNSU5UESB1KUJUU0UUD/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM- f/4, ISO 1600, 1/40s, at 55mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542704854935-YR8JD70ODWMGOIUAG3BX/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/125s, at 105mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542704817130-HC43L3RAI16G78ALQ5EX/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/30s, at 24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542704764914-IQ154NMJRM33KD89B5XX/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/125s, at 24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542704271443-ZQWP8DNBTDLIUMNMCSO2/RF24-105-1037.jpg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/60s, at 105mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542704666745-FS2IL6KS6UIP5WT0QW73/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 1600, 1/80s, at 90mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542704606443-LJPTLI34SZYRI57P04SR/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 6400, 1/500s, at 24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542704521607-FLY5OQY4RM136KSIH7RR/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 6400, 1/200s, at 24mm - Image has undergone vertical, horizontal translation along with rotation and cropping. I was too preoccupied with getting the hanging laundry in-frame that I lost sight of optimizing the cat in the composition. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542704459590-WIR9IQMPA0258OLHQQP9/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 6400, 1/200s, at 50mm - My one and only talent in meowing like a kitty cat for the sake of coaxing this little fellow to join in the fun. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542704404807-58V2KQ1CMPAXCRJ877AA/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 6400, 1/200s, at 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542704343834-B8EOH9CLYHCUGJ4OYV5U/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 6400, 1/200s, at 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542704163276-VS9LZ5ZELP7ZBSFDV9N5/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Canon EOS R + Canon RF 24-105mm f/4L IS USM - f/4, ISO 6400, 1/100s, at 24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1543035025814-5I1HEJYYOLVFLXV44ZYH/image-asset.jpeg SERIES I - Canon RF 24-105L f/4L - A Compromise I'm Willing To Accept Example of chromatic aberration - a magnification of the title image. This can easily be fixed in Adobe Lightroom. https://www.streetsilhouettes.com/home/2018/11/15/leica-28-35-50mm-tri-elmar-m-asph-the-lens-that-seemed-like-a-good-idea monthly 0.5 2018-11-19 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542324763108-K95H73JOXCL2ESH7L8AL/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542316023552-KYQ3ZFO0VQCD0ZGCIQ65/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542316000791-08ZOP722KV75V8K2KCH6/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @28mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315951021-WWYECPL2Z3UXAI1RAHXX/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 16-18-21mm f/4 Tri-Elmar-M ASPH @21mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315914468-E3YSBNJRGX0BTQUEHSXT/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 16-18-21mm f/4 Tri-Elmar-M ASPH @18mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315884357-ZJQXL0TN32B84GI7OIHB/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 16-18-21mm f/4 Tri-Elmar-M ASPH @16mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315836461-FZ8R9YJ4BTY7POY03R0B/MATE-1015.jpg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @50mm - some very obvious flaring! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542324510310-FJPVGMQZDUWSYHWL90AW/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315786240-7XMQAKMMV3WUFTVWSY32/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @28mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315738490-UM9P9Y1BOE3J16OK4EY3/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 16-18-21mm f/4 Tri-Elmar-M ASPH @21mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315706182-4FXO5T8C34WXU9X936IX/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 16-18-21mm f/4 Tri-Elmar-M ASPH @18mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315674232-0SLZRL71ZMGAE9ZLA6V8/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 16-18-21mm f/4 Tri-Elmar-M ASPH @16mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315324332-HQN0MWE62R2K58YM73G2/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315362114-OZLT8ZOI5XV7MHNXHMX1/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315389715-CQQCJ0TD5NIXXTYCI5X7/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @28mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315494098-Y7KBKLLY0M7V81IBHUNJ/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 16-18-21mm f/4 Tri-Elmar-M ASPH @21mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315521556-NR2UL2UZCGJDJFRG4A3R/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 16-18-21mm f/4 Tri-Elmar-M ASPH @18mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315549514-H2P82B1NX928YD3IKD01/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 16-18-21mm f/4 Tri-Elmar-M ASPH @16mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542318395129-0XEDGYK2BH9DGEOZYR6P/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542318432914-ELHG9AK3NBBLBNOERV7B/MATE-2001.jpg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315199690-97GZD9Y1A7UNQY410W3P/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315136376-VVH1SY5VRA25D2UI6X64/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @35mm - some chromatic aberration https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542317213366-OAX5DZHHWR04V1TEJ8N5/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542315036231-ASPJONAJ152U3R47EGUW/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542314998169-BAE5WW7PC8M5J0ILMWE1/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542316869250-KAARYFZJNBULQ0VNMRI6/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH - Cropped @50mm equivalent… give or take https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542314966182-PLND148NCIPO7VKML3UD/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542314937924-RL23DU16E809QWTOCRK3/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542314903206-2JFTXDJ9PGKDWLZMGJ4N/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1542314870338-P74PUNYE51RXH6FJ9OVL/image-asset.jpeg SERIES I - Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Leica M10 + Leica 28-35-50mm f/4 Tri-Elmar-M ASPH @35mm https://www.streetsilhouettes.com/home/2018/10/28/the-resilience-of-film-capture monthly 0.5 2018-11-11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540717675333-02SALI2GCPHYGZR8J79O/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica M6-J + Leica 50mm f/2.8 Elmar-M + Kodak Ektachrome 100 - unrefrigerated five year old film exposed to x-ray over 100 times. Edited extensively in Adobe Lightroom. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540717772055-HWC2GLPJA319FTJND2FC/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Ektachrome 100. Edited in Adobe Lightroom. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540717816840-WXKKNS78F4IZSRW3J5TW/E100X-1002.jpg SERIES I - The Resilience of Film Capture Leica M6-J + Leica 50mm f/2.8 Elmar-M + Kodak Ektachrome 100 - unrefrigerated five year old film exposed to x-ray over 100 times https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540719318467-PJZBIQYH24J0KFBKHZ0Y/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540718129026-1H1YUSE7J9RQG90DCK60/E100X-1005.jpg SERIES I - The Resilience of Film Capture Leica M6-J + Leica 50mm f/2.8 Elmar-M + Kodak Ektachrome 100 - unrefrigerated five year old film exposed to x-ray over 100 times https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540718064824-KB2V2AB8K38BA2A7XARR/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540717527527-QZXYK5FKAY3GV0N35LDT/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica M6-J + Leica 50mm f/2.8 Elmar-M + Kodak Ektachrome 100 - unrefrigerated five year old film exposed to x-ray over 100 times https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540717500492-YHMMHOM5OJ598R806P4P/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540718717794-P3WJ2L91RJHSKI48MVDS/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica M6-J + Leica 50mm f/2.8 Elmar-M + Kodak Ektachrome 100 - unrefrigerated five year old film exposed to x-ray over 100 times https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540717562860-S90V2KBHH6BM9S1X0Q58/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Ektachrome 100… Here’s a tip - to mitigate distortion (that is to say to prevent the legs from appearing disproportionately larger than the head, when in a seated position, at wider angles), bring the head onto the same focal plane as the legs by bringing the torso forward. Optically, this will have a more visually pleasing affect on the image capture. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540717256884-DT3I4BP5STMS3GO6NFDE/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica M6-J + Leica 50mm f/2.8 Elmar-M + Kodak Ektachrome 100 - unrefrigerated five year old film exposed to x-ray over 100 times https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540716955519-6ME2DC4RQ47DTL3WC593/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540718447928-YHJA7O6FBQHTJS8E8MV3/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica M6-J + Leica 50mm f/2.8 Elmar-M + Kodak Ektachrome 100 - unrefrigerated five year old film exposed to x-ray over 100 times https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540717320169-K9G8JF6S5XZ3JKA5ZQA6/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica M6-J + Leica 50mm f/2.8 Elmar-M + Kodak Ektachrome 100 - unrefrigerated five year old film exposed to x-ray over 100 times https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540718278683-5ZCAOCR6OUUZ5SS58NBO/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica M6-J + Leica 50mm f/2.8 Elmar-M + Kodak Ektachrome 100 - unrefrigerated five year old film exposed to x-ray over 100 times https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540718337297-RRUDAAV0SYVA1LWFF3YW/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica M6-J + Leica 50mm f/2.8 Elmar-M + Kodak Ektachrome 100 - unrefrigerated five year old film exposed to x-ray over 100 times https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540718371437-NW9IHBSDTVEL0BJA95HW/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica M6-J + Leica 50mm f/2.8 Elmar-M + Kodak Ektachrome 100 - unrefrigerated five year old film exposed to x-ray over 100 times https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540718408875-IP8O4LOGVP6XCOVOGTK1/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica M6-J + Leica 50mm f/2.8 Elmar-M + Kodak Ektachrome 100 - unrefrigerated five year old film exposed to x-ray over 100 times https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540718234692-RR56RCHQ2WPFNRJY4NCE/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540717423082-53JBYVZBTG4AM3II0LI6/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540717386249-41CY27QU09O5OQWLCNG4/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540718944296-UC4YE35TXO5U9B7C0RYX/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540717166259-WSCSK267LVW0VNW53CNO/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540717106401-LGXSH1FF96BYOVHDE58R/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540716434764-F4PI4VZ5FZHOOH7DFT5I/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Version II + Kodak Portra 800 - light leak https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540716593327-6EX0UL2KN1TPVZP00ERP/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Version II + Kodak Portra 800 - light leak https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540716351510-TMVV9DS169SKLI5EEX7O/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Version II + Kodak Portra 800 - light leak https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540716288227-ETK5P92J7SSDPJ2ZQ0NQ/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Version II + Kodak Portra 800 - light leak https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540716218491-627GJSN3ORVS7CSRYH33/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Version II + Kodak Portra 800 - light leak https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540716119624-LBL5HM5QYI47VFC2Q4O1/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Version II + Kodak Portra 800 - light leak with major editing in Adobe Lightroom. Previous seven frames completely unusable. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540716908512-G2D9MJ5NTQ9PTL7KALZA/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Portra 160 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540716875335-CQ6LBGLQJXFJ7U6ROTGC/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Portra 160 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540716845848-OGZFQEYCP2A3D1HFBQ7Q/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Portra 160 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540719169166-FLA95PSB0QB0FMB92QNK/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Portra 160 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540716769969-TNTZOW49LTOJILVNOMXI/image-asset.jpeg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Portra 160 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540732272280-J8PV36XM8GEY4L1ZFTSM/KP160-1006.jpg SERIES I - The Resilience of Film Capture Leica MP-6 + Leica 35mm f/1.4 Summilux-M Aspherical + Kodak Portra 160 - blown highlights in low light capture - how did I goof that one up? Required the mother of all editing in Adobe Lightroom - including gradient tool, split toning, sharpening, adding grain, and editing the hue, luminescence, and saturation of colors - But I got this image looking as if I didn’t goof up too much! Shot overhead @ f/1.4 and 1/8s. Should have exposed for the highlights on her face instead, and stopped down to 1/15s… or f/2 and 1/15s and pushed in Lightroom. https://www.streetsilhouettes.com/home/2018/10/23/shooting-vintage-lenses monthly 0.5 2018-11-11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540283459098-YWYMEYPSIEIE6CDI19UG/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540283440289-FKV1QC1DP1LCOUNGYINS/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540283398333-OAV4Y5I663IU9V8JG29X/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540283376103-YEXG7JPOMOYKMCDS76YF/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540283326605-BG7GSY04JZC21PPPSGVE/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540283298464-Y6IW5UK2GQU3GN95GH36/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540283241585-V0GYAXPBU9EFR1LAGGZX/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540283179504-BCTRF4B74YVBI5O0I93W/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540283149877-1JPK6H3BTXTYW95CHD8A/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540283119186-B35EBEIXEJ58U1SP1X4P/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540283094440-HR2C4RKP4TUKCN5YGU94/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540283066571-PMRZMJMNOH82R3C7QORV/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540283037349-9VIMQQ0FAA01Y7RYSPYY/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540283004689-VMHG3JLBETHTLI0OEUU3/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282965559-6MGSSHTSNMX7FUEZQDAQ/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282921740-21UA4JQVFC98XLJ0SD71/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540361525319-SS1HV3KIQJ5JJSSAPZFD/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540281960746-4J7HLGLL69C04WPXYNW5/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282380556-QVLRV337DDA4TLD15RNT/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282412952-0WC5ORD1FETBW5QHGOZ0/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282795853-6KIWNIIULLP6M6G850Z1/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282758315-ID7T3PIN7CBKDFZ06UTM/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282721133-ERY1US6UBGIBXZ8JBYSE/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282681850-AIO25XZQNBIPAWBH0P5N/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282645371-43FDV8W5U5B8UTJ7UOKV/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282611349-EXOBO5RT8YU0BIPKX1IW/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282544283-EQO4LLC66X3O7AM0K2XY/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282500041-ANGTCKZL505TZ013IH03/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282156150-190TQ88WJCEMYWHT8XL5/Dallmeyer-1037.jpg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282224122-32S8SEX6GE74WW69LUZ9/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282256253-RXDL7JGP2X361RRMA7Q7/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282341037-RHL42O0R51BEI7YNA63M/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282069407-PTGBYM4DA0K7629JQXN0/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540282032074-66TFSOWNBBI6Z6H62FFQ/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540281988577-PSLFVTJ5X5IJGDJ7UA29/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540281826327-C5NEF3WWB8CO9JTJK3S1/image-asset.jpeg SERIES I - Shooting Vintage Lenses - Featuring a Dallmeyer Cine Lens Leica M10-P + Dallmeyer Kinematography 2" 50mm f/1.9 Cine lens https://www.streetsilhouettes.com/home/2018/10/15/to-get-or-not-to-get-the-leica-m10-d monthly 0.5 2018-11-10 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539684400963-YB3F01JRFH39ZV0S8BFK/JFilm-1002.jpg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539698949034-MWTZKQ3BGJ2TRWU1QZ73/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539685169839-TTRDETYTFHXG2N5ZJAGA/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539657025668-K08Y1BIZ09JFWS2ZJ96G/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539685565565-BU9B7E9PAF509AJK1NHO/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539656928826-BDAKT2SLSVMVE6I7EYHP/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539684494005-HJZQV7DA3XCZQMU2WEJR/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539685633772-B01NFO8D8ESV3HRQK59F/JFilm-1009.jpg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539656732572-2XMCI73QKKF12YOW5QLC/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539656620087-1L4Y1C1WC27QCXDWBL91/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539656577122-GGIJ7IAQDL80KLG85JQM/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539656537743-HGGRG9IODE55ND6AWVIV/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539684733462-RPZCZK680IPRSZAE41SK/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539656444032-IADK0LL1T3OQT83N74CH/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539656390651-8ZCND9GEWP327KED2K1H/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539656318533-Y0NS41ZEZBH0MDQQ3ZSQ/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539684236576-8A167VGCM7MDNNI4W2W1/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539656201091-O5XTVFE332LMNDN3QKM8/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539684306897-NBH3CRVBHI1RR17SDLGJ/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539656103054-1ANUSHBF4J67BTHRHHY9/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539656045416-DYDUZBBTIV2RG69RH080/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539655872547-FB51FV8ZCZ2M6EC513EM/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539655825792-TCXPQ1I9RUWN4FYUX6OM/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539655756291-HXJE5J77DH46NCF94U5Z/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539655707123-FVNDERJVJ0YD5OFJYA68/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539655643302-TUWAE6MDFDKMRDWNNFN3/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539683282874-AGZAX7SBCD5SVX4XYRLP/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539683349157-NGICEYF9FDO04ARN4QG8/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539655391497-OIZT0STAZRPMV7NIRN5W/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539655323628-O3X2587B468YZI2W9JW9/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539655254752-WLX6XQ4ZGSHYQG7527OB/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539655087324-U952CX9NKDIFBGIDF15T/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539698437317-KPOED1CH2C7YQRU7XQFK/JFilm-1040.jpg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Cinestill 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539654835460-ZJT4IJM0C7VA1U9N6D2J/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Cinestill 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539654635803-F8OVF0M3889QWYJQW705/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Cinestill 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539654567908-GXOJG16ME6F3EJBMPOUA/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Cinestill 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539654511648-2A08PJ3TY5A4ODWXNPOJ/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Cinestill 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539654391255-NQ95IYZ9NCJGYM9XI6G3/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Cinestill 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539682660433-AGIBVHA8ER3TPUK99T0A/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Cinestill 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539654238475-Z1VOOF407ZWFRBPBDYMW/image-asset.jpeg SERIES I - To Get or Not to Get - the Leica M10-D Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Cinestill 800 https://www.streetsilhouettes.com/home/2018/10/15/leica-mp-titanium-a-commentary-in-indulgence-or-an-exercise-in-practicality monthly 0.5 2019-10-17 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539613351991-EQEA9RB6AWVGWVD3M552/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539613717554-F6GJ958VS4JLCQ653ZB1/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539613267661-CRGYOTTS35V8DU2X8VSC/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539613225112-0DGMSEQZQW8G1VGX06MG/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539613181786-ZKI60UTYXFQYXWPHKW71/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539613145863-41ZJ3GN0RQNQMDROGUWT/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539613109028-UUQ2BF3N0ET0DHHQUP5P/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539613018739-FMJ56MNHMAGEGDSA4SPO/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539612877068-8MV9NF29JIU2T4E80OPD/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539612824482-5UVQ1YABLMWEJFC0ZKE9/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539612728983-R205WFXK83DR21HD88O2/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539612689037-MIUEX1M4J4QHG9KLUNVY/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539612650052-JU1LPA10KV2KRA0KHVSH/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539612605824-X5APFZGJVHDOOQ7G1UWV/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539612553798-1K28AX82GGS9LXK6QR7D/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539612449717-HUOTHDEH883IONBXW70Y/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539612406229-YO26AXDCIW0LJ7A18QFI/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539612312639-P3XV2ZOPCQOA98OUIG82/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539612262161-5LK7K82HL4YGPSKT3T09/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539612217200-RE5WW4HP4DG2MOOI3W14/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539612176390-YJKQS5YA5MZ0BTU9O9VC/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1540106530281-UWGO3TC9UYKV861233CS/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539612008169-G5NJZSQ8XOYQ3G0HOHO5/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539611913436-144DXZIN2FQ0IJG82H8S/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539611828072-6P61I7W2VO9ARVROBZET/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539611735920-AOOZMJ0L8JXSDMY2DIOJ/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539611671071-4YYRO1A51O5QBASAVMQW/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539611620100-EXT8MZE9YDW6HEQFIF6B/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539611558014-IX1FB6UL42GL72W5OD78/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539611496580-DBLV0HNB6GNYCYCR5CRO/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539611443509-CLF92S6UL9D7Y69AD1I3/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539611397961-JV6I19AK31OOXSCKI3GC/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539611350641-YWORHTCA4VH0MZHHONHE/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539611302101-T1YN7Q5BF8ZF97YUZJ7W/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539611253946-Y5E50OUW0G3LI2W8MTI9/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539611155586-DBUBX1JX93EYJ02QA2R8/image-asset.jpeg SERIES I - Leica MP Titanium - A Commentary on Indulgence or an Exercise in Practicality Leica MP Titanium + Leica 28mm f/2 Summicron-M ASPH Titanium + Kodak Tri-X 400 https://www.streetsilhouettes.com/home/2018/10/10/canon-eos-r-a-question-of-adaptation monthly 0.5 2021-11-09 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539161847650-SB3I3CJ3Q0FJLN7TO5CN/CanCan-1001.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L @ f/1.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539162026825-11FATIT3WW122U4E9IDD/CanLei-1001.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Leica 50mm f/1.4 Summilux-R (E60) @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539162255073-LZ60FWCPMUFW0XF4K15A/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Sony A9 + Leica 50mm f/1.0 Noctilux-M @ f/1.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539162186765-0BVTLSV9DLZRJNGZJ330/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Sony A9 + Canon EF 50mm f/1.0L - I goofed, since this image was shot at f/5.6. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539161899317-V9183FTP066OO3AR3N95/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L @ f/1.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539162130459-7OCQ44R4ENR3YKFGZOL2/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Leica 50mm f/1.4 Summilux-R (E60) @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539161927799-GT39CGPZ3KJ6GZZYC7AH/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L @ f/1.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539162366692-47UWLWRJ7JS0KGI3PQCG/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Leica 50mm f/1.4 Summilux-R (E60) @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539161961366-QSBHNMK1L2DHCK8ADZ25/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L @ f/1.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539162327767-69SB3ASAF4ROUJPYL8YI/CanLei-1003.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Leica 50mm f/1.4 Summilux-R (E60) @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539161989109-CPK2N75FSU66IITGZ3HV/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L @ f/1.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539162445585-OI995NERRVMTRSJWPR17/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Leica 50mm f/1.4 Summilux-R (E60) @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539162536079-GNPMKCNPEJL6WCS6FSLB/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539163106097-EHGTL1395KT7IG7HJOVK/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539162884013-1JM54AP2DE98XWH6GYRL/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Leica 50mm f/1.4 Summilux-R (E60) @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539162585307-OZPBGMJUOOWBLV9PUKAE/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539162639402-RY61C4F4F1H1WV3QOHN4/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Leica 50mm f/1.4 Summilux-R (E60) @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539163350438-FDR342A970IS3UTDPHBH/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Leica 50mm f/1.4 Summilux-R (E60) @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539163406831-IA4KB3S6QRDPSD305ZIX/CanCan-1008.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539163483293-MPRL584U3ZA2ZRZUDO8F/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539163595816-H6ZZGZHDV98HS913VZ3M/CanLei-1009.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Leica 50mm f/1.4 Summilux-R (E60) @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164273228-OZJ7CQG8VYLYX7DZN8FL/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539163682680-NG7X81UJ5IAJQ0ATZS6V/CanCan-1009.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Leica 50mm f/1.4 Summilux-R (E60) @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539163723217-03YAA1XOEJHJIS7K4ARU/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Leica M10-P + Leica 50mm f/1.0 Noctilux-M @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164075487-LKM8UQ19RVKS3NASREKB/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Leica 50mm f/1.4 Summilux-R (E60) @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164143497-EX98JDTPTQU4ZBEIGNEP/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Leica M10-P + Leica 50mm f/1.0 Noctilux-M @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164470847-AN9AURS4DQURJSP86FTY/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164106089-NKR7JWB5GATHSKFAWXUM/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Leica 50mm f/1.4 Summilux-R (E60) @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164193765-MU6Y2UKCMYVNWL2EX4L0/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Leica M10-P + Leica 50mm f/1.0 Noctilux-M @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164969945-KD130HHH9EU43A6EX9J5/image-asset.jpeg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164656507-1Z5XVMC8EIDDXT42I4VD/Track2-1001.jpg SERIES I - Canon EOS R - A Question of Adaptation - Autofocus Tracking Test at Maximum Aperture Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164655779-1YJD7XXQXP8J6D59D31S/Track2-1002.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164678519-S7YEC4WYT908JO633BST/Track2-1003.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164679526-IODJ8TGJUMBSGXA40OH3/Track2-1004.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164706057-WV8D1Y8GGE9HVBHZZOR5/Track2-1005.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164707708-HNPK59ZDOY06QBRGKXCR/Track2-1006.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164728402-JOVGFTXNX3YW8572OAEX/Track2-1007.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164730325-A611Q2SGBALTIZHV01W7/Track2-1008.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164750885-RP9FY0XOTUAYLHK9POVJ/Track2-1009.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164752208-PPQ0T6TDF239CT67DDHN/Track2-1010.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164772935-1731AC8R7W1P5S3M0JHY/Track2-1011.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164774437-ZZHL01PVFFZKMB7LSQZ6/Track2-1012.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164797057-AME0QGQEUF1FMIJ6W6FZ/Track2-1013.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164798885-MIQTCFA5T7JO6YN8KZUH/Track2-1014.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164822915-ZTHMLRXR8EO8F68HLIEF/Track2-1015.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164823241-500DDERGN3NHW5P9422U/Track2-1016.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164842468-ML2YEN1VXG17NE75ZVWM/Track2-1017.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1539164842797-XFBCIMU8LYLSS3W9XCBL/Track2-1018.jpg SERIES I - Canon EOS R - A Question of Adaptation Canon EOS R + Canon EF 50mm f/1.0L https://www.streetsilhouettes.com/home/2018/10/5/why-digital-technology-is-not-the-future-of-photography monthly 0.5 2022-01-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538796949767-OZX1G19XQHCMOMBLKPTG/image-asset.jpeg SERIES I - Why Digital Technology is not the Future of Photography Leica MP-6 + Leica 35mm Summicron-M ASPH + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797037036-JSJADJ6WQBNY75XHRTDL/image-asset.jpeg SERIES I - Why Digital Technology is not the Future of Photography Leica MP-6 + Leica 35mm Summicron-M ASPH + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797081270-VE2VTSAY6179FRME1JLU/image-asset.jpeg SERIES I - Why Digital Technology is not the Future of Photography Leica MP-6 + Leica 35mm Summicron-M ASPH + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797110047-NQUPPELJG8V2ZW531DB7/AST-1002.jpg SERIES I - Why Digital Technology is not the Future of Photography Leica MP-6 + Leica APO 50mm f/2 Summicron-ASPH + ADOX CMS 20 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797190071-7AHN69J3VAHXK1I75VSC/image-asset.jpeg SERIES I - Why Digital Technology is not the Future of Photography Leica MP-6 + Leica APO 50mm f/2 Summicron-ASPH + ADOX CMS 20 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797209214-QEMWW9S2GRJE7RG706KX/image-asset.jpeg SERIES I - Why Digital Technology is not the Future of Photography Leica MP-6 + Leica APO 50mm f/2 Summicron-ASPH + ADOX CMS 20 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797261473-RLY4XUDR9UHBL4B9426A/image-asset.jpeg SERIES I - Why Digital Technology is not the Future of Photography Canon EF-M + Leica 35mm f/1.4 Summilux-R + Kodak Portra 160 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797343861-06G0EW0ZQ431E73NF2QT/image-asset.jpeg SERIES I - Why Digital Technology is not the Future of Photography Canon EF-M + Leica 35mm f/1.4 Summilux-R + Kodak Portra 160 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797369975-G1J9TUFMC9CFJZQRGXYY/AST-1020.jpg SERIES I - Why Digital Technology is not the Future of Photography Canon EF-M + Leica 35mm f/1.4 Summilux-R + Kodak Portra 160 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797422031-4NNPMVG1AYHOWBPXVE93/AST-1014.jpg SERIES I - Why Digital Technology is not the Future of Photography Leica MP-6 + Leica 35mm f/1.4 Summilux-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797498506-JITJ5VVUEH7F0UEPGJK1/image-asset.jpeg SERIES I - Why Digital Technology is not the Future of Photography Leica MP-6 + Leica 35mm f/1.4 Summilux-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797530418-1XJTN916C3NDTM3ACFDX/image-asset.jpeg SERIES I - Why Digital Technology is not the Future of Photography Leica MP-6 + Leica 35mm f/1.4 Summilux-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797597481-DDC38Z4IINYQ19IZTXTI/image-asset.jpeg SERIES I - Why Digital Technology is not the Future of Photography Canon EOS 1v + Canon 85mm f/1.4L + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797692043-S0TM0GLAY80QQJ5OWBXI/image-asset.jpeg SERIES I - Why Digital Technology is not the Future of Photography Canon EOS 1v + Canon 85mm f/1.4L + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797716733-AG39039WTC7A6IU6ACYA/image-asset.jpeg SERIES I - Why Digital Technology is not the Future of Photography Canon EOS 1v + Canon 85mm f/1.4L + Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797767065-A7GK7TQT7RWD8A5M0JU9/image-asset.jpeg SERIES I - Why Digital Technology is not the Future of Photography Leica MP-6 + Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 160 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797843952-FJ29YLQIW6P5JZIHWI8P/image-asset.jpeg SERIES I - Why Digital Technology is not the Future of Photography Leica MP-6 + Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 160 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538797883249-FBOGAWMCI8DNWEYKPPD5/image-asset.jpeg SERIES I - Why Digital Technology is not the Future of Photography Leica MP-6 + Leica 50mm f/1.4 Summilux-M ASPH + Fuji Superia Venus 800 https://www.streetsilhouettes.com/home/2018/9/26/35mm-full-frame-vs-45mm-panoramic monthly 0.5 2021-04-09 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537951579195-5XID8W3MTDR0257DYO39/XPn-1001.jpg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Hasselblad XPan II + Hasselblad 45mm f/4 + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538026477799-FUXOAGNNI8SQXNZIC35F/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Leica M10-P + Leica 35mm f/2 Summicron-M Version IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537951626288-GNG4KJN35WB2RFR21RGH/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Hasselblad XPan II + Hasselblad 45mm f/4 + Fuji Superia Venus 800 - Increased horizontal coverage meant the three subjects could be spaced further apart. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538026520769-PVEEWF1XD31QWB5ETEZH/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Leica M10-P + Leica 35mm f/2 Summicron-M Version IV - Bunched closer. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537951691057-ALUUHKBDMKRNJ6TIMGY5/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Hasselblad XPan II + Hasselblad 45mm f/4 + Fuji Superia Venus 800 - Increased horizontal coverage creates less impression of crowdedness. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538026557185-3T1ZME60JTBFOPU2OK1M/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Leica M10-P + Leica 35mm f/2 Summicron-M Version IV - Image seems crowded. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537951717944-9CO0HVFU4HD0MREQD8YV/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Hasselblad XPan II + Hasselblad 45mm f/4 + Fuji Superia Venus 800 - Spaced further apart. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538026578941-UV2YERYYXB2CMPVLRVXU/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Leica M10-P + Leica 35mm f/2 Summicron-M Version IV - Spaced closer https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537951753049-D8B8OIOO212CR87AR3XC/XPn-1006.jpg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Hasselblad XPan II + Hasselblad 45mm f/4 + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538026611548-ISI0TDU6CDZAICVZTSDZ/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Leica M10-P + Leica 35mm f/2 Summicron-M Version IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537953159002-DI3XO55T4FU8B0CJGBWV/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Hasselblad XPan II + Hasselblad 45mm f/4 + Fuji Superia Venus 800 - No real advantage as a panoramic image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538026640602-FRP1G4WKQTW5GPIAXD4U/M10-1006.jpg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Leica M10-P + Leica 35mm f/2 Summicron-M Version IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537951778258-1YLB101KA068OQ6OBKVI/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Hasselblad XPan II + Hasselblad 45mm f/4 + Fuji Superia Venus 800 - Shot closer up. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538027232591-BB33Q1EXR84RIZ5KST2E/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Leica M10-P + Leica 35mm f/2 Summicron-M Version IV - Shot further away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537951810306-NNX3FN4T82XQWBKZ9ZD0/XPn-1009.jpg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Hasselblad XPan II + Hasselblad 45mm f/4 + Fuji Superia Venus 800 - Shot closer up. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538026667823-OR318D5VIIJG60EP0Q0U/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Leica M10-P + Leica 35mm f/2 Summicron-M Version IV - Shot further away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538027743823-JRK88LHGODN6YBWZGBSX/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Hasselblad XPan II + Hasselblad 45mm f/4 + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538028019448-RHUIN4UD84UZ91U9HQVZ/M10-10014.jpg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Leica M10-P + Leica 35mm f/2 Summicron-M Version IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537951993976-801DT0MGSLS4QCF5KGPD/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Hasselblad XPan II + Hasselblad 45mm f/4 + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538026688640-Z4KZDG13T86IFGNM2UWP/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Leica M10-P + Leica 35mm f/2 Summicron-M Version IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537952025390-7C20T60O43C9BX4G1IIJ/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Hasselblad XPan II + Hasselblad 45mm f/4 + Fuji Superia Venus 800 - No real advantage as a panoramic image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538026714029-G4SLF22I8N20IERQVPDZ/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Leica M10-P + Leica 35mm f/2 Summicron-M Version IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537952056982-37EBF21AR7V5RL2I18TZ/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Hasselblad XPan II + Hasselblad 45mm f/4 + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538026734435-5MP40HI11GX6PE8B9ZXM/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Leica M10-P + Leica 35mm f/2 Summicron-M Version IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537952103817-CV18TRZ9GQND6POEEXNM/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Hasselblad XPan II + Hasselblad 45mm f/4 + Fuji Superia Venus 800 - Shot closer up. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538026753787-OA90H5QQPTONUTCA67OY/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Leica M10-P + Leica 35mm f/2 Summicron-M Version IV - Shot further away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537952130190-D7YON0LDYW5X3O6M6M7U/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Hasselblad XPan II + Hasselblad 45mm f/4 + Fuji Superia Venus 800 - Shot without difficulty. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538026772234-YDQXG0ABZQTR28Z543OF/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Leica M10-P + Leica 35mm f/2 Summicron-M Version IV - Shot with the subjects bunched closer together. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537952154666-J1V6KFGGBNBALAMNLFAI/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Hasselblad XPan II + Hasselblad 45mm f/4 + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1538026790028-VY9CHMU9QYF2FVJVE1V7/image-asset.jpeg SERIES I - 35mm Full Frame vs 45mm Panoramic in Group Shots Leica M10-P + Leica 35mm f/2 Summicron-M Version IV https://www.streetsilhouettes.com/home/2018/9/12/the-impact-of-technology-in-changing-photographic-trends monthly 0.5 2021-11-18 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b035bb08-a967-4c77-82f6-26f1e52c1ced/17A.jpg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 - First five images have been exposed to X-Ray four times, courtesy of TSA. The final image has not been exposed. So maybe it’s not the end of the world to run your film through the X-ray at ISO 800? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/fb293f90-9039-400f-b691-3c84e7764a6d/22A.jpg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537167583198-XF7TZHMXWQC6FA3H0DYK/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 - Cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/74314fa0-a3e8-4dcf-9736-33d8bb9dcfb8/25A.jpg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6ba9915b-7e0c-4361-9243-14db4f85313f/27A.jpg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1658b8a7-ca6b-484f-9d05-c93ac0576fb1/00A.jpg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536742382448-U5MD8NEHPWUDOORCJ1R1/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536742336864-HJEKQUSAXM8BQAUBDLMR/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/dab702c1-4b74-4bc2-936b-0cad1cb5bdce/20A.jpg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800. Cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536742239412-T14T900Y3ZXJV40NKDIF/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536742193776-3X03XF2C1DZW0DB8V1GS/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536746562489-AUYQJPGZDPKOUL85J2XZ/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536742104953-EIKEAX3K5DX4M6FUMKF6/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536742072813-JR9RVVYFXIXMPBF2XGW6/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536742026303-SIYLSTP11K1V4X6WL365/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536741983605-G00J3IZK270D0CGPM7B7/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1537253652087-NLZ82T4XTLBXH4T3W9RO/Kdk-1001.jpg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536741820783-THD7X15YXWDLL2P1ZXKC/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536741762261-QRI25PLUFTKSQJNVJ9JF/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/df7eff18-28b6-4d89-9db2-94bbf424628f/11.jpg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536744598353-YZMLTFMOLFTNG23MR2VV/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536741627848-97EFMU1Z9RRLYX1C00KX/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536741581521-4TVKBOHPCE7BB7R8JO8N/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536741531087-B3DXZB751VRK9WJNLZT8/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica M6-J + Leica 50mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536741482335-1AFR5IQGK0KVTA4601M8/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536742972276-7NY6WJTXVY0QQN5Q1PYR/Kdk-1027.jpg SERIES I - The Impact of Technology in Changing Photographic Trends Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536743074685-HIR7A451XT9ABNSIAW35/image-asset.jpeg SERIES I - The Impact of Technology in Changing Photographic Trends Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d174a764-8990-46e9-967e-693580b33155/15.jpg SERIES I - The Impact of Technology in Changing Photographic Trends Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/7c13c80d-4372-4fc6-ae74-d8f803953700/20.jpg SERIES I - The Impact of Technology in Changing Photographic Trends Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536741231252-XL14PLCOW470UNA0IEZ2/Kdk-1030.jpg SERIES I - The Impact of Technology in Changing Photographic Trends Leica MP-6 + Leica 35mm f/2 Summicron-M Version IV + Kodak Portra 800 https://www.streetsilhouettes.com/home/2018/9/10/my-backup-lenses-leica-90mm-macro-elmar-m-f/4-and-voigtlnder-21mm-f/4 monthly 0.5 2018-09-16 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576863287-BI03PA9LMG0E3HCUSRPZ/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Voigtländer 21mm f/4 Color Skopar-M - ISO 1600, 1/125s, f/4 - Same shooting distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576488692-WL7N1STWMCPJ1I0NDYPI/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10 + Leica 50mm f/2.8 Elmar-M- ISO 1600, 1/125s, f/4- Same shooting distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536575885441-6XULCBOSEO60UTQKL68S/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Leica 90mm Macro-Elmar-M f/4 - ISO 1600, 1/125s, f/4- Same shooting distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576835162-D925EC70JGIBC8VADHBW/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Voigtländer 21mm f/4 Color Skopar-M - ISO 800, 1/125s, f/4 - Similar framing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576459080-J6ZG74D70H6Q852RCKIH/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10 + Leica 50mm f/2.8 Elmar-M - ISO 800, 1/125s, f/4- Similar framing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536575858639-EG3MR09JD0MML7JHV2UM/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Leica 90mm Macro-Elmar-M f/4 - ISO 800, 1/125s, f/4- Similar framing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576808003-VORVT7TOTL5HJGK4EG8K/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Voigtländer 21mm f/4 Color Skopar-M - ISO 800, 1/125s, f/4- Similar framing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576420467-RVTU0DMXX43J40OOQ7QC/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10 + Leica 50mm f/2.8 Elmar-M - ISO 800, 1/125s, f/4- Similar framing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536575831760-8KH4S3KNCGCEK6DS4ERU/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Leica 90mm Macro-Elmar-M f/4 - ISO 800, 1/125s, f/4- Similar framing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576780236-ZLCZ0X796RK5P2PEJC67/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Voigtländer 21mm f/4 Color Skopar-M - ISO 800, 1/125s, f/4- Same shooting distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576393021-696FZPU69OIS3F3PWAB7/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10 + Leica 50mm f/2.8 Elmar-M - ISO 800, 1/125s, f/4- Same shooting distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536575798016-YDHN98525CZFYETAFU13/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Leica 90mm Macro-Elmar-M f/4 - ISO 800, 1/125s, f/4- Same shooting distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576750295-JJSGX9VV3SN2U6WVA405/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Voigtländer 21mm f/4 Color Skopar-M - ISO 1600, 1/125s, f/4- Same shooting distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576351442-GF08U0MII2CWCHHU355C/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10 + Leica 50mm f/2.8 Elmar-M - ISO 1600, 1/125s, f/4- Same shooting distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536575769562-7BW1MS0UTCPRLJDSV054/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Leica 90mm Macro-Elmar-M f/4 - ISO 1600, 1/125s, f/4- Same shooting distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576721747-A09T5QBA8O35TYO2G6WX/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Voigtländer 21mm f/4 Color Skopar-M - ISO 1600, 1/125s, f/4- Similar framing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576315650-GO66QN6R3Q7XQIFTB6N4/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10 + Leica 50mm f/2.8 Elmar-M - ISO 1600, 1/125s, f/4- Similar framing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536575744360-FE9KBU68FT916Q60A6YK/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Leica 90mm Macro-Elmar-M f/4 - ISO 1600, 1/125s, f/4- Similar framing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576689770-5RQFPYXMBME0TYW6JXO6/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Voigtländer 21mm f/4 Color Skopar-M - ISO 400, 1/60s, f/4- Same shooting distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576096260-5TZZFZ03BTL5MPYUJIED/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10 + Leica 50mm f/2.8 Elmar-M - ISO 400, 1/60s, f/4- Same shooting distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576249476-RDQ4ULE3ZP9VKO0HDISX/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Leica 90mm Macro-Elmar-M f/4 - ISO 400, 1/60s, f/4- Same shooting distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576660740-YAWXHEAOTLSD8GI1U84O/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Voigtländer 21mm f/4 Color Skopar-M - ISO 3200, 1/60s, f/4- Same shooting distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576221138-ZHJ19K34Y3BN2KEAFH7X/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10 + Leica 50mm f/2.8 Elmar-M - ISO 3200, 1/60s, f/4- Same shooting distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536575681661-45NPFEVC3NWSEGS9640V/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Leica 90mm Macro-Elmar-M f/4 - ISO 3200, 1/60s, f/4- Same shooting distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576621027-YV9JSR7OYDAQ4RP1NR1O/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Voigtländer 21mm f/4 Color Skopar-M - ISO 400, 1/180s, f/4- Similar framing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576277023-EZ044WH5SL88QDWMYNS3/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10 + Leica 50mm f/2.8 Elmar-M - ISO 400, 1/180s, f/4- Similar framing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536575628901-JUPRHDA2MFVFR0AU2VUD/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Leica 90mm Macro-Elmar-M f/4 - ISO 400, 1/180s, f/4- Similar framing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536576581975-5HQFW4L04XLEO4U1BJ50/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Voigtländer 21mm f/4 Color Skopar-M - ISO 400, 1/180s, f/4- Similar framing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536575972348-2SF0JESTGH1V3YV3CP9I/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10 + Leica 50mm f/2.8 Elmar-M - ISO 400, 1/180s, f/4- Similar framing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536575579537-WKHQ0SS4V4QS0UXE4JA9/image-asset.jpeg SERIES I - My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Leica M10-P + Leica 90mm Macro-Elmar-M f/4 - ISO 400, 1/180s, f/4- Similar framing https://www.streetsilhouettes.com/home/leica-apo-telyt-m-135mm-f/34-vsleica-50mm-f/14-summilux-m-asph-focal-length-vs-aperture monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535966366940-F3RWJAWXFMLQ7Z0B0ADV/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - ISO 800, 1/250s, f/1.4 + ND Filter https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535965893449-BBZAG52H575FBE1L8OFS/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica APO-Telyt-M 135mm f/3.4 - ISO 400, 1/500s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535966343614-I9QUNCP9H5YPLXZ4W8UF/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - ISO 800, 1/500s, f/1.4 + ND Filter https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535966814937-B9Q1USXKHL7ZB121A8Z6/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica APO-Telyt-M 135mm f/3.4 - ISO 800, 1/1000s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535966321955-7R9L96B58T8O354ZQQXR/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - ISO 800, 1/125s, f/1.4 + ND Filter https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535965825624-QNI8YRVAGTPUXXIYLA4I/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica APO-Telyt-M 135mm f/3.4 - ISO 800, 1/250s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535966294939-8671GOG0AAAEBO30S9HF/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH- ISO 400, 1/500s, f/1.4 + ND Filter https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535965778417-BWTZJSISAZS211O004Y7/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica APO-Telyt-M 135mm f/3.4 - ISO 400, 1/1000s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535966276390-0ILFK6M2YK0LFNEJFRDN/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH- ISO 400, 1/1000s, f/1.4 + ND Filter https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535965708901-OJH2XV7RG5R0YQQJDQ6U/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica APO-Telyt-M 135mm f/3.4 - ISO 400, 1/2000s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535966254798-3B7UBLESCQGJWMGXWII8/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH- ISO 800, 1/1000s, f/1.4 + ND Filter https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535965690545-BQXOLGN20VFE9TB8K0EY/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica APO-Telyt-M 135mm f/3.4 - ISO 400, 1/2000s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535966222723-98OB4Z61ELR9JAZ0QT2B/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - ISO 400, 1/1000s, f/1.4 + ND Filter https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535965661678-DVUT7ZU4RBAF3WLNCD55/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica APO-Telyt-M 135mm f/3.4 - ISO 400, 1/1000s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535966196571-XVC4I6DYY4WRBNXXAGU7/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - ISO 800, 1/250s, f/1.4 + ND Filter https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535965638509-UBAOZREKJRI0QKKPVXXK/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica APO-Telyt-M 135mm f/3.4 - ISO 400, 1/350s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535966175747-DCFPF9WKKCVQJQTFS16M/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - ISO 400, 1/1000s, f/1.4 + ND Filter https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535965603729-0UD17XLOL0XTEGIZ8P77/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica APO-Telyt-M 135mm f/3.4 - ISO 400, 1/2000s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535966146745-YEVJ69YIK1SO4WKLYZWV/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - ISO 400, 1/1000s, f/1.4 + ND Filter https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535965573878-TQD1OAXTM1VO50EK3HHN/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica APO-Telyt-M 135mm f/3.4 - ISO 800, 1/500s, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535966117661-9UI6EFU5E6DAN7K74Q31/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - ISO 400, 1/1000s, f/1.4 + ND Filter https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535965546234-5A6WBV4CC4P8MTQH01U6/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica APO-Telyt-M 135mm f/3.4 - ISO 400, 1/500s, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535966085629-ZVJUOLQ0Z9U8WZNWHOHH/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - ISO 400, 1/125s, f/1.4 + ND Filter https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535965523366-54GJ4HMLZZ9LB20HRJHA/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica APO-Telyt-M 135mm f/3.4 - ISO 800, 1/500s, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535966048946-HPZH69AS0VBUFH3K4ODK/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - ISO 400, 1/30s, f/1.4 + ND Filter https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535965495060-I2LDE1GT6HMS4NUPDDG1/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica APO-Telyt-M 135mm f/3.4 - ISO 400, 1/250s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535966026253-GB5E3J5ZD3F5Z0MZEYX9/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - ISO 800, 1/30s, f/1.4 + ND Filter https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535965475056-FMETJBHBGTR182Z9G71Y/image-asset.jpeg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica APO-Telyt-M 135mm f/3.4 - ISO 400, 1/500s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535965957663-62RQ2NZYPFKCZ7VAQR9S/050-1015.jpg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - ISO 800, 1/30s, f/1.4 + ND Filter https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535965310844-DH2VBJ64S5WZJ4G8QC7M/135-1015.jpg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Leica M10 + Leica APO-Telyt-M 135mm f/3.4 - ISO 800, 1/250s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1536480880833-3TM6OBHHSPVCYHXL09RX/Untitled-1.jpg SERIES I - Leica APO-Telyt-M 135mm f/3.4 vs Leica 50mm f/1.4 Summilux-M ASPH - Focal Length vs Aperture Illustration of the 135mm Frame Lines @ 0.72x Magnification Viewfinder https://www.streetsilhouettes.com/home/2018/8/31/nikon-z-and-canon-r-from-a-leica-perspective monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535773207534-DF4A6NN0PGQNHCYXYPYS/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Sony A7R Mark III + Sony Sonnar T* FE 35mm f/2.8 ZA - image edited https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535772134128-6WDMNG978I2T7VOUFFXK/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Leica M10-P + Leica 35mm f/1.4 Summilux-M ASPH version I - color balance tweaked... and yeah... changed seating https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535773176198-DOOTGYELP8ZY0OQ0ATVG/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Sony A7R Mark III + Sony Sonnar T* FE 35mm f/2.8 ZA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535772102240-YVZTHGBPKTJAFB46J8SZ/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Leica M10-P + Leica 35mm f/1.4 Summilux-M ASPH version I https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535773141528-BHXQKFF1TRVW64AA26C6/A7R3-1003.jpg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Sony A7R Mark III + Sony Sonnar T* FE 35mm f/2.8 ZA - closest focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535772078585-TYRUO34QCHQDC7E64HM9/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Leica M10-P + Leica 35mm f/1.4 Summilux-M ASPH version I - closest focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535773247819-C49LG14TFEWHUTNXWKJI/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Sony A7R Mark III + Sony Sonnar T* FE 35mm f/2.8 ZA - Image cropped and edited https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535772049095-TOU847MM8J0PP1X41EYO/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Leica M10-P + Leica 35mm f/1.4 Summilux-M ASPH version I - Image cropped and edited slightly https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535773113839-OP2RARLV4G2SLS09PXQP/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Sony A7R Mark III + Sony Sonnar T* FE 35mm f/2.8 ZA - edited https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535772021143-33FWTE6NQ9LYIJ9TSD6X/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Leica M10-P + Leica 35mm f/1.4 Summilux-M ASPH version I https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535773051167-ZJM3GPSIMTJBC4SVVBKX/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Sony A7R Mark III + Sony Sonnar T* FE 35mm f/2.8 ZA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535771991956-W2AJSAI1HSF33F88H8ZX/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Leica M10-P + Leica 35mm f/1.4 Summilux-M ASPH version I https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535772999868-79FZ35IMKPVZ9QCDFSQT/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Sony A7R Mark III + Sony Sonnar T* FE 35mm f/2.8 ZA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535771951386-OKBPISA4JRM05VP21B1R/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Leica M10-P + Leica 35mm f/1.4 Summilux-M ASPH version I https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535772936007-4TD3VGSV0COQ4W3P1DN0/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Sony A7R Mark III + Sony Sonnar T* FE 35mm f/2.8 ZA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535771930250-O7JWR1V6LUXRVT8QT40S/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Leica M10-P + Leica 35mm f/1.4 Summilux-M ASPH version I https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535772853333-9WF559TTT2S4SIHRNAHZ/A7R3-1009.jpg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Sony A7R Mark III + Sony Sonnar T* FE 35mm f/2.8 ZA - edited https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535771897339-6Z7OKZYLOCC8UJJ2YZDG/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Leica M10-P + Leica 35mm f/1.4 Summilux-M ASPH version I https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535772785434-WCCS3HDNU9YDCVF8CA0O/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Sony A7R Mark III + Sony Sonnar T* FE 35mm f/2.8 ZA - Massive edit https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535771864775-8YEHXRG8VZ93TC2C4FF3/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Leica M10-P + Leica 35mm f/1.4 Summilux-M ASPH version I - edited https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535772724625-0LUW4QJ1NJ6TYUZ4V0DJ/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Sony A7R Mark III + Sony Sonnar T* FE 35mm f/2.8 ZA - at 1/5s with in-body image stabilization https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535771711525-GABNNMTJ7CXXTA7BX2X0/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Leica M10-P + Leica 35mm f/1.4 Summilux-M ASPH version I https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535772683136-NNK2Q7WFCBZRZW0UWMMF/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Sony A7R Mark III + Sony Sonnar T* FE 35mm f/2.8 ZA - at 1/5s with in-body image stabilization https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535771653732-FZ2J1LS5TJW4EEJ0E029/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Leica M10-P + Leica 35mm f/1.4 Summilux-M ASPH version I https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535772643206-QOA1UWCQVKAIVVZ9DQLN/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Sony A7R Mark III + Sony Sonnar T* FE 35mm f/2.8 ZA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535771629504-OL0KK4MYIWKWMI6EPYWI/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Leica M10-P + Leica 35mm f/1.4 Summilux-M ASPH version I https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535772594974-HP7TZJ11G5AQG1YWEN5C/image-asset.jpeg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Sony A7R Mark III + Sony Sonnar T* FE 35mm f/2.8 ZA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535771595670-TIB839R6HHXQWU6QJHTF/M10P-1014.jpg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Leica M10-P + Leica 35mm f/1.4 Summilux-M ASPH version I https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535772460971-ODMH6J1EB454UEUKUEC4/A7R3-1015.jpg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Sony A7R Mark III + Sony Sonnar T* FE 35mm f/2.8 ZA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1535771538836-BXP7KR7AD7ZQ1ZJGGW37/M10P-1015.jpg SERIES I - Nikon Z and Canon R from a Leica Perspective - with the Leica M10-P and Sony A7R Mark III Leica M10-P + Leica 35mm f/1.4 Summilux-M ASPH version I https://www.streetsilhouettes.com/home/2018/8/21/on-editing-your-photographs monthly 0.5 2021-01-24 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534837275942-CC0YYJ4WOD7D93TKK8VK/image-asset.jpeg SERIES I - On Editing Your Photographs Leica M246 + Leica 21mm f/1.4 Summilux-M ASPH - ISO 1600 - RAW Image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534843818086-76HWCIWLRNW32AARGQ6N/image-asset.jpeg SERIES I - On Editing Your Photographs BASIC - Exposure -0.30, Highlight -60, Shadow +15, White +10, Black -35. REGION - Highlight -5, Light +5, Darks +10, Shadows -20 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534837255318-7BN5VGQX42MOMPKHR2BC/image-asset.jpeg SERIES I - On Editing Your Photographs Leica M246 + Leica 21mm f/1.4 Summilux-M ASPH - ISO 1600 - RAW Image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534843773060-S9BLBYTF4H6VZ9I9FO6U/image-asset.jpeg SERIES I - On Editing Your Photographs BASIC - Exposure +1.0, Highlight -60, Shadow +40, White -10, Black -50. REGION - Highlight -50, Light -25, Darks +20, Shadows -20 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534837233574-HMER6MMS3ZSMN2WDBOEJ/image-asset.jpeg SERIES I - On Editing Your Photographs Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH - ISO 1600, Temp 3050, Tint +8 - RAW Image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534844552451-G1OO726AMMT7HP8VW8V9/image-asset.jpeg SERIES I - On Editing Your Photographs BASIC - Temp 3050, Tint +0, Exposure -0.55, Highlight -50, Shadow +50, White +10, Black -25. REGION - Highlight -50, Light -25, Darks -10, Shadows -25 Graduated Filter @ -0.50 from left edge to left third to reduce the white of the man in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534837206481-66R12CMT3V2LR3AAQ6TG/image-asset.jpeg SERIES I - On Editing Your Photographs Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH - ISO 800, Temp 5600, Tint +11 - RAW Image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534844495767-M2HWOJ7DZI0DBSKW9VDG/image-asset.jpeg SERIES I - On Editing Your Photographs BASIC - Temp 3650, Tint +0, Exposure +0.0, Highlight -20, Shadow +10, White +50, Black -40. REGION - Highlight +10, Light -10, Darks +10, Shadows -10 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534837183493-AQ9E4BVOX5CNT5GO3VJ1/image-asset.jpeg SERIES I - On Editing Your Photographs Leica M246 + Leica 21mm f/1.4 Summilux-M ASPH - ISO 400 - RAW Image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534843623770-SEX1BVEGVCS0JTP9526H/image-asset.jpeg SERIES I - On Editing Your Photographs BASIC - Exposure +0.10, Highlight -50, Shadow +50, White +45, Black -25. REGION - Highlight +25, Light +10, Darks +50, Shadows -5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534837157026-TQ0IGVAL4ICRHWOFJXQF/image-asset.jpeg SERIES I - On Editing Your Photographs Leica M246 + Leica 21mm f/1.4 Summilux-M ASPH - ISO 400 - RAW Image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534913471174-PGRC1ZBG7R7GRTWUWHV7/EDT-1006.jpg SERIES I - On Editing Your Photographs BASIC - Exposure -1.0, Highlight +15, Shadow +25, White +50, Black -35. REGION - Highlight +25, Light +30, Darks +50, Shadows -5. ALSO - 3 Graduated Filters @ -0.60 from right edge to center, -0.90 also from right edge to center, and -0.40 from left edge to center, respectively. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534837086356-1ICUZCI7SIAFXWHVIO79/image-asset.jpeg SERIES I - On Editing Your Photographs Leica M246 + Leica 21mm f/1.4 Summilux-M ASPH - ISO 400 - RAW Image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534913286968-ZU1EDQ5XHFRBT6AQ5ZVS/EDT-1007.jpg SERIES I - On Editing Your Photographs BASIC - Exposure +0.35, Highlight -35, Shadow +35, White +10, Black -60. REGION - Highlight +15, Light -10, Darks +35, Shadows -25. ALSO - 2 Graduated Filters @ -1.70 and -1.10 from right edge to center and top to center, respectively. Image has been leveled. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534837122616-GQT60RSGSE3F69R57W93/image-asset.jpeg SERIES I - On Editing Your Photographs Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH - ISO 400, Temp 5150, Tint +11 - RAW Image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534844440100-9BZK32ES3LR8QAJ2DC6P/image-asset.jpeg SERIES I - On Editing Your Photographs BASIC - Temp 3650, Tint +0, Exposure +0.40, Highlight +10, Shadow +40, White +15, Black -40. REGION - Highlight +10, Light +10, Darks +15, Shadows +0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534837059378-LNCEQNE9EDIG1W05W7UD/image-asset.jpeg SERIES I - On Editing Your Photographs Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH - ISO 400, Temp 5150, Tint +11 - RAW Image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534844368297-MZPL34Z2FVLLHYEAP9WJ/EDT-1009.jpg SERIES I - On Editing Your Photographs BASIC - Temp 3600, Tint +0, Exposure +0.65, Highlight -40, Shadow +50, White +35, Black -40. REGION - Highlight +20, Light +10, Darks +20, Shadows -10 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534837031530-JPN080ELZDMNQELYSEDZ/image-asset.jpeg SERIES I - On Editing Your Photographs Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH - ISO 400, Temp 5350, Tint +10 - RAW Image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534844283803-ZJZQ7NNJ25HR11EC0CQL/EDT-1010.jpg SERIES I - On Editing Your Photographs BASIC - Temp 3600, Tint +0, Exposure +0.65, Highlight -40, Shadow +50, White +35, Black -40. REGION - Highlight +20, Light +10, Darks +20, Shadows -10 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534837000637-CJN3UC2IAD5V0S49CWJI/image-asset.jpeg SERIES I - On Editing Your Photographs Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH - ISO 400, Temp 5300, Tint +9 - RAW Image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534844223318-QITKWONP1CITURQG0YHT/EDT-1011.jpg SERIES I - On Editing Your Photographs BASIC - Temp 3600, Tint +0, Exposure +0.10, Highlight -30, Shadow +50, White +35, Black -20. REGION - Highlight +20, Light +10, Darks +20, Shadows -10 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534836888009-P9GSWUE6OU8HPCTLPMP4/EDT-1113.jpg SERIES I - On Editing Your Photographs Leica M246 + Leica 21mm f/1.4 Summilux-M ASPH - ISO 400 - RAW Image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534843134500-EY3VMUAMZEIKXYVKQ4IR/image-asset.jpeg SERIES I - On Editing Your Photographs BASIC - Exposure -0.25, Highlight +5, Shadow +50, White +20, Black -50. REGION - Highlight +15, Light -25, Darks +5, Shadows -60 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534836863169-FBIX9U1WUPOZ28PW2L1D/image-asset.jpeg SERIES I - On Editing Your Photographs Leica M246 + Leica 21mm f/1.4 Summilux-M ASPH - ISO 400 - RAW Image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534843079456-IA80XHZ2MQCDXIVZ0Z30/image-asset.jpeg SERIES I - On Editing Your Photographs BASIC - Exposure +0.20, Highlight -50, Shadow +50, White +20, Black -30. REGION - Highlight +0, Light +0, Darks +5, Shadows -50 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534836933824-398FM5SVOJ3MCVY8JK9T/image-asset.jpeg SERIES I - On Editing Your Photographs Leica M246 + Leica 21mm f/1.4 Summilux-M ASPH - ISO 400 - RAW Image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534843016859-TD2W1K9B4FL61H5Z7EST/image-asset.jpeg SERIES I - On Editing Your Photographs BASIC - Exposure -0.50, Highlight +0, Shadow +50, White +20, Black -50. REGION - Highlight +15, Light -25, Darks +5, Shadows -60 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534836842795-80DPXI925EXV2PC6IMCU/image-asset.jpeg SERIES I - On Editing Your Photographs Leica M10 + Leica 28mm f/1.4 Summilux-M ASPH - ISO 400, Temp 5550, Tint +12 - RAW Image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534844141471-OMGYC28D0K2NDYDEKF2Y/EDT-1015.jpg SERIES I - On Editing Your Photographs BASIC - Temp 3900, Tint +0, Exposure +1.0, Highlight -50, Shadow +50, White +20, Black -25. REGION - Highlight +10, Light +15, Darks +10, Shadows -10 https://www.streetsilhouettes.com/home/2018/8/13/three-50mm-f095-lens-leica-canon-and-angenieux monthly 0.5 2018-12-09 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534313219044-XX74V2YAN1XFUYQGXPMQ/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534313195335-OFW4U0JDCV2J7GUQ74JW/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Canon 50mm f/0.95 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534313170608-BDS9FKPKYI0LHO83TM8E/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Angénieux Paris 50mm f/0.95 Type M1 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534313293091-WEZ8I6KYVRPWZYYNERAN/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH @ f/1.4 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534313268302-94NRVTF4VPABHPVMETNZ/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Canon 50mm f/0.95 @ f/1.4 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534313242391-FBWBI3L074C5BPS73K2N/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Angénieux Paris 50mm f/0.95 Type M1 @ f/1.4 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534833195876-PA82SAR5FSE7H6FTH5ZX/04L-1004.jpg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534833226438-EP02JTLP63BC4JWZD522/04C-1004.jpg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Canon 50mm f/0.95 - ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534833266373-KZ60WH5483EUDKZP17JJ/04A-1004.jpg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica SL + Angénieux Paris 50mm f/0.95 Type M1 - ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181559399-2FFHCNCWQJ0Q29HMVIV5/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181605785-LPCJP0QYLX4D3LDQBZQP/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Canon 50mm f/0.95 - ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181636813-13TCL4436CKJCVPTLA01/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica SL + Angénieux Paris 50mm f/0.95 Type M1 - ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181475232-Z0BYTWTQC8TGJ5JYHI7X/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181501990-4MMXJT380TJ70RXSO7A6/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Canon 50mm f/0.95 - ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534320131099-OIEYXBSEVV101OVP6O15/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica SL + Angénieux Paris 50mm f/0.95 Type M1 - ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181376612-1SXFTS195QKZY8PG3PQS/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181401184-PEL9NSTMJCCJ8PM0PE0C/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Canon 50mm f/0.95 - ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534320097261-HKSNDIED72BUDQTB08VH/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica SL + Angénieux Paris 50mm f/0.95 Type M1 - ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181081697-F7CYIPO4V6PDOB46FAEX/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - ISO 6400 - Near pitch black darkness in the interior https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181126862-8T5PL7TMT9L2W2LBIE70/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Canon 50mm f/0.95 - ISO 6400 - Near pitch black darkness in the interior https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181177596-JDVKTI91YYPTUKOCRW21/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica SL + Angénieux Paris 50mm f/0.95 Type M1 - ISO 6400 - Near pitch black darkness in the interior https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534180967460-OIY6E7GQF39XX6DDX8CL/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - ISO 6400 - Near pitch black darkness in the interior https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181001520-M3EF0YS02ILCMAV9ZKPZ/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M10 + Canon 50mm f/0.95 - ISO 6400 - Near pitch black darkness in the interior https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181034121-EE9K2U6ON1SBXF8Z16VN/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica SL + Angénieux Paris 50mm f/0.95 Type M1 - ISO 6400 - Near pitch black darkness in the interior https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181932957-QYHPSCUU4ASMKM2MI3PH/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M6 + Leica 50mm f/0.95 Noctilux-M ASPH - Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181970126-N71XU5J8XABEYR6OT0Z4/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M6 + Canon 50mm f/0.95 - Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534182007304-0JNFKB41JP28BBKMSBXC/01A-1001.jpg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M6 + Angénieux Paris 50mm f/0.95 Type M1 - Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181814687-D6DYG5AYNT2YMS1Y95HB/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M6 + Leica 50mm f/0.95 Noctilux-M ASPH - Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181851547-YY11Q4YUIAXWW9GF3AXQ/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M6 + Canon 50mm f/0.95 - Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534181892737-R68A1ET5AWLE2J2SHC84/image-asset.jpeg SERIES I - Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Leica M6 + Angénieux Paris 50mm f/0.95 Type M1 - Kodak Portra 800 https://www.streetsilhouettes.com/home/2018/8/6/leica-50mm-noctilux-summilux-summicron-all-versions-plus-summarit-f15 monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533591410448-0VUYC279YDAHC7STJWH3/095-1001.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - @ f/0.95 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533591579309-2YDXR602K97HS36W9J45/100-1001.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.0 Noctilux-M - @ f/1 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533591745297-EPVXR1NISTZYNAVDO53V/120-1001.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.2 Noctilux-M ASPH - @ f/1.2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533591484336-IDG2ZDFSDGYCZ3LE1NYA/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533591677271-VYVU9BJIDVX4MKIASDNF/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.0 Noctilux-M - @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533591785899-3RRU01LGBRFGNBWMBAVS/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.2 Noctilux-M ASPH - @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533591997405-RSR5A7H5I3JKLSRVTOLF/141-1001.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.4 Summilux-M Version I - @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592146112-0QUNE4FBD1WZCUFPVPAT/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.4 Summilux-M Version II - @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592201126-YISPV0MVHSD446LXV4CB/143-1001.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - @ f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592279269-KKPML8YF7PKHVPU8QKWO/150-1001.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.5 Summarit-M - @ f/1.5. Note: Live View did not work on this lens for this shootout on the M10. No lens was detected. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533591524195-5MVFDGTGY5EXSEQIJA7H/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - @ f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533591705118-XUI0ZLKSVDG5QFM2Z3SW/100-1003.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.0 Noctilux-M - @ f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533591882422-VHJB2DP9PWKQO2VTCK6Y/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.2 Noctilux-M ASPH - @ f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592111300-FHKIRFU2MUN6F4E7QBFT/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.4 Summilux-M Version I - @ f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592174237-L2GGGRJ0B3MEQEVBF40R/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.4 Summilux-M Version II - @ f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592241661-3RPOTUGGZS6DBMF3NFVO/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - @ f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592318129-UU9U3CHIWKRY76GXTX7N/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.5 Summarit-M - @ f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592489680-29LGRGZZ8N00OKA0JKTK/201-1001.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/2 Summicron-M Version I - @ f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592532460-LYV66PSOFY5QA0BRDOVG/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/2 Summicron-M Version II - @ f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592558699-K96MUK4FZ57UGRWNHXWM/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/2 Summicron-M Version III - @ f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592582591-BWP34GI9PKJ3364JBW0W/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/2 Summicron-M Version IV - @ f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592604881-98T0WII4TUGGGJYEI4WQ/205-1001.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica APO 50mm f/2 Summicron-M ASPH - @ f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592635974-FY85SLDR54NP97YR3EA9/206-1001.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/2 ELCAN - @ f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592839880-R4DTQNFFXD93MQRIQ4B0/095-1005.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - @ f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592898013-3QPCWS5C9K3MVDH1H4T2/100-1005.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.0 Noctilux-M - @ f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592925102-SS0SRWO4VUBMRX27WRKQ/120-1005.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.2 Noctilux-M ASPH - @ f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533592959465-8JATCABM9KWC353LWXWO/141-1004.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.4 Summilux-M Version I - @ f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593008473-4EY3GIVZGNPIIK0MSWVP/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.4 Summilux-M Version II - @ f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593043728-TSSJBOSVII8M8DMEZQ0V/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - @ f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593142325-O3ZLL16S9KDVV5KWLPOI/150-1004.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/1.5 Summarit-M - @ f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593193083-GV7LP7XFE5C08SFJK8ZQ/201-1003.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/2 Summicron-M Version I - @ f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593225212-FSCG9TP9M0BE22FTTCS8/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/2 Summicron-M Version II - @ f/2.8. Note the flaring. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593244665-NB7CKQBAM4AY5YNT14G3/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/2 Summicron-M Version III - @ f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593264965-AWFWMUC706BC1RPBW1HW/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/2 Summicron-M Version IV - @ f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593291205-ULKCMEA0FC46JDMYQD0V/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica APO 50mm f/2 Summicron-M ASPH - @ f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593321631-SZH3KWZV7N4I23ST3ARF/206-1003.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Leica M10 + Leica 50mm f/2 ELCAN - @ f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534011678476-KKM8ZP8KBJMKR0T0X091/095-1004.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/0.95 Noctilux-M ASPH - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593449858-0YZP4QW9X0LUU7HLLXQ2/100-1004.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/1.0 Noctilux-M - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593475134-WL4ZH7Y21XRJWQV4YVQ0/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/1.2 Noctilux-M ASPH - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593512520-AFAMINYOA2EV97PSHOJX/141-1003.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/1.4 Summilux-M Version I - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593548745-TCOIOZ8KQZFF8J9O52R2/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/1.4 Summilux-M Version II - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593568568-D3BUFPJ7L93K38FO1ZGZ/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/1.4 Summilux-M ASPH - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593614288-YCU5XMBHJQJVJGY2FUIP/150-1003.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/1.5 Summarit-M - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593648952-SIQ58BOPZTX3W67CVF5H/201-1002.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/2 Summicron-M Version I - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593680860-8HU501C6OARU9EFPATFY/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/2 Summicron-M Version II - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593699849-ALCT9ZDXZDFN0M5DYFFJ/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/2 Summicron-M Version III - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593719964-LJGF9WWPXIMI0LXOO4PF/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/2 Summicron-M Version IV - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534012250860-PQR24WH8JJULL1OIQ05H/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica APO 50mm f/2 Summicron-M ASPH - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533593768778-2J7MJOH8NLD1BKY2FTKQ/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/2 ELCAN - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534011695791-5N35PFI7LRD1TV9NBVNP/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/0.95 Noctilux-M ASPH - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533603007586-6O0QCJKY74OX76XTGGKW/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/1.0 Noctilux-M - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533603043461-XHYYD19FDGJJJDQAUF1C/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/1.2 Noctilux-M ASPH - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533603072132-FPMKBC61P5I80NAIP76D/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/1.4 Summilux-M Version I - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533603154010-W4QARE1VD4H2VB91H5NH/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/1.4 Summilux-M Version II - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533603177321-1BQ3AJJX569UZX0ILJHE/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/1.4 Summilux-M ASPH - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533603209393-GNAEQF348DJNP8L4ILXE/crop-1007.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/1.5 Summarit-M - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533603281021-LCW082W6RRQJ5K518LRX/crop-1008.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/2 Summicron-M Version I - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533603323730-020A6EY00E8XO9HI8HTP/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/2 Summicron-M Version II - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533603343794-OJ5MK26DURYIMJTW2GAL/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/2 Summicron-M Version III - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533603363605-STHOPUHHOSQNM3KXO9WU/crop-1011.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/2 Summicron-M Version IV - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1534012276775-P4JTPHSW3GBM6ORUVYQC/image-asset.jpeg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + APO Leica 50mm f/2 Summicron-M ASPH - @ f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1533603412075-2RJCMEOC8U1YDH2PJ1KM/crop-1013.jpg SERIES I - Leica 50mm Noctilux, Summilux, Summicron - All Versions plus Summarit f/1.5 Sony A7R Mark III + Leica 50mm f/2 ELCAN - @ f/5.6 https://www.streetsilhouettes.com/home/2018/7/23/rationalizing-film-in-a-digital-world monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370728600-3P1PWIS945FYVAB76QLD/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370583280-31L8Q2A3JS5GECZ44K9Q/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370560217-2BD5KYWYV0HYS3P666MV/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370750594-11LZA37ZE0OBXW87AJZH/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370496482-742STUGBHIDRX6GTK2BD/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532380928071-OTXAIYYM2EFQI6I2ZGL6/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370473656-GP96AUHPFJ2EN3AENN7D/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370454632-A7LS176EXXDTY7BWSR97/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370415938-KV3N7FYC2YCP2JDV4525/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370384061-5AHGFX3CK9ACZOQLRBOJ/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370360605-KBC098AO5RH3K4LZFF2J/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370332699-RIPI2AN6302IMFXPO0G0/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370311242-NZR6CS3MVUOT9GAGFLJ1/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532380732055-2BFR2V35YNC2QAWX3EUA/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370238897-5NL9V7NNBIVDWZ90JYBR/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370809763-HEQ3WSDTKXB7LSSHN3YX/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370193187-VWKK7UUQTYM6Y5HD6LOU/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370835679-OEP5MN1PTRSCCD1EXSSD/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370057657-225PTB0D0GQJUFDMEIV6/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370039815-D44S353S71GZ9PUZQSN0/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370023509-GJ4QDBCQL8EFG52C6LDE/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532369981686-QBEE75ONJM4EIKM25NX7/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532369958819-1T9ZKY177MLWK6CJ4MI5/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532369936188-LT8S6THY0PYPJQ2G70I5/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532623326311-LT2BVIWTFIDCNZN9JZ17/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370905497-5HTF639WV0EPYUC2RQ4W/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M6 + Kodak Portra 160 + Leica 50mm f/2 Summicron-M vers. III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532372173877-3FFAMR7X10KBJQ7TQ2O0/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M6 + Kodak Portra 160 + Leica 50mm f/2 Summicron-M vers. III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532370976250-SC72MB6AOZGXI93XBEG0/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M6 + Kodak Portra 160 + Leica 50mm f/2 Summicron-M vers. III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532371012687-UWB61U5829SXABZP29KN/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M6 + Kodak Portra 160 + Leica 50mm f/2 Summicron-M vers. III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532624231722-XS0W40X2HDVPP500I8E1/DIG--1034.jpg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532369716733-VPWNLSKZHMPAYWAFPVI7/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532369700205-9Q1WGMYNJDXB2Z6RIU8X/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532369685008-4NBR9CAH4ZXXHCEKK8FB/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532371057313-HHPNOL2AWLUUZK96TR1C/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M6 + Kodak Portra 160 + Leica 50mm f/2 Summicron-M vers. III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532371091890-CA28TIF7O5A9W6OI8WUW/image-asset.jpeg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M6 + Kodak Portra 160 + Leica 50mm f/2 Summicron-M vers. III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532373134850-Q0X28JBA4V5RSLPVO9EA/ANA--1011.jpg SERIES I - Rationalizing Film in a Digital World - A Question of Application Leica M6 + Kodak Portra 160 + Leica 50mm f/2 Summicron-M vers. III https://www.streetsilhouettes.com/home/2018/7/23/background-relevance-at-the-21mm-35mm-and-50mm-focal-lengths monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532622850804-6E3QHBNGZX7JK8UMAIPZ/21-A-1006.jpg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE - The 35mm focal length was chosen in order to increase overall coverage, while still bring the background reasonably closer for environmental context. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532361120128-L0LUUTCEO10A1ZIQVD08/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE - At 35mm, the background does appear surprisingly tight for a wider angle focal length. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532361094902-6EWQBITJ50GFLVFA7MEK/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE - At the 35mm focal length, the end of the road appears still within reach. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532637725350-3YJWXQD35WGZG464E7O7/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532361295219-6MA1KVNY2NBS0E2NE9MJ/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - It doesn't matter how far away the top of the steps are. Since the Piazza Spagna is already so iconic, the need for background detail isn't as pressing to establish relevance of the location. A wider angle of view is ideally suited to cram as much background into the documentation as possible. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532387306906-I9F2NLIWPV8JA0AJUMMC/21-A-1007.jpg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532622615192-ZR1BKCO3BSNRYS9BOAWK/21-A-1005.jpg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - The 21mm focal length is particularly well suited for capturing shallow backgrounds - like walls and doorways. There is no risk of losing background details, since the background focal plane is too close to be pushed too far away from the subject. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532361383551-1LB950QH5ZVQCKZNP74J/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - Another example of a shallow background optimized in documentation - at the 21mm focal length. Shot at 1/30s. How was that even possible? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532387124884-SQKRT8O5YA8T7A3C0JE5/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - At the 21mm focal length, the end of the road begins to disappear into the horizon. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532715375825-NANGMNYLND5MF9VQGMRC/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - This image would have worked better if I had gone tighter. That said, the composition would've completely failed, if not for the clouds providing volume to the top third of the image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532361614140-YPWGND9Q2GCV72ZNS6XY/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532361652236-CC4AQ4LW17UXU30XURVN/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532361746648-FTL0DF7672TCEF82UW67/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532361764021-PLRWFEOO74LGF7T16ALQ/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - The 21mm focal length was selected in this image to capture the turrets of the old city wall. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532361788696-X4TNLAGWVQRKZ1B3LWLY/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - The focal plane of the fauna is on a shallow background close to the subject. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532366053092-2NCB13N9BD1GH4C0XB4X/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532361852077-6DEXXE5FMF5CZ36CBUQF/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - This image has been cropped to the 35mm equivalent, since it was actually a poor use of the 21mm focal length. At full crop, the front of the vehicle is stretched at the edge and corner of the frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532361869438-67Y0YNWJUXTFJPX7JURH/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532623204420-MNKMJC7P4XMGBV0EDUFB/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III - At the 50mm focal length, the background does not vanish. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532360760630-VYMSLJAEE2DLW3I2837H/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532360737997-K7GG111M4KWCZ7IHH418/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III - At the 50mm focal length, the background diners are pulled closer to the subject. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532622193369-3WR9ECNGJGAU2X45CVVQ/50-A-1001.jpg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532623950304-QMDBGYFU6VJOMQTL5LDZ/50-A-1009.jpg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532360264912-9RUC0QVO3AAAWVJ8V24T/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532544998218-SJKF1F45KVG2K66C4T13/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - from 6ft (or roughly 2m) - At 21mm, the top of the trees are visible. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532545019465-WMDJAFRAYL7LC2V9GNC5/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE - from 12ft (or roughly 4m) - At 35mm, the top of the trees are beginning to be cropped at the top of the frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532545043105-VDNKYNZL1CBLB9G4V6Q3/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III - from over 25ft (or roughly over 8m) - At 50mm, the top of the trees are completely cropped. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532359769336-P8Y6TUR8R87VV08M09F3/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - from 6ft (or roughly 2m) - At 21mm, three stories are visible on the building in the rear. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532359852320-K2YJE30N475BEVH5PCZC/02-B-1002.jpg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE - from 12ft (or roughly 4m) - At 35mm, two stories are visible on the building in the rear. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532359826148-HE9FX7YWDKUE61NZF3NE/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III - from over 25ft (or roughly over 8m) - At 50mm, only one story is visible on the building in the rear. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532700691037-RHA1HNXE1NXMWCJ3PNBT/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - At 21mm, the roofline of the buildings on the right is almost covered by the vehicle. The subject was photographed at less than 4ft (1.5m) away, in order to fill the vehicle in frame from edge to edge. Note the foreground distortion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532700715862-JWWF3I9HXZ5VYQWALMZ3/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE - At 35mm, the roofline of the buildings on the right is visible. The subject was photographed at roughly 9ft (3m) away, in order to fill the vehicle in frame from edge to edge. Foreground distortion is minimal. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532700732934-FFEOO573RXBUVV0IX5U7/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III - At 50mm, the roofline of the buildings on the right is cropped out of frame. The subject was photographed at roughly 20ft (7m) away in order to fill the vehicle in frame from edge to edge. There's no visible distortion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532700751943-CH00L3B04PQX58GAM5S3/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - Shot from the edge of the other side of the road. At 21mm, the negative space surrounding the vehicle is captured in frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532698931292-PVHZTWAD9SQHOSSGRT5O/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE - Shot from the edge of the other side of the road. At 35mm, the only the vehicle is in frame, https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532700773117-F77NZZ6YQFGI14AGMTGM/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III - Shot from the edge of the other side of the road. At 50mm, only part of the vehicle is in frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532418657965-RKYTFZI5CMVELYUFE38A/05-B-1001.jpg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - from 12ft (or roughly over 4m) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532418678444-FG27E0D4BDRQQ15YO7VL/05-B-1002.jpg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE - from 12ft (or roughly over 4m) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532700493530-TU0O1JFX8TZXCF1OIM7J/image-asset.jpeg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH @ 35mm equivalent crop, the resulting image is almost identical to the image captured at the 35mm focal length. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532359258603-P0XX122U1U4M0F6GEAVY/06-B-1003.jpg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M6 + Kodak Portra 400 + Leica 50mm f/2 Summicron-M vers. III - from 12ft (or roughly over 4m) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532417632757-SAVQP3ITX1GL27YY63SW/06-B-1001.jpg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH @ 50mm equivalent crop, the resulting image is almost identical to the image captured at the 50mm focal length. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1532417697979-48CD8TXGT4CM0MUUHQZN/06-B-1002.jpg SERIES I - Background Relevance - Comparing the 21mm, 35mm, and 50mm Focal Lengths in Rome Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH FLE @ 50mm equivalent crop, the resulting image is almost identical to the image captured at the 50mm focal length. https://www.streetsilhouettes.com/home/2018/7/13/leica-24mm-f14-summilux-m-asph monthly 0.5 2022-01-21 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531499341201-HC312XQCSKDIAJFGRPPD/Sunny-1001.jpg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531499321978-SO9BDXM92781P5DHCPJJ/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/2.8, 1/1000s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531499299010-183AJLXILJ6Q2LD996QS/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/2.8, 1/1000s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531499276723-H6MDND0VE6S2GMK74TP2/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531499251391-BMCHOE75TMBHIVJ5KVCG/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531499230959-0V6YSIZBB3Z0GNE8KXDU/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/125s - left side of the image has been cut and pasted from another image in order to remove a distracting delivery person. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531499207951-9SS95UUKAKLYN83UIRIN/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/8, 1/125s - at close minimum focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531499141984-CGMMV8ZDFW1LN6SJ0W4V/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531499172421-WMJ8URPIBMSY81YSPY8O/Sunny-1009.jpg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531499120617-I1C31O7FO0SBBIAX0ZOO/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531499096280-M7C5I57RE8V6BHT5WJ2H/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/500s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531499071341-NG9TWYVA0TYYHLCY8COY/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531499039508-DJS42UFSJQW9VW4P34NP/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531499009798-8BVGQMSTBO4RKARZTZSV/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531498978400-E43B3Y6JDPMF9A7ZS3MQ/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531498946953-MBSBGENEM58D60HVSQEB/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531498919265-Y58L2UKY7L5WK9ALK20C/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531498876846-MJBKFPLGQL7FB3H7KSB7/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531498840878-V9BTUGQJMAYU9NIGTT1B/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531498810395-18ACVZR740R2AP5VC506/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/2.8, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531498734491-VFEKT9AURU0R7426NBMB/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/1.4, 1/60s. Note the chromatic aberration in areas of contrast near extreme highlights - an issue when shooting wide open. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531498754311-0HMSKHW936GE1ZXN0D3J/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/1.4, 1/90s - Image has been cropped, because I did not take a backup image to cut and paste the offending distraction out of the image, on the right hand side. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531498717528-JPEEW54BTUJTUU3HMB19/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/1.4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531499802608-H0SF4UIZ0RP72SOGC91U/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Shibuya - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531498694198-LI5UX4XOSC2TBYA7WVV7/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Roppongi - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531498276913-EAGIJ2HE7J51I6GQ0MHE/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Roppongi - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531498148510-7YD0MVPXZL0V146KD0EN/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Roppongi - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/2.8, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531498246477-F300YZZ9TCO71XLLR2ZY/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Roppongi - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/250s - Image cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531498589781-MDMNPL78D72NBHJ460J0/image-asset.jpeg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Roppongi - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531498172355-QZOGETI95MG6YKZ3SSNU/Sunny-1030.jpg SERIES I - Leica 24mm f/1.4 Summilux-M ASPH - The Invisible Child of Fast Leica Lenses Roppongi - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/250s https://www.streetsilhouettes.com/home/2018/7/13/cloudy-with-a-chance-of-not-going-out-on-a-photowalk monthly 0.5 2018-11-28 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497957590-K294O0Y2VUZTUITB7DLJ/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Ginza - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 200, f/5.6, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497937985-J6BV6XLUEU077QJD6NS9/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Ginza - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497920024-VW6D8Q89WLAX5RO6LXWO/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Ginza - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO400, f/5.6, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497904166-5JB8TRO087OIOMXLF8IQ/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Ginza - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497883764-T70QEVL6DWTPLC16QZQP/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Ginza - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531652656024-I0VPHEAQDCWH098V6S84/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Ginza - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/250s - umbrella has been burned in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497838846-CNIB6GS7H5KSSMHW4P9M/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Ginza - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531652677058-084H670ISR965K2Z0BTM/Drizzle-1008.jpg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Ginza - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/60s - umbrella has been burned in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531501481238-SWPU6D6T6ICZ40EFNRVS/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Ginza - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/45s - image has been leveled in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497764743-T4Q8VBYWTKVLLPT1BDSD/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Ginza - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/4, 1/500s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531652702370-T5D21N44CI4V5A14OQE2/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Ginza - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6, 1/125s - umbrella and center building highlight has been burned in post + image has been leveled in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497711810-D2OI9ZU32GKSPOHQOOHQ/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Ginza - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497623642-QDYDECVQ5ATAQG4IKV9N/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Ginza - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497587663-TQL2JPUKWWXOCCEP74EC/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Ginza - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/4, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497538223-X7MH2CLHMMKQYD4JFTFJ/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Shinjuku - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/4, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497514070-C9MK38UI6DBZF43ENPAH/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Shinjuku - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/8, 1/180s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497489642-KI92H796AA6JCVA8IY1C/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Shinjuku - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/8, 1/180s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497464379-536B4WMTTBAAKFVGJMML/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Shinjuku - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/8, 1/45s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497432079-AFJ0BRI06EWGGRYJ89N1/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Shinjuku - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/8, 1/180s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497366354-GY7VZMRTR09MSGF48AEE/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Harajuku - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/4, 1/30s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497404261-BZHY8VMQ1W7HDCWYNY95/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Harajuku - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/4, 1/30s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497319725-3MLDF329N5RTIOT9X65H/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Harajuku - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/4, 1/30s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497298766-4D1LGDPUBUBH6Q5PD4YP/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Harajuku - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497268180-2GSS0VIHAMK7ZD58JH90/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Harajuku - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/5.6, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497244783-KIAJQRMOF1952ZOT3YQ8/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Harajuku - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497217433-SBMVAZLMM9YQEI8BCDW6/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Harajuku - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497169000-DMHUXSOS65UPNY91BMSL/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Harajuku - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 400, f/4, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497142410-7RDQQ4H44191EJ0XCVFH/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Yoyogi Park - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/2.8, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497192625-HEWLZTRRTT5H1LRHCAFG/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Yoyogi Park - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/2.8, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1531497114065-OX87OIM1ZKJN0KMEFZCM/image-asset.jpeg SERIES I - Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Yoyogi Park - Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/8, 1/250s https://www.streetsilhouettes.com/home/2018/6/8/when-too-much-photography-gets-in-the-way-of-taking-good-pictures monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528477483295-CWVJZ9T3E72Z4ISGU73U/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Scenes of a botched photoshoot. One of two Canon E-FM cameras with faulty shutter travel. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528595364897-GHREKYFSI84EQX15C5AL/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures This one was adapted to the Leica 35mm f/1.4 Summilux-R. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528477439716-JNRJ1WJ1TI774XN2DMQN/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures A closer up photo. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528595927700-2LP5PMG90UD9MWB91782/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures A placeholder to meet my requisite six photos per visual stanza. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528477385917-DEAIC0EW8YGDK1QXYLXK/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Burned the left wall with the gradient tool to give it some volume for the sake of artificially creating balance in the photo. Again, yet another placeholder. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528532465039-7BUCLD4B7PNME86YUMDH/JLD-1006.jpg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Judit picking up the tab. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528477361074-1L9RJRC7KI8G3BQ1PGJN/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Creating a narrative for the botched Canon E-FM review. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528477293147-8540GO9TWWLI0UO5SKAM/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Posing with the Canon E-FM. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528477233850-335JPFXKKV4ZVG8T10GM/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Following Judit around, since I have no sense of direction. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528477193296-P43TLOBKCHVYQCWYAU8A/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Walking through an open air food stall... because... my predilection to capture visual clutter in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528527498810-AM0UDJCFWHQSB70XFXCN/JLD-1011.jpg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Burned the left side with the gradient tool to push the seated figure in the foreground into the background, for the sake of bringing Judit out into the foreground. Again, yet another placeholder. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528477133708-9D2HZIALB1IBX28WU12M/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Goofing around with fill flash. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528477083935-V9IQLXVX2V75Z1B3ZRVP/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Judit wanted a picture of herself with this mural. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528477055364-8LC0OU0SYUC1BBKNDPQ3/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures An opportunistic shot which I tried to perfect in many subsequent attempts. However, it was this first opportunistic shot that looked the best, since it wasn't staged. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528477024380-EAPICP8ZI5J4JBHPYAIO/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Taking a load of our feet. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528476998845-8ESB5JLKJ2B7812V6ZF5/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Again, another predilection - this time - staircases. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528476968775-93TNAUZ0IC6U8EZL0C6P/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Judit looking for mail. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528476945413-FI2J1Y3QVPO7FD769NRH/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Placeholder for six. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528477107324-WAT2X69O0OAW3K6B8Q5P/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Quick opportunistic shot. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528476913440-UPN0WYZWLIUDS13O0EZB/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Walking to public seating, to figure out what to do next. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528476875085-Q95IVKRFEQSEOSFC84M5/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Talking about Judit's move to Singapore... and figuring out what to do next. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528476849601-1IY7TSJBQHSOTPLISJIN/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures On our way to the tram. Time for Judit to pack. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528476827770-RXT7GGAOWGKIKI5HJIUH/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Waiting for the tram. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528476797622-AF114V32ZPB5M5B0TBQC/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures I shouted "hey, look over"! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528476765678-D9FMN7GSSAJXGBF5WDA1/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures My first time on a tram in Hong Kong. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528476740487-T6XQ71NUSEOLMUO2T8B4/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Me, shooting blindly while seated next to Judit. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528476713183-I1D4LCHMR0XZA0QM6O7O/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Moving up to the front of the tram... because... it's just better in front. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528476689796-NQ0TBS0FXHDRRH77ME53/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Placeholder again. I asked Judit to pose. None of it turned out well, because it looked so unnatural... plus I was getting tired. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528525124796-8YIVJKB9TQZRE4Q83ETY/JLD-1030a.jpg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Back down to the lower level of the tram, waiting for it to stop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528476662186-HAEZR96J37ZG771P1ZFM/image-asset.jpeg SERIES I - When Too Much Photography Gets in the Way of Taking Good Pictures Judit taking our her Octopus Card to pay for the the fare. https://www.streetsilhouettes.com/home/2018/6/14/nikon-es-2-vs-nikon-coolscan-9000-vs-plustek-8100-vs-pakon-f135 monthly 0.5 2019-03-16 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528961287302-FKWPDTXSHSYNH5NXY4NZ/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Full Frame and shot on in-camera Negative Digitizing Mode (only JPGs). Also note the camera shutter failure on the top third of the image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528961444608-OQH1IKKYKE7APL0XYZIM/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - in-camera Negative Digitizing Mode + Cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529039947031-SXN8KRRH2X1YPA0JDUNF/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528957917522-68WWUKCCMCZDW4SX8KWI/NikonES2-1007.jpg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion with Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040448861-BFX7BUP7DON54PCZ75M8/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959118084-TUP2UXFXG6216EPGO318/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan - Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959670549-2D0J08OQ9BU7MP35F5FP/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Pakon F135 + TLXClientDemo https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528960293152-8BFUO8QOM3C4UH4WDK2Y/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon Coolscan 9000 + Nikon Scan 4.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528963268618-4XYKJLDVY5LY09CT5SLP/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - in-camera Negative Digitizing Mode + DX Mode https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529039887292-ZQFPHPO6U90YGKK6NIO0/NikonES2-1102.jpg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528958373940-XCVZ9YJ218FQ2Z6M7TO2/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion with Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040503622-24QVHQOETH4FXAMMSCH5/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959058862-9JZSJO9Y5N4RG7R2TMW2/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan - Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959628704-TDZWKTCB8M5G8K0FCC8O/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Pakon F135 + TLXClientDemo https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528960235657-V441DLY966DVJXK71CSL/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon Coolscan 9000 + Nikon Scan 4.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528963454258-37ROVDF4124F5ZPQMNQ7/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - in-camera Negative Digitizing Mode + DX Mode https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040074891-XG2VYS5BRS7PMOUXV189/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528958444136-D3M01YCXGJATZOXQRISB/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion with Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528958993737-4QYES9MG15H3BORYUXZI/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan - Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040543919-PNOJ2GEG3TZE73YHYRYA/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959589891-EZH9NG8B5AXPM16A5UQG/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Pakon F135 + TLXClientDemo https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528960171837-4VOW827QTKCUUO0ALJE6/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon Coolscan 9000 + Nikon Scan 4.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528963500399-OVY0IKOCYZCCNVIP5ZR1/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - in-camera Negative Digitizing Mode + DX Mode https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040120153-QNP6AVKLWKAJ3T8QAN06/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528958412286-A0DEDC00IULLAG5K304I/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion with Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040591294-AUGSNZDQE61AK6R05EUU/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528958938869-PML82XQR2BJSEVCK948W/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan - Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959557476-YARTHU1RS3L1JR14YW8N/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Pakon F135 + TLXClientDemo https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528960115049-H2OTTLNTCWPFB6WN0443/NikonCS9000-1009.jpg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon Coolscan 9000 + Nikon Scan 4.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528963546965-KOMQY543LHYGTRGOOY0Y/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - in-camera Negative Digitizing Mode + DX Mode. Also Exposure, Shadows, and Highlights have been edited. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040159452-ZNH84O3YZ678JAS49TAD/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion in Lightroom. Also Exposure, Shadows, and Highlights have been edited. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528964576410-8B1O3ZHQ369Y5M9AWD1W/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion with Tonal Curve Adjustment in Lightroom. Also Exposure, Shadows, and Highlights have been edited. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040646631-9QM923XUYAHQQG6ADSZF/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan. Also Exposure, Shadows, and Highlights have been edited. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528958864641-8FXX3MWM68JRULLVRTYR/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan - Tonal Curve Adjustment in Lightroom. Also Exposure, Shadows, and Highlights have been edited. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959525581-D1QEZSRO0GP0GBFC34OK/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Pakon F135 + TLXClientDemo. Also Exposure, Shadows, and Highlights have been edited. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528960031851-K0ZCEWEP8S5L4P553EET/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon Coolscan 9000 + Nikon Scan 4.0. Also Exposure, Shadows, and Highlights have been edited. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528963595893-QXC1BPUQO689CZX7ODII/D850JPG-1006.jpg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - in-camera Negative Digitizing Mode + DX Mode https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040197411-DCQDTZ3WY6AZGI5UTVS4/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528958203851-WBEEGORNIPYNBPCLQ0NO/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion with Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040703473-37E67Z0X2906Y6X1Y1JQ/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528958808158-ECL1TX119WYI9TWTAYRK/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan - Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959482083-P30PG8NX97DK3MGE594Z/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Pakon F135 + TLXClientDemo https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959988132-0RHGBEY2S3DAYLDTETQP/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon Coolscan 9000 + Nikon Scan 4.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528963695323-YNV4FLR37J699ZXIHTK2/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - in-camera Negative Digitizing Mode + DX Mode https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040263013-0HHN433OW88MDTW457EY/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528958078650-ZHFI723ZZOLP54VC9D8J/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion with Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040746921-YZJSUDWHYEPG6WYVKJ15/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528958763704-EPKC4H7P8J580NN3XUQO/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan - Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959448641-02KFQ38IKLFANEZ12605/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Pakon F135 + TLXClientDemo https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959871513-9LULP0N48G8FCMOVD20J/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon Coolscan 9000 + Nikon Scan 4.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528963766044-SLDR4YL565K8T9LSTBSJ/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - in-camera Negative Digitizing Mode + DX Mode https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040301496-PQTCTDR1R2TJPK3D57XQ/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528958123224-JM40QKKCPSNT76N2V9D8/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion with Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040792042-VBFQUN75TUXBLAUJUGE5/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528958708837-59P0RY3J7KTNI3UARBH4/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan - Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959408032-XRBWNRP8TMM1NKBBA62A/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Pakon F135 + TLXClientDemo https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959927069-6A2ZFNB1HYAWAWL6H9JC/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon Coolscan 9000 + Nikon Scan 4.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528963805054-ZFG5GD8TWJJT1R0ZLXQD/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - in-camera Negative Digitizing Mode + DX Mode in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040328516-T63F2CC34QTB36QINQLY/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528958254021-QZ24NOL4I1TVEW6QQ5A9/NikonES2-1010.jpg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion with Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040839875-CDL6G4S4EQBU749YJUV3/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528958650132-VJG6C68AF8ALQ92RQ9UK/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan - Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959367779-2GN7JC5F0T4Q3GG71305/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Pakon F135 + TLXClientDemo https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959786138-2C37C3JKTA1AWZ6HWOOK/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon Coolscan 9000 + Nikon Scan 4.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528963837060-AUG3M3GKMRF74BSTHYFY/D850JPG-1008.jpg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - in-camera Negative Digitizing Mode + DX Mode https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040362876-AQEESD7O8LV0DKZ49E3T/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528957988085-95LB7Z4FTSNO2L653AO3/NikonES2-1009.jpg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Inversion with Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1529040879850-GYGZM2CW28251IELAHJR/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528958575510-L9DQBAGP7HTGWJYLB1OF/Plustek-1008.jpg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Plustek 8100 + VueScan - Tonal Curve Adjustment in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528960646972-V7DJGXW065Z7LQQ454JN/Pakon-1009.jpg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Pakon F135 + TLXClientDemo - Cannot push exposure, since the highlight will be blown https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1528959712703-B57CVX8H0UQZFK75LMFF/NikonCS9000-1003.jpg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon Coolscan 9000 + Nikon Scan 4.0 - +½ stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551781531489-32IABQAMQCW46PX8GB5O/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Lab Pro Plug-In used in Adobe Lightroom for the inversion process - NO EDITS https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1551779845056-QL9AYW7REQ52BM5P3PGR/image-asset.jpeg SERIES I - Comparing Negative Scanners - Nikon ES-2 vs Nikon Coolscan 9000 vs Plustek 8100 vs Pakon F135 Nikon D850 + Nikon AF-S Micro 60mm f/2.8G + Nikon ES-2 - Shot in DX Mode + Negative Lab Pro Plug-In used in Adobe Lightroom for the inversion process + SIGNIFICANT EDITS https://www.streetsilhouettes.com/home/2018/6/2/documenting-moving-subjects-in-the-dark monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958777288-75A8EABFQVBAUK18XH4I/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 6400, 1/125s, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958750778-CEG36X9HT5FGINPOPTON/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 6400, 1/125s, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958714132-13DHZVLH3F0GTGIWF3WA/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 3200, 1/125s, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958683151-WP61G3BJBX312CPCGCR4/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/500s, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958657653-F4WUAG770ZU0U152SNIX/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/500s, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958627244-ZCLOS7W7GD4XEFXT8L8E/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/500s, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958550438-LD2Y259YIGJ4D788MFEG/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/1000s, f/4, +1 Stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958498832-WAF8SMQYBSBWHV4KMX4E/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/1000s, f/4, +2 Stops... high ISO at the edge of workability in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958441384-S6CJ6X51QULPUKCAWV4A/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/1000s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958408513-BJ50IT71VCN0EPZY31EE/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/500s, f/4, +1 Stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958366119-JLJVRM68C464ISUQC43V/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/1000s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958325303-GZNAQ5GW7M63FYT8KWBD/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/1000s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958277900-EVHYM88TPLIZ4XE223AA/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/1000s, f/4, +1½ Stops... the faces of the performers are in shadow since their backs were facing the spotlight. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958185247-1YO8LIZEVA8SB0RMTTSP/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/1000s, f/4, +1 Stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958219281-N2B205CNCIXOIZEM3IT2/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/1000s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958135411-JUYOA6PY552DDIJEC2U2/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/1000s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958102643-XSKIRLP8AE920BVWY0QO/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/500s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527958048163-EYEOAW9GX0DKBX8MK4BA/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/500s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527957960310-Z4UVDE8OX4P2DQHCQL0I/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/1000s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527957997170-0ZFKO4ZCK9Z6RLFRBOXM/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/1000s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527957929587-F91L37B2PT982MRE72O8/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/1000s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527957897025-75TX5BBBQHQ1R1UNIP9I/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/1000s, f/4, +2 Stops https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527957844801-69C47R35NB4ZDZO46N2T/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/1000s, f/4, +1½ Stops https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527957803379-AYPRN5GAOWN57ZDXSYDS/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/1000s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527957773259-JC383MGUI7I91Z0SIH7A/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/2000s, f/4, +1½ Stops... High ISO at the edge of workability in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527957722534-TMTH3O6KA6KU8XEMKK9F/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/2000s, f/4, +2 Stops... High ISO at the edge of workability in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527957652835-QH8K9ORX36J9AVFXLW4H/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/2000s, f/4, +2 Stops... High ISO at the edge of workability in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527957581220-ECXWC1FH5W9ZU2BP9Y7H/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/2000s, f/4, +2½ Stops... High ISO beyond the edge of workability in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527957499977-RB90VT36GBMI9V109PB7/image-asset.jpeg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/2000s, f/4, +2¾ Stops... High ISO beyond the edge of workability in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527957357753-O1U9BI1O5Q64OL14OQMT/CdS-1031.jpg SERIES I - Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH - ISO 12,500, 1/2000s, f/4, +2¾ Stops... High ISO beyond the edge of workability in post https://www.streetsilhouettes.com/home/2018/5/27/leica-18mm-f38-super-elmar-m-asph monthly 0.5 2018-09-20 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527430128580-SVB07D7ERQ1ZE6WH9UUB/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 1600, 1/60s, f/3.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527430101523-TT8I7TFN5I2FKUM813CO/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 1600, 1/60s, f/3.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527430075566-WASYBYEVBPDXK728BWAK/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 1600, 1/60s, f/3.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527430045962-GF4DC3PE5W5Q8DZMD5W1/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 400, 1/125s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527430007733-I387RBVDIPP9ISQMYQ9F/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 400, 1/60s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429972849-XLWYJUC2W9NOKG9HT79Y/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 400, 1/60s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429931681-2S496JPEXDIIUMP3W5UI/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 400, 1/60s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429885518-ZYN8BJGMBEJEONHXAQ7P/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 1600, 1/125s, f/3.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429859449-4VNIQPFAIR4DFWRATAI7/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 1600, 1/125s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429824120-D7QM8DM9ZGMGBKVM7ONN/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 800, 1/125s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429782955-45NHJ0226O6BT7K3NVR1/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 1600, 1/125s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429743327-ZMI34ZMEZJHJYBH4G3CE/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 1600, 1/125s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429697780-5V4GSWSMGOZCE0YLO0DP/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 1600, 1/500s, f/5.6, walking backwards https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429664107-LQ7QF6N3MZRT8SNU2V25/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 400, 1/200s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429629033-KOVY2HBJ72LS0RI036NI/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 400, 1/200s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429600170-B9ZY6CQWB4NPGS13FXLI/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 400, 1/200s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429568221-1M2SZ07RF95AWAMDE8L4/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 400, 1/200s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429539651-XHIMADROCIQPR5U895SK/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 400, 1/200s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429475371-4E1KYIHWMI9YV5QEC6WW/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 1600, 1/30s, f/3.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429440334-29SEAT4NUSV31DXSMHX2/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 1600, 1/30s, f/3.8, Horizontal Transform -40, Cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429400836-5LIR7YZ8RONRFO6KNCYY/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 400, 1/125s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429363744-E2N3ZX2TY77QDXQ0XXO3/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 400, 1/125s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429322213-2OEFQOKOVDLYF3ZOXQ4T/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 400, 1/125s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429291433-DRX3QMIEBT0L29RJBDTP/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 400, 1/60s, f/5.6, at minimum focusing distance. Note: I edited out a photobombing in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429227532-VXA0KJ3JZV5OIC6D2H0Z/18SEM-1027.jpg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 1600, 1/60s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429198353-CY4WWQVWBF8GNNICKDD8/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 1600, 1/60s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429141825-SEBLK9CX2B7J9UF6ZC8U/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 1600, 1/60s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429109467-EAHVC05U7AN1ZY34QGDB/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 1600, 1/60s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429078234-QYTNYVGR2U28XU15SZPM/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 800, 1/125s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527429026216-LG4B2Z2RXO3WF77JYQHF/image-asset.jpeg SERIES I - Leica 18mm f/3.8 Super Elmar-M ASPH Leica 18mm f/3.8 Super Elmar-M ASPH - ISO 800, 1/125s, f/5.6 https://www.streetsilhouettes.com/home/2018/5/11/why-super-wide-angle-lenses-are-not-recommended-for-group-photography monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526076390982-FTUDF0J2IK3NOXPRSSN8/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 18mm f/3.8 Super Elmar-M ASPH - On the first day of the visit, after leaving the Leica Store in Soho. A safe group shot at super wide angles. Both subjects seated with their face and appendages on almost the same focal plane, bunched together at the center of the frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526076358109-C1AUEL22L63J61Z5L91W/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 18mm f/3.8 Super Elmar-M ASPH - Another safe group shot with all the subjects standing on the same focal plane in the middle, with the legs elongated near the bottom of the frame. The only notable issue are slight distortion on the head, near the top of the frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526076833039-5L955I608XKVZHTFCSD7/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 18mm f/3.8 Super Elmar-M ASPH - Here is a better version positioning the subjects in the middle, except in this case, the heads of each subject are now in the center of the frame, mitigating distortion of the face. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527378081848-EML6X3VFNTU4ZJ2VZOQU/NYC3-1001-2.jpg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 18mm f/3.8 Super Elmar-M ASPH - At minimum focusing distance, distortion is even more evident, even slightly outside center of the frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1527394952407-H6Z3IEMA30J5FOG7KJGT/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 18mm f/3.8 Super Elmar-M ASPH - This image demonstrates the extent of contortion necessary to offset distortion when the subjects are on different focal plane. Here, Anna is extending her body forward, so that her head is on the same focal plane as Lydia. Also worth noting is how Lydia's torso is slightly leaning forward, in order to place her upper body on a similar focal plane as her lower body. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526076233424-W3JWHTCU8759YV7MXBLP/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 18mm f/3.8 Super Elmar-M ASPH - Probably the safest possible image capture on a super wide angle lens. Everyone posing on the same focal plane, with all appendages tucked-in, while standing tall in the middle of the frame with heads in the center - photographed from a normal distance with a wall for a background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526076199590-IHU3KMIHN3W72ESMVPQA/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 18mm f/3.8 Super Elmar-M ASPH - Closer focusing distance, with noticeable distortion of the head slanting towards the corners. At Ladurée in Soho. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526076171550-9GX2SJ593G1BK33WSCFJ/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 18mm f/3.8 Super Elmar-M ASPH - Distortion not as much of an issue when there are no heads in-frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526079012642-VWITE59028YDOO8M02CH/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 18mm f/3.8 Super Elmar-M ASPH - With Lydia and Anna seated further from the center, and at closer focusing distance, distortion is evident. It's even more evident on the people in the background (but less so with the ones further away caught in the mirror). https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526076095427-77YOWDY3J5QTQVKYZ8J2/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 18mm f/3.8 Super Elmar-M ASPH - The first of the cherry blossom - as promised. Just so perfect on a spring day. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526076043878-FK52S4538LPMKKGKCMJ8/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 18mm f/3.8 Super Elmar-M ASPH - Much of the distortion was mitigated by the menu. Still, the waiter is noticeably distorted. But that doesn't matter as much, given the context of the waiter relative to the documentation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526076013157-JTWN9UF7ZE700QG1U9YZ/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 18mm f/3.8 Super Elmar-M ASPH - Extreme distortion at minimum focusing distance. Best to cut off the heads in the framing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526075981518-DTQFFN84EWM753HSB2LS/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - Here's Anna at Balthazar, on the last day of the visit - shot wide open. Since I don't have enough usable photos at 18mm, the rest of this post will show how much easier it is to shoot at 35mm. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526075956633-6FWGPDMATV3ZXICMJFJW/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - Leica M10 + 35mm f/1.4 Summilux AA - A spontaneous photo of Lydia. Also wide open. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526075934169-CR99I7BM1A8PHIEBKVWP/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - Not exactly the best photo with even a 35mm lens. But could you imagine how ridiculously far away that playing card stuck to the ceiling would be on a super wide angle lens? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526075907750-GA9UL5U6MKOKHNNBJSFF/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - An easy photo of Lydia and Anna seated by the bar. The people in the background are not obtrusive, since they are evenly distributed while providing environmental context. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526075877263-DXMLFW6S0NGVWL8TPPX0/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - At 35mm, there isn't as much of a need for the subject to lean forward to match focal planes between head and appendages. Also worth noting is how much less of an issue seating deeply is, with regards to the subject's thighs spreading out, at 35mm. But the wider you are, the more this spreading becomes exaggerated. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526077753734-WP1VD27ARMAOCU6RYDFL/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - Left half of image pasted from another image. Reduced distortion makes this kind of editing much easier. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526075809791-6DV6UWXYMJC117I7A557/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - Less distortion at 35mm with faces on different focal plane. Here at the Jacqueline Kennedy Onassis Reservoir, in Central Park. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526075777845-MIMM65GDW04GKKZ9CU6J/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - On different focal plane at a distance, size distortion is visually imperceptible. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526075727934-GLCXZI2TSBEBJF4F9HLA/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - At 35mm, capturing spontaneously is much easier - especially at a distance, when there is no one photobombing you. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526075701312-G05M94SLOVMX5WNPVDCG/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - But I suppose it's easy not to get photobombed, when you're at a residential part of Central Park, on the Upper West Side. In Hong Kong, this might not be possible. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526075669359-3IW1WKIJVDGWP6I1IQIJ/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - On a big boulder. A simple photo. No effort in documentation. Although I could have positioned Lydia a little lower for better framing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526078336796-DLFP8SL4Z8L7D13TTUOC/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - Of course, shooting at 35mm does not guarantee perfection. Much of a successful image capture still depends on your subjects not squinting. Here, with Anna's face pasted from another image from this set. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526075531162-7I37X0VTOVP4PXY8X2VV/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - 35mm is ample enough to get sufficient environmental context. Here with cherry blossoms. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526075575973-XSIFOYO1KG7O0IVG40OH/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - Now Lydia with cherry blossoms. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526075487806-JAJ2CLGUX1XDZ8APZ76Z/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - Lydia under a tree, with Anna still behind the hill working on an Instagram moment. Without any object on a closer focusing plane, distortion is seemingly absent. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526075426363-E0I3PCGZNEN13AS33GWZ/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - Anna and Lydia up a tree. At 35mm from longer focusing distance, there's virtually no distortion of the subjects worth mentioning. Although the cherry blossoms on the top right corner are noticeably more pronounced. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526075365229-B54Y5S37YVYTM75YKUGR/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - Now Anna and Lydia captured from a distance at an irregular angle. At 35mm, distortion is rather manageable, despite being evident with Anna and Lydia's lower body becoming more substantial towards the right bottom corner. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526078641235-TL8BRDPMH2PIFGYZOS5O/image-asset.jpeg SERIES I - Why Super Wide Angle Lenses are Not Recommended for Group Photography Leica M10 + 35mm f/1.4 Summilux AA - Captured with camera overhead. No need to observe extra attention in getting the subject to pose, for the sake of mitigating distortion. https://www.streetsilhouettes.com/home/2018/5/11/the-role-of-familiarity-in-making-a-better-photograph monthly 0.5 2022-01-21 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526013600503-1QURVDV4XBMYFACDCM7J/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Al fresco, at Morandi, in the West Village. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526013568053-0CIGO1E5U9B6RO0S5TU5/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Clueless in photographing food - Peperoni Fritti e Carciofo alla Guidea. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526013526525-BYI7A45WNBIIISZHN998/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph On Charles Street, in the West Village. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526013492351-AWEU40XY2KYY9TLPD2NH/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Lydia inspecting fake flower on Bleeker Street, in the West Village. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526013254118-XCW00IUYG07XY2LUNDBP/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Now with Anna. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526013221299-32M8AA6QXQ415UI2XILU/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph In front of Magnolia, made famous by the fictitious television character Carrie Bradshaw, on the once popular program "Sex and the City". https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526013191151-P0I7DL7OTMWNT9AOZ5BA/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph In the Meat Market District. Image has been edited - right half of image is copied and pasted from another image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526013409536-OVLVXUVOPM8AX35FVWAF/NYC3-1037e.jpg SERIES I - The Role of Familiarity in Making a Better Photograph In the Meat Market District. Image has been edited - right half of image is copied and pasted from another image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526013163472-DBJORJ9NT364SFUJ0CEV/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph In the Meat Market District. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526013135169-Y13X73LA6TN25MOBL1C3/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Lydia looking at herself on a side view mirror of a Mack truck. In the Meat Market District. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526013107601-VUTWY98TJ90OQ56L5W71/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph On the steps of a townhouse, off the Meat Market District. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526013074122-M4BXZ7E3KWN4XF1RPRM7/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Now basking in the sun. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526013044187-PS7ZFMSYBHWTTO5K8YIF/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Along the Hudson River Promenade, overlooking New Jersey. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526013017086-8F8BY4C4EF85P6QSNQW7/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Waiting at the stoplight, off the Meat Market. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012924732-PM14Y5V4Y6QJ61XTC8S7/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Crossing the street. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012889265-HJ5SJ0OOL98KLZQVJ2LY/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Seated on a bench on Greenwich Avenue. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012857697-IIG18DXQ0AHQIB0F5A13/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph In front of the Lomography Store. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012832626-DDDVBOZNCJMKWI4VQR2A/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Now closer up. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012805165-FM000WKLUUMMOQNH3FVE/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph At an old haunt of mine - Yakitori Taisho, at St. Mark's Place. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012727619-O1PE8S3S47W2AR2I8O9A/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Wall mural in the Lower East Side. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012689139-H7S27K15P7XIIY826FUJ/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph More wall murals at the Lower East Side. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012548259-6CPR6GRFJ19K4HPJCIQO/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph In front of graffiti, in the Lower East Side. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012612245-EQ1V0CLX8ZUED3KXBWLS/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Seated at a traffic island, in the Lower East Side. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012515409-NO9GQFY90PXU8UO6MN05/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph At the Nudie Jeans Store, in the Lower East Side. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012419246-8U8NRNF7UC8L5ZPPTYJC/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Apparently, I found this popular selfie location off Lafayette Street, pass St. Mark's Place. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012386269-C41ZHM9A07PKU9H0R5FY/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Same location, peering into a window. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012291871-K4I59JY1D7LIW6LT0XJF/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Outside Strand Bookstore, near Union Square. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012252156-GHBSJHNXAFRAER3CB9H9/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Anna having dinner at my old haunt, at the Blue Water Grill, in Union Square. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012227689-VRLUDSY6976LVUHG5KSX/image-asset.jpeg SERIES I - The Role of Familiarity in Making a Better Photograph Lydia, at the Blue Water Grill. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1526012135582-HSBQSTA0IFROW4LL5GK6/NYC3-1067.jpg SERIES I - The Role of Familiarity in Making a Better Photograph Lydia looking at her social media feed, in a Yellow Cab, on her way back to the hotel. Anna is seated up front, obscured by the bubble partition. https://www.streetsilhouettes.com/home/2018/5/10/giving-thanks-in-new-york-the-blog-at-reaching-the-two-year-mark monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985834934-9AIXM09AU2CZA2DLUBU3/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Time waits for no one. Anna's still asleep from jet lag, so Lydia and I started without her. Seated on a pedestrian island - with the tulips in bloom - Park Avenue. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985797143-GGEEVUOQDMMWE6LZWXJ7/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Now standing on the pedestrian island. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985762127-AET5NBICCYC28ELLBMGD/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Seated inside St. Patrick's Cathedral https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985695775-JO4LS48AB1F7Y07RB8US/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark From a different direction. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985672726-MGTL2EV1FHLVHARHHL5W/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Looking up. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985651838-5QCX4FLMJ5DDMQ26J0DQ/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Tracking wide open. Not a good idea. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985614667-QO7O03SNAZ5HP9RLLMVO/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark With wings at Rockefeller Center. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985579380-BKSU4S3CG8VPCVXGO2PR/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark An even distribution of passersby in the background for a balanced composition https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985546870-IYFSQYR6IXLHD1B699AG/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Looking skyward to get more flags in frame https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985515954-XHMQUP48MI9CJIJ3NVK1/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark From an even lower angle. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985490762-DSL95B2PVC2IIKR5NDKV/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark At the top of the Rock. Changing to a 50mm lens to bring the foreground closer (or rather not make it seem further). https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985464142-IVVOGV4F4TKPUOKB6XFG/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark When architecture ruins the view, but you still want a picture of Central Park from the Top of the Rock. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985426087-XGNK7LZ9GLG6DFRGOSBR/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Outside the New York Public Library, with Anna finally joining the fun. Image has been edited, with the left half of the image pasted from another image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985392907-NVKQSV80AZ29IZVJBJGL/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark On the steps of the New York Public Library. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985355428-NFHJCCQKZ2X8HXLF80TV/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Lydia at Bryant Park https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985303170-WEH6CCB04B3WS20F1JXK/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Anna at Bryant Park https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985324059-ZC22MJ0BEANL8RFBEJ5L/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Low vertical shot with the Empire State Building in frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985227898-LAZ7Q7JC0FSCK87ZMG6S/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Crossing the light. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985144648-HKFDM8U4ISBFH8Z5STU2/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark As a photo narrative, this image would have made more sense if Lydia and Anna came up from the Downtown & Brooklyn exit. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985176944-59QY5AX7UN7UDUFS5ZOW/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark The Flat Iron Building. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985077678-AIO93L5BT74M4N1A1DWA/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark On Broadway, with the Empire State Building in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985112433-G1K687AE0PHFFWPFFRDK/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Checking Instagram photo. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985044193-F7YRDKOIJ95MULLOZJ19/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Anna, on the front seat of the cab. Off to Lower Manhattan. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525985019619-LE1K580XFG3O83KD6B6B/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Lydia seated next to me. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525984985449-YDLUCK167XC66TTB94XT/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark At the Brooklyn Bridge. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525984959409-5KF1ZH49LV72GTPG60OM/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Still at the Brooklyn Bridge... finding space away from the crowds. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525984929341-VIQ1L86LBQIWYT58BQNG/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Last resort, when dealing with wind - if your subject has long hair. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525984896125-AZIAA4OLSIOMIF699CBI/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Figuring out how best to take a picture of a landmark when it's been blotted by a mechanical eyesore in the foreground. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525984867452-9H789MNUX1YPCKFUCPHS/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark Looking up in Lower Manhattan. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525984834273-530WIPVQW2MA37FF4VZC/image-asset.jpeg SERIES I - Giving Thanks in New York - The Blog at Reaching the Two Year Mark When jet lag gets the better of you, and you no longer even want to try for a good photo anymore. https://www.streetsilhouettes.com/home/2018/5/5/in-praise-of-compact-lenses monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525499813272-KAWK98VDPEHYA5NX3WJF/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 28mm f/2.8 Elmarit-M ASPH I - wide open at f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525499958997-3E3LBJYA83XWD8ONMVBW/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 35mm f/1.4 Summilux II - wide open at f/1.4 - the image capture is noticeably soft. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525499876695-82QGYUG066Y0X5TDE71D/L1000714.jpg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 28mm f/2.8 Elmarit-M ASPH I - wide open at f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525499919718-2BM8WL09H5FD3MOFCY4L/L1002604.jpg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 35mm f/1.4 Summilux II - wide open at f/1.4 - the image capture is noticeably soft. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525499984935-TQ1JRWNG7VNMFIJOBTKR/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 28mm f/2.8 Elmarit-M ASPH I - wide open at f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525499833523-G87WO6ZKP5YEDBSO2KSI/L1002617.jpg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 35mm f/1.4 Summilux II - stopped down to f/2.8 - image is no longer as soft. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500023924-0JYQ2TQD4IRO4FV93TA9/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 28mm f/2.8 Elmarit-M ASPH I - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500100857-AV8QN0Z1WGR2UFON4S56/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 35mm f/1.4 Summilux II - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500152145-792TIH0J095YGC96CTF2/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 28mm f/2.8 Elmarit-M ASPH I - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500243914-66GFOLL9SY8ZT56TB3Q5/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 35mm f/1.4 Summilux II - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500207817-Z3A5PQS6NTFY6ET8KO9T/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 28mm f/2.8 Elmarit-M ASPH I - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500176932-KBXN9EMI07H7TDR1D044/L1002638.jpg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 35mm f/1.4 Summilux II - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500621985-MNNM1I83XTB7GHXDFZLF/L1000757e.jpg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 28mm f/2.8 Elmarit-M ASPH I - stopped down at f/5.6 - image has been cropped slightly https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500658259-0T8WJ4XGS8167OOYJJUP/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 35mm f/1.4 Summilux II - stopped down at f/5.6 - image has been cropped slightly. Also the right edge of the image (up to the halfway point of the main keg) has been completely replaced, in order to remove an out-of-focused wall from the composition. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500301901-PL2UKZKG7XK3WXBPFNEV/L1000761.jpg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 28mm f/2.8 Elmarit-M ASPH I - stopped down at f/4 - gradient exposure increase of 1 stop on the top half of the image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500334508-1WGUNQCOI0FXV4VWIGVU/L1002663.jpg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 35mm f/1.4 Summilux II - stopped down at f/4 - gradient exposure increase of 1 stop on the top half of the image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500362029-2M3YW8FQJ24VPVLSO8QO/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 28mm f/2.8 Elmarit-M ASPH I - stopped down at f/4 - forgot to increase shutter speed https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500379703-K5GXXUNPQFQ080WT2MCX/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 35mm f/1.4 Summilux II - stopped down at f/4 - forgot to increase shutter speed https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500719522-HBC7S2SYY0DUBJITUDE7/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 28mm f/2.8 Elmarit-M ASPH I - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500768477-LDEI4PWNCUA99V10HNEM/L1002760.jpg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 35mm f/1.4 Summilux II - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500836473-X9VOXNJBE0I2SLIOLMLF/L1002745.jpg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 28mm f/2.8 Elmarit-M ASPH I - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500740596-2KBZNH2R9C23PUXKXPGW/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 35mm f/1.4 Summilux II - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500402215-WRP46YV35ZVS8ZQYBKCB/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 28mm f/2.8 Elmarit-M ASPH I - wide open at f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500425167-V47MN03Y6ICX4Y3O8SJL/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 35mm f/1.4 Summilux II - stopped down at f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500447757-16C7PB0ZBXA5D66KVXLM/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 28mm f/2.8 Elmarit-M ASPH I - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500475655-OD2X5SOWJXK26991ULE0/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 35mm f/1.4 Summilux II - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500546619-LQHYO3R8LQVF8CZLZYN5/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 28mm f/2.8 Elmarit-M ASPH I - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500574708-D0UNGWQ4NX6UZ224FBVZ/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 35mm f/1.4 Summilux II - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500500895-VDLHGEZT1S76ZIOAV4O5/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 28mm f/2.8 Elmarit-M ASPH I - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1525500521467-Y2H55NUVZN2ABJHG0NVX/image-asset.jpeg SERIES I - In Praise of Compact Lenses Leica M10 + Leica 35mm f/1.4 Summilux II - stopped down at f/5.6 https://www.streetsilhouettes.com/home/2018/4/18/zeiss-15mm-f/8-hologon-m-for-leica monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524491284688-UKT16KIB5ANF8OZJE03T/L1002471.jpg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 6400, 1/30s, f/8 - Why this lens isn't more popular in digital application. Note the color shift and the tip of my focusing thumb in frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524039005437-00JP6PM17XV2ZT13B8IH/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/125s, f/8, at roughly 8" (or 0.2m) focusing distance - note the extreme distortion on the fingers. Also note, images hereafter have all had issues of color shift corrected. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038970405-8V3J46KKW0K6H738EUVE/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/125s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038917525-3UFT5WG5JMYIPDYN170F/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/125s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524037808639-C5KIK37OJWXXZSRD9HEN/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/125s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524037757186-O5G3O4O5XK2C1XE3KEQX/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/60s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038830850-IRYGI5OEWKG9LZPL6IYQ/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/30s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038771325-AZP1AQJT1XIMX3N3WZTX/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/125s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038717594-5XRUA6H2NN98LF4T1M6J/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/125s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038654452-6MNFHY3S9EV7J8ETBOKC/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/125s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038609492-DPC814B5VOH1AYG95XRI/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/60s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038559167-S30WKGOV74KXZC7V4WUD/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/60s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038513997-540PAZSBPEBS35B91CF1/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 100, 1/125s, f/8, with fill flash... which seems to worsen the vignetting https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038481478-MIQYU2OREJ95WVQD8GDA/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 100, 1/30s, f/8, with fill flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038445204-UF6R3WYRCHJ2HVRDC64M/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 6400, 1/15s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038377593-WG0LJR38H31XMPPF6UKS/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/30s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038338583-YD37MFA3SR3IP0R1XCYA/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/125s, f/8 - not exactly the most nimble lens in freezing a snap turn around up the hill https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038285434-O9MAGYHXHAV3FMTH4Q9O/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/125s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038154920-50EJBANKY4JSCQYYMPG4/L1002512.jpg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/30s, f/8, at roughly 8" (or 0.2m) focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038221562-MXQXC7AY3NS1W4GFYEUC/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/15s, f/8 - surprisingly, the 15 Hologon performs quite well in low light conditions. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038122975-D6FGVIUDUQQE9530H0UO/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/30s, f/8, at roughly 8' to 15" (or 0.2 to 0.4m) focusing distance (I can't quite remember) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524038007108-LM9F1DZP3G95SDJJ3QD4/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 3200, 1/30s, f/8, at roughly 8" (or 0.2m) - note the extreme distortion of the plate and the mug. Also worth noting, Lydia’s choice of beverage was picked to test how well the magenta color shift can be corrected in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524037941767-FW1SC5J8LIS7Z52NBT19/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 3200, 1/15s, f/8, at roughly 8" (or 0.2m) focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524037874478-4DP80JOPIRHO87GJ0QI3/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 3200, 1/15s, f/8, at roughly 8" (or 0.2m) focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524037656338-F2VNWFX03F7GW3LK5PRU/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/30s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524037614211-SKLJLIE1Z4Z0DL73P6QY/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/125s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524037556492-39XYHRO65C382JL09BCV/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/60s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524037516322-8BDCC6B69SFL6ZJTFKDO/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/60s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524037418112-TIIPIXGQ9IT8IPBETCEP/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/60s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524039157772-2L0TBNILLMWDZ68BVUHQ/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica M10 + Zeiss 15mm f/8 Hologon - ISO 1600, 1/60s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524122114906-QCR1YM5C5CY7DHOFL2JT/Kodak-1001.jpg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica MP-6 + Zeiss 15mm f/8 Hologon - ISO 800, 1/30s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524122222667-L1HYPPY9SNB45E6VUYG3/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica MP-6 + Zeiss 15mm f/8 Hologon - ISO 800, 1/30s, f/8 - bottom right hand corner has been edited, since my focusing thumb was accidentally photographed. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524122265481-RWWBZD3S5RNSREZ6SG5B/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica MP-6 + Zeiss 15mm f/8 Hologon - ISO 800, 1/30s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524122324170-96FAX5B1IKLSDIQ73N4L/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica MP-6 + Zeiss 15mm f/8 Hologon - ISO 800, 1/30s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524122387374-MZ0IDSVL4N4ZHKCG2DUL/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica MP-6 + Zeiss 15mm f/8 Hologon - ISO 800, 1/30s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1524122419058-R0PDO18LJM1R27FXKNJA/image-asset.jpeg SERIES I - Zeiss 15mm f/8 Hologon-M for Leica + Leica M10 - In Color and Corrected Leica MP-6 + Zeiss 15mm f/8 Hologon - ISO 800, 1/30s, f/8 https://www.streetsilhouettes.com/home/2018/4/16/leica-21mm-f4-super-angulon-m monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523871270515-E30C4NM8XGR2GJNIJE70/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/4 Super Angulon - ISO 800, 1/180s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523869442723-3X9HCO1LDP9VIHK8B00Q/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/180s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523891157953-J6ECD2P0K8G996606E0T/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/4 Super Angulon - ISO 800, 1/180s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523869409705-AV5VCT8FB6YYGNLVLPB3/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/180s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523871238168-FOYDXFTRUK5HP8BPQPST/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/4 Super Angulon - ISO 800, 1/180s, f/4 - at close focusing distance of roughly 15in (or 0.4m) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523891417203-RGYTNYXRLHGNPFSR0YEB/L1000612.jpg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - at roughly 15in (or 0.4m) crop equivalent - ISO 800, 1/180s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523871198804-VVGU107ISUAP7JHR2YUU/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/4 Super Angulon - ISO 400, 1/250s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523869377454-DNO2862L0E9Z4NQMXWMS/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 400, 1/250s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523871143615-H67XGP9A2ZWIALMB7X6B/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/4 Super Angulon - ISO 400, 1/250s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523869334895-3PBRPY4MZ5AZT61J5EDV/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 400, 1/250s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523871032257-97LFSGWKSCSHMDNYPETN/21Ang-1006.jpg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/4 Super Angulon - ISO 400, 1/250s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523869306663-CC5X0QLY7WTB6WCCZ0UM/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 400, 1/250s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523870973548-26O6VXLMB23O133TRBRF/21Ang-1007.jpg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/4 Super Angulon - ISO 1600, 1/250s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523869249369-RN4TU8AEMWH82HK9CH2G/21Elm-1008.jpg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 1600, 1/250s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523870878494-IDL6YFNVZU9G1UD2JHQG/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/4 Super Angulon - ISO 3200, 1/1000s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868974623-GGJKDSF3YRN2GJ9GIXB1/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 3200, 1/1000s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523870801789-BI5VI965UP81FOH63VGB/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/4 Super Angulon - ISO 800, 1/125s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868892824-2L1CCJTK9LSE7XWXJQ9T/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/125s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523870675970-JB7SG33XU1RU5HOAVHPT/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/4 Super Angulon - ISO 800, 1/125s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868850056-CTAVQ7KJWNVJ42SRXZCS/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/125s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523870633479-H527S8MANQ3XVI5GAR5G/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/4 Super Angulon - ISO 800, 1/125s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868810125-2DMCL2EGO1O5OJLWTF3Y/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/125s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523870602914-NF5L5VHYS3ID8MMTQAB9/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/4 Super Angulon - ISO 800, 1/250s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868774884-YQ8RI70TE7ZMX0DHMP72/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/250s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523870540656-R7AVPWF69COMEHMFDTWC/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M3 + Leica 21mm f/4 Super Angulon + Kodak Portra 800 - ISO 800, 1/500s, f/5.6 - seems like my Pakon F135 film scanner is a little off here. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868734863-P3YU5IVZ4HIDST3LXV0X/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/500s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523870482133-5B76D0SBB3H9BEKVPONQ/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M3 + Leica 21mm f/4 Super Angulon + Kodak Portra 800 - ISO 800, 1/125s, f/5.6 - seems like my Pakon F135 film scanner is more than a little off here. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868692789-MBS6CO4VKD61DZSAQRAB/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/125s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523870434372-HX0LHCE505HFY9EISRPJ/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M3 + Leica 21mm f/4 Super Angulon + Kodak Portra 800 - ISO 800, 1/125s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868645843-YDGP4YGO5WHKS7YXPLTG/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/125s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523870384236-8V0AJ5IR1P3ZP7PHHWIP/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M3 + Leica 21mm f/4 Super Angulon + Kodak Portra 800 - ISO 800, 1/125s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868599594-KZ9VWII38H5GNT9DAAGC/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/125s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523870326029-H0IWY57JAAKRPGA5C2CK/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M3 + Leica 21mm f/4 Super Angulon + Kodak Portra 800 - ISO 800, 1/250s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868551253-HGFH1SNHVQDCYODLWGBB/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/250s, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523870221903-BULSIKH8I2S2CJR75U50/21Kdk-1008.jpg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M3 + Leica 21mm f/4 Super Angulon + Kodak Portra 800 - ISO 800, 1/125s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868493136-48DIH5LCIKFOTQU3AXZR/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/125s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523870164917-H026Z0PY64IPLFP92NMN/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M3 + Leica 21mm f/4 Super Angulon + Kodak Portra 800 - ISO 800, 1/250s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868462176-OYI73I3ZLONN3EUGY8VJ/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/250s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523870129201-CGJQFA4WN8J899W7DXM4/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M3 + Leica 21mm f/4 Super Angulon + Kodak Portra 800 - ISO 800, 1/250s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868421316-ADMVSC6VJXL2718LSQ56/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/250s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523869862665-F5QVG7IPERUDR982SA68/21Kdk-1011.jpg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M3 + Leica 21mm f/4 Super Angulon + Kodak Portra 800 - ISO 800, 1/125s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868383866-VDSL2O55WDJERZRDIA4Q/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/125s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523869794267-BH45SJEQO8NND2E8HA4H/21Ang-1014.jpg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/4 Super Angulon - ISO 800, 1/250s, f/4 - at close focusing distance of roughly 15in (or 0.4m) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868327830-V7R8HW6WPFQ770XE7P7G/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 800, 1/30s, f/4 - at close focusing distance of roughly 26in (or 0.7m) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523869766110-0TNHQZY76QV029WFPPLW/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/4 Super Angulon - ISO 3200, 1/125s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868301209-RYTPBQBM5AEIVI8T76Q1/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 3200, 1/125s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523869594710-2JIWOE52PCNLCCK5KICM/image-asset.jpeg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/4 Super Angulon - ISO 3200, 1/30s, f/4 - at close focusing distance of roughly 15in (or 0.4m) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523868248572-JNMIH943QU4NQUY3K14R/21Elm-1028.jpg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Leica M10 + Leica 21mm f/3.4 Super Elmar-M ASPH - ISO 3200, 1/125s, f/4 - at close focusing distance of roughly 26in (or 0.7m) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523871455154-XJ5DBTDNHXLHKO6R87CP/21Ang-1007-1.jpg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 - ORIGINAL IMAGE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523871417716-9KIN2YKG9K3VPUPGHJFR/21Ang-1007-2.jpg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 - EDIT (1) Select Gradient Tool (2) Select Region (3) Drag Tint to reduce Magenta https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523871458964-WQL5ZTT9US0DGQ9K1DZR/21Ang-1007-3.jpg SERIES I - Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 - FINAL IMAGE https://www.streetsilhouettes.com/home/2018/4/12/leica-50mm-f14-summilux-m monthly 0.5 2021-12-08 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523550168870-9N7Q03HLMBFHWQ9YCNMU/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? This is not a review of the Leica 50mm f/1.4 Summilux-M ASPH. Fortunately it's not, since I've already forgotten the sample images' aperture setting - seeing that the Leica M10 does not record it in the EXIF data. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523550146446-NU9FSU9MREAEXZ5QT021/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Warm up shots - the 50 Lux isn't exactly a lens made for close up impromptu documentation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523550123710-PRN19ORQR78NJS84RNBK/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? More botched close up shots. Maybe it's just the photographer.... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523550100671-3C1AX7NP7KHGMDC7CW9G/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Lydia having a sip. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523550073944-PPO0SISLIOKEQ3SAB44N/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? My go-to calamari fritti. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523550048139-Z6BEB1FNHDLZXXE7T1N7/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? And Lydia having a bite. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523550018651-HP63AUSX2UDCYX1LU2PE/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? The easiest possible shot for the 50 Lux - the subject's face at the center of the frame, slightly stopped down (I'm guessing) at a considerable focusing distance, without anyone photobombing the image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549900419-4ICJRSXWL1YRBECYDY6Y/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? The game is afoot, with an increase in documentary difficulty. Lydia climbing up a tree. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549833105-WEW9OYYBAUHE7NJP9134/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Now hanging off tree. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549791010-NVZ9WNP47V4O9IUNRFRP/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Full length shot. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549748721-XHA6RU72FJSJFTNOP35Z/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Closer up. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549627316-ZP3TE95U87TA03VEMGB3/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? I know... these captions are rather banal. Still, the 50 Lux renders nicely under some cloud cover. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549586723-D5NVV36ZC7BFY6FJDWJB/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Zone focus horizontal tracking, slightly stopped down. Out of many shots, this was the only one that actually hit focus. Although, it would have helped if I increased the shutter speed. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523597499882-NBET0O9PYNVNO6Y6OQ27/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? At the end of an alleyway. Hong Kong is full of them. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549535647-TPWCUP9FTKMR31MPW2L5/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Up a platform. The ambient light at this location was surprisingly good. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549501352-G1TECF50XWR10CMCE26E/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Climbing a typical home-made Hong Kong ladder. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549464766-YQXQBNAHTHSEMXYZ935S/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Now squatting lower for a closer up shot. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549436542-QI8GXQBNBHI3KNY7DO2C/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? And the close up portrait shot. What the 50 Lux is made to do. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549412541-CW5829FIQDHYWRA88YXN/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? A quick turn around shot. I'm guessing this shot was taken at higher aperture. As you can see, the 50 Lux isn't exactly nimble in catching sponteneity. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549378139-B7HFVCHDX1JOY3TJZAJX/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Zone focus tracking up some steps. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549339743-PJWQ0YDGS9FXME4URGWU/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Lydia stopping for a pose. Not zone focused. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549294884-4YX4QEQRW0ZHK572NI2O/L1001569.jpg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Resting on the railing, with the ambient light beginning to dim. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549258368-GXGFJOG8H3S3AD5NX5TC/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Climbing and stretching on the railing - probably at maximum aperture. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549193549-1LAW5W2ZTX9W18M9PVFL/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Now hanging off the railing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523549164017-08R4ADAGTDC8GD6PCQ03/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Trying on some trinket at the street fair. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523548931159-ZLA851OQI62QCC4OE1YI/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Opening up a fan. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523548880509-IC49P39FWJ32KF7NX1CF/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? With the light dimming and Lydia at considerable distance from the focal plane, getting focus was somewhat challenging. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523548847600-LXTLSAHGQC9FFMG6XM2S/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Zone focus tracking (I'm guessing wider open) with me walking backwards. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523548765573-PCTNULRYCW02R93TA64I/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Now tracking stopped down with some fill flash. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523548727484-R16IAE2I6PH2W79U6TQW/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Noticeable flare under a street lamp. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523548658369-0D55Z124GAZ1KJAPOXPV/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Night has come. Time to appreciate bokeh under the bright lights of the big city. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523548627028-ATY5T605NFBUL6B984ZT/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Background isolation begins to gain some definition when focusing distance begins to increase. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523548562515-KGIWVMX32RD0IUGGE86J/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Lydia at the fruit stall. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523548532255-C3Q49RVFBUH0A3O7YO0X/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Lydia hamming around with a vine of cherry tomatoes. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523548501132-UZGTAIVB0MIBENV0X67G/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Now with just a cherry. I don't know if you noticed, but the vender in the background found her very amusing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1523548466326-FGVC9CLI5R3PB8YPPEEL/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Last shot. Gratuitous nighttime bokeh. https://www.streetsilhouettes.com/home/2018/3/31/sony-a7-mark-iii monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522815321278-O7HPA841HP9OB5A7M5NF/DSC00189.jpg SERIES I - Sony A7 Mark III - A Question of Value ISO 6400, 1/800s, f/5,6, @70mm - is this just a fashion trend? Light color footwear with dark pants? By the way, I won't be commenting specifically on the performance and image quality of the Sony A7 Mark III in the main writeup of this post. Instead, I will leave that under the captions, when appropriate. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522815424666-5HJQ0R37RNV2IM6XN2FC/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 12800, 1/125s, f/4, @70mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522815517853-RYHVX67NMRKDH4T81Y49/DSC00015.jpg SERIES I - Sony A7 Mark III - A Question of Value ISO 1600, 1/500s, f/2.8, @70mm - Image quality looks similar to the Sony A9. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522815544472-29NVID05SA0KM0JRR83A/DSC00027.jpg SERIES I - Sony A7 Mark III - A Question of Value ISO 1600, 1/60s, f/4, @70mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522815564953-ZF5UMKZS3I5SKO3Z1196/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 1600, 1/60s, f/4, @70mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522815587276-BK37MZJZK33X8ESQFN0A/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 1600, 1/60s, f/8, @60mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522813955908-PESLG16HDJD1HP6HTIGU/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 1600, 1/60, f/4, @50mm - Why I do not advocate low-pass anti-aliasing filters. To me, the rendering appears smudged. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522814336560-M4CK082C0SNJFE3179K3/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 3200, 1/125, f/4, @50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522814381819-7HH1I2G68HFNLBGYX9WL/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 6400, 1/250, f/4, @50mm - In my opinion, I believe the rendering actually improves at higher ISO, since the digital noise actually compensates for the smudging from the low-pass anti-aliasing filter. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522814427325-1KPQ1PNU87MX3P4X8WO9/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 12800, 1/500, f/4, @50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522814464234-90RPK8NYG1V88S4OIHLI/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 25600, 1/1000, f/4, @50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522814506030-SHS9RV7VJ6SSOWRAFN2F/DSC00049.jpg SERIES I - Sony A7 Mark III - A Question of Value ISO 51200, 1/2000, f/4, @50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522815628954-MC8II0S8ONIXOX2YSW6N/DSC00195.jpg SERIES I - Sony A7 Mark III - A Question of Value ISO 6400, 1/640s, f/5.6, @35mm - The A7 Mark III just keeps on clicking away without end - CLICK HERE for proof of 80 Frames x 10 Seconds Example https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522815673293-B1I7HQT5JM3Q1PUR8GJ5/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 6400, 1/800s, f/5.6, @35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522815704471-6LRVJQE10TX1N8VALR9E/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 6400, 1/160s, f/5.6, @35mm - cropped and leveled slightly https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522814597270-V84A889Q7X1WN1ZQUVMH/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 12800, 1/8s, f/2.8, @24mm - Low light ability as good as the Sony A9. Note that the shooting condition was almost pitched black with almost no ambient light. Also worth noting is the in-body image stabilization to be a tick less steady than the Sony A7R Mark III. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522814642632-EM5UU7NN1FWWAO20XGOC/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 25600, 1/15s, f/2.8, @24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522814698016-UOP78RP5128YZ94G2LZW/DSC00342.jpg SERIES I - Sony A7 Mark III - A Question of Value ISO 51200, 1/30s, f/2.8, @24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487568378-VPO1TGQIUQOYQ4QYP774/DSC00442.jpg SERIES I - Sony A7 Mark III - A Question of Value Autofocus set to face detection and face registration on Lydia (in front of Anna) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487568581-GXQW148TID57LE0YF88B/DSC00443.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487572368-VUEJKR4DZVG0DL2J4YII/DSC00444.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487572762-YECXEUFTSPS5CWWMDBS8/DSC00445.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487575973-NQEY3JA3YRVYQRVTIBU1/DSC00446.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487576562-H9P1G14MREA2GKA0XFJO/DSC00447.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487580707-JPWRKUOBTUFK4Y038981/DSC00448.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487581093-NZX02OZJ3W38JJ37NY0M/DSC00449.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487583581-TYJUO7T3QYK6IZAOJMTL/DSC00450.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487585377-9APH5RXYFHGXWGO2PQMB/DSC00451.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487586702-AB8SSBC8SL47UJVZ8K8O/DSC00452.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487588810-6OE98MKRR0MQ3VF7KDUR/DSC00453.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487707712-9GTCZ9UY3POLQM9F8MEP/DSC00424.jpg SERIES I - Sony A7 Mark III - A Question of Value Autofocus set to face detection and face registration on Lydia (behind of Anna) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487707713-4UL72X1AM3H7TL37YMAK/DSC00425.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487711441-GJ3R490D744C8GSIW0ZT/DSC00426.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487711817-G8V62WB1PZOLW5PGDJIX/DSC00427.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487714556-O4WJGST9ABRTB08H4K3Q/DSC00428.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487715135-QKE1A2I9YSYMWJTCBG8M/DSC00429.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487719301-1KABZ5MMJT8PFZZG1W55/DSC00430.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522814939392-P6EU60SURS7S4F1TMLYT/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 1600, 1/30s, f/2.8, @24mm, +3 stops - The dynamic range of the image files seems consistent with the A9 and A7R Mark III. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522814809178-5ZSA4F5259XVUBYPASQH/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 1600, 1/60s, f/2.8, @24mm, +4 stops https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522815742820-NA1BZ9VODL0LGKC9KXEY/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 1600, 1/60s, f/4, @24mm - At MiNT getting some film - cropped, leveled, and transformed vertically https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522815799962-O4QFSF3GFWF8H655Q6V5/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 1600, 1/60s, f/4, @24mm - At MiNT getting some film https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522815844933-MABBKLYRYA6D51AXN0U7/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 6400, 1/200s, f/2.8, @24mm, +2 stops - backlighting test, wide angle at center weight aperture priority exposure. Under difficult light conditions, the metering appeared reasonably usable in accuracy. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522815887043-YCT62A53E8B3J4YFI4I9/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 6400, 1/100s, f/2.8, @70mm, +1 stop - backlighting test, tight angle + center weight https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522483796682-48NMCOGBPHPLYZNA4THF/DSC00708.jpg SERIES I - Sony A7 Mark III - A Question of Value ISO 1600, 1/200s, f/2.8, @70mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482421859-9X3F3VZ05HZ7THD5737L/DSC00735.jpg SERIES I - Sony A7 Mark III - A Question of Value 40 frames in 5 seconds shot on dynamic tracking https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482422103-5CAP1CL5VN6T0VFV7MAN/DSC00736.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482426226-YW41WYPST5CT8VY6VBP6/DSC00737.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482426427-JBRO6HP4JXEEVWVG82S6/DSC00738.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482432918-IS4FGANJY87YQAEDORUX/DSC00739.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482433123-LKUDQRP7M7BU326BVGSW/DSC00740.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482438087-OTUACO2ZDPRDVS8GTUK5/DSC00741.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482438270-N9F2MFX1KX21RDOA3UW4/DSC00742.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482444785-LYG4YXF6EC2181SDVVRL/DSC00743.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482445162-Y0Q6R7PZTCEHZL4CVJU5/DSC00744.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482452680-SJY6PZH6F3P004UBRM5A/DSC00745.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482452887-V0HRDANJ6R218025M0ON/DSC00746.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482459063-X3FUIUZAPNNVNXXU5VG5/DSC00747.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482459256-MTEIPKRDRBSTJD71LJY3/DSC00748.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482466589-F927FQ7O704ZQ6DDC115/DSC00749.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482466779-055HCHQ6IZ97G48HONUT/DSC00750.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482473535-XLTWE13NBU0GK0QX78UQ/DSC00751.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482473778-0QLL4J3XP3DW07CN7QDD/DSC00752.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482478639-7QFZXAM5JGUBQE670C86/DSC00753.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482478830-LZH9UMZCZS4I98M2XP9D/DSC00754.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482484081-NTKKQ3FIWMB544IGJVZ0/DSC00755.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482484325-H6JHA6M9YN73UB9EQR9A/DSC00756.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482489012-S0D1ETKOWQGFGQ4CAW0P/DSC00757.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482489264-Q7R0WH3VBL7IPWKEBGH3/DSC00758.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482495075-KQ2WMVLC39QLZ1K8XE8M/DSC00759.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482495279-224E43ZA9SMLEHFP8UBS/DSC00760.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482499889-ZO85BQXQUA80NNQI53HW/DSC00761.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482499890-QRLS1708GJM8E1TTU0ZM/DSC00762.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482505604-S3WA34YO4RO8S08U7E2I/DSC00763.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482506019-5NDDZ8NRSCMEXBAFYP4S/DSC00764.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482510638-6RCRULPNMID31XH0G2Y9/DSC00765.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482510852-GIMHI310OE06AY7R6EKQ/DSC00766.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482515570-H0ZYYZJGRQTIADBB91JG/DSC00767.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482516166-LOPVKV9COVHZPXXFT7FR/DSC00768.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482522033-ZCDFOKEQXT9B2HAJTKSL/DSC00769.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482522264-R4AUIQ6V7ZXS9GO7M7XV/DSC00770.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482534291-4ZTEY9UNWCDQKC4RNNEO/DSC00771.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482534502-RS95KMD7ZFBD81ZJR90K/DSC00772.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482539513-IOZEE6JBHPYOMAV6VGHO/DSC00773.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522482539513-FYCMM74OSDL1QEH5DD1E/DSC00774.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487887967-19OQ0P7JIL663LW7ZTD3/DSC00868.jpg SERIES I - Sony A7 Mark III - A Question of Value Autofocus set to dynamic tracking on fast moving subjects https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487887964-7OHO7S0XL6IYDQX1GK7Z/DSC00869.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487894418-1PSM5QWG6H10O1PX2Q4M/DSC00870.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487894825-YI32CFC579KFU3Q2L3UJ/DSC00871.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487900117-MQXM8OF6SBLMN0DJKWBL/DSC00872.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487900949-MKQ6VRJ5YCK1ZNCN5730/DSC00873.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522487904274-H4TPQAXS430I0EPCUHLN/DSC00874.jpg SERIES I - Sony A7 Mark III - A Question of Value https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522815941171-IJVW6TJ2L45FW73IJ0G2/image-asset.jpeg SERIES I - Sony A7 Mark III - A Question of Value ISO 6400, 1/1000s, f/2.8, @35mm - The autofocus of the A7 Mark III is consistent with the A9 and the A7R Mark III. https://www.streetsilhouettes.com/home/2018/3/24/leica-75mm-f125-noctilux-m-asph-part-ii monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521980939700-X8ZJTEOIH4VR7FUGGRD5/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica SL + Leica 75mm f/1.25 Noctilux-M ASPH - ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521980908669-N0OQXKKN04RXWD9TXHDW/75M-1001.jpg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica SL + Leica 75mm f/1.25 Noctilux-M ASPH - ISO 400 - In my opinion, the rendering has a technical look of clinical refinement. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521987706251-BDX7NS98TH5FIWESISY6/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica SL + Leica APO 75mm f/2 Summicron-SL ASPH - ISO 400 - test shot using face detection, which seemed sluggish in low light. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521879026402-ILQGPJIEZ2GZ1S74AV4O/Fuji-1001.jpg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica MP-6 + Leica 75mm f/1.25 Noctilux-M ASPH + Fuji Superia Venus 800 *** NOTE *** The roll of film used in this review has been damaged by X-Ray. It has impacted the contrast and color balance of the rendering. It was an oversight on my part, which I regret. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521987681090-O4DMYY6HUUJUQSBJEZTO/SL-1003.jpg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica SL + Leica APO 75mm f/2 Summicron-M ASPH - ISO 400 - test shot using face detection. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521983427025-D42MWB1O5Y974090B5KB/Fuji-1009.jpg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica MP-6 + Leica 75mm f/1.25 Noctilux-M ASPH + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521985467081-A7X4D7U1WKBSZW6UF65E/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica MP-6 + Leica 75mm f/1.25 Noctilux-M ASPH + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521987753585-L709W1L6WRZCH9577HZF/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica SL + Leica APO 75mm f/2 Summicron-SL ASPH - with autofocus set to dynamic tracking hereafter for all Leica SL sample images. Additionally, every image hereafter were taken at ISO 800. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521879156691-A3EIOSV32O6SJR6L1M5I/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica MP-6 + Leica 75mm f/1.25 Noctilux-M ASPH + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521987789876-IROAM7E6HHAGITHAVJLN/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica SL + Leica APO 75mm f/2 Summicron-SL ASPH - The benefit of autofocus enables greater relaxation in the documentation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521983070668-U4TRQOEYJOE7G3TR1W5F/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica MP-6 + Leica 75mm f/1.25 Noctilux-M ASPH + Fuji Superia Venus 800 - This might possibly be the best example of how this lens renders on film. The eyes and eye lashes are perceptibly sharp, while the surrounding facial features gradually blends out-of-focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521983103635-DJUR73MXYDOBF0E7NWPG/sl-1007.jpg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica SL + Leica APO 75mm f/2 Summicron-SL ASPH - By comparison to the film rendering of the 75 Noctilux-M, the 75 Summicron-SL is much more exact in documentary accuracy of facial features. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521879283878-77WZGGXW3B7O5GE2TH6J/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica MP-6 + Leica 75mm f/1.25 Noctilux-M ASPH + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521878784029-1K8XTERLTFVA76RKGXAZ/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica SL + Leica APO 75mm f/2 Summicron-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521879381214-9QNCAKUPVH67S502OSN4/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica MP-6 + Leica 75mm f/1.25 Noctilux-M ASPH + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521878819316-YHX7AHZRWJG169EF2LLD/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica SL + Leica APO 75mm f/2 Summicron-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521958203224-NGRB9O332A6URQNOHAXN/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica MP-6 + Leica 75mm f/1.25 Noctilux-M ASPH + Fuji Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521959263684-9HG1KSX26UCLOOE02FQ8/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica M10 + Leica 75mm f/1.25 Noctilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521881623180-22U3E4KB37NZF9N6JNHM/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica M10 + Leica 75mm f/1.25 Noctilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521878846955-X0D05ZCIN838IZBXP2LP/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica SL + Leica APO 75mm f/2 Summicron-SL ASPH - this lens is remarkably sharp, when it hits tack focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521879804541-SEB2DG8OMKLVCACKI5JE/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica M10 + Leica 75mm f/1.25 Noctilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521878877810-02CV19OWTDBWGXU36F52/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica SL + Leica APO 75mm f/2 Summicron-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521879842020-TFN691FI4OV64KJGBSPY/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica M10 + Leica 75mm f/1.25 Noctilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521878910247-X162VAWMS0TCGBWRIDRB/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica SL + Leica APO 75mm f/2 Summicron-SL ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521880184964-UHZO02FA0JNL8H7IPVD3/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica SL + Leica APO 75mm f/2 Summicron-SL ASPH - dynamic tracking in autofocus enables greater relaxation in the subject's gesture. Plus, it was around this time when both Anna and I were beginning to show signs of fatigue. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521959323589-SR3VXNYATBON21RZVBWC/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica M10 + Leica 75mm f/1.4 Summilux-M - comparatively, the subject rendering is less sharp on the plane of focus, while the background rendering is also less blurry than the 75 Noctilux-M. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521959349091-Q6CCQDY61DBO5SML7E1S/Noct75-1001.jpg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica M10 + Leica 75mm f/1.25 Noctilux-M ASPH - comparatively, the subject rendering at the plane of focus is perceptible as sharp as the 75 Summicron-SL at normal resolution, while the background is blurriest at the 75mm focal length. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521959372695-CZ4QZE6XP2IGH8ML9OAZ/Noct50-1003.jpg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - closer focusing distance for 75mm equivalent - comparatively, the rendering is not as sharp at the plane of focus, and blurrier in the background. However, this was shot at the 50mm focal length, at the minimum focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521966325027-VSZDMXR2YZ5659HILZT4/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - cropped in post for 75mm equivalent - comparatively, the rendering is not as sharp at the plane of focus, and blurrier in the background. However this owes to a loss in definition from an upscale magnification in crop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521880503911-U6XFYZKWHERWTQ0R5DXZ/Noct50-1002.jpg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH + Leica APO 75mm f/2 Summicron-SL ASPH + A Little Extra More - Part II Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - same focusing distance https://www.streetsilhouettes.com/home/2018/3/21/leica-75mm-f125-noctilux-m-part-i monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521643107589-S4242E4FWX04IDMJ481Z/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/1.25, 1/350s, optimized in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521643133496-CO930TDOCJ2LEHI4RIY4/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/1.25, 1/350s optimized in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629203611-NUXTFS5YN7SPY3W9II2B/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/1.25, 1/180s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629229090-AOP42TA1G405A9ANYSHV/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/1.25, 1/180s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629287889-VSR83MBQ33KSVV5RRY0W/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 1600, f/1.25, 1/180s, optimized in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521645444579-YQCUXJKVO4BYQIB77IHG/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 1600, f/1.25, 1/180s, optimized in post - evidence of chromatic aberration next to Anna's right sleeve https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629351299-S9SS8XHQOI7G6G2SOKM1/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 1600, f/1.125, 1/180s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629317218-UVQ98BLATKN3JC5CNQKB/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/2.8, 1/180s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629381452-QIV7JLU7330F43B0IT77/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M -ISO 800, f/5.6, 1/180s, +1 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629431900-LULHZAJFYNK8IARF6VVA/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/1.25, 1/125s optimized in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521646859831-AWNVO0MGTGQ03RT3IFZG/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/1.25, 1/180s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521646886596-TOUI7WJBP5TTH5UEYN0Q/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/2.8, 1/100s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629523192-NAW0IIEFE3EQ43EJMBSR/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/1.25, 1/250s, minimum focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629545514-LTW2NS4P4JCVDHIO75P6/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/1.25, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629578246-YHRWPGHMNWEYPOHA5U26/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/8, 1/30s, optimized in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629619026-GP6OJMLDQZSHD4AP6HBA/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/8, 1/30s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629599811-FG67SOHDWX7EY40AGEC4/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 100, f/1.25, 1/125s - corner sharpness test (almost) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629645478-TVKCWPZ0LAX6CI22UBDO/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 100, f/1.25, 1/125s (second attempt) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521646198897-4O29USWU5Y0LXZDNJYJF/75Noct-2003.jpg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/1.125, 1/125s, +1 stop - optimized in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521646148899-0K5GQVZ8DTX88MBQORCK/75Noct-2002.jpg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 800, f/1.125, 1/125s - optimized in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629670129-X0021NXAX42BWOABFVTH/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 800, f/1.25, 1/125s - not stationary on a moving train https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629689984-DBXRL9V6WZLQ4CYCM1WD/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 800, f/1.25, 1/250s - not stationary on a moving train https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629708224-ARGF5783ZVFUJBP1D3GX/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 3200, f/1.25, 1/125s, edited color balance - under the nighttime sky https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521629725375-O7P4C1Y2A9KU3EOV4LPU/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 3200, f/1.25, 1/125s, edited color balance - under the nighttime sky https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521623771556-4LQFL1ZV0MKRUC4K18NM/75Noct-1004.jpg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/1.25, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521623828095-DLDS4HYI1YM2FQ71BR9Z/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/1.25, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521623852518-07G604MC6Q3TGZWTJ3QP/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M - ISO 400, f/1.25, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521622909808-TDOZGBN18AAYKSS7PR5L/50Noct-1001.jpg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - ISO 400, f/1.25, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521623105556-69CHD9C2HD5GX34RERVH/75Noct-1001.jpg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.25 Noctilux-M ASPH - ISO 400, f/1.25, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521622984949-BAOZ9YZX9TQHUBI6CFGC/75Lux-1001.jpg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Leica M10 + Leica 75mm f/1.4 Summilux-M - ISO 400, f/1.25, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521623335130-5HW8KTFCIP9LGSGUG5VF/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Sony A7R Mark III + Leica 50mm f/0.95 Noctilux-M ASPH - ISO 1600, f/1.25, 1/1000s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521643042094-WF67BU0C0CHG8MCQ56TN/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Sony A7R Mark III + Leica 75mm f/1.25 Noctilux-M ASPH - ISO 1600, f/1.25, 1/500s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521623433555-5II7CJNO359S6EOTG3RK/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Sony A7R Mark III + Leica 75mm f/1.4 Summilux-M - ISO 400, f/1.25, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521623481422-PER54XPSOQXOYB3BB2IL/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Sony A7R Mark III + Leica 50mm f/0.95 Noctilux-M ASPH - ISO 400, f/1.25, 1/1000s, 2:1 Magnification https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521623560408-3RDBIEW8RAMHGXKW2632/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Sony A7R Mark III + Leica 75mm f/1.25 Noctilux-M ASPH - ISO 400, f/1.25, 1/500s, 2:1 Magnification https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521623592145-IHGEQFT0HH22UB98Z95B/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Sony A7R Mark III + Leica 75mm f/1.4 Summilux-M - ISO 400, f/1.25, 1/350s, 2:1 Magnification - https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521643364726-IEJ8WCCZ8JMWV2VBK1C0/image-asset.jpeg SERIES I - Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Finder blockage - as requested by @andreasoverland - shot like a noob on an iPhone X https://www.streetsilhouettes.com/home/2018/3/9/leica-75mm-f2-summicron-sl-eg5te monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520582319250-Q3ANJ2GQXRXLP4QNYWAH/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/400s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520582292122-P1G7SNLLFOMY4N5VUY1P/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/400s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520582261719-RH0JGU3P5LD0ZSW0VFX8/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520582230625-OY5A9JOSNL4BIN2EPYTB/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/80s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520582147168-3MHCVHJBUOD3C08L3IDM/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/400s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520582092545-7WZ8K94GOQERV9LJH0QH/75SL-1006.jpg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/400s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520582044604-93S7NQJ7997QWQF143OL/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/400s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520582015670-8RD51U0F0XCTL2BTMSRR/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/25s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581981582-HN1W02BK9WELEYWSVMAT/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 6400, f/2, 1/100s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581919295-TDQOQNHZ2QC9WPHB1I9Z/75SL-1010.jpg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 6400, f/2, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581863703-PHJ1QPOWQECECB7AUHUN/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/80s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581837754-WIOF18QISW8O3I5ZVWKB/75SL-1012.jpg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/5.6, 1/10s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581812479-1JFK47SPFP9440UVBJJ7/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1521203837736-6B2HVIMJW4KE0ML4Z1MO/75SL-1014.jpg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520582174511-RIB7VGJK3B7WX4RCIVQT/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581733858-242PP1SKAATF8YG4BF8Z/75SL-1016.jpg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/4, 1/30s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581703043-M6TVDK1A88GKJGYVJLNG/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 6400, f/2, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581639277-4TAD6XMZPB6A47E3XA6N/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 6400, f/2, 1/320s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581599104-LRO7N5OPQCH8RXBC3TAZ/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 6400, f/2, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581560170-EOMAQIGKBU9GY51KK7VB/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 6400, f/2, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581526321-3MSXVIHQ1KVOVGI33DJR/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 400, f/2, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581440655-RQZEXJTALEPWJ0C9DEAU/75SL-1022.jpg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/320s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581387985-R4GLEOS0DBEBLD37KW9U/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581322491-5MWRCMCGLE3KE9TOIJ93/75SL-1025.jpg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581284996-ILMU1RAPGL1U4ZA3XH5X/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/320s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581254897-IC8YTOYJO2VFNF3WM9WE/75SL-1027.jpg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/40s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581216368-SFYR0C4RAFW49MQX6C1X/75SL-1028.jpg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/80s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581190427-JBUS06G082KLPFEU8CEY/image-asset.jpeg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/320s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581132957-X3FSZRGF8GND8SJPS6Q9/75SL-1031.jpg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/30s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581101036-47SQ7M0VHGGSVPIM0CZ1/75SL-1032.jpg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions ISO 1600, f/2, 1/30s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1520581068419-72A9GLG9Q1D79CPF5OBQ/75SL-1033.jpg SERIES I - Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions https://www.streetsilhouettes.com/home/2018/2/22/the-role-of-personality-in-documentation monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519302394130-L8FLLO5UGM76KEQH8YVE/image-asset.jpeg SERIES I - The Role of Personality in Documentation On location with Judit's version of roof-topping. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519302357769-004NRPVC9OMPLS6S2H9K/image-asset.jpeg SERIES I - The Role of Personality in Documentation Climbing down... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519302328187-XQ8PBMH5SG4E8TBXDWUP/J-Roof-1006.jpg SERIES I - The Role of Personality in Documentation Sure footing outside the frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519302178175-R4ITYJACL4DN0E2DVISY/image-asset.jpeg SERIES I - The Role of Personality in Documentation Climbing up again. Her idea. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519302212984-LU3D2TEA6I1FB45IHW3B/image-asset.jpeg SERIES I - The Role of Personality in Documentation Still climbing... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519302248006-KDP4BTX2O3M78ZQMVTGK/image-asset.jpeg SERIES I - The Role of Personality in Documentation Sure footing... well... almost. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519302133593-XQA1GTPGZCP4B61KR2DK/image-asset.jpeg SERIES I - The Role of Personality in Documentation Judit fixing her hair https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519302107825-FZA3N149NKLZRYFC2DYI/image-asset.jpeg SERIES I - The Role of Personality in Documentation Ready at attention... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519302083859-X55JZFE842ZVKIBL8FY2/image-asset.jpeg SERIES I - The Role of Personality in Documentation Hanging on to a rusty pole. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519302048486-UVB49PLWRXMM9U7EYXO1/image-asset.jpeg SERIES I - The Role of Personality in Documentation Now, with some hair tossing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519302024875-3U33WO705LXZV6JQBB1J/image-asset.jpeg SERIES I - The Role of Personality in Documentation Now looking over too. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301996105-1O2XYT659SCMJC81AQE5/image-asset.jpeg SERIES I - The Role of Personality in Documentation That was fun ☺️ https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301969169-K7LWP0J3MUP1UJX735FO/image-asset.jpeg SERIES I - The Role of Personality in Documentation Going down from the roof. Muted but still engaged. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301952478-Z3UOVNKE6AM6192RPRCY/image-asset.jpeg SERIES I - The Role of Personality in Documentation Still going down. Still muted and engaged. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301932538-YBPRS2TJXTF6X5V24QA0/image-asset.jpeg SERIES I - The Role of Personality in Documentation Under some wiring. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301900359-J22UO5YNZLOBWZNFEDVO/image-asset.jpeg SERIES I - The Role of Personality in Documentation Still going down. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301868340-O2QS9XQ4584WDZZBIGUQ/image-asset.jpeg SERIES I - The Role of Personality in Documentation In front of a fuse box, and other miscellaneous meters. The look of waning patience as I try to make focus under the most atrocious light above Judit's head. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301831651-EF8R2Y4BQ847S0HSSVBU/image-asset.jpeg SERIES I - The Role of Personality in Documentation Exiting the building. Looking very natural. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301800833-HTTJ98PJ1VUJ95QWYRN2/image-asset.jpeg SERIES I - The Role of Personality in Documentation On another rooftop with sun in her eyes. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301778601-BG5JQ8KUMN2RKFZYHUTT/image-asset.jpeg SERIES I - The Role of Personality in Documentation Looking towards Hong Kong harbor. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301751775-MIH9MP24VBOYOWMTJUED/image-asset.jpeg SERIES I - The Role of Personality in Documentation On the edge with Hong Kong harbor behind her. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301729254-J2IDUVHIQ9WHHARARJOZ/image-asset.jpeg SERIES I - The Role of Personality in Documentation Pulled back. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301708563-592E0R9RGLYW982L604G/image-asset.jpeg SERIES I - The Role of Personality in Documentation Sitting on the edge. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301668322-NUNH3JIWISUYEEMZCEBW/image-asset.jpeg SERIES I - The Role of Personality in Documentation Closer up https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301626144-0OG24A9S5QEX81LM2D6W/image-asset.jpeg SERIES I - The Role of Personality in Documentation From a different angle. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301593716-F3R616QV5QZA3JV7OJH6/image-asset.jpeg SERIES I - The Role of Personality in Documentation A view of what's below. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301566234-8DWMD7642FWKYR3J3NRR/image-asset.jpeg SERIES I - The Role of Personality in Documentation Pulled back. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301544014-1FBQEL2Q70UF67ZV0ZMU/image-asset.jpeg SERIES I - The Role of Personality in Documentation In front of the Excelsior Hotel. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301519765-RKG0305KZABERQQ95NT7/image-asset.jpeg SERIES I - The Role of Personality in Documentation Down one level from the roof. Next to a window. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519301496461-NAHNTWFFZEFYHSQXC3VQ/image-asset.jpeg SERIES I - The Role of Personality in Documentation Now, more in the shadows. https://www.streetsilhouettes.com/home/2018/2/18/28mm-vs-35mm-in-group-shots monthly 0.5 2021-11-05 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518965148177-64TKKOJJI336QGEVGNK0/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH - On different focal planes, the subject in front will look significantly bigger than the subjects behind, at 28mm. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518965125442-5OXAL0RU80DYLVT2M9ZX/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE - On different focal planes, the subject in front will not look significantly bigger than the subjects behind, at 35mm. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519519595436-PP3EXR0978E3JTD2UEKA/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1519519645503-K1P12MB5M5NAUTJTVD5Y/38L-1003.jpg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518965025908-MZAGT6MRNX27554ZP6Y5/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH - When the subjects are on the same focal plane, the impression of perspective will not be exaggerated between subjects. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964993141-AP6PZZFCQVFLIADJ8J9H/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964887834-S62JD9Z7Q4OGG4QXOGJF/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH - Shot blindly at hip level at 28mm. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964859807-2ANBPNNBIA7AICO2LW57/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE - Significantly more difficulty to shoot freely at the 35mm focal length. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964810163-OVG6WM4SN02Y8Y431YUY/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH - The advantage of breathing space around the edges and corner of the frame in simplifying image capture at closer focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964788024-WMLALL0TVBBEKBVL3UQI/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE - How less breathing space around the edges and corner makes the frame seem more crowded. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964740156-EM0F20M1WDR2OPSLG4N8/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964706010-KN9HB5H55ENJNGHXZU0M/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964634933-7YAW8MBV2SUZQ2HZ74C6/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964604845-UOMDP4I7OROOS7FY52CM/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964579925-HL7V1XLQK0YD9XAD3IXY/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964534481-JTA1U592OX1AFTP0OQBJ/28L-1013.jpg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH - At 28mm, the foreground subject on the closer focal plane is exaggerated in size compared to the subject at the rear. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964459220-9EUEQYZO68377180DZ4W/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE - At 35mm, the foreground subject on the closer focal plane is not as exaggerated in size. The cropping from the tighter angle of view also mitigates this distortion in perspective. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964494545-8A3RB9FWM39FNRDBY6CY/35L-1011.jpg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964339944-F8KAJZCH0K085ZMXEAB3/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH - Shot blindly overhead at 28mm. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964275614-CS0KYNWBWFQ72GQI9YZX/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964251755-KELIP067K5HWCYY8G292/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964203143-8F2UBRSYSXQU8M24LWLF/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964104968-5BPSEZB5SRCMWND1F6X8/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518964142598-3CU3714SRD2S65AWVPVS/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518963840628-SOS7MZKZ8ULLUBLVFQAN/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518963810106-7ISA3X82NZU9NV33BKKR/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518963746738-37BT4Q3S0H1C0BXZX395/28L-1022.jpg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518963716921-J2ULBNSP1FDFAW9I536D/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518963678449-TI5MLBLYGM8UE12K1PK0/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518963642583-WK8O2II66962U5PWF14O/image-asset.jpeg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518963596301-VOBEIRZL2DIA1AWCNF70/28L-1024.jpg SERIES I - 28mm vs 35mm in Group Shots Leica M10 + Leica 28mm f/1.4 Summilux ASPH https://www.streetsilhouettes.com/home/2018/2/11/shooting-imperfection monthly 0.5 2021-11-06 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518367037416-STDQSR538XLJ71SJ8BGZ/image-asset.jpeg SERIES I - Shooting Imperfection Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 160. Accidentally set at ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518366824628-SYJCKWAJ4MND36BKSSRX/image-asset.jpeg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 160. Accidentally set at ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518366994821-F4JC8SP06TCEBJNQZLEW/image-asset.jpeg SERIES I - Shooting Imperfection Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 160. Accidentally set at ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518366929692-DKGVTMCGPJZFUGQLMS7O/image-asset.jpeg SERIES I - Shooting Imperfection Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 160. Accidentally set at ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518366793808-GL7OSYKD0GXBLXO1Q6YJ/image-asset.jpeg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 160. Accidentally set at ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518366742518-CXNGPCKGXQE5T6E67IK0/image-asset.jpeg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 160. Accidentally set at ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518366682118-IVRFNE7QBMCXXUDIUV5S/image-asset.jpeg SERIES I - Shooting Imperfection Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518366199985-YEYRQ7MHM62CGQFU2ZWK/image-asset.jpeg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518366458650-L5LZRNQYTMCZI5WXA42N/image-asset.jpeg SERIES I - Shooting Imperfection Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518366344272-OSS13CXQDFNDCALIK3ZU/image-asset.jpeg SERIES I - Shooting Imperfection Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518366294071-KAAL3GT4F65RK0INK55T/C-P400-1009.jpg SERIES I - Shooting Imperfection Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518365721779-AQOH0GHEV3G1J036U0LZ/image-asset.jpeg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518366078134-RB2DSE5MEFGGM1E5IDT2/image-asset.jpeg SERIES I - Shooting Imperfection Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518366053966-JSIA7PD8KRPR5RXJXG6G/image-asset.jpeg SERIES I - Shooting Imperfection Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518365976038-EZES3BP3GSD93N5OD434/image-asset.jpeg SERIES I - Shooting Imperfection Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518365678157-2OE0A2Q7P0IE6QAMS5HU/image-asset.jpeg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518365624485-E948IWXVXS8Y65SJY5WA/image-asset.jpeg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518365906410-Q7WERBA9HB3JKZ192JG4/image-asset.jpeg SERIES I - Shooting Imperfection Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518365779535-2R9SNYXWSB0MY3TXJSWC/image-asset.jpeg SERIES I - Shooting Imperfection Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518367520848-O1NYGUCUF5C7CJXG2K3I/image-asset.jpeg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518362853879-I5LF3WJUDG2M8OUDXHQQ/image-asset.jpeg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518362814940-ER6ZCP2ZX75A96QQVITA/image-asset.jpeg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518362750639-B3UU05UTVD9F96803WO1/image-asset.jpeg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518362780210-4R4TZFSJGZ2QDDX5BL88/image-asset.jpeg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518363404925-C7LBEU1KFB9HYZSMJVHV/image-asset.jpeg SERIES I - Shooting Imperfection Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518362650288-Z34BHTTONZSBH4C8OR0Z/image-asset.jpeg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518362611161-Q1NO4XXQNZX8M1YVSML3/image-asset.jpeg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518362554448-GWTYMW11MK13JZWZNLMY/N-S800-1008.jpg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518362465244-RI58QDOIKT8MSLH5K5B2/N-S800-1009.jpg SERIES I - Shooting Imperfection Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1518799474805-EQ2GJU9KNS7JSVQLR4FK/C-S800-1008.jpg SERIES I - Shooting Imperfection Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Fujifilm Superia Venus 800 https://www.streetsilhouettes.com/home/2018/1/29/fill-flash-on-a-leica-m10 monthly 0.5 2018-11-11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517223243244-XTZIY3ITGWK2RVK4YREU/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Fill flash to eliminate foreground underexposure from backlighting. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517223223775-JFNY8ULHI1YOOZ97DGB9/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Same amount of fill flash, now closer up. Still, much of the background details are overexposed. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517223173927-AUK8PTXM14TQCOW04QUS/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Just horsing around... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517223131059-4K79E586N9X0GPFQU0J8/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Increased intensity of fill flash, enabling captured exposure to stop down, which eliminates blown highlights in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517377418602-3MYWK4CF8N6S3F0KMM5A/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Again, an example of increased fill flash intensity making background highlights less blown in exposure. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517378174611-J15AU9B92C2RQ0NQV7TI/Flash-1009.jpg SERIES I - Dear Leica Photographers... have you considered using a flash? Increased flash intensity for greater reach. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222932749-U2QJ9UI685SKDGHWWZFT/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Looking out from inside conference room A. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222913198-KI90M3D89VD88PSLHHKU/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Closer up. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222893142-ZBHPNQB1ZC7AQV2K4MIZ/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Closer still. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222871954-TM9FLQDE4TR2R8JYXKJO/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Inside a concealed space where the conference room TV display should be. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222848712-3L2M9S9M9QVC98KVUJN7/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Hidden and kicking their heels. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222826071-NILPQW0F1EGKO18Q2ARP/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Less of a kick. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222803838-FZZZEXKKBQUWR5GX2MRD/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Bringing light under the conference room table. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222779117-CRBWIP885VIV1TL1UJ61/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Now without faces... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222751877-968H4LRW60OANJBSCQSM/Flash-1023.jpg SERIES I - Dear Leica Photographers... have you considered using a flash? Faces again. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222723304-4WA4QBG6A33K0UP54ROT/Flash-1024.jpg SERIES I - Dear Leica Photographers... have you considered using a flash? Judit kicking up her heels. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222698978-FN6VYKI3NAWMHFVB05UY/Flash-1025.jpg SERIES I - Dear Leica Photographers... have you considered using a flash? Now Anna kicking up her heels. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222676262-OCRL2ZPYXHFD6VFKXFY9/Flash-1026.jpg SERIES I - Dear Leica Photographers... have you considered using a flash? Now both looking at the camera. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222647943-VMRTJ1P92PA3V800AVHB/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Shot completely in the dark, zone focused, and composed blindly (since the room was dark). Image has been cropped for composition. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222621291-ESAKI7KCJOGKKBPGOXCN/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Cropped image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222590806-ANOT41D0JCLNF3L0WRR2/image-asset.jpeg SERIES I - Dear Leica Photographers... have you considered using a flash? Amazingly, this image wasn't cropped. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222531692-QJL3GPT7GIS5RENDD60G/Flash-1030.jpg SERIES I - Dear Leica Photographers... have you considered using a flash? The problem with fill flash when the light bouncing off a reflective surface cannot be easily edited in post processing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222497652-KYPTB5NCSTX2L2VX3C3K/Flash-1031.jpg SERIES I - Dear Leica Photographers... have you considered using a flash? When fill flash balances the indoor foreground lighting to match the background outdoor lighting. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517222452982-FOEX13NW68KN6VZ86RTU/Flash-1032.jpg SERIES I - Dear Leica Photographers... have you considered using a flash? At the same intensity of delivery but at a closer focusing distance, the resulting shadows and highlights are much stronger... although highlights have been edited. https://www.streetsilhouettes.com/home/2018/1/30/fast-lens-vs-image-stabilization monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517317500658-5APF8EE3RVK89U9AMJG1/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Novoflex EOS-R + Leica 50mm f/1.4 Summilux "E60" + Kodak Ektachrome 100. The actual light condition isn't low per se in this case. But since the selected film used in this image set is very slow, the light condition wasn't optimal. Also worth noting, the film might have expired or was inappropriately used indoors. This I'm not sure. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517317469325-DIMHFF52GNY996MEN9AP/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Novoflex EOS-R + Leica 50mm f/1.4 Summilux "E60" + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517317445558-DZBVKQ37UVUC467ICK1W/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Novoflex EOS-R + Leica 50mm f/1.4 Summilux "E60" + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517317419756-DJ6E139HPQ6B8S8I712V/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Novoflex EOS-R + Leica 50mm f/1.4 Summilux "E60" + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517317387199-RFUIFE6D54TYLJMR7CWO/1L-1005.jpg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Novoflex EOS-R + Leica 50mm f/1.4 Summilux "E60" + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517317361700-ICKYDQ1FHOWN8LTQXNP3/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Novoflex EOS-R + Leica 50mm f/1.4 Summilux "E60" + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517317334363-IG1GMAK89UB6L0KT6S1H/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Novoflex EOS-R + Leica 50mm f/1.4 Summilux "E60" + Kodak Ektachrome 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517317297490-TD9U3F6AZADHGYC6I2A3/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 400 - 1/6s. The film is not balanced for fluorescent lighting. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517317265803-EXYJXUN8RO4HSJEY6SIY/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 400 - at 30 minutes before sunset... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517317233931-34IUGIPYO8B6MTHDT88N/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517317155766-G8D4QZL2H4UVM4F2ZEO2/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517317068762-JK9HU2DWGDMG8HQFFRZS/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517317106297-90KSZ311UXG8J394US5N/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517317028689-VMKLHHUJYRFKNZ4PI7PL/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517316976152-1UFZH0DU8YGB984CRCXI/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517316936526-6QOVLDGIOEW2QMPUCGM3/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517316736124-FQ8W9Y8DGW3SIB6VWBUH/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517316558366-BIQ11655KDUCFN74APNE/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517316417043-PU6TF21EBUS0JM53UN7K/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 400 - at 15 minutes before sunset... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517316360917-8EI82VNPISPZCS1JEWPM/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 400 - at sunset... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517316323977-J16015Q8UJA13G0K92BK/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 400 - 1/8s hand held. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517316140057-XH9OS5CJ3FZP031H1XO9/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517316196994-DL1UHCUUDF2ITOT1H12Z/2N-1012.jpg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 400 - At higher shutter speeds, panning background motion blur isn't possible https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517316197937-MN4YNX1KLJ9B4WNQXZBS/2N-1013.jpg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 400 - At higher shutter speeds, panning background motion blur isn't possible https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517316213589-1YROCNBG3UL6S86HAO4H/2N-1014.jpg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 400 - At higher shutter speeds, panning background motion blur isn't possible https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517316093354-128DCLKTXULBD4TK4QAB/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 400 - An attempt on a pan shot at 1/15s. Obviously, I need practice. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517316020046-YVSID1A7FT2JD9WSMGL4/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517315985747-9CH92ZVDRJHMWN89AKU9/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517315935574-VDLE8RG9XV0RCE3OXPDV/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 400 - Pushed 2 stops... I suppose this could benefit from a higher speed film. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517315898083-YMMIO49H2F0BT0U491GM/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 400 - Pushed 2 stops... I suppose this could benefit from a higher speed film. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517315803160-5HQPOKERB4EOJQ645GRC/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517315750546-MI79YGY8IN1G7FZSE9N9/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517315840644-63VFNV2EJ3X1M2NOS3GJ/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517315703316-7N41ENXO064XWTL6VIO0/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 - The magenta colorization in the skin tone is a result of the LED signage across the street. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517315665551-LNFBWU90F8TT26BOS0TX/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517318397786-05R8WE73167UJ4C4UB56/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517315541150-X71EP5X52TEL2294QB5P/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517315267838-PYK53RHRFE7VNFG6FFYC/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517315220291-NMRTIVD23FOB8RE8DL59/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517315113494-S0OK1IEZTDMGVV0IY1GM/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517313283922-WS3D4L7EXSG9BP3JE2C5/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517314770549-BT9744PBESDMZZGZ0FUS/2N-1023.jpg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517314620131-NAJ0VO94F0OYNPF1ZV1V/2N-1024.jpg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517314621376-JR3C49OCKJSQ6DIZR9CT/2N-1025.jpg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517314646247-QA8UGCUF0J7DC81ACKKA/2N-1026.jpg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517313559487-9ED8ERCWXGRZ7KQ9PBA1/3C-1022.jpg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517313374442-2V3EH3PT5WHR81W5MW63/3C-1023.jpg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517313393292-U8ZO9VMG32K1IIT2ZVAX/3C-1024.jpg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517314732973-0XZDWJ7MKPJTX3F4YOHF/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517313225862-1WS2V2C1HZWCWXUQ10AP/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517313183163-2O6TS9NHTF80JRTFC3RN/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517314467968-AO6GD5IB3639CN1IBN0W/2N-1028.jpg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517314503395-P82QZ76S3BTEBJRBNLKU/2N-1030.jpg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517314468168-5B1ZH7X0E4TEOHLA9DGT/2N-1029.jpg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517313144144-9MA81RZAAGW5NNU7HT2A/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Nikon F6 + Nikon AF-S 28mm f/1.4E + Fujifilm Superia Venus 800 - Pushed 1 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517313095916-VINMDGOGYZ094M3SBFGU/image-asset.jpeg SERIES I - Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Canon EOS 1v + Canon EF 28mm f/2.8 IS USM + Fujifilm Superia Venus 800 - Pushed 1 stop https://www.streetsilhouettes.com/home/2018/1/27/three-versions-of-the-leica-50mm-f2-summicron-apo-elcan-and-dual-range-on-the-leica-m10-and-fujifilm-superia-venus-800 monthly 0.5 2021-04-11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516786078292-PGJRHMOM4XLH2DQCNAGW/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M6 + Leica APO 50mm f/2 Summicron ASPH + Fujifilm Superia Venus 800 - ISO 800, f/2, 1/15s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516786053018-VBDOXJNIRAPVQ8AUNTSX/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M4 + Leica 50mm f/2 Summicron Vers. II, "Dual Range" + Fujifilm Superia Venus 800 - ISO 800, f/2, 1/15s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516786024676-WAEGSTYPG3FATFGFXLUE/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica KE-7A + Leica Elcan 50mm f/2 Summicron + Fujifilm Superia Venus 800 - ISO 800, f/2, 1/15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785997826-U9BZCBLCTSAGMY7TVJ9O/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M6 + Leica APO 50mm f/2 Summicron ASPH + Fujifilm Superia Venus 800 - ISO 800, f/2, 1/15s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785964957-3NQPB6JYK8YBWUVCECZ8/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M4 + Leica 50mm f/2 Summicron Vers. II, "Dual Range" + Fujifilm Superia Venus 800 - ISO 800, f/2, 1/15s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785926413-JNLLJ3M47ENANQTNWIAU/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica KE-7A + Leica Elcan 50mm f/2 Summicron + Fujifilm Superia Venus 800 - ISO 800, f/2, 1/15s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785896424-YG48I39GFAC5NZFORY1W/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M6 + Leica APO 50mm f/2 Summicron ASPH + Fujifilm Superia Venus 800 - ISO 800, f/2, 1/15s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785867475-YNFGE6PK6E2EMAN2I0OC/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M4 + Leica 50mm f/2 Summicron Vers. II, "Dual Range" + Fujifilm Superia Venus 800 - ISO 800, f/2, 1/15s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785816465-99ZTZWDWTJZDVRF59U0L/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica KE-7A + Leica Elcan 50mm f/2 Summicron + Fujifilm Superia Venus 800 - ISO 800, f/2, 1/15s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785785004-WI0FCD66S7AWOQF0ZWLR/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M6 + Leica APO 50mm f/2 Summicron ASPH + Fujifilm Superia Venus 800 - ISO 800, f/2, 1/15s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785753839-93WWHYOPUTO8JWKDLGHY/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M4 + Leica 50mm f/2 Summicron Vers. II, "Dual Range" + Fujifilm Superia Venus 800 - ISO 800, f/2, 1/15s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785701546-NG1632RKJKY878P1CH3B/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica KE-7A + Leica Elcan 50mm f/2 Summicron + Fujifilm Superia Venus 800 - ISO 800, f/2, 1/15s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785534222-GUVZW254863ON4V739HB/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica SL + Leica APO 50mm f/2 Summicron ASPH - ISO 1600, f/2, 1/30s, +1 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785506221-NBRKC7XIVOD2GDDPXAFY/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica 50mm f/2 Summicron Vers. II, "Dual Range" - ISO 1600, f/2, 1/30s, +1 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785480365-T2Q52WKX5AOA09GLVEMR/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica Elcan 50mm f/2 Summicron - ISO 1600, f/2, 1/30s, +1 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785350600-74GKX1GKDKZVV51PH5S1/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica SL + Leica APO 50mm f/2 Summicron ASPH - ISO 1600, f/2, 1/125s - No edit in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785330130-QWC1HU1HYGQNBR22BTT7/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica 50mm f/2 Summicron Vers. II, "Dual Range" - ISO 1600, f/2, 1/125s - No edit in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785311637-JRQATSY44HN5HBXRTPYC/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica Elcan 50mm f/2 Summicron - ISO 1600, f/2, 1/125s - No edit in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785267877-D5TD2VFX2UM4F8CU2IMB/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica SL + Leica APO 50mm f/2 Summicron ASPH - ISO 1600, f/2, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785242161-MGY0C6KHPAOOB79D7QK9/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica 50mm f/2 Summicron Vers. II, "Dual Range" - ISO 1600, f/2, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785218051-R3X6Z4BICA69YQM2MDXD/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica Elcan 50mm f/2 Summicron - ISO 1600, f/2, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785172208-IP22ES843WZI56G1VU71/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica SL + Leica APO 50mm f/2 Summicron ASPH - ISO 1600, f/5.6, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785137958-I5AHSNY7QHCK7OJ1WIH2/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica 50mm f/2 Summicron Vers. II, "Dual Range" - ISO 1600, f/5.6, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785103687-Y5QS9NTKPXIFQ6QELRJS/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica Elcan 50mm f/2 Summicron - ISO 1600, f/5.6, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785059591-1HEB05BUGJAWEQHAHBSF/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica SL + Leica APO 50mm f/2 Summicron ASPH - ISO 1600, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785033055-8J2UOFR6NN9GMQ209MS1/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica 50mm f/2 Summicron Vers. II, "Dual Range" - ISO 1600, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516785001009-WATCXZLI0H22WYF2YVZD/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica Elcan 50mm f/2 Summicron - ISO 1600, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516784960084-AIQ4UR8248A4HJVOFYTN/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica SL + Leica APO 50mm f/2 Summicron ASPH - ISO 1600, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516784931782-KW5U7L4O8RX5X3KP3FRB/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica 50mm f/2 Summicron Vers. II, "Dual Range" - ISO 1600, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516784890515-DMFT31B2MJDFWM04IAYM/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica Elcan 50mm f/2 Summicron - ISO 1600, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516784838200-3HYVCQVKCW0T6GE3Q8MQ/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica SL + Leica APO 50mm f/2 Summicron ASPH - ISO 1600, f/2, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516784780710-IV44TBK7T3TP4VTE96GX/Elcan50-1009.jpg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica 50mm f/2 Summicron Vers. II, "Dual Range" - ISO 1600, f/2, 1/30s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516784805760-G432SH7F1IXKZTCW8AN2/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica Elcan 50mm f/2 Summicron - ISO 1600, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516784414451-97BI71MKF5SSBC00E6X8/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica SL + Leica APO 50mm f/2 Summicron ASPH - ISO 1600, f/2, 1/125s - Minimum focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516784283648-I99PBRFMKEJ8SLJKLQGO/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica 50mm f/2 Summicron Vers. II, "Dual Range" - ISO 1600, f/2, 1/125s - Minimum focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516784257035-5P9P561I78DWXB176YMX/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica Elcan 50mm f/2 Summicron - ISO 1600, f/2, 1/125s - Minimum focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516784232030-FRDW0GCZ5U8WV72OID86/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica SL + Leica APO 50mm f/2 Summicron ASPH - ISO 1600, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516784181660-GHJ3QRGU13XBW0FZG03X/DR50-1011.jpg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica 50mm f/2 Summicron Vers. II, "Dual Range" - ISO 1600, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516784207382-HEYIJJZ6DKHOLZLLDLE2/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica Elcan 50mm f/2 Summicron - ISO 1600, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516784037531-3P386OKGWP9YTKDU3IYF/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica SL + Leica APO 50mm f/2 Summicron ASPH - ISO 1600, f/2, 1/30s, +1 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516784014103-35P5P3CWRUDC1FR0L0ZS/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica 50mm f/2 Summicron Vers. II, "Dual Range" - ISO 1600, f/2, 1/30s, +1 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516783909683-ZYKJFVZOTR5M6TEVFAEM/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Leica M10 + Leica Elcan 50mm f/2 Summicron - ISO 1600, f/2, 1/30s, +1 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517055499587-8BVFXRYRMURESBRVV7FB/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Sony A7R Mark III + Leica 50mm f/2 Summicron Vers. II, "Dual Range" - ISO 400, f/2, 1/400s - cropped at 2:1 Magnification. PS: That's my silhouette in Judit's eyes. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517055526004-EAF1D9ETTIAS5D60WYZS/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Sony A7R Mark III + Leica Elcan 50mm f/2 Summicron - ISO 400, f/2, 1/400s - cropped at 2:1 Magnification https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1517055549659-KAP4VRTD7AYNDMPWRZDP/image-asset.jpeg SERIES I - Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800 Sony A7R Mark III + Leica APO 50mm f/2 Summicron ASPH - ISO 400, f/2, 1/400s - cropped at 2:1 Magnification https://www.streetsilhouettes.com/home/2018/1/17/teaser-on-a-comedy-of-errors-with-the-leica-apo-50-elcan-50-and-dual-range-50 monthly 0.5 2021-10-11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251996081-9I7M0EUB4VMYIFPMBB3Z/image-asset.jpeg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica M10 + Leica APO 50mm f/2 Summicron ASPH - ISO 400, f/2 - Raw capture https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251942393-WV6FTAQ1W9Z7S13ZK4NA/image-asset.jpeg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica M10 + Leica Elcan 50mm f/2 Summicron - ISO 400, f/2 - Raw capture https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251963752-OVNVDDM1BXPYHN7RB71R/image-asset.jpeg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica M10 + Leica 50mm f/2 Summicron Dual Range - ISO 400, f/2 - Raw capture https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251914030-KVO4G6QBZ3LIN26ST6TE/APO50-1002.jpg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica M10 + Leica APO 50mm f/2 Summicron ASPH - ISO 400, f/2 - Raw capture at minimum focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251853021-L5EFYPK30N0RDSFN1E20/image-asset.jpeg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica M10 + Leica Elcan 50mm f/2 Summicron - ISO 400, f/2 - Raw capture at minimum focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251892319-68Q5TC1ZJHHOZ32SKIK5/image-asset.jpeg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica M10 + Leica 50mm f/2 Summicron Dual Range - ISO 400, f/2 - Raw capture at minimum focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251824633-VEMU41442O380NZHMI9W/image-asset.jpeg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica M10 + Leica APO 50mm f/2 Summicron ASPH - ISO 400, f/2 - Raw capture https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251756124-8Y92O8TN7NHNT9VQ442T/ELC50-1003.jpg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica M10 + Leica Elcan 50mm f/2 Summicron - ISO 400, f/2 - Raw capture https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251801658-KUGOVAI89RFSGK9600DO/DLR50-1003.jpg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica M10 + Leica 50mm f/2 Summicron Dual Range - ISO 400, f/2 - Raw capture https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251651173-BW36981GTBPMNV1R2GHH/image-asset.jpeg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica M10 + Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251580047-KHDFLNQ97TUCV7OYJPCO/image-asset.jpeg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica KE-7A + Leica Elcan 50mm f/2 Summicron + JCH StreetPan 400 - ISO 400, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251622091-W5F6FQQMZ67VHTUE8QJN/image-asset.jpeg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica M4 + Leica 50mm f/2 Summicron Dual Range + Kodak GC 400 - ISO 400, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251356974-CCFAK23NB6ZB4NI7ZX6T/APO50-1005.jpg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica M10 + Leica APO 50mm f/2 Summicron ASPH - ISO 400, f/5.6 - Desaturated https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251470316-0R0BC8FM39Q1MTX25IO8/ELC50-1005.jpg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica KE-7A + Leica Elcan 50mm f/2 Summicron + JCH StreetPan 400 - ISO 400, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251273857-F4H9JY7TIS52K4PQR0W3/DLR50-1005.jpg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica M4 + Leica 50mm f/2 Summicron Dual Range + Kodak GC 400 - ISO 400, f/5.6 - Desaturated https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251179499-9YZ734QM0HZAP7O64J1Y/APO50-1006.jpg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica M10 + Leica APO 50mm f/2 Summicron ASPH - ISO 400, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516251522640-4GDGA9Y4MOWU5ME49HMK/ELC50-1006.jpg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica KE-7A + Leica Elcan 50mm f/2 Summicron + JCH StreetPan 400 - ISO 400, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516250871563-JNQTOGS1F2BJPU7QFHJ0/DLR50-1006.jpg SERIES I - Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Leica M4 + Leica 50mm f/2 Summicron Dual Range + Kodak GC 400 - ISO 400, f/5.6 https://www.streetsilhouettes.com/home/2018/1/15/leica-35mm-f14-summilux-aa-or-leica-50mm-f12-noctilux-aa monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010869013-0ZEXUBSDPMSCI822BX1S/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 50mm f/1.2 Noctilux AA - ISO 800 - Sometimes there can be such a problem as too much bokeh. The lights strung over the street can barely be recognized. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010149717-2KG9YNDA4CZGCMCEALTU/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 400 - At the 35mm focal length, the lights strung over the street appear to be slightly more defined in providing better documentary context. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010119128-4T7GVRBWGMRXAKPXN5SY/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 400 - at the 35mm focal length and shot from a further focusing distance, the lights strung over the street appears to have the best balance of bokeh and definition. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010073263-6O8HH2IJZJTD3L4H993L/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 400 - It's amazing what this lens can do with a little light in just the right place. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010798076-48DMA8H8GVFI35672GSS/50AA-1002.jpg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 50mm f/1.2 Noctilux AA - ISO 400 - The signature swirl of this lens wide open. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010758295-6Y177B1M7I48CGKT46TG/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 50mm f/1.2 Noctilux AA - ISO 400 - And sometimes when you don't think the background will render this lens's signature swirl, it somehow still emerges. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010730874-3CYD8ZBISGGAFEWU7LG5/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 50mm f/1.2 Noctilux AA - ISO 400 - The signature swirl doesn't always happen. Here, you couldn't even tell this image was taken with the 50 Noct AA. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516187041734-PK5JUVRGTKHPS38ASUZ6/35AA-1005.jpg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 400 - Missed focus in recomposition - But I wanted to capture the "green" background, which is characteristic of Hong Kong's distinct color palette. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010670666-5DRIKIHZDVV4ZSG6ACSS/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 50mm f/1.2 Noctilux AA - ISO 400 - Balls of light and swirls. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009959917-KJVD0ZDQ7DEFTGVMU94I/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 400 - Why I love this lens. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009934385-WURXT9T9A8WFTEM2ESQI/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 1600 - This image has not been edited. From a rendering perspective, it's perfect to me. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009910104-PKRZTNCFEN6LHLBHVZC3/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 6400 - Further away, getting focus in the darkness can be trying, especially when recomposing the frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009886390-L5J79LBA5J025FO5B49M/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 1600 - yes I missed focus... and the exposure too by two stops. I did get it right on the next shot. However, I like this one better. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009848576-CBTH22NWAZCBV8996AEY/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - Had to wait for a double decker bus to be in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009703002-YE30XX3FU5EU0T9OR1QI/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - You don't always have to expose for the subject. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009789994-MZPKIUT43MSVVNSUXYW6/35AA-1012.jpg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - I like this one better. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010605316-MDSM4CJF741HYDVRH9ZO/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 50mm f/1.2 Noctilux AA - ISO 400 - Again, no bokeh swirl, which did surprise me. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009665534-0RRKMVTP9NMD9CM9MBB1/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - If I were to crop this image to the 50mm equivalent, it would look exactly like the previous image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009634635-9YDS8HLVCWN3AK7FFQAT/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - Waiting for a bus that never entered the frame below. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010567646-2YTZDZ4RQC1D379P2Y3O/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 50mm f/1.2 Noctilux AA - ISO 400 - Except for the foliage on the bottom left hand corner, this is almost a perfect example of the 50 Noct in action. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010504904-JY88ZAIBHHB8Y8AMNYBD/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 50mm f/1.2 Noctilux AA - ISO 400 - Again, no swirl? I think it's because the blocks of color are too solid. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009742973-HXWIIFXZPOT3ES8AJNZF/35AA-1015.jpg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - We waited for the bus and trams to come into frame. Of the many shots, this one had the best balance of public transport. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009602032-5YE4ZIRRZ9YJGST8DPTV/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - Out in the open. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009579090-RCZF5VW31ENORFUTCNQT/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - Shot from one foot off the ground, focused at eye level, but recomposed blindly. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010465876-HNEMCV4CUV16ST3CKA21/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 50mm f/1.2 Noctilux AA - ISO 800 - Tracking focus wide open on this lens with Judit walking towards me and her eyes outside the focusing square is not an easy task to perform. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009557930-S1IAAFDOMXLUGST8693C/35AA-1019.jpg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - Wide open from a further focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009504923-22BMJUTXX7GM09ZRY08Q/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 100 - Handheld at 1/4s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009485450-MCPJLQ6BBKQ86JBVU8JW/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 400 - Shot in the middle of the crowd, which wasn't possible at the 50mm focal length. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010423372-1JZZV7OVYPEZ04TPU547/50AA-1010.jpg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 50mm f/1.2 Noctilux AA - ISO 400 - The extreme backlighting made focusing and reframing the composition in focus very difficult, with the shallow depth of field. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010399999-Z51AKW6ULZUJ9JXQ5E04/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 50mm f/1.2 Noctilux AA - ISO 400 - Focusing and reframing composition in focus at a distance with the 50mm focal length was even more difficult, despite the more forgiving depth of field wide open by comparison to closer focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009442554-0G4UL8OQ3X4J9UXBKF2Y/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 400 - Of course, it could just be the case that I'm lousy at focusing and keeping focus after reframing for composition at any distance beyond a full body length. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009400963-RQG62RBT2JK09PJ64XWL/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 400 - My attempt for more contextual documentation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009377945-G4B2163UFUYWEBD57VTC/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 1600 - The 50 Noct AA makes for a better subject than the 35 Lux AA. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009352789-EX8FMSMPAZPR3BF653HL/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 400 - Shot from a foot above ground with the composition made blindly after focusing optically. Notice the lens flares. I didn't use the hood, since I find it particularly unsightly. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009329319-PYI3E33A8ZGAOSOY3N2L/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - Even the rough texture of the foreground wall doesn't look too bad, rendered on this lens... in my opinion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009296328-84RRQKWRUXNI3RBSQMAA/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - An environmental portrait from a much further focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009238587-XTPM9IM17HC9WZD9DIRX/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - A faux opportunistic shot with the foreground blurred out of focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516011513304-ZSMDATRWUETBNTF1AB7T/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - A quick opportunistic shot that is slightly out of focus and unleveled. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010321513-KU06KL1974E9B0F6CVLF/50AA-1012.jpg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 50mm f/1.2 Noctilux AA - ISO 800 - Surprisingly no one on this stretch of Causeway Bay. So, I took advantage of the situation and documented this imaged from afar with the 50 Noct AA. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010230339-RA01G14UHAC7VH06WW4Y/50AA-1014.jpg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 50mm f/1.2 Noctilux AA - ISO 800 - And again, but the crowds started to come. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516010268417-A1NAJL95VKMHAOVVIE09/50AA-1013.jpg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 50mm f/1.2 Noctilux AA - ISO 800 - So now I came closer up to shoot this. As you can see, of the three shots, the 50 Noct AA looks the best closer up. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009217749-7YLFODKDV67P8SDZYKCX/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - A comparison shot at the 35mm focal length. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009194458-5M908UOJUJINT0Y5VDR5/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - More contextual documentation... and also to show close focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009134107-JEKBUG8ABUZL2MT7C8FD/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - Judit wanted a picture by a fruit stand. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516009097421-34BY9783TOYYGJ0SYJXT/35AA-1032.jpg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - I thought the bamboo would make for an interesting image capture. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516008993957-JCF6X537PDBDJ2GRFWMP/image-asset.jpeg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - My love of capturing Hong Kong's public transportation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1516008941596-3IS5YWQZ0NTG3WZK1MXJ/35AA-1034.jpg SERIES I - Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Leica 35mm f/1.4 Summilux AA - ISO 800 - Getting it right! https://www.streetsilhouettes.com/home/2018/1/11/on-body-of-work-recognition-and-justification-of-work-product monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661991070-7N4VWBT4XNAGCK4LAFWQ/Judit-1001.jpg SERIES I - On Body of Work, Recognition, and Justification of Work Product Narrating from the fourth wall - here Judit filling in for Anna - appearing noticeably puzzled by my casual direction. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661961625-UGIXLO3LZ18S6ZVMZH9F/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product Warm up shots, with two hours in Victoria Park. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661903520-VRMMDT2QWYSSVLLST05E/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product Getting warmer tracking on manual focus, albeit stopped down https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661862218-PUS6Y153O0A1I3SBFYA1/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product My regular photo routine. More tracking shot... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661826322-L55XP350O7X8SK8N8WZ8/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product And some more... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661795483-5F6AQDLNL5B9IHO1L5XM/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product And some more. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661767087-OE56356TIG3MJUML2AFH/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product Over the pedestrian bridge towards the harbor. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661743985-MVHXAVBICJVV4442YCOU/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product Time to do an Instagram story... I'm guessing... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661721258-9TN1FD84S03YYJYNNPVR/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product A view of the traffic below on the main throughway. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661694127-KEPKUG5J6DZSQ686ML2P/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product At the pier on Causeway Bay. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661668773-MMBM43GKSU3MF6D281CF/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product A view of Wan Chai in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661639089-05XCGVLTJ8YAW6SOLR8Z/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product On the steps by a sampan ferry. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661595877-3XIHHFXJBSAEY63UW6ZG/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product Towards another section of the pier. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661569496-81JGM21PJVX4GVETKFMF/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product With a dredger in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661540889-2Y8MRZR4M6LEGDQXRFFI/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product Living on the edge? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661500598-RZNS0396XYYCWQ80DR3N/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product Testing the 35 Cron ASPH II wide open. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661470741-VQ5O92ULDPVWVWKRULPG/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product And again... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661433930-9AW3PN1K2PODOM2NBVR3/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product And again. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661407070-E74HQF7YS7ROXSEXEXDQ/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product Food Street, Causeway Bay. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661385519-JRK3F9ZIGNF4DXQZBI0L/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product From another perspective. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661362262-J2293RZAU33A6GWQMTRX/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product In front of a shop renovation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661342077-62A5UIYAJW3BU37JH42O/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product Tracking wide open on manual focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661320103-CNR5YV6UMH4T491BZSNY/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product Still tracking... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661294638-SLFU7W5ASND05SAVZ0J1/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product Now stop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661258588-P7C8T5KENJDVHG5PDDTP/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product In front a row of Hong Kong red taxis. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661221125-WR9CXQTWPSWQ9AML7RQJ/image-asset.jpeg SERIES I - On Body of Work, Recognition, and Justification of Work Product Now further away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661186280-TZUZSYCFONXP4JET68RW/Judit-1027.jpg SERIES I - On Body of Work, Recognition, and Justification of Work Product Sashaying towards me. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661154262-5D9PBKW96BGC4QQ7HCB1/Judit-1028.jpg SERIES I - On Body of Work, Recognition, and Justification of Work Product With hair now blown by the wind... love it! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661065267-IW7ULDZ1A41HJEFNY6AP/Judit-1029.jpg SERIES I - On Body of Work, Recognition, and Justification of Work Product A placeholder image to meet my 6 images x 5 set arrangement - this image was cropped. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515661033201-73L917SBK7252QQ0QB8H/Judit-1030.jpg SERIES I - On Body of Work, Recognition, and Justification of Work Product Final image - where Judit met up with her friend. https://www.streetsilhouettes.com/home/2018/1/2/monochrome-comparison-3 monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515040713676-0KIF0YOZ19BETBZ9KZ3P/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M10 - Post +1½ Stops, -20 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515040798855-PLLI9PMXSXYDCA1ALA6Z/M9-1002-2.jpg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M9 - Post +1½ Stops, -20 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515040777362-QATVFS6F7ZYHA6U7SW7U/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica MM - Post +¾ Stop, -35 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515040826914-US5IUDXKR2BBOYQZV4TF/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M240 - Post +1½ Stops, -20 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515040845798-NF540Z5L8YD58WVQ4SOR/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M246 - Post +1 Stop, -20 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515040872274-VCAFXAQUJXDPE0MU59YS/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica SL - Post +¾ Stop, -35 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515040892547-6WR2JPJHNWB4MR8M4F6K/Agfa-1001.jpg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M6 + Agfa APX 400 - Post +½ Stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515039908317-4PMG7V0X4JRDXX4L4OPS/M10-1002.jpg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M10 - Post +2 Stops, -60 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515039948997-U17E4RNKS5WCKYF26HCA/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M9 - Post +2 Stops, -50 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515157131012-LGRI01IM3W43A9JGQI08/MM-1002.jpg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica MM - Post +1¼ Stops, -60 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515040015168-QDHQZE8N2FHDY8TNSD7O/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M240 - Post +2 Stops, -60 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515040034084-8M12FO25JF53B6IH29I5/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M246 - Post +2 Stops, -60 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515157327578-OKREN80O4QM9QQBB8V95/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica SL - Post +1¼ Stops, -40 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515040076194-V1C3I0ZV1L12DAGNOPGD/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M6 + Agfa APX 400 - Post +2 Stops, -60 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1514880950661-9CIWDWZ0VC407XVHMOSD/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M10 - Post -1 Stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1514880929457-2AT6YEL9I95112UL00O6/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M9 - Post -1 Stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1514880899139-TUD5G8SB6IYGVY7O3NPB/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica MM - Post -1 Stop (Blown Highlights) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1514880869564-ZGUW3IQ7038D9T9PS1UX/M240-1003.jpg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M240 - Post -1 Stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1514880840658-ICXVA8S51IMD3PJ3VU6E/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M246 - Post -1 Stop (Blown Highlights) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1514880801023-ZWYT1A0L48B1G09KUT05/SL-1003.jpg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica SL - Post -1 Stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1514880770038-XB7OVRIDH4COBXFE60N3/Agfa-1003.jpg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M6 + Agfa APX 400 - Post -1 Stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515041612992-D65S4PJ74BQ1NN7LNH1G/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M10 - Post +1¾ Stops, -10 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515041722918-W36Z7IY3Z6567QKY19XT/M9-1004.jpg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M9 (ISO 2500 at f/4) - Post +2 Stops, -10 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515041881905-6R5W4FCN9FKV73LK6VAO/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica MM - Post +2 Stops, -30 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1514880412496-0NHILG57QIJ7ITB51H7W/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M240 - Post +2 Stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515041936171-5ZYV32SRCL7QBUI7MLFU/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M246 - Post +2 Stops, -15 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1515041979068-CTHSFLSPGN27MQGKENYE/SL-1004.jpg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica SL - Post +2 Stops, -60 Blacks https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1514880119290-SZEB4XMX1ZXDANNXB1PU/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M10 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1514880163954-IMPE2O5WXJHL9S643YG2/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M9 (ISO 2500 +1 Stop) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1514879990935-SGO0UBGVW9VEGP5O1JIA/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica MM https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1514880065025-76111T6OCRU85MICHXRG/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M240 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1514880021875-U4R0BDEWIVDEFET6IEFF/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica M246 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1514879930293-WDHI056XL67OK1704015/image-asset.jpeg SERIES I - Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400 Leica SL https://www.streetsilhouettes.com/home/2017/12/20/sony-a7r-mark-iii-sony-fe-70-200-f28-gm monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513771195867-P3FZ54N11368VHM8EQ4I/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 400, f/5.6, 1/1250s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513771694109-KH8VDXP6AKAIS2UKSTJI/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 100, f/2.8, 1/2000s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513771369368-TRERO5LWLWPPD7T9V9IA/CTS-1007.jpg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 400, f/5.6, 1/1250s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513771456240-PF0ATYC32JTJSTJ39J9V/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 400, f/5.6, 1/1250s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513771098856-1X13OF1RX2A3A4D4QCQ5/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 400, f/5.6, 1/1250s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513771035066-Q1IRFSKGG1QW4ZKFLW80/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 400, f/5.6, 1/1000s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513771812180-4RY97PTPYZU3XPQ7F7JN/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 100, f/5.6, 1/1600s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513772710642-5FX3URG8KBHQLON4AP6W/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS 1:1 Magnification - Center - f/2.8. NOTE: 1:1 Magnification is roughly 1/30th in area of the original image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513781580571-4FG49LNFBV3IELOSDN18/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS 1:1 Magnification - Bottom Right Corner - f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513771520036-PYICK6JSA6OY9LXNU1Y5/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 400, f/5.6, 1/1000s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513772860404-HKCDLXB6LUZ5J7AJZYDU/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS 1:1 Magnification - Center - f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513772140479-7RULWAGHSNGSKG40SCWX/CTS-1000-2.jpg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS 1:1 Magnification - Top Left Corner - f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513771142949-MS1G6E3FV03ZWXCX7VR6/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 400, f/5.6, 1/500s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513772557348-1ULFOGF51JC84NQD3U7S/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS 1:1 Magnification - Center - f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513772518844-QCJVADKQITIKZNN1F6HQ/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS 1:1 Magnification - Top Left Corner - f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513771741570-7XJSJH02RLXGCFECJU22/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 100, f/2.8, 1/2500s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513773510956-X0SG0LGHMQOMOTBCPP66/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS 1:1 Magnification - Center - f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513773421175-FIQEW15EBFR6CH1V01TK/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS 1:1 Magnification - Top Right Corner - f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770931393-E2EIRVGLPMM0IEF0B6UI/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 400, f/5.6, 1/1000s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513773549361-J1WJN7FT89PTZFVR0BC8/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS 1:1 Magnification - Center - f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770852990-FLGIADK6WPD44KVXMKRH/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 400, f/5.6, 1/1250s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513773581408-73AQ7JGBPPF98TRM4P3X/CTS-1000-12.jpg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS 1:1 Magnification - Mid Region - f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770799542-CEB0MZ1DWW77W0J4DNE7/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 400, f/5.6, 1/500s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770907881-N0TBL4EY0AC1IJSZO432/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 400, f/5.6, 1/1250s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770472080-JKQ34HDYBAYN6M8LFQOO/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 400, f/4.5, 1/1600s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770403971-JQNHTVRVFHMG4J2CHK9D/CTS-1029.jpg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 400, f/4.5, 1/640s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770598643-7XIBSYK7B8MXPDH8KL7M/CTS-1023.jpg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770600279-2CE5VRC7TI0AGSIUJCHV/CTS-1024.jpg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770618511-B4K21A29YHTAVTI81SYP/CTS-1025.jpg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770619021-O7L1KY6K53KM80CK8942/CTS-1026.jpg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770627649-HWMKWHMFLB70A02VNCGQ/CTS-1027.jpg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770285492-Y2DL6HSPIV4N7E2VQWJK/image-asset.jpeg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS ISO 400, f/4.5, 1/1600s, @200mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770206781-1EXX9EL06LRSPCWM2ODW/CTS-1032.jpg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770204528-DAHAAE0KG9WHWM00SULB/CTS-1033.jpg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770228669-KGUR5H99Y84KQFEUK3I6/CTS-1034.jpg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770229178-ZUMLPSM4XHMYMX3WQLE1/CTS-1035.jpg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1513770239423-5Z1PYVQ8FVDSIZHDJR6V/CTS-1036.jpg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1514028537565-063BW31P6BBCHLML54JF/CTS-1000-14.jpg SERIES I - Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS 2:1 Magnification - Mid Region - f/4.5 - ISO 400 https://www.streetsilhouettes.com/home/2017/12/6/sony-a7r-mark-iii-vs-the-nikon-d850-and-canon-5dsr monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512552960011-C8H1WZSS0P785TK50FB4/DSC00737.jpg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Sony A7R Mark III + Sony FE 85mm f/1.4 GM - ISO 100, f/2, 1/1000s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512554907512-SLSMW7H1727WWSUKQY8F/DSC00745.jpg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Sony A7R Mark III + Sony FE 85mm f/1.4 GM - ISO 12,800, f/8, 1/100s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512712431324-LAX29FN0TEL52ISN74A9/DSC00744.jpg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Roughly 100% Magnification - clearly Sony's G Master lenses resolves more details at high resolution than the native lenses from Zeiss. Notice how the edge of Anna's eye lashes are not feathered or pixelated, even at ISO 12,800. This demonstrates how fine noise appears on the Sony A7R Mark III. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512554924346-7S4QMPNACCHJOJ07NBJF/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Sony A7R Mark III + Sony FE 85mm f/1.4 GM - ISO 400, f/2.8, 1/25s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512554939441-6TZ0TBK1HH1364XQEFXT/DSC00753.jpg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Sony A7R Mark III + Sony FE 85mm f/1.4 GM - - ISO 400, f/2.8, 1/25s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512552749682-YBLZF8WO7BB81NLN3Q7L/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Sony A7R Mark III + Sony FE 85mm f/1.4 GM - ISO 400, f/1.4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512552696201-VVPDRNTF1386WA5F7NGW/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Sony A7R Mark III + Sony FE 85mm f/1.4 GM - ISO 1600, f/1.4, 1/500s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512552591862-LNYXK2CDY4OWAS95Q7YN/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Sony A7R Mark III + Sony FE 85mm f/1.4 GM - ISO 400, f/4, 1/400s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512556467061-SXFN2SHWNEDCSB39BO3D/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Canon 5DSR + Canon EF 85mm f/1.4L IS USM - ISO 400, f/4, 1/400s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512558106044-SPRLCSMRZZLI6S6HNDBS/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Nikon D850 + Nikon AF-S 105mm f/1.4E - ISO 400, f/4, 1/400s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512552643688-RAXAVGGJ5VEUYD3YE63Q/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Sony A7R Mark III + Sony FE 85mm f/1.4 GM - ISO 400, f/4, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512556413346-D50JPZP879QX1Z5SAV53/0W7A0593.jpg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Canon 5DSR + Canon EF 85mm f/1.4L IS USM - ISO 400, f/4, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512558064520-1SDSEZOL94X2A0J9O1WL/DSC_1381.jpg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Nikon D850 + Nikon AF-S 105mm f/1.4E - ISO 400, f/4, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512628845249-TZ0PC5HPBF42W3QDU1XV/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Roughly 200% magnification - Top to bottom - Sony, Canon, Nikon. All three system appear more or less similarly capable at resolving details at high resolution. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512552476159-7C1K9EQOC8IUSJTNOSG1/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Sony A7R Mark III + Sony FE 85mm f/1.4 GM - ISO 1600, f/1.4, 1/800s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512556528081-X9KXUP3M8MG0DHMSXABQ/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Canon 5DSR + Canon EF 85mm f/1.4L IS USM - ISO 1600, f/1.4, 1/800s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512558151398-VHU6VSGOQSM1AO5LB1CT/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Nikon D850 + Nikon AF-S 105mm f/1.4E - ISO 1600, f/1.4, 1/800s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512552417882-DEX1J6RGD1Y3P5FPIUVR/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Sony A7R Mark III + Sony FE 85mm f/1.4 GM - ISO 1600, f/1.4, 1/640s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512556645128-SQ9GOXGN4AIGL11XMQLC/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Canon 5DSR + Canon EF 85mm f/1.4L IS USM - ISO 1600, f/1.4, 1/640s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512558175309-G4PWXHPRGBBDYEFPIOT3/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Nikon D850 + Nikon AF-S 105mm f/1.4E - ISO 1600, f/1.4, 1/640s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512625650614-GRP9ALBXRALK5DT9YPJX/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Roughly 200% magnification - from left to right - Sony, Canon, Nikon. Notice the difference in rendering. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512551620746-NJE6DBSGXJJ12NCOUWLM/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Sony A7R Mark III + Sony FE 85mm f/1.4 GM - ISO 6400, f/2.8, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512556737417-FVKQ95VTTK18WX0XU9HR/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Canon 5DSR + Canon EF 85mm f/1.4L IS USM - ISO 6400, f/2.8, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512558254409-NO8Q59KEYBR8MCVP3S46/DSC_1472.jpg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Nikon D850 + Nikon AF-S 105mm f/1.4E - ISO 6400, f/2.8, 1/750s, +1 stop in Lightroom https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512552241037-WH3P1K81PBYHA83TRLD7/DSC00876.jpg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Sony A7R Mark III + Sony FE 85mm f/1.4 GM - ISO 400, f/2, 1/320s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512556676614-JILJRCQCHPFM6UFOX0YY/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Canon 5DSR + Canon EF 85mm f/1.4L IS USM - ISO 400, f/2, 1/500s, +1 stop in Lightroom. The camera kept on compensating -3/4 stop, while set on Aperture Priority Mode, even though the exposure compensation wasn't in use. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512558224306-MZG79ZIKGU5AFF1KCN7E/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Nikon D850 + Nikon AF-S 105mm f/1.4E - ISO 400, f/2, 1/320s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512627343376-M5XW70V2QXQY4W1VIWXS/DSC00876.jpg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution - Sony A7R Mark III + Sony FE 85mm f/1.4 GM - Cropped ~200% https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512627339327-GXMWNBYAJ1518TWZ3T9C/0W7A0634.jpg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution - Canon 5DRS + Canon EF 85mm f/1.4L IS USM - Cropped ~200% https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512627340457-SXDA4K6PRIGPPT9PPFQI/DSC_1462.jpg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution - Nikon D850 + Nikon AF-S 105mm f/1.4E - Cropped ~200% https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512551474395-L90VGVK7ZLBU7GTCUKEZ/image-asset.jpeg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Sony A7R Mark III + Sony FE 85mm f/1.4 GM - ISO 400, f/1.4, 1/30s - Edited in Capture One https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512551396082-LXMOUMZNP612XJ86YPIS/DSC00924.jpg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Sony A7R Mark III + Sony FE 85mm f/1.4 GM - ISO 800, f/1.4, 1/25s - Edited in Capture One https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512552146326-05D4I5V5MF5MMY7B66E6/DSC00930.jpg SERIES I - Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution Sony A7R Mark III + Sony FE 85mm f/1.4 GM - - ISO 1600, f/1.4, 1/30s, +1 stop - Edited in Capture One https://www.streetsilhouettes.com/home/2017/11/30/sony-a7r-mark-iii-so-soon-after-the-a9 monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512037063276-V0REKNSOET1NPVJN9RKN/DSC00007.jpg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 125, f/1.4, 1/40s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512037157760-ZUFHGCURNUE3UVHXF04Z/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 4000, f/2.8, 1/40s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039075455-FY2P94E6OGCCY7HMF20V/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 2000, f/2.8, 1/40s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512290920808-EUH48LSU9V2EUMB2NPEE/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 6400, f/1.4, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512038927850-6U5YRRYFNVZNS3HO8IWY/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 1600, f/5.6, 1/10s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512038802870-HPIN40JDIOGP0DBSY9GZ/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 1600, f/5.6, 1/10s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512038762777-21OTTLFTWOHXTXB6Y8A9/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 400, f/1.4, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512038691379-E9TA3HLOZ2XD0ZRQSSHT/DSC00073.jpg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 400, f/1.4, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039276921-GPAYMX726SRZ576T0XR8/DSC00116.jpg SERIES I - Sony A7R Mark III - So soon after the A9? - Auto Focus and Buffering Test ISO 400, f/1.4, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039273508-TE7583V78E41Y9G15Y9O/DSC00117.jpg SERIES I - Sony A7R Mark III - So soon after the A9? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039345591-RM47TKOCEMMHMKC4DKQN/DSC00118.jpg SERIES I - Sony A7R Mark III - So soon after the A9? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039349198-FZTORNGKZR2EXAA84PEX/DSC00119.jpg SERIES I - Sony A7R Mark III - So soon after the A9? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039418543-F70CCJSFFGTAA7FTBR3E/DSC00120.jpg SERIES I - Sony A7R Mark III - So soon after the A9? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039419402-N2KG0KAEE4D8X6IAJOTU/DSC00121.jpg SERIES I - Sony A7R Mark III - So soon after the A9? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039487141-P05HIPRBJK0JF1XBAC1X/DSC00122.jpg SERIES I - Sony A7R Mark III - So soon after the A9? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039488390-4N2BWFA7MCGULWJQ5U26/DSC00123.jpg SERIES I - Sony A7R Mark III - So soon after the A9? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039550485-7EO2TNGDRKLMR1D83TPE/DSC00124.jpg SERIES I - Sony A7R Mark III - So soon after the A9? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039551535-0CNFTBSCPB1LYA8PU54J/DSC00125.jpg SERIES I - Sony A7R Mark III - So soon after the A9? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039611786-8E1B4DQ1QWYRZ1FSHH1C/DSC00126.jpg SERIES I - Sony A7R Mark III - So soon after the A9? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039611169-H656BYLRKT0G8UYBWP7I/DSC00127.jpg SERIES I - Sony A7R Mark III - So soon after the A9? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039673515-AEO4VHUUX5ZQDRG78YYN/DSC00128.jpg SERIES I - Sony A7R Mark III - So soon after the A9? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039677453-3MMCSFR3H8NNCH63S5DZ/DSC00129.jpg SERIES I - Sony A7R Mark III - So soon after the A9? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039703583-JKJNYS3JHBOZG203OD81/DSC00131.jpg SERIES I - Sony A7R Mark III - So soon after the A9? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512038644027-5RSY4CQDSWZ67ZEO6LJ9/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 320, f/1.4, 1/40s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512038608281-PYCQLW3ZC5SZ6P89QCD4/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 320, f/1.4, 1/40s, +1 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512038565735-D6BMC0FJ1EDEPMAMJJO6/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 100, f/1.4, 1/40s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512038188176-7SI7088IUUXTT5TY4XCR/DSC00331.jpg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 12800, f/5.6, 1/25s - Testing image stabilization on this set - this is the first test shot https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512038490188-4F98VC7IPDIL7GXSP7K6/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 50, f/1.4, 1/10s - note there is less difficulty to perceivably freeze motion at longer focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512038451913-9IRR0DC2IA58J8JI1LSK/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 50, f/1.4, 1/8s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512038371834-ZU24SM431FUWP4EM1Q0R/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 100, f/2.8, 1/8s - with camera overhead https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512038338697-YWQWPO0OXHNTBE7ALA00/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 100, f/2.8, 1/6s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512288838604-4KPJ2MEFYJ6IFUY1A63Z/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 100, f/2.8, 1/5s - note there is increased difficulty to perceivably freeze motion at closer focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512038029450-DSRQTKS6W3C313K6QZD9/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 12800, f/5.6, 1/20s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512037987885-RII928Z8KHUZWW9AJC42/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 400, f/1.4, 1/40s - outside Leica's Hong Kong office, which is on the 14th floor of this building. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512037944728-ZHUAGM5NQQCXDREP6L4Y/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 250, f/1.4, 1/40s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512037893871-CF4NA0NDDYRNFJ222CSG/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 400, f/1.4, 1/40s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512037855336-I493NSAKORWO78ZELQSI/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 200, f/1.4, 1/40s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512039800229-ZI581CD9W4WFQXRB5PTT/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 200, f/1.4, 1/40s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512037564314-OQ265XHKKCQDOP0YV7ED/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 12800, f/2.8, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512037675389-2WJAXCB5JQAZEWGWXFFQ/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 12800, f/2.8, 1/250s, +3 stops https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512037504456-JBBPD7V3IRAYIXOVDC8H/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 12800, f/2.8, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512037441631-MFSDBH4CFZAK22H78N29/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 12800, f/2.8, 1/250s, +4 stops https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512037325989-QHBRHAVMFYFS4GWH6FY3/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 800, f/1.4, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512037280652-DMSOROWDTEU6AHN88G6Z/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 800, f/1.4, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1512037238364-B4C38228CF6VUZDD84JD/image-asset.jpeg SERIES I - Sony A7R Mark III - So soon after the A9? ISO 800, f/1.4, 1/250s https://www.streetsilhouettes.com/home/2017/11/24/canon-85mm-f14l-first-impressions monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511575453813-G8WOG95PJT5YCW4J9LAH/AnSa-1000.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/2.8 1/250s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511575394227-WZMBQHMRRWIU3YEFKP2F/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/2.8 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511575333998-ITTWBE9H1RXJYVA7OCKP/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 800, f/1.4 1/500s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511575187610-H6JQ0HMHZD2YMNNQVH3C/AnSa-1003.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/2.8, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511574682135-YPTKSLUWS1LCNOQBI7Y3/1000-1000.jpg SERIES I - Canon 85mm f/1.4L - First Impressions - Two Quick Burst Combined Together https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511574668975-5ME025QBX8CHMYUYWTZ0/1000-1001.jpg SERIES I - Canon 85mm f/1.4L - First Impressions - Two Quick Burst Combined Together https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511574701240-9L6PV1059NNVF0MV0XM9/1000-1002.jpg SERIES I - Canon 85mm f/1.4L - First Impressions - Two Quick Burst Combined Together https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511574714108-UIYS4O3XIYI61D1TJO60/1000-1003.jpg SERIES I - Canon 85mm f/1.4L - First Impressions - Two Quick Burst Combined Together https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511574725336-PUYF39U8AQBGUPVS7JUI/1000-1004.jpg SERIES I - Canon 85mm f/1.4L - First Impressions - Two Quick Burst Combined Together https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511574736204-JPYDA6IBYD1LGBL1H3FW/1000-1005.jpg SERIES I - Canon 85mm f/1.4L - First Impressions - Two Quick Burst Combined Together https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511574744244-13IQH20H6FNBXEX2G1DF/1000-1006.jpg SERIES I - Canon 85mm f/1.4L - First Impressions - Two Quick Burst Combined Together https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511574190000-GJT8KRX2C5UVL2QFYFH8/AnSa-1006.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/1.4, 1/2000s - notice signs of chromatic aberration on a loose lock of hair in front of a strong highlight on the right side of Anna. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511574150353-Z7F7BTKZ5AX7T7EHUDC2/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/2, 1/1000s. Note the change in color balance, caused by the LED lights emanating from the jumbotron across the street. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511574106642-UMOIACA6Z7CW4TKNSUP9/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/2.8, 1/500s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511574013674-LVMAX47251A1N6FTWZW2/AnSa-1009.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/4, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511573921306-LK63ZBWBW2Z7FQYB7HJP/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/5.6, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511573889543-KOO0FMG0V4RJAU2VDQZO/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/8, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511576852572-5K4ZJ8T1742ZY81K601G/AnSa-1012.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/11, 1/30s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511576074974-IZG8PE40W4AZRL59W1P8/2000-0998.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/1.4, /1000s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511576507519-LXBM163OF29ACYZ44OTH/2000-1000-2.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/2.8 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511576165521-3EZPJY35H6URD63ZF4IN/2000-1001.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/5.6 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511576236263-7DLYOJQG2TN7DEO0YFMZ/2000-1003.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/11, 1/15s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511573748855-5A5X6UFDKKBCZPYD1V22/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/1.4, 1/400s. First close-up wide open image capture. The rendering seems promising. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511573708513-J5ISHNM6RFIMPX2CVW3T/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/5.6, 1/60s. Personally, I've never liked the 85mm focal length for reach. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511572691299-NHHVAWHXHRQTAVZQ5Q9C/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 6400, f/1.4, 1/3200s. Introducing Anna's friend Sarah. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511573556226-RKNHV68FLZEFKYIKJ3H1/AnSa-1025.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/2.8, 1/60s. Warm up shots with two subjects. The depth of field is extremely shallow at close focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511573500624-X7VQIRLTNDC9QHFEBC70/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/2.8, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511573456386-IQQXGKQCG2QAXU5MMMQI/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 6400, f/1.4, 1/1000s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511573348552-UPPWR5O55CPPR1BTMBW4/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 6400, f/5.6, 1/40s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511572738774-O1QOUMKPOGOA0CEZ2YEY/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 6400, f/1.4, 1/640s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511572290382-DA1KSIK7UTNS80G575S4/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 6400, f/1.4, 1/2000s. The bokeh seems best shooting from 10' away (roughly 3 meters), given a greater selection of background to render, compared to shooting at closer minimum focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511572164756-LG5UDA0AQX876MQWDUR5/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 6400, f/1.4, 1/2000s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511572019886-E59TTVA7FTY44N3HGC2T/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 400, f/1.4, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511571834381-NO3NOTINNAIBZYEXJB7N/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 800, f/1.4, 1/250s. At the minimum focusing distance, bokeh appears to be smooth and consistent across the aperture range - tested to f/5.6. Also notice the sharpness of the tack focused region of Sarah's eye lashes. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511571782075-B3Y6I8X41NA757UNOZ8E/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 800, f/2, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511571689310-P9TQVD2VGTM9324IH4HU/AnSa-1039.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 800, f/2.8, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511571643263-TV1TYG6LTF0YX2YNQJMO/AnSa-1040.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 6400, f/5.6, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511547502542-STSJBOMK715TIGHMXVVO/AnSa-1041.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 6400, f/8, 1/60s. At f/8, bokeh is no longer pleasing, in my opinion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511547449082-1OYD6BKLN1B1NB3FUROB/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 400, f/1.4, 1/200s. Beyond 15' (roughly 4-5 meters), bokeh becomes less apparent. However subject isolation is still noticeably well rendered. Getting tack focus of a moving subject is also noticeably more challenging. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511547392578-NRCRXDSGFHOHFGFW1CRJ/AnSa-1043.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 400, f/1.4, 1/200s. Cropped for framing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511547357845-4APSHNZXK7KLQEUR1Y9J/AnSa-1044.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 400, f/1.4, 1/200s. Cropped for framing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511547321904-OGW9BK0DYIKL2NQG9TY4/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 400, f/1.4, 1/200s. Uncropped so you can examine corner sharpness... although I really want to crop this image for composition. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511547251555-R89R46EVUMWLKGCURF20/AnSa-1046.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 400, f/1.4, 1/200s. The 85mm f/1.4L renders pleasing balls of light, under the right conditions. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511547193774-6X2KA6JPXESFDGV2FSPN/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 400, f/1.4, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511547164304-HZSXPG44FJP82WMZFI8A/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 400, f/1.4, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511547133308-J0JZYFTKGCW2NU29K1R6/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 400, f/1.4, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511547106861-Q0KLKHVFE38P89SJU6JD/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 400, f/1.4, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511547054325-MAHRQETYYAEA4XKCRNI4/AnSa-1051.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 400, f/1.4, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511546951107-A92WJ1A7O7RIM7LMVKFM/AnSa-1052.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 6400, f/1.4, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511546854340-U5XY2TPYQ6HTIL7Y3LBI/AnSa-1053.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 6400, f/1.4, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511546760642-RMP31FKGHXHJPL8ISHUS/AnSa-1054.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 6400, f/1.4, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511546658344-MJGS7GA8Z84X6FEOG5ZE/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 6400, f/1.4, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511546564388-EZJ16S9CZW3ZEPUQA6XO/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 6400, f/8, 1/40s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511546455290-2TS5WIF829IW6A8SY8GG/AnSa-1057.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/11, 1/5s. Testing Image Stabilization. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511546395897-KLDCFFWJU7IFN1JHZM27/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/11, 1/5s. Testing Image Stabilization. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511546330866-4QA8A9SBU0T66GVR22NH/image-asset.jpeg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/11, 1/5s Testing Image Stabilization. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511546240553-S8ORGDJ8SNVSM5QEV8EP/AnSa-1060.jpg SERIES I - Canon 85mm f/1.4L - First Impressions ISO 1600, f/11, 1/5s. Testing Image Stabilization. https://www.streetsilhouettes.com/home/2017/11/17/sensor-comparison-of-5-cameras monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510976742760-CUJLZIAJB8VFOCIX6M18/546A2530.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Canon 5D Mark IV + Canon EF 24mm f/1.4L II USM - ISO 100, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510976701081-XMA1SN4U83CJ9OW4439M/DSC_1305.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Nikon D850 + Nikon AF-S 24mm f/1.4G - ISO 100, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510978983488-QGIVGM30WVHCNS46SI6U/DSC02169.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Sony A9 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 100, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510978816425-A7PSD6XLLLE3AZRPCU8B/L1000063.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica SL + Leica 24mm f/1.4 Summilux-M ASPH - ISO 100, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511064176164-60HV1EQBB3WWA0FFBQEA/L1000101.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 100, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511055418357-QG2B0UWZC4OL461OLPMJ/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Canon 5D Mark IV + Canon EF 24mm f/1.4L II USM - ISO 100, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511055452581-THJQYZC4CTIRT2KSAYCT/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Nikon D850 + Nikon AF-S 24mm f/1.4G - ISO 100, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511055473385-3GZEEHQA75OLBD91YHZK/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Sony A9 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 100, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511055497910-Q4KW7MH0JFKEY0YFLW8Y/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica SL + Leica 24mm f/1.4 Summilux-M ASPH - ISO 100, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511066709881-M46S9052A9OBEZNI7PY9/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 100, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511063074925-MSVW0UB6CTSDZY7Z5KNV/546A2541.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Canon 5D Mark IV + Canon EF 24mm f/1.4L II USM - ISO 1600, f/5.6... also note the discarded tissue paper at the edge of the mattress... let us just say that both Anna's aim and my eye for details are somewhat off https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511063099504-NA4CL8BE2NEWXTDOLAG8/DSC_1312.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Nikon D850 + Nikon AF-S 24mm f/1.4G - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510979015063-3BN96VS3RI1N1OOTPERL/image-asset.jpeg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Sony A9 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510978859066-S5HTC1EVLW60XGMZ7F3S/image-asset.jpeg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica SL + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511057162779-TR3M6N7GSSA90UJC0W5H/L1000112.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511063308027-3XWJGDPTSVAZO8T5VDU5/5D4-2.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Canon 5D Mark IV + Canon EF 24mm f/1.4L II USM - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511063355351-XK4F3HOKSK76ALB0N67V/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Nikon D850 + Nikon AF-S 24mm f/1.4G - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511057282024-MSOVMEJIT4GK3BRQW8KE/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Sony A9 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511057335834-86JZI0X8FUJ647PD20J5/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica SL + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511059563719-VLGPRTF0HWHRN2NA22V4/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510976199485-ETUZWPI192H42E3EKQC2/546A2551-2.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Canon 5D Mark IV + Canon EF 24mm f/1.4L II USM - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510976141849-P9N163LMU5L3V3MUXEMX/DSC_1324-2.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Nikon D850 + Nikon AF-S 24mm f/1.4G - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510976092911-WG9ZXI8YNWCIR99SYPIW/image-asset.jpeg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Sony A9 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510976028530-3JC93EBTKZ0L1T78XBDS/L1000085-2.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica SL + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510975967833-TZAPECVYP4K6ZPY1RHP0/L1000119-2.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510975904392-BW8LFO8Q56NRVDMU5ZDQ/546A2551.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Canon 5D Mark IV + Canon EF 24mm f/1.4L II USM - ISO 1600, f/5.6, +2 stops, +50 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510975866838-WVPWHPJBTCQOFULUSO3X/image-asset.jpeg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Nikon D850 + Nikon AF-S 24mm f/1.4G - ISO 1600, f/5.6, +2 stops, +50 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510975828615-0PB6DYVK05DUDI4WHQ0M/image-asset.jpeg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Sony A9 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6, +2 stops, +50 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510975767523-ZGZ4L47FXWOOR9KXGD8B/L1000085.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica SL + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6, +2 stops, +50 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510975624667-OJJ51GBKJ8JL8EW3FCSE/L1000119.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6, +2 stops, +50 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511066790059-WF2L3ANN2VM3WFTUWAM3/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Canon 5D Mark IV + Canon EF 24mm f/1.4L II USM - ISO 1600, f/5.6, +2 stops, +50 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511066837292-7P87JI2S0U0Y2E4T5PK5/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Nikon D850 + Nikon AF-S 24mm f/1.4G - ISO 1600, f/5.6, +2 stops, +50 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511067225646-2AZJ4471OQCDB136JV9Z/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Sony A9 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6, +2 stops, +50 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511066896283-M2ASDAQEY30SWF23UHAU/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica SL + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6, +2 stops, +50 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511066941446-2PQV3RUZ8IJNQDQEDSRU/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6, +2 stops, +50 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510991314111-W6SDUQGS72PYOEMDDBKD/546A2563.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Canon 5D Mark IV + Canon EF 24mm f/1.4L II USM - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510991266574-H6TMR4UZ2VSL9NXY9CG2/DSC_1333.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Nikon D850 + Nikon AF-S 24mm f/1.4G - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510991200168-HUMO9ZGK2MKKVARGF1JZ/DSC02200.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Sony A9 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510991112006-ZIFA14CQ8TIDST2Z256L/L1000092.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica SL + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6, +2 stops, +25 shadow (tones), +25 black, +25 dark, +25 shadow (region) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511069693089-AKO59LP5COQTNDO0LXOT/546A2551-2.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Canon 5D Mark IV + Canon EF 24mm f/1.4L II USM - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510990991607-709F9J4FTNNC0NZPZ1SG/DSC_1333-2.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Nikon D850 + Nikon AF-S 24mm f/1.4G - ISO 1600, f/5.6, +2 stops, +25 shadow (tones), +25 black, +25 dark, +25 shadow (region) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510990940861-VYBUT5C55FC6IHWW3F7A/DSC02200.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Sony A9 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6, +2 stops, +25 shadow (tones), +25 black, +25 dark, +25 shadow (region) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510990785053-9WCC82K1T24BDE0IIO9X/L1000092.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica SL + Leica 24mm f/1.4 Summilux-M ASPH - ISO 1600, f/5.6, +2 stops, +25 shadow (tones), +25 black, +25 dark, +25 shadow (region) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510975541482-2BGBTXLBOY75SMO9O1H0/546A2580.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Canon 5D Mark IV + Canon EF 24mm f/1.4L II USM - ISO 25600, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510975450206-05Q0EM7FDI0SZFGRN0TX/image-asset.jpeg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Nikon D850 + Nikon AF-S 24mm f/1.4G - ISO 25600, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510975398698-19DQU0OB3YCH668NYLQY/image-asset.jpeg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Sony A9 + Leica 24mm f/1.4 Summilux-M ASPH, ISO 25600, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510975344547-NUJPAZY25M23VMAV48PY/image-asset.jpeg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica SL + Leica 24mm f/1.4 Summilux-M ASPH - ISO 25000, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510975252907-D1357H7GQUQLE84E4UVV/L1000138.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 25600, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511058502091-TA13DYOI13ZVAZHF82WU/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Canon 5D Mark IV + Canon EF 24mm f/1.4L II USM - ISO 25600, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511058610155-62P8UETL3RJUJDK9M5L5/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Nikon D850 + Nikon AF-S 24mm f/1.4G - ISO 25600, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511058675589-672POJ6JM5Y1IY4HWYLN/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Sony A9 + Leica 24mm f/1.4 Summilux-M ASPH, ISO 25600, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511058741097-FYHMIADADO3WJO73NS9W/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica SL + Leica 24mm f/1.4 Summilux-M ASPH - ISO 25000, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1511058813122-9U34CEJKPP7UMXZV7UL1/image-asset.png SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica M10 + Leica 24mm f/1.4 Summilux-M ASPH - ISO 25600, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510975177094-3ANXWL69YWCVJ7PCYD4L/image-asset.jpeg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Canon 5D Mark IV + Canon EF 35mm f/1.4L II USM - ISO 25600, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510975133154-0AF86XYPHRVIIH5VV5GQ/image-asset.jpeg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Nikon D850 + Nikon AF-S 35mm f/1.4G, ISO 25600, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510975072566-QZZ8AH9NCSW6CN2OZURH/DSC02212-2.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Sony A9 + Leica 35mm f/1.4 Summilux-M ASPH "FLE" - ISO 25600, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510974976233-BTHGS4GPCFFHTBHH1WD2/L1000115-2.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica SL + Leica 35mm f/1.4 Summilux-M ASPH "FLE" - ISO 25000, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510974154585-UHEIALW7CV2XHI3MVZK4/image-asset.jpeg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica M10 + 35mm f/1.4 Summilux-M ASPH "FLE" - ISO 25000, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510974636140-O86GML7WW9PGJJZ909B4/image-asset.jpeg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Canon 5D Mark IV + Canon EF 35mm f/1.4L II USM - ISO 25600, f/11, +2 stops, +25 shadows, +25 contrast, +25 clarity, +25 saturation, +25 vibrance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510974546041-PTJOPLK7JU5IKBUS1DGX/DSC_1367.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Nikon D850 + Nikon AF-S 35mm f/1.4G- ISO 25600, f/11, +2 stops, +25 shadows, +25 contrast, +25 clarity, +25 saturation, +25 vibrance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510974408258-E446UECS0M9SCAAKIRI4/DSC02212.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Sony A9 + Leica 35mm f/1.4 Summilux-M ASPH "FLE" - ISO 25600, f/11, +2 stops, +25 shadows, +25 contrast, +25 clarity, +25 saturation, +25 vibrance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510974263557-65GLA0UF04KJ922B6ZPH/L1000115.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica SL + Leica 35mm f/1.4 Summilux-M ASPH "FLE" - ISO 25000, f/11, +2 stops, +25 shadows, +25 contrast, +25 clarity, +25 saturation, +25 vibrance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510973983869-EOCFR435ALR195L2F5MS/L1000144.jpg SERIES I - Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9 Leica M10 + Leica 35mm f/1.4 Summilux-M ASPH "FLE" - ISO 25000, f/11, +2 stops, +25 shadows, +25 contrast, +25 clarity, +25 saturation, +25 vibrance https://www.streetsilhouettes.com/home/2017/11/06/why-you-should-photograph-your-everyday-life monthly 0.5 2021-04-09 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509422424600-8MSZHZ3AY6HRCK1IBXK4/NY17-1037.jpg SERIES I - Why You Should Photograph Your Everyday Life At the Train Station, New Canaan, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509422357131-H56SC3Q36T6PSTPDSJE1/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Looking into a shop, Main Street, New Canaan, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509422315660-72HDGVPW435W2FZR4WTI/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life In the bushes, off Main Street, New Canaan, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509422256061-5HMLVCJSINTDN6TC6QWW/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Waiting for the light to change, New Canaan, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509422182030-ERXYGLGCSJWFZGSWKZ3D/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Crossing the street, New Canaan, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509422138402-48HEPDDLDZN78T65QFMI/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Overlooking the Saugatuck River, in Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509422106117-TT6H8HH8EL4O3E187IF7/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Squinting at the sun, on Post Road, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510118218109-8EIPX9OW0OQAZ5VH3CZV/NY17-1046-0.jpg SERIES I - Why You Should Photograph Your Everyday Life Taking a selfie on Post Road, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509422069589-TC90O52STKC45SEOZG03/NY17-1046-1.jpg SERIES I - Why You Should Photograph Your Everyday Life On Main Street, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509422015524-WN8EFOUJTME9J6GQ7R51/NY17-1046.jpg SERIES I - Why You Should Photograph Your Everyday Life On Main Street, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421977427-H2RZQ5IW7H1A0VOV1OZ3/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life On Compo Point at Hillspoint Road, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421912302-OQB8LYSOAVNW1L7D2Z1U/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life On Compo Point at Hillspoint Road, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421869913-EI8RL2XMXDYWJG8WSOWT/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life On Compo Point at Hillspoint Road, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421788192-JC6AIY97BGCIW9G0C0F6/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life On Compo Point, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421745488-PVCYZ4EE5NKRFD4QRXUC/NY17-1052.jpg SERIES I - Why You Should Photograph Your Everyday Life On Compo Point, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421714257-PO78F65JJP5FHRURGQWI/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Walking to a maple tree, at Sherwood Island State Park, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421661323-5MDHN4I3D5358QKO6U46/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Under a maple tree, at Sherwood Island State Park, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1510118663326-1CXTUO171FOHLEAOVJ1H/NY17-1055.jpg SERIES I - Why You Should Photograph Your Everyday Life Doing what comes naturally, but generally frowned upon by the park rangers... Sherwood Island State Park, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421497270-MKGMHGGOD78R1VOGLHMU/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Under a Japanese maple, at Sherwood Island State Park, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421429380-F6G9Y4CCK38DV0CL0MVP/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Collecting more leaves, at Sherwood Island State Park, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421370401-7JI6COPRJ78XUH5B3NUU/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life On the beach, at Sherwood Island State Park, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421326776-RMRXUXQ9B3RODLJM4PSX/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life On the beach, at Sherwood Island State Park, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421279779-D3M7B9WJUX5JMOPMTVVE/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life With a flock of seagulls, at Sherwood Island State Park, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421243525-UU0M8UIBXNRX4B43HVDJ/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Wandering about at the beach, at Sherwood Island State Park, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421201437-69DLNW29QHHAPQNZ9GGI/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life By the covered seating, at Sherwood Island State Park, Westport, Connecticut. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421069041-XUIR0DZFS75KZMKDAN5Q/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life I don't recall an Orwasher Artisan Bakery, when I was living here on the Upper West Side... but since it's here, it saves me a trip from going over to the Upper East Side... which is where I get my Challah bread. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509421026950-5MTO1C26Y8IAO7TBRJ6P/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Outside Zabar's, on the Upper West Side. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509420876723-6XVNDZ4SLER8K0Q9WVDD/NY17-1069.jpg SERIES I - Why You Should Photograph Your Everyday Life Looking at the cheese selection, inside Zabar's. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509420795318-SSA95J9SI6X3D0CVHFHZ/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Outside Citarella, where I used to get my fresh seafood. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509420732644-TAFKLVO85Z8MR4PHB8JR/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Outside Fairway's, in the Upper West Side. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509420554171-50QG5H3F1GP8IBCSAGB9/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Pumpkins before Halloween. Around Lincoln Center, on Broadway. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509420516071-MHVETNA83P8Y8NGO1KFV/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Ducking into a West Elm, looking for souvenirs? On Broadway. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509420485658-FO0K181QYT15CS5K4I7C/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Across the street from the Ed Sullivan Theater, where the Late Show with Stephen Colbert is taped. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509420450026-CGJY86SCGN4POU7T4537/image-asset.jpeg SERIES I - Why You Should Photograph Your Everyday Life Miss Saigon... a musical I've seen three times in three different cities. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509419246508-IPLHT9C8UBCJOXRVSKCV/NY17-1078.jpg SERIES I - Why You Should Photograph Your Everyday Life Parting shots. Until my next visit. Off Time Square. https://www.streetsilhouettes.com/home/2017/10/30/the-impact-of-social-media-in-photography monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509419105707-SWTH2F1Y5299MBY7A594/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Anna tapping a shopping cart, on the Lower East Side. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509419073143-QU0WC2DNBQLUSP9Z7HRT/image-asset.jpeg SERIES I - The Impact of Social Media in Photography This wasn’t here before. My new favorite mural in the city... at the Bowery across where the famed CBGB used to be. I ❤️ Debbie Harry and Blondie! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509419045800-3R24JQ9GS9EMBWJQ31PQ/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Walking pass a shop on the Lower East Side. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418988248-00EFWX6KFRAW8GIXD5QQ/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Looking through the ivies into a vacant lot, off Houston Street, on the Lower East Side. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418798197-FIXJ7U1TK4JF3N4YPKVJ/NY17-1011.jpg SERIES I - The Impact of Social Media in Photography Outside a neighborhood pickup basketball game, on the Lower East Side. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418883600-YZTBGHS6P2PDO1DTI92H/image-asset.jpeg SERIES I - The Impact of Social Media in Photography At Russ and Daughters, on the Lower East Side. This is where I used to get all my smoked fish. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418854418-QGJTTGGWC9WQO71IVZOU/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Outside Katz's Delicatessen. We didn't go inside, since it has become an even worse tourist trap than before. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418741469-IN8BQ8U1MKS8BHT3IWDY/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Outside Ferrara Bakery and Cafe, in Little Italy. Where I used to get my Gelato fix. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418678693-WE235MLDXJY6HXEDH19J/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Outside Di Palo's, in Little Italy, where I used to get my olives, olive oils, and assortment of Italian cold cuts and cheeses. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418653505-1G2UM2LFLMFGK6BQUVBO/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Outside the first Le Pain Quotidien, on Grand Street in SoHo. So many fond memories here. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418567487-RF0MLX338X9MN8JNWRFT/NY17-1018-1.jpg SERIES I - The Impact of Social Media in Photography Inside Grand Central Station, by the Met Life escalators. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418524475-AOZTPY5AE94OXEAM6GGR/image-asset.jpeg SERIES I - The Impact of Social Media in Photography In the middle of the Grand Concourse, inside Grand Central Station. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418500519-NBALSZPXIMU5SEX63MQ2/image-asset.jpeg SERIES I - The Impact of Social Media in Photography At the shroff... I mean counter... in the Grand Concourse... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418452901-JC3PWKGVSNZDDHLNDFIF/NY17-1020.jpg SERIES I - The Impact of Social Media in Photography Up the stairs inside the Grand Concourse of Grand Central Station. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418414497-6AQER4MOXXO630ZGGYLM/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Outside Grand Central Station on 42nd Street. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418385315-0CIN4RWQLHHXYHC2F2QB/image-asset.jpeg SERIES I - The Impact of Social Media in Photography At the New York City Public Library. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418346612-0SNB0UU2PHMXGX5GR9LQ/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Next to the fountain at the New York City Public Library. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418316811-YE9CKC0YR0IMW5CD0L5M/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Up the steps, at the New York City Public Library. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418287016-83KZFJB4J15ZOSCI5RAW/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Inside the reading room, at the New York City Public Library. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418240420-G1QFDIYO1GX3SWFJ0EGP/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Down the steps on our way out of the New York City Public Library. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418158296-WCLSV1ZEC3J1I77ZHDOL/image-asset.jpeg SERIES I - The Impact of Social Media in Photography On Broadway, at the Flat Iron District. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418106993-YAPIBUJLHK3UHS45UA1L/image-asset.jpeg SERIES I - The Impact of Social Media in Photography On Broadway, at the Flat Iron District. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418134946-XNPNV3TL603VY2IFNDWF/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Repeat... I just like this photo. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418069821-5LNM4BOL6LQB5E9UTDPW/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Opposite the Flat Iron Building on 23rd Street. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418185943-AJRUVLCZW07ZYEZO2U30/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Repeated deliberately with a slower shutter speed. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509418009302-IMP6AA9Z5NJAV0LS5O79/image-asset.jpeg SERIES I - The Impact of Social Media in Photography On Broadway, at Herald Square. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509417971822-HCOITKH5FXG0Q77OY0MG/NY17-1031.jpg SERIES I - The Impact of Social Media in Photography In Time Square. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509417929179-DHRLUB4SZW90YD3KJC22/image-asset.jpeg SERIES I - The Impact of Social Media in Photography On Broadway, in Time Square. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509417837576-5VZ61R72O45WZMZ1BW7N/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Crossing Fifth Avenue towards Saks Fifth Avenue. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1509417809623-2VUT0WLZ8SD824V256P1/image-asset.jpeg SERIES I - The Impact of Social Media in Photography Crossing Park Avenue, outside St. Bartholomew's Anglican Church. https://www.streetsilhouettes.com/home/2017/10/17/choosing-between-the-nikon-d850-28mm-f14e-or-the-leica-m10-28mm-f14-summilux monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508222358475-B7BAEY1DO3XMD9HIPAXS/image-asset.jpeg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Nikon D850 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508222338251-2XJ9LCQ5Z9FZPIRIAEEA/image-asset.jpeg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Leica M10 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508222319998-UO2PSPD8ZCSRUEOI2CI4/image-asset.jpeg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Nikon D850 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508222294254-UJ3UEOHBA2ZK9WV5IPHD/image-asset.jpeg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Leica M10 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508222267819-JDOEJO0HD90Y1AEWWHZB/image-asset.jpeg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Nikon D850 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508222245946-8EZ5MV0A8GT2TO8BFOFL/image-asset.jpeg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Leica M10 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508222214330-62ADHAEJSU35K1Y5RGFN/image-asset.jpeg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Nikon D850 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508222147706-JMRKDIHQ4XO0WKJLZ4DP/image-asset.jpeg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Leica M10 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508222124659-XAGVNNNH3AL9CISS9HMI/image-asset.jpeg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Nikon D850 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508222080076-7PD1A5ZHCSRZJV6IPJSB/L1009486.jpg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Leica M10 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508222049841-PC4BWL9CR9RX91QT5WIY/DSC_1040.jpg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Nikon D850 - ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508222033352-5R2SIOLEFOIGE13F2JUX/image-asset.jpeg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Leica M10 - ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221957700-OR4NXXL41UAZRFUQ5UMB/DSC_1057.jpg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Nikon D850 - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221938983-CKLPY7RCS86MUBJ293HR/image-asset.jpeg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Leica M10 - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221915696-C8AFKOG6FR35L028842U/image-asset.jpeg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Nikon D850 - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221888325-P2QS7HYOJUGCYA5IBO1B/image-asset.jpeg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Leica M10 - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221856647-DCQ2H2KFSIFCMH8ETB9M/image-asset.jpeg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Nikon D850 - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221831438-F4QYZJ48WH4IDTGOWQNX/image-asset.jpeg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Leica M10 - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221742088-Y4X8C0XPDXYI36QHC19Q/DSC_1099.jpg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Nikon D850 - ISO 400 at minimum focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221709001-J54B0BH1S5ILBLMMR97S/L1009538.jpg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Leica M10 - ISO 400 at minimum focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221639992-9V5TLOHFSCVIR0G82H9V/DSC_1103.jpg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Nikon D850 - ISO 100 at minimum focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221603197-11P89XG1U065PNLAKAPB/L1009542.jpg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Leica M10 - ISO 100 at minimum focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221558185-8Y7TFR2UI8E5NXL0Z8KE/DSC_1116.jpg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Nikon D850 - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221485947-ZBYBAPAPP9L1HI3R5QGM/L1009547.jpg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Leica M10 - ISO 100 - cropped for composition https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221431767-9L0IX25UWL8HWY3QWQL4/DSC_1146.jpg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Nikon D850 - ISO 1200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221381066-WBUSTHG7RVBQNRX60KOW/L1009570.jpg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Leica M10 - ISO 1200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221345904-EILT3QTCXLOY4VW5ZI0P/DSC_1156.jpg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Nikon D850 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508221274360-Y8MWN0IO4FAL1VRAE7FP/L1009578.jpg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Leica M10 - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508397196553-YQJT7OY1IMLWII21B3M9/DSC_1209.jpg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Nikon D850 - ISO 3200. Color temperature and tint has been edited. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1508397244792-E22MKII9U87P69SEKUQV/L1009636.jpg SERIES I - Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Leica M10 - ISO 3200. Color temperature and tint has been edited. https://www.streetsilhouettes.com/home/2017/10/11/why-context-is-important-in-photography monthly 0.5 2019-09-23 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507609547749-DSEV8W7DUNGZNI3N4S4L/L1002364.jpg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507609349590-J6DPQL9S5CTFTGCOWGYW/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507609315242-Y4HU8L78YCQNPR8ZF082/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507609982014-LH4BQJ76GPWMAN06H34B/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507609191178-Y2A7S186T11N7UDTL1WN/L1001823.jpg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507609137227-9VU3258MSTI1TRDLWFEA/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507608820989-JXUFRQ1YU9JJHS03RNJC/L1002371.jpg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507608719342-MJT4MPTJB52CAX8S9DMF/L1001837.jpg SERIES I - Why Context is Important in Photography Leica M246 + 21mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507609055739-AUFPUJHBS29KK3B87BMY/L1001838.jpg SERIES I - Why Context is Important in Photography https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507608689555-6VGGNOEZ72MJEUWP20RD/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M246 + 21mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507608660965-7EAWLF74J6KMZ78VXIHI/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M246 + 21mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507608604739-TY8KSDHUXKUVINRDB1RR/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M246 + 21mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507608550672-AUV9SRARO3ZLRTPDE8JZ/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507608523810-2MW7WZEF26DZXDXG6FSF/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507608471325-7G9AJ7MLKR8F2KNHTD14/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M246 + 21mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507608438260-AHY8Q089DJ8MDAWFV2YZ/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M246 + 21mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507608409081-2IE40Q2QWDI6SJ674QU6/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M246 + 21mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507608359035-7M7EQ8KJTQQMB6BPZUPY/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507607912002-68799RCCJ6LEENT6CZVY/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507608047490-HOUKKW1ASBKZU1Z3DXZZ/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M246 + 21mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507608074512-I783MCTXBUC4DHPX6IQE/L1001883.jpg SERIES I - Why Context is Important in Photography Leica M246 + 21mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507607960242-XWBS0SC24AS0C2R6S8TS/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M246 + 21mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507607688662-EKOQ9JGUPT2OM4P3D7M7/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507607652402-3Y2H3EIYMT4J9LFFA8B9/L1002442.jpg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507607468408-0BL244UU9ICF2ITD7TD2/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507607434699-FGRQRIVPW8UIV4JKMF1R/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507607396825-OLEJT2ZMP9BZQRJXN2AR/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507607358407-GS0R1AH0Z7ADDCE0K1HJ/image-asset.jpeg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507607325840-BV3S5J427WPTIK1UNP68/L1002461.jpg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507607267026-E58644JDLR7AP3D6RP6F/L1002464.jpg SERIES I - Why Context is Important in Photography Leica M10 + 28mm f/1.4 Summilux-M https://www.streetsilhouettes.com/home/2017/10/4/art-and-photography monthly 0.5 2023-01-22 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507303263167-A98ITMEE98RRADQFFOJP/L1001738.jpg SERIES I - What is Art in Photography Leica M246 + 21mm f/1.4 Summilux - ISO 800, f/4.5, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507303210011-ES338IUG1L7RR44I6Q8Y/image-asset.jpeg SERIES I - What is Art in Photography Leica M246 + 21mm f/1.4 Summilux - ISO 800, f/4, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302694544-S49102R0RZJ9CDD2BBV9/image-asset.jpeg SERIES I - What is Art in Photography Leica M10 + 28mm f/1.4 Summilux - ISO 400, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302630021-6TK8ALKF0EUZW3NLGI3D/image-asset.jpeg SERIES I - What is Art in Photography Leica M10 + 28mm f/1.4 Summilux - ISO 400, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302580046-3Y1OIR4DQGYQX2SFDASG/image-asset.jpeg SERIES I - What is Art in Photography Leica M10 + 28mm f/1.4 Summilux - ISO 400, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302550453-FJ32JMK4HA1Z170RRCHD/image-asset.jpeg SERIES I - What is Art in Photography Leica M10 + 28mm f/1.4 Summilux - ISO 400, f/4, 1/60s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507303173761-9T9756ET2C3LM82UAABN/image-asset.jpeg SERIES I - What is Art in Photography Leica M246 + 21mm f/1.4 Summilux - ISO 800, f/2.8, 1/1000s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507303141715-NNPIE3B1BJX34EB3837Y/image-asset.jpeg SERIES I - What is Art in Photography Leica M246 + 21mm f/1.4 Summilux - ISO 800, f/2.8, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507303050268-5ZLSCDH54OURJPTJJCF0/image-asset.jpeg SERIES I - What is Art in Photography Leica M246 + 21mm f/1.4 Summilux - ISO 800, f/2.8, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507303092365-BHI8BN7WXKGAEN6JIOFG/image-asset.jpeg SERIES I - What is Art in Photography Leica M246 + 21mm f/1.4 Summilux - ISO 800, f/4.5, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302443236-FWZSU1WYRB1MEK419UKB/image-asset.jpeg SERIES I - What is Art in Photography Leica M10 + 28mm f/1.4 Summilux - ISO 400, f/2.8, 1/500s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302503827-GDK78VCGI2I0ZTHUBHJL/image-asset.jpeg SERIES I - What is Art in Photography Leica M10 + 28mm f/1.4 Summilux - ISO 400, f/2, 1/500s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302406563-CTTD804J0I7SWG4X5AXE/image-asset.jpeg SERIES I - What is Art in Photography Leica M10 + 28mm f/1.4 Summilux - ISO 400, f/4, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302373200-E9E1EZZGKOTHA4FZEJW0/image-asset.jpeg SERIES I - What is Art in Photography Leica M10 + 28mm f/1.4 Summilux - ISO 400, f/2, 1/500s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507303000202-HC74NTC7CQZSD9OAXKWY/image-asset.jpeg SERIES I - What is Art in Photography Leica M246 + 21mm f/1.4 Summilux - ISO 800, f/2.8, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302955956-HRX49V27IYUEPFZAW6TA/image-asset.jpeg SERIES I - What is Art in Photography Leica M246 + 21mm f/1.4 Summilux - ISO 800, f/2.8, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302344388-OURQHBAZQC5Y7F7NQSVT/L1002278.jpg SERIES I - What is Art in Photography Leica M10 + 28mm f/1.4 Summilux - ISO 400, f/1.4, 1/1000s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302918313-0RGRAO6UPEC4HWI6WZT4/image-asset.jpeg SERIES I - What is Art in Photography Leica M246 + 21mm f/1.4 Summilux - ISO 400, f/1.4, 1/1000s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302883872-DG3HOICIADTF6FQLUNP6/L1001783.jpg SERIES I - What is Art in Photography Leica M246 + 21mm f/1.4 Summilux - ISO 800, f/2.8, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302855713-DG4IZE3N57XBVQKA90AT/image-asset.jpeg SERIES I - What is Art in Photography Leica M246 + 21mm f/1.4 Summilux - ISO 800, f/2.8, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302282576-WZXM1DP09LEZQ58P7CKX/image-asset.jpeg SERIES I - What is Art in Photography Leica M10 + 28mm f/1.4 Summilux - ISO 800, f/2.8, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507305004682-JGLXBUAYNFIHE3GOO8TH/image-asset.jpeg SERIES I - What is Art in Photography Leica M246 + 21mm f/1.4 Summilux - ISO 800, f/2.8, 1/125s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302242039-PRRFWEGBYPNTYRRUB3YF/image-asset.jpeg SERIES I - What is Art in Photography Leica M10 + 28mm f/1.4 Summilux - ISO 800, f/2.8, 1/180s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302162149-A8RNUNJM9HFNERTLLNVQ/image-asset.jpeg SERIES I - What is Art in Photography Leica M10 + 28mm f/1.4 Summilux - ISO 800, f/2.8, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507304008429-QE0FA3J5Z0TNVY8T2RHV/image-asset.jpeg SERIES I - What is Art in Photography Leica M246 + 21mm f/1.4 Summilux - ISO 800, f/4, 1/200s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302136344-YAIMUA6K27P7CPHON9IX/image-asset.jpeg SERIES I - What is Art in Photography Leica M10 + 28mm f/1.4 Summilux - ISO 800, f/4, 1/500s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302771648-XRJN7ZZJTMEIQBD5RJA3/image-asset.jpeg SERIES I - What is Art in Photography Leica M246 + 21mm f/1.4 Summilux - ISO 800, f/3.4, 1/125s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302114429-FOLMZLNGXCJGNSOR731W/image-asset.jpeg SERIES I - What is Art in Photography Leica M10 + 28mm f/1.4 Summilux - ISO 800, f/2.8, 1/500s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302094258-C6C9S3OA2OG8V2EZJBDE/image-asset.jpeg SERIES I - What is Art in Photography Leica M10 + 28mm f/1.4 Summilux - ISO 800, f/2.8, 1/500s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1507302731277-H3J76FXHMHAFP7B6QVX7/image-asset.jpeg SERIES I - What is Art in Photography Leica M246 + 21mm f/1.4 Summilux - ISO 800, f/2.8, 1/250s, cropped https://www.streetsilhouettes.com/home/2017/9/14/leica-16-18-21-tri-elmar-review monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505369003645-PYW3VKQRCFS0UO5M59P2/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels My speed round. To get into the mood, I shoot indiscriminately for the first fifty frames. Generally, most of my speed round shots are junked. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505368945071-7T0QL7QH6EK8DNIRFMN9/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels More speed round. In Central. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505368886612-8A15G2HT1K7HRVEC5WKE/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels In bright light and from a distance, everything is likely to be in focus on the Tri-Elmar. In Lan Kwai Fang. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505368814702-W3IQTUI6R2NU5B78FGFG/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels I asked Anna to stick her head out into the light, because it was particularly dark inside the stairwell. Although the Tri-Elmar is only 1/3 stop slower than the 21 SEM, a maximum aperture of f/4 makes this lens particular slow in low light situation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505368761964-4E2Z0XZWV61VGLF5IU37/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels As you would expect, the Tri-Elmar is relatively sharp under normal resolution. However, under higher magnification, the Tri-Elmar isn't particularly exceptional in resolving detail. It doesn't have the same sharpness characteristic of Leica's newest generation of lenses, like the APO 50. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505368684893-BIB7IG8BMMVS8OXNFZKH/L1009082.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels The colors appear to render with that pop characteristic of Leica lenses. However, this is only the case on Leica sensors (and presumably film). On the Sony A9, the colors were more muted. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505368604149-CP2MZCA8Y44LV8ZQV7M1/L1009089.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Perhaps my eyes are playing tricks, but I detect very slight barrel distortion - albeit faint. Not all the lines are plumb straight. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505368549640-HD94DQ386N9EGR9OJEDH/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels In my opinion, contrast holds up well, even when the image is underexposed (because of backlighting in this case). Exposure corrected in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505368464239-1OYX8WSBT6RSRBLG2186/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Contrast also holds up well, even when the image is overexposed. Exposure corrected in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505368403511-YE7KK3660W2HIBWZ0FGQ/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Too wide to pan at 1/30s, f/4, and 3' (roughly 1m) away. Also, notice the vignetting. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505368338004-6C2UHMWKX919C51XTDPZ/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels A view of Admiralty and Central on the right side. Probably shot at 16mm. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505368276604-COD24JJIDXZ7FYKGWKQC/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels At 16mm shooting from around 30' (10m) away, it's easy to get everything in focus - even wide open at f/4. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505368164987-0Y1P9M8UGOK4NPO2GFFR/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels 18 point sun star. I don't think a 21mm lens would have gotten this much coverage. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505368094078-G523QS1PTRRB13VFR499/L1009136.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Comparison of distortion. at 6' (roughly 2m) away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505368038898-R3I8TTYVNQDF73803VJH/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Now at 3' (roughly 1m) away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505367980330-RDC0ITNWN8HFM1RX5DWI/L1009142.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Nearing the golden hour, with Admiralty to Wan Chai in the background. The skyline is not completely sharp, given the heat wave distorting objects at a distance. It was 95°F (roughly 35°C) that day. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505367927547-FD0FLC4NXSY4S4VDH836/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Now a comparison of focal length. This was shot at 21mm - probably? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505367858927-GGCBGL1E0Y4Q3CWCMH1U/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels This was shot at 16mm, and 6' (roughly 2m) closer than the image before (I think). Compared to the previous image, the same amount of background was documented at a wider angle, shot at a closer distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505368234752-E9R111Q1ZRKUUR80PFAN/L1009123.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Waist level shot blindly. It's almost impossible not to capture something at such wide angles. Image has been cropped for leveling. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505367807794-XEJBMOUFYGSACHM0E1G6/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Lens flare. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505367727198-K1C0JJHCFO8IG59XOC8G/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Playing with distortion. I asked Anna to lean slightly over the railing (without falling over) in order to center her head in the frame (to minimize distortion), while positioning her torso to the right, in order to have more water covering the composition than promenade. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505367650853-IU2J48FA6Y3F6I8GBT7M/L1009193.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Taking advantage of the wind. Again, Anna's torso is tilted to place her head closer to the center of the frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505367603303-E22NG22FLEJGPHBJHG96/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels More wind. With the wide depth of field, it didn't matter that Anna was moving around. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505367547736-K03C049X2S440Q487HR4/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels More wind. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505367391409-8ZWT7C1S5HK0C1I4QWXE/L1009218.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Now more wind, walking towards the camera. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505367460144-8KU3J569U4HIN6W3J3ZX/L1009212.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Second shot. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505367332163-SEMCQQ5J4TNZQZXER7GE/L1009229.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Golden hour. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505367214153-Q2Y4Y92EZHVLVGY975KU/L1009255.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Between two ferries. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505367147059-99IPLFMGQ6YX9IG4G7U9/L1009268.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels In front of a newsstand by Central Pier with the vender visible behind Anna. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505366901169-ZAVZFPM6CBBD2AIFDPW3/L1009271.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels Now the vendor is hidden behind Anna. At 16mm, objects at a distance behind the subject are miniaturized - resulting in greater control over the composition. https://www.streetsilhouettes.com/home/2017/9/15/leica-16-18-21mm-tri-elmar-preamble monthly 0.5 2021-05-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505283027746-WX9G1G82FXR4U1V1DITI/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Anna, front and middle, with her face in the center to minimize distortion, and her torso extended for a leaner silhouette. Image also shot upward at waist level to exaggerate the height of the surrounding buildings with perspective distortion. Last, image was framed with her legs cropped out, because the off angle documentation will enlarge her legs disproportionately. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505282987846-GYTES1AVP44GC32J1CN3/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Same as the first image, except Anna is now off center. There is increased distortion. However, it does add to the impression of motion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505282945488-PQU8H3BSDZWPFQA1V6O4/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Anna standing in the middle, with her arms tight to her torso. Her head is near the center to reduce facial distortion, while her feet is near the edge of the frame. This placement elongates her silhouette. Camera is leveled to minimize distortion. Note that the distortion of her sneakers has the same visual effect of wearing high heels. For this reason, the shoe position is generally pointed forward, and not towards the sides. That would result in elongated clown feet. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505282669402-IKAFAQN6XCMD0MW9MCO1/DSC01891.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Shot at close to minimum focusing distance. Different regions of Anna's face and also her upper torso are on different focal plane, where anything closer up will pucker out more. This results in facial distortion which makes Anna appear more anime-like. Also note that regions closer to the edge of the frame is also distorted, resulting in more volume. This is also exaggerated slightly by the slightly upward perspective of the camera, shot a neck level. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505457212549-KSZ1UB8FB1NAHHHZ9IVH/DSC01900.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Front and middle, with Anna's head pass the center point. This results in a slight elongation of the head for a more sophisticated look. The camera is shot slightly downward at eye level to compensate for the vertical stretching at the bottom of the frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505282408451-RHZZV77Q493S62EIQ1SY/DSC01902.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Another close up image capture, with her arms tucked near the torso. This time, not leveled, so there is more of a "sweetheart" effect on her face. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505282300362-CJZPEXKLRT8CGW9HQF5C/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Another front and center head to toe image capture. Camera is leveled. This time, the shoes are even more elongated. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505457294827-LPPXRS6FRVMKJAOHYVFX/DSC01908.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Now with the head off center, resulting in a slight elongation of the head. Note the arm position is to the side to minimize distortion of the arms. Camera is leveled. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505282258230-KJAD1G822UASKBWT1FQQ/DSC01918.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Forward motion tracking of Anna at 1/30s. Camera is leveled. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505282233320-2JHE5JFSAV3UY4XV4CDO/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles An abrupt stop in forward tracking at waist level. Camera is leveled. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505282205573-2ZQ5TW02XKVBP9D9UZG7/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Playing with an object in a focal plane closer than Anna. Distortion is minimized on face, while elongated for the torso. Notice the distortion on the bus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505371183148-Q3YCV16TSYZW9V6NUGUT/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Greater emphasis on the object on the closer focal plane. Again, distortion is minimized while elongated for the torso. Also notice the distortion of the bus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505282150703-N2ZTBUIUUK9VPTPNKUL2/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles The typical super-wide angle landscape image capture. When the subject is this far and positioned in the center, there is practically no distortion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505282102240-OLQ0ZJ8O9Z2M7U4TR5KC/DSC01963.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles At 16mm, roughly 6' away (2m). Leveled and shot at neck level. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505282035490-ZN4K1VBX8Z01Z2B3WK3W/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles At 18mm, roughly 6' away (2m). Leveled and shot at neck level. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281995977-26DPHJMFVWC3WBE4PTJD/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles At 21mm, roughly 6' away (2m). Leveled and shot at neck level. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281896422-21UD18PR3A8JEISRYLJ0/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles At 21mm, roughly 3' away (1m). Composition framed to crop off the lower body, in order to cut out distortion of the hips and thighs. Leveled and shot at neck level. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281847479-Q5PDXAVNJUAKNM2ODDPF/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles At 18mm, roughly 3' away (1m). Composition framed to crop off the lower body, in order to cut out distortion of the hips and thighs. Leveled and shot at neck level. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281778519-N6NAT0HOF40WKDHEO4LK/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles At 16mm, roughly 3' away (1m). Composition framed to crop off the lower body, in order to cut out distortion of the hips and thighs. Leveled and shot at neck level. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281706151-Q70F6U3NK0QTH97X9MTG/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Anna's Blair Witch moment. Shot at extreme upward facing perspective at chest level to elongate the trees in documentation. However, her hands are grossly distorted. Still, her head is in the middle of the frame, albeit not in the center. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281578223-99BZD8OJE2S6IPAV0B1P/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles More front middle documentation, with the camera leveled at waist level. Image has been cropped and leveled. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281530002-1G9J1T172IFVQCQP84UW/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Front and middle with the head in the center, and the camera position above my head. Arms have been tucked tight into the torso. Image have been framed with her legs cropped out, because the off angle documentation will shorten her legs. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281489762-DLM4VRAXUXKSZBYIX6VJ/DSC02040.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles From waist level, documenting our shoes. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281450275-01N19IKA115GBGWFKYGQ/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Tracking Anna, slightly off middle, with the camera shooting at a downward perspective from chest level. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281399114-9YLRM3V4ZGIPSK8UX327/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Front and middle with the camera leveled shot just at waist level. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281340339-MMJR39JN567B459MOLO2/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Front and middle with the camera shot at a downward perspective above head level. Image have been framed with her legs cropped out, because the off angle documentation will shorten her legs. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281259522-3IABJEP3QS59FC7HDOAD/DSC02094.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Anna's head close to the middle, shot from close focusing distance, from an upward perspective at table level, with most of her forearm cropped out of frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281211819-DGD8WWEWG2CI2XND8S49/DSC02098.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Same as above, except on this image, her hands and forearm are left in, demonstrating the extent of distortion at the edge of the frame and on a closer focal plane. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281151088-0MNMDLJQAOWI3FE6IG7F/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Front and middle with the camera shot in a downward position above head level. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281077959-XAN432BQ7LVMU66R3FQD/image-asset.jpeg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Tracking Anna, front and middle with the camera shot at a downward position above head level. Legs are distorted smaller, but cropped enough in framing without looking overly awkward. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505281023568-WGS2LR98EJ8K5JRSPQ3E/DSC02144.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Tracking Anna, front and middle with the camera shot in an downward position above head level. Image have been framed with her legs cropped out, because the off angle documentation will shorten her legs. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1505280971360-N4GDZIJ7LEIAELWCYX1Q/DSC02147.jpg SERIES I - Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Tracking Anna, front and middle with the camera shot in downward position from head level. Image have been framed with her legs cropped out, because the off angle documentation will shorten her legs. https://www.streetsilhouettes.com/home/2017/9/8/nikon-d850-first-impressions monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504896347068-1GAOIUN2OJDA604LB6J9/DSC_0009.jpg SERIES I - Nikon D850 - First Impressions ISO 400, 1/200s, f/2.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504896322419-CUD1FG23AH013SREIWH4/image-asset.jpeg SERIES I - Nikon D850 - First Impressions ISO 400, 1/200s, f/2.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504896292081-NCAOBLT4GWL0QKWINNPT/image-asset.jpeg SERIES I - Nikon D850 - First Impressions ISO 400, 1/200s, f/2.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504896031577-IJEJYG5J1CN7MAEEFUWU/image-asset.jpeg SERIES I - Nikon D850 - First Impressions High ISO - ISO 25600, 1/160s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504896091484-0MHLXJ9MBIN703KVCP6O/image-asset.jpeg SERIES I - Nikon D850 - First Impressions High ISO - ISO 12500, 1/160s, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504895883811-6552TUVU2YX0EHJEWAU1/image-asset.jpeg SERIES I - Nikon D850 - First Impressions ISO 400, 1/30s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504895681977-MBYIGKNMG3RD5YGQ7W11/image-asset.jpeg SERIES I - Nikon D850 - First Impressions ISO 1600, 1/30s, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504895621462-WWNFFY7Z5IU53B7ARJGL/DSC_0106.jpg SERIES I - Nikon D850 - First Impressions ISO 1600, 1/30s, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504896215589-XCPBW9RT0VY3L0DBLKC4/DSC_0045.jpg SERIES I - Nikon D850 - First Impressions Low light high ISO - ISO 25600, 1/100s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504895574455-NUZF4J3HWU1NLVPVB65L/DSC_0173.jpg SERIES I - Nikon D850 - First Impressions Tilting live view - ISO 6400, 1/500s, f/2.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504895448812-YLHJB2J52OETEWAT1FS0/image-asset.jpeg SERIES I - Nikon D850 - First Impressions ISO 6400, 1/640s, f/2.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504895336376-PQK76LEE4DT0R8M8IGH1/DSC_0214.jpg SERIES I - Nikon D850 - First Impressions Difficult light - ISO 6400, 1/640s, f/2.0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504895235585-3UW25IOQKU7FQGK1FI3O/image-asset.jpeg SERIES I - Nikon D850 - First Impressions Difficult light - ISO 12500, 1/1200s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504894956119-9KNKW3WB1OXIJGT9F8GY/DSC_0241.jpg SERIES I - Nikon D850 - First Impressions Finger tap auto focus and shutter release - ISO 6400, 1/320s, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504894852572-RT5CW16CEVWJV4JD6KZN/image-asset.jpeg SERIES I - Nikon D850 - First Impressions Focus tracking with Live View from multiple burst - ISO 6400, 1/320s, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504897957123-OD4DMZB4HPOW1IO3C3XY/DSC_0591.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504897957116-JDVTXPH6770N1SHBD1BT/DSC_0592.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504897992756-4SLX829KHFBO4EOMX5AK/DSC_0593.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504897992989-MD52M6YK6363725094ZI/DSC_0594.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898029793-D6EAKZ5HSH4JRVC9LI22/DSC_0595.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898022241-06929X0N2V11LR1K63QM/DSC_0596.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898048356-YEHDKXYDP81QA70LALIM/DSC_0597.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898056303-X0QYUPFKD877QJKNAFSE/DSC_0598.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898076006-PRYIXL9URTG9RM6VEGBX/DSC_0599.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898079994-795HAHH88TWB84Y8CNK4/DSC_0600.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898334360-3VSWQQOBOKLCYQKBV6G5/DSC_0801.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898334666-87VN52ODG2F8NXRQXDU5/DSC_0802.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898352793-EAGNYIINHFET72SIUZZL/DSC_0803.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898353110-KCYIBNBDT3YQFEWOX7S3/DSC_0804.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898371739-QOFKN8C0OF1X8PG6V64M/DSC_0805.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898372781-TNEVT4XFVLEZIB2DFBBO/DSC_0806.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898391339-WSO920B35COGI1RLLPZ8/DSC_0807.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898393955-MB4X7PO9JRZP5KCJ0DVE/DSC_0808.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898412695-0XOZL1EIY1COBPMWJ5LB/DSC_0809.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898415767-MQ98EMCI8CP7G0IUF6YL/DSC_0810.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898432939-07A66FMUJAFC7IJSDNMQ/DSC_0811.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898435712-F7JWR1MDD5U2ZRK6YVFC/DSC_0812.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898452608-EDQRD1SVNJR8ZYOG13E9/DSC_0813.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504898454137-WYN9JAZNWCWBNKN9LJ1Q/DSC_0814.jpg SERIES I - Nikon D850 - First Impressions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504894761200-KAFD42ZOTJOOKNZ38TBC/image-asset.jpeg SERIES I - Nikon D850 - First Impressions Focus tracking at eye level from multiple burst - ISO 1600, 1/640, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504894672254-D0NDI1HADJY7F1EXYVMT/image-asset.jpeg SERIES I - Nikon D850 - First Impressions NEF Large - ISO 1600, 1/640s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504894593155-6FJL7Z684UIA19REG4L8/DSC_0428M.jpg SERIES I - Nikon D850 - First Impressions NEF Medium - ISO 1600, 1/640s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504894536759-48Q7EQDVT8KOVWXI2NEV/DSC_0450S.jpg SERIES I - Nikon D850 - First Impressions NEF Small - ISO 1600, 1/640s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504899437480-MTNLWV8643KWGUN7IJRE/DSC_0902.jpg SERIES I - Nikon D850 - First Impressions Full Crop - ISO 1600, 1/640s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504899459305-TA7IEWRFAHXYAITNOXEU/image-asset.jpeg SERIES I - Nikon D850 - First Impressions Magnification - ISO 1600, 1/640s, f/4 https://www.streetsilhouettes.com/home/2017/9/2/an-hour-to-kill-musing-on-the-nikon-d850 monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504505417605-FLAZVEZ8GVB3833VA9IT/DSC04161.jpg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 800, f/5.6, 1/2000s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504505459357-IGQO4BBEDHGVIRS73SNN/image-asset.jpeg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 100, f/2.8, 1/1600s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504505506236-OCXIWEG9DQZR8V9EMV8R/image-asset.jpeg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 100, f/2.8, 1/1600s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504505538894-8ROWQF3I41PF6UCZ5Y1J/image-asset.jpeg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 100, f/2.8, 1/1250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504505575125-4CXNOSOPU6U7VOLF33VU/image-asset.jpeg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 100, f/2.8, 1/1000s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504505629309-EDURZ3030C26ZOCHGOPW/image-asset.jpeg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 100, f/2.8, 1/1250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504505658370-TBQVQUNW7G625JHSTYFG/image-asset.jpeg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 100, f/2.8, 1/1250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504505710631-4CQYVA96KIDSWRT8FHX9/DSC04284.jpg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 100, f/2.8, 1/800s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504505739576-U8O9ZR1S8CH3EDL2AGIH/image-asset.jpeg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 100, f/2.8, 1/800s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504505954194-K5XBYOUQGETKHNZ0P8VA/DSC04295.jpg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 100, f/2.8, 1/640s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504505899215-BZZMSRHFYDWHW0XKJS6G/image-asset.jpeg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 100, f/2.8, 1/640s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504506023147-B8TMXED74WCZSCAXT773/image-asset.jpeg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 100, f/5.6, 1/125s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504506070536-I7ZRV8LG68C6INOJA5EI/image-asset.jpeg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 3200, f/5.6, 1/6400s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504506102950-H9W1OPOVKKJQ5LXO0G88/DSC04385.jpg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 3200, f/5.6, 1/1250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504506142604-42ZWP6GFUACUVI1Y5IEH/image-asset.jpeg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 3200, f/5.6, 1/1000s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504506188413-SUD7ZCLTPMJRVYR0J8NN/image-asset.jpeg SERIES I - An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sony A7r Mark II + 35mm FE 35mm f/2.8 ZA - ISO 3200, f/5.6, 1/1600s https://www.streetsilhouettes.com/home/2017/8/31/revisiting-a-shelved-project-rlrns monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922022816-EK6KW3WA598M0C3AUA0G/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 28mm f/1.4 Summilux ASPH - ISO 800, f/1.4, 1/350s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922070052-FUMHKQ2B06IF68HOPL3U/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 28mm f/1.4 Summilux ASPH - ISO 800, f/1.4, 1/350s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922111904-OVG0FFYRCGMBYZ5P35G5/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 28mm f/1.4 Summilux ASPH - ISO 800, f/1.4, 1/350s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922156754-C8HDBK6Y394IOJRCZFED/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 35mm f/1.4 Summilux ASPH FLE - ISO 160, f/1.4, 1/350s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922192083-ITRLFX1CW5JF8OLW7Z40/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 35mm f/1.4 Summilux ASPH FLE - ISO 160, f/1.4, 1/350s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922231723-19Y4K0ZDT895QD4GNMMS/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 35mm f/1.4 Summilux ASPH FLE - ISO 400, f/4, 1/350s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922355212-WVFD5M31X2NUXGI2NJPA/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 28mm f/1.4 Summilux ASPH - ISO 160, f/1.4, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503965613690-1J6WM05J3GIKUZ111CFX/L1010597.jpg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 28mm f/1.4 Summilux ASPH - ISO 160, f/1.4, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922429246-7I5XQEX640QFF97FGFTH/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 28mm f/1.4 Summilux ASPH - ISO 160, f/1.4, 1/350s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503966166910-5HPYITWQ7S0OFLQU9UR6/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 28mm f/1.4 Summilux ASPH - ISO 160, f/2.8, 1/125s - cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922473810-ETA6HX76XD4YA9CALNB7/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 28mm f/1.4 Summilux ASPH - ISO 800, f/1.4, 1/350s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922542601-NWM62CGG257VW9LF98W4/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + Vario 24-90mm f/2.8-4 Elmarit-SL ASPH - ISO 400, f/4, 1/125s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504073351632-TG8HNGJBYKTBD3JWTRGR/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + Vario 24-90mm f/2.8-4 Elmarit-SL ASPH - ISO 400, f/4, 1/125s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922690076-9F0CT9J7IS35KTZN6JJ7/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + Vario 24-90mm f/2.8-4 Elmarit-SL ASPH - ISO 400, f/4, 1/125s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922722004-JYH5F2TOKVOEIY2G1J2J/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 50mm f/0.95 Noctilux ASPH - ISO 50, f/0.95, 1/125s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1504145031225-VCQ4Q1LTPH00FRROEYDS/L1050262.jpg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 21mm f/1.4 Summilux ASPH - ISO 200, f/1.4, 1/1000s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922845820-UUL87MN09QLA3XYJYBF2/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 21mm f/1.4 Summilux ASPH - ISO 400, f/4, 1/1000s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922902640-XDIZHCQA6A8VVA9Q04QC/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 21mm f/1.4 Summilux ASPH - ISO 1600, f/1.4, 1/1000s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922943192-5EIB48SY74E4UJ4LA1NE/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 21mm f/1.4 Summilux ASPH - ISO 100, f/1.4, 1/250s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503922981902-1XXFEMTNIPHRPZXAX47C/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 21mm f/1.4 Summilux ASPH - ISO 1600, f/1.4, 1/1000s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503923028599-MVOMNRVOE53BNVN032JP/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 21mm f/1.4 Summilux ASPH - ISO 3200, f/1.4, 1/1000s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503991844299-W5C0KRMC8LSBJVOIDHDH/L1050440.jpg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 21mm f/1.4 Summilux ASPH - ISO 800, f/8, 1/250s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503923135026-HNRZSN5BMSPFR1XNJU3Z/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 21mm f/1.4 Summilux ASPH - ISO 1600, f/4, 1/250s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503923219378-7P84X3OAVNVS04FWUEZR/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Canon 5D Mark IV + 24mm f/1.4 II USM - ISO 8000, f/5.6, 1/1000s, cropped. Shot by Anna https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503923334454-58WYAJEXRI7BEJI94TZB/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Leica SL + 21mm f/1.4 Summilux ASPH - ISO 1000, f/4, 1/250s, cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503923277738-JPE1XBN57PEYO17QCNE2/image-asset.jpeg SERIES I - Revisiting A Shelved Project... and finding a way to finally use it Canon 5D Mark IV + 24mm f/1.4 II USM - ISO 4000, f/5.6, 1/1000s. Shot by Anna https://www.streetsilhouettes.com/home/2017/8/22/zeiss-75mm-f15-biotar monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503380766615-D9WQ8OTZBNWZERFLLM9H/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version First set - Immediately amazed by the bokeh... quite literally blown away... legendary - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503380801438-DTP9OBK4YCOJU5NQ55G6/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version The long focusing throw of the 75 Biotar made precise focus a reasonable undertaking... even at paper thin depth of field, when the subject wasn't still - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503380724290-XZ5VVEALEO8HG2QBAAIJ/DSC01390.jpg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Paired with focus magnification, the long focusing throw gave me sufficient range to stop turning the focusing ring close to the precise instance of confirmed focus - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503380882785-GQXXHBCHVS9CIJVUZK8G/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version On a rooftop away from the crowds - ISO 2000 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503380923993-IAIZXMU6JBULYTXQYP57/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Enjoying the calm before Typhoon Hato... note that the ambient light depends on the light emitted by the outdoor LED display across the street - ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503380949156-6R3EQ711KCQ9Y0J3UWI4/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Is that banding or the outline of the tiles on the exterior walls - ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503380975943-X2QP9N7QYK4KT5LI9S4F/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Still, manually tracking focus wide open at f/1.5 - ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381003220-ASOQA1ZZDUQMKXNZWJ8E/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Looking down at the taxi queue... 90ºF - ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381087309-KREM3N4WXL73ZAS37L2Z/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Coming down from the roof... focus is much sharper in the center - ISO 2000 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381132553-73PZTXAXBRER97QD8E63/DSC01527.jpg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version How an impression of movement makes the pose less rigid... completely achievable wide open with this lens - ISO 2000 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381192610-DP0SHZ7M26GJYUISU4W6/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Shooting from above eye level to capture more electric fans inside the frame for the sake of rendering bokeh - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381212979-T763L3LIAG6IGLUKV4XL/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Closer up to reduce the plane of focus - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381164274-HCRN0EZTE3RYJKEMS195/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Even closer up - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381396743-6IZ1NOOA0G3E2CPDHZUR/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Standing on an island on a one way street - ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381430642-WTRBIOU3KZHK7125ISMQ/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Oncoming traffic from behind - ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381468617-9FJOH112G8U9493QY087/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Bokeh balls from Hong Kong's legendary lights... shot from above eye level - ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381496020-EKOR59VA2ZN87QDD3VPU/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Shot at ground level at the same shooting location, with the characteristic swirling bokeh pattern rendered - ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381525956-9MR11P2POBVS7N6HBVZL/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version At the optimal distance to render both the characteristic swirling pattern and bokeh balls... shot at waist level - ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381366090-T9USXCU0OSZ18UP5M7ND/DSC01561.jpg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Behind a passing taxi - ISO 160 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381831659-71CCM0KBIVKURWCOL1QT/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Near a taxi queue - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381580024-NQZWGRBSFPROXY0BW2KD/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version From a distance beyond 15 feet - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381607870-JBRQXQK9OBSZG031PO8K/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version The head is in the center, so the face is still relatively sharp - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381734771-LOPXWHMU16MFVEU48EIB/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Testing sharpness closer up with the subject posing - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381653680-Q7QXCM6OV2IGOFHLIZM8/DSC01773.jpg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Testing sharpness closer up with the subject moving - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381687753-VSZFN3X61X60T6VWNVT8/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Still moving - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381710536-1BQPEHWI8YN8M9H9VD3X/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Closer up - ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503381789083-P5DEMSDNWQR1RVWESVTN/image-asset.jpeg SERIES I - Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version As close to minimum focusing distance without the image capture becoming compositionally unusable - ISO 100 https://www.streetsilhouettes.com/home/2017/8/18/why-film-never-died monthly 0.5 2018-12-11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503094387575-901KXXAHLRD3AZ0L6RQE/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner At the bird market in Kowloon - Ilford Delta 3200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503094430893-KJII0H1IK5K37EFVQCT2/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner At the bird market in Kowloon - Ilford Delta 3200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503094344570-32SPVTHY6ELKWC5OBUM2/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner At the bird market in Kowloon - Ilford Delta 3200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503094509610-KIC657JME7BVD5X7P3ZU/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner At the bird market in Kowloon - Ilford Delta 3200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503094728367-I1DZEUXQG2PKEQ68D7Q4/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner At the flower market in Kowloon - Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503094680054-XQIJP4S89PCRQ9OSDL32/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner At the flower market in Kowloon - Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503094634355-RFUDVB76PC4G9VGYPOK4/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner At the flower market in Kowloon - Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503094234597-4424BK9H6JPG0KS4CP4R/20.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner At the flower market in Kowloon - Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503095411574-H0HQW75DT2HM22934X73/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner At the flower market - Kodak Tri-X 400 +2 stops https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503094871831-Y8BICMTUQ4QOVM27V8N7/08.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner A quick bite at the Peninsula Hotel - Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503094907145-P8GJ3ZO6A3SQNFC9QJPM/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner A quick bite at the Peninsula Hotel - Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503095267874-41CWKT534A8U256E1KWB/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Crossing Nathan Road, Kowloon - Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503095062228-FMN0JGGTIYHYAACOH7VU/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Crossing Nathan Road - Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503095120646-T2GK03OP06C4J8AV5RWU/12.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Between two buses on Nathan Road - Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503095192224-EB6O6K20HPYA4WEY4Y35/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Crossing Nathan Road, Kowloon - Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503095343414-PIUWUO6N6Q2HI2Z469A2/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Can't remember where this is - Kodak Tri-X 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503095948161-WX56ZTNVAXXVW7Y56RKF/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner In Tokyo, Shinjuku - Ilford XP2 Super 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503096487610-EPQHP5HD453YU6RWPW65/18.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Outside Yobadashi, Shinjuku - Ilford XP2 Super 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503096707882-BED4E9QN3C9YZKFAIAQL/07.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Next day, at the Ginza - Ilford XP2 Super 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503096774844-O5KVGKLX48W598FM754M/06.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner On the street, at the Ginza - Ilford XP2 Super 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503096835669-ABVIPAXX2QFQK3V9L80U/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Outside a sushi establishment, at the Ginza - Ilford XP2 Super 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503097173221-LB3LS9TOK5WCLUDK16XA/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Side street, at the Ginza- JCH Street Pan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503097253163-OAENJSE5TSZH1HFPU3Z0/09.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Side street, at the Ginza - JCH Street Pan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503097308763-V2EMEL359AYGISGI2CIJ/10.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner At a vending machine, Ginza - JCH Street Pan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503097404636-8U5QW7H658C5X2CJRV1Q/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Silly walk, Ginza - JCH Street Pan 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503097745190-3QU0F0QQE0NT7F10VD7V/15-2.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Buying her bag, at a UN School Flea Market - Kodak Ektar 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503097659894-PUI3GETTET3TD8L09562/16.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Inspecting produce, at the UN School Flea Market - Kodak Ektar 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503097835940-2GOPQY2TO6XK98X0WARL/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Still at the flea market - Kodak Ektar 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503097882003-AD3I9G0OMP90YH7A9HJN/19.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Flea Market - Kodak Ektar 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503097912413-CW21HVL8BUD9ELBGY5VH/20.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Flea Market - Kodak Ektar 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503097534863-HKGZ7A17GLVK8CLJFFA5/12-2.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Looking up, Shibuya - Kodak Ektar 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503097592316-MILGCXBYJQB6A6PHM3G7/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Near the station, Shibuya - Kodak Ektar 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503097492166-LZNXV5M2X6OA3LNGVH3P/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner In Shibuya, at the crossing - Kodak Ektar 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503105475419-QQY6SYFGKBYYP321KHUX/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner In front of the villa, Bali - Kodak Ektar 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503105542390-WDAYABLYAWRFY7FWYJ0P/BL33.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner By the cabana, Bali - Kodak Ektar 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503231146525-4OKHBPI502SV6TWK6V6T/BL29.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Overlooking the salt water lagoon, Bali - Kodak Ektar 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503105320897-24ZWKLZJBKV6WMNIK97D/BL6.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner By the poolside bar, in Bali - Kodak Ektar 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503105414291-PHDZ60CKNLKP93IG58LI/BL13.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner By the poolside bar, Bali - Kodak Ektar 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503105625641-75YRH1LHXXOV9T2NTPLF/BL26.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Going to the beach, Bali - Kodak Ektachrome 100 (may have been exposed to light) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503105666499-PIU1812NMGY5RGVY4C3T/image-asset.jpeg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner At the beach, Bali - Kodak Ektachrome 100 (may have been exposed to light) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1503105723331-M3RNWN6DIZ29JV70L8WF/BL07.jpg SERIES I - Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner The moment before my Hasselblad XPan died, Bali - Kodak Ektachrome 100 (may have been exposed to light) https://www.streetsilhouettes.com/home/2017/8/1/los-angeles-with-anna-part-iii monthly 0.5 2019-12-03 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304117902-600VAPSSRK1FNQY0DL6V/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Ferried around in our car service - Zone focus and shot above my head - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304280024-XIF32L150WKVVS54C3U1/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Shot from behind the driver - Framed with the Leica M iOS App - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501303888377-ZQDHWSOZJRMTGVOJDC2R/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down One of many attempt for proof of pilgrimage - Deliberate shot with Anna at the near limits of the depth of field and the Hollywood sign near the far limits - Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304315549-NG71WJ7S8Y5EQEFV8XYW/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down A view of Griffith Observatory - Shot blindly - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304023479-IYSMELQW1M7JRYOMM0HL/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down A better view of the Hollywood sign - A deliberate shot with Anna at the near limits of the depth of field and the Hollywood sign near the far limits - Leica APO 50mm f/2 Summicron ASPH - cropped to 75mm equivelent for composition https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304348359-U202E60DODBZSQ4FWHRX/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Hollywood Blvd, on the Walk of Fame - Shot at waist level - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304381156-7HF44QB0W2AMD4UUZIWX/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Finding Anna's name - Deliberately shot - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304405914-4FQ99PBORZTZM6AOJHCL/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down On Hollywood Blvd - Panning at waist level - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304437205-DIF06WKCO9MD2PQJIRSZ/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Getting into our car service - Shot close up and blindly at waist level (which is causing significant distortion since most of the car is on different focal planes) - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304969283-0MGNO1QI66Y1A4ULW74Q/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Late late lunch, off Rodeo Drive - Deliberately shot - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304502571-EVTREP0MAMHY6VUPR5YQ/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Goong tight to exclude photobombing on the right - Deliberately shot - Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304554546-GIOUZ3FSEG3VY6CK4VD7/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down The extent of my food photography - Deliberately shot - Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304611943-EGPOBZAZ5JP3PMOG6UCS/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Decisive moment with Anna taking a bite of the Calamari Fritti - Quick shot zone focused - Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304909043-WCCZS2DNYQ8YS318M8J9/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Hat shopping for proposed day trip to Red Rock Canyon State Park - Waist level shot with live view - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304645615-ED0UA95P48NEECM0MTU2/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Success, hat found - Deliberately shot - Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501305019385-SCWB29BX47E3F2VOT00A/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Tracking with a wide angle lens - Waist level shot blindly - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304842261-Y17BCW4NWFZ5Y24ERVOX/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Now a close up with the tighter 50 - Zone focused - Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501304743318-ENPPB53VVM131LFAGZTI/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Capturing a selfie - Deliberately composed and zone focused - Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301751407-CP7DN8TNP51HR40NXXZ3/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down At the Universal Studios theme park - Deliberately composed and zone focused - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301040901-99JMVP4N090LGE6NHWW4/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down First stop, Harry Potter Land - Waist level shot with live view - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301095281-UHODOAWXVD3JL26IB8K1/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Low angle upward perspective towards Hogwarts - Shot blindly - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301123663-SZGHAE83NWU4I02RJR6T/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Close-up low-angle upward perspective towards Hogwarts - Shot blindly - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301198789-OX1EP4UO9E2PUJD1LBFL/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Tracking at a low-angle upward-perspective position - Panned blindly - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301266003-X07CWU3HT6TMK5NR5XYL/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Close-up at a low-angle upward-perspective position - Shot blindly - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301321421-AQCJDAHBZ2V0FOIDX68C/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down At Simpsons land - Waist level shot with live view - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1502375047132-90NLOX4YWLY4396VMPDB/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Overlooking the backlot studio - Composed deliberately at waist level with zone focusing - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301361398-ZVD6RADDG9HDCWZUPW5T/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Lining up for the backlot tour - Shot blindly from above - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301391495-X48L3B69IU13THGASSAU/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down On the tram - Shot blindly from in front - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301437884-4U1MVR7IA0IJY0OKZ95K/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Passing "The Voice" - Shot blindly with Anna on the near limit of the depth of field - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301536467-RRLTOEDO9HZNRRR4RKC2/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Through the "Back to the Future" town square - Shot blindly - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301603111-5DK38XP77JIL99DF6H4Y/L1009029.jpg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Through a generic urban street- Shot blindly - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301641347-R4FIFXJBJV5GBFOAB9N2/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Through Wistoria Lane - Shot blindly with Anna slightly out of focus since she's outside the near limit of the depth of field - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301680103-J48O4CPAV0J2O6YS91S7/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Through a plane crash - Shot blindly - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301717190-CCQKRFNYT125TV01OJHY/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Through the Fast and Furious installation - Shot blindly at f/3.4 and 1/4s while still in motion - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301788791-1Y2O9PV0ZLEL4P7Y3TMI/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Waiting for the valet at Frankenstein parking - Shot at waist level with live view - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301879356-KEU1N68KN2SLVJ4IDS9T/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Lower light shot - Composed deliberately and zone focused - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301909649-9C6WYYAVW2BU3EFAQXOT/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down At the gallery, Leica Store Los Angeles - Shot deliberately - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301965829-EWLMITAMP3C3Q947OOZD/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Leica Store Los Angeles - Shot deliberately - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501301997028-P7DT09ZHJV6WUH4C291B/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Leica Store Los Angeles - Shot deliberately at waist level - Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501302020510-8VZ4PLGMWSIDOSFNHY14/image-asset.jpeg SERIES I - Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down Leaving the Leica Store Los Angeles - Shot deliberately with live view - Leica 21mm f/3.4 Super Elmar ASPH https://www.streetsilhouettes.com/home/2017/7/31/los-angeles-with-anna-part-ii monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501302245469-UYJB15QUC90AXHSV8AOM/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Popping open the hood. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501302380780-IA00VWJLZNSV6D1BY3C9/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Now checking under the hood. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501302408099-3YV7Z3SYQEX3OB63N93A/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Fixing her hair, now sitting on the hood. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501302846629-U23WX8H57S8FHJLTQ0V4/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron In front of a reservoir with the Leica M10 shot on a slight angle. Notice the barrel distortion on the low wall. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501302905381-B9JDSEE1HGL78CS82MHB/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Now with the M10 shot on a more exaggerated angle. Again barrel distortion on the low wall, this time curving towards the other direction. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501302443858-0NL62BHB9L22JF6FO1CB/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Now seated by the reservoir. No barrel distortion at all... though admittedly, the angle of view is tighter. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501302586241-CRU2KDTEP1HR74TE6HIM/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron With the hills in the background. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501303087924-0AEPSS94SQN5YUUNRA9A/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Pretending to hitchhike. Shot leveled. All lines are straight. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501303135945-3PK3VRJI78HLHZ7P0T10/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron This time hitchhiking on the right direction. Again shot leveled, all lines are straight. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501302609419-PXZMHKGWE0WRWCA8Q5LU/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Seated on top of our rental. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501303026162-E2351JHULPSH2XKFEENP/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron The last thing you'd expect to find out here. Not exactly Tex Mex. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501303185562-HGXM31T28HLGBOABNUDZ/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Truly wonderful, bizarre, and American. Surprised there wasn't any barrel distortion here. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501646371588-776FDEYXWWZKBV7XYVEV/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Reclining with the top down. With some distortion on Anna's left arm. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501519927527-YU6SKTBSLRW8N2LT26AX/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron At the Victorville California Route 66 Museum. Slight barrel distortion. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501303307905-YVDMSG3JEAXVOSH2BYKU/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Closer documentation of the California Route 66 Museum. Shot leveled with no distortion. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501303340417-5KW7VBJRZ60PH3C1RRNT/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Out for a stretch, finally, in the middle of nowhere. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501302634506-GQVOMBO2UPEGSVUCTW4B/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron What's left over from someone's target practice. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501303375571-IKRGOBULP68R43LE6809/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron About to drift on a private clearing. Would have benefited from a flash. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501302660105-UTC3SJCJG89U1JQMI4T8/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Finally, on Route 66. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501302707545-XIUL4N9Q34U2MP6HZ81W/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Posing by the rental. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501302729662-49QMVZ5F4G6258ZWR59O/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Now by the road sign. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501302762401-H6Q9FVU42BUNBFRHREZ6/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Going through a mailbox. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501302682439-AAZJ0D871XD9FEA1ZDSL/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Train in the distance shot at 50mm to bring it closer in frame. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501303445332-P7BMXK7429ZTDDOHUT9J/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron At the train tracks. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501303496201-JEJX1UDK8VHE5NDKMKVU/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Hearing something. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501303571255-PW9LZ22A3U4HXWT2NRSL/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Seeing the approaching train. Notice how far away the train appears, shot with this lens. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501303618038-PTYMYNE2F1CBAPJXG0YE/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Covering her ears from the loud noises. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501303661900-4V6M1A2U75YBE850EFQT/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron The Burlington North Santa Fe line. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501303706194-RJD88785ASKZUG0N6K4O/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Would've been nice if I remembered to bring an ND filter. Could have gotten more motion blur for a better image capture. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501306338407-FDVYXPMK6PQUXKLMKV14/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron At One Pico, at Shutters on the Beach, by the Santa Monica Pier. Anna's face pointed towards a light source in order to make the image capture possible. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501306398551-7NLQOY8MP2G2HQR7BK83/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Interior low light performance. Leica 21mm f/3.4 Super Elmar ASPH - pushed a stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501306434607-Z2S5VODTMOKXZHGYZ3W6/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron At the rear gate to the boardwalk. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501306489010-57PSW4TAIOM2KJ5WBUZK/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron At the pier at Pacific Park. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501306665201-PSY0YBSXKX8HFIZYJ928/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Bokeh test. No signs of chromatic aberration. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501306733709-20DO0WI1F9ZLT39TOE8N/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Second bokeh test. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501306778485-4SXR942U0VKI8IHHRW94/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Not so much bokeh. Light assisted by the neon lights. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501306998885-B8WPHIAUZ6P37AIZJVCW/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron A stop less ambient light. Leica 21mm f/3.4 Super Elmar ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501306537957-JLT3YCL7MDM07GNWV4VP/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron The difference of 1.5 stops between the APO 50 and the 21 SEM. But it should be noted that the focusing distance is notably more at the 50mm focal length. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501306599185-PQ4GA13LCDXWCJPAOAOQ/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Outside Shutter on the Beach. What one less stop of speed can do. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501306833718-L9OJ4YYOJUAZGDGXESOM/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Now with the 28 Lux. Leica 28mm f/1.4 Summilux ASPH - cropped https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501306895579-KQXFSKCGFGG03VDVP5Y0/image-asset.jpeg SERIES I - Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron The benefit of one stop of speed on a wide angle lens. Leica 28mm f/1.4 Summilux ASPH - cropped https://www.streetsilhouettes.com/home/2017/7/29/los-angeles-with-anna-part-i monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501296698183-VWRTZCX65O6L7UARE1DG/L1008402.jpg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron At the Venice Beach Promenade. Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501296737510-45DXPC2ZNPA786Y9PR1Y/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron At the Venice Beach Promenade. Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501296777633-WLMY2JQLE42E4ZAUGN4S/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron At the Venice Beach Promenade. Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501383270163-PZ842CTZ76K4JPAL2TEV/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron In front of the Venice Beach signage on Pacific Avenue. Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501296812608-NXHASMMHK93P0JRKB2AX/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron The next morning at Saks Fifth Avenue on Wilshire. Anna's wardrobe needed updating to a more typical Los Angeles look for the week. Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501296851577-8LNSY7G9LA12GN9U2ZM5/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron The famed Halliwell Manor. Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501296901215-QSWXUOP8ASQZVO1KJZDO/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron The famed Halliwell Manor. Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501297081728-A8Q40JC1L9HY4VBY4A32/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron At Malibu Beach. Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501297114272-IND27X96M26J63ZWPSUN/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron At Malibu along Pacific Coast Highway. Leica 28mm f/1.4 Summilux ASPH - Cropped roughly to the 50mm equivalent https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501297188068-LWLDMZTECAN12JA1LJ9D/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron Seated al fresco at Malibu Farm. Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501299467592-NJ81YIDSDWN302UA1YFB/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron Seated at Malibu Farm. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501297208957-66VORUJJFNTASCAJUW39/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron Switched to a shaded table, at Malibu Farm. Leica 28mm f/1.4 Summilux ASPH - Wide open https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501297242994-IVL9M4KM28AO9CFFSZYK/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron On Malibu Pier. Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501299417911-DVK7H2GYP5ZOE2S21557/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron On a park bench, at Malibu Pier. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501297270742-2FHV53NKZN8KI2Z255TU/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron On Malibu Pier. Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501299546018-PVEYJLNOBUO6PL11QIYP/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron On Malibu Pier. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501297348007-9L3XMTXHDEVLUUB27JHR/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron On Malibu Pier. Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501299607921-CDSXV3YZUWTLY5ZX9275/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron On Malibu Pier. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501298923507-OBY9QVSPCVPI9ME0PRM4/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron On Malibu Pier. Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501299676764-NX8X5ZL1IZ1JQZA39ZH8/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron Back at BLVD in the Beverly Wilshire. Leica APO 50mm f/2 Summicron ASPH - Wide open at ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501299721788-RLYNASE074WJXAVH1461/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron Pouring tea. Leica APO 50mm f/2 Summicron ASPH - wide open at ISO 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501299016726-G587VU3BMFUCS9WZMATW/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron On a fountain at Via Rodeo. Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501299766421-VOFGX97KETLO5LR67KQY/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron On Via Rodeo. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501299891226-IHNN8XU55WTBKZP2VCO0/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron On Via Rodeo. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501299922354-GR6CL322YMCGS81712DA/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron A selfie on Via Rodeo. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501300010493-ODZD67M4CAI2RUQQVPGX/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron Exiting Via Rodeo. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501299064787-CMBFTF97KIQZB299UJ3P/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron Now on Rodeo Drive. Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501299090000-NOENY133ND31RJ1ZDS9M/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron Walking pass a police car on Rodeo Drive. Apparently, it reminds Anna of the video game "Grand Theft Auto". Leica 28mm f/1.4 Summilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501300053703-P4SZICY5TMZ018RP52CZ/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron With the Beverly Wilshire in the background. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501300131048-VF2GQ6UBPNN99M1X75W2/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron Sniffing a flower on Rodeo Drive. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501300164829-YGX20RL7UGALE204PUF8/L1003378.jpg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron In the middle of the crosswalk on Rodeo Drive. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501300253838-6IJ7K0OPZ6967UYH6FNJ/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron Waiting for the light at the corner of Rodeo and Wilshire. Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1501299118538-YP0LSH9RI4KUB02Z4UG8/image-asset.jpeg SERIES I - Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron Now on reflection at the corner of Rodeo and Wilshire. Leica 28mm f/1.4 Summilux ASPH https://www.streetsilhouettes.com/home/2017/7/18/in-bali-with-the-leica-m10-nikon-aw1 monthly 0.5 2021-11-08 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500373437807-U4W1UAX5IT2N1S27LNE5/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Anna and Elin going to their villa. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500373480206-3XTUFBIX7YLTDK03UL0W/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Dinner al fresco in the dark. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500373613833-H6D22IQOF71Q73BVWIRA/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends After dinner stroll onto the beach. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500373538569-EOX1RR9G15JFOLW4RSE3/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Into the Indian Ocean. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500373756377-25IN5VDOLI7J7A40NPB5/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Low tide. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500373858977-7I3NAFHINJEC52ZH30IZ/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Elin savoring the moment. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500378453488-W7WVWGUH5BO7YZ7HOE6H/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Quite literally on a boat. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500373958092-WC9SE5FVEUNF4R7THPGJ/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Relaxing at the cabana. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500374030705-12D28P1I8EZ6V4WIBZD0/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Reading magazines. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/368013f6-fca6-403f-98e7-3049de3c5b90/L1003064.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Taking a dip. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/88378776-ca8d-43a5-a122-dd4407454263/L1003033.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Taking selfies. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9818d652-0504-44a4-ba96-6a47818efc87/L1003042.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Out of the water. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/69b14a14-e17b-445b-8c07-6bee9577ec63/L1003050.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Shelter from the blazing sun. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/eb9b7ed7-2e33-4725-9400-1d293f6b4c97/L1082324.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends A head shot with the Leica X-U. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/82793633-ce36-448a-af8e-95715dbd43b3/L1003101.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends At the beach. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/24f25fbc-7f38-471c-89c0-a18c7c98800a/L1003077.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Also at the beach. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500374800534-WIN6Z32B46Y3HHUZJELN/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends At the beachside bar. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/046155e3-32a4-4308-9efc-71b8ef2f814a/L1003200.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends - Make it stand out Going back to the villa. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ba16c5ee-35e7-4c98-b7d3-ab692fb9c048/L1003205.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Evening. Shot at ISO 50,000. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c8777de7-6fda-4fb2-94d8-1649541ac3eb/L1003224.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends - Make it stand out Tired from a day of relaxing. At the spa. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d6a332ac-016e-4c46-9bbe-5befdb064f04/L1003219.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends - Make it stand out Waiting for the massage. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500375508852-THV6ZSPCXC5UX1TI8PVM/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends The next day, underwater with the Leica X-U. The autofocus is clueless with all the bubbles in-frame. It was at that point that I gave up on it. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500375582073-LS9OM1Q9HX1CKA0F7YVT/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Out of the water with the Nikon AW1. Compared to the image take the day before with the Leica X-U, the X-U is clearly much better out of the water. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/84f0339d-ccb9-402a-8dbe-2c4ee06a485a/DSC_1273.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends However, the Nikon AW1 is clearly better getting focus than the Leica X-U in the water. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500375716625-5I2V4RIB6RMP1F38G5TF/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends More underwater with the Nikon AW1. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/14d06e03-fb8b-435c-a25e-2c068c7a0d80/DSC_0912.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends - Make it stand out Underwater close-up with the Nikon AW1 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9f6cc964-e652-40ed-af45-69b2f598659e/DSC_1352.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends An impromptu shot with the Nikon AW1 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/635e4ddf-9136-4003-b51c-ac0b468f663a/DSC_1523.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends - Make it stand out Surfaced. With the Nikon AW1. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500374939911-DSV53D22XBXWL1F3BOY5/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends On the beach again. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2ca6f396-bb95-4389-8b61-49eea2c0f842/L1008102.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends On the beach again. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500375053688-5SJT04T5VT3CQCGLARA2/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Turning around to look at the waves. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1a635ac7-59df-454b-ba80-6bdb7f02c1da/L1008109.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends - Make it stand out Now facing the camera https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500375130490-UNQQDLHR4XACWE518JN1/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Hand to hand. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500375170425-DS971YK7BRO6IMXYZ3ZA/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Slip slidin' away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500375212459-J4R6X0A7UATRCM7QZ1DB/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Back to the villa. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500374860769-4PDGHSOGZO3T4N2FDIPE/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Relaxing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500375436156-YYBBGCQVY2Y9Q5F6BZJI/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Elin doing channeling her inner Marilyn Monroe when I asked her for Death of Marat. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500376149084-1L1N0L9585E6QFIAERW6/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Waiting for Elin to finish... doing her impression of an Odalisque. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500376190331-IQDS8670L9PFVNOS1S4S/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Afternoon tea. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500376239139-TJ9GLLO5706E8Y8J7WN0/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Dinner under the stars https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b955f6ed-97f4-4a93-9520-f65157bc6e9e/L1008268.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Back at the villa. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500376306466-XLGN8J535KFVXBSO1T8D/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Reclining on the sofa. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/00ce0e67-9e70-4d51-a1d5-a03d41aaf2f4/L1008307.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends A shot of the sitting room. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500376380184-7TJQOMJOUNHYSJNU8OPU/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends At the patio https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500379654960-TVVHUCG2IMO9TG7E1NOO/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends A shot of the cabana. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500376534102-C2V05VCQNDXSRMH1U5FG/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends A half hour later... after forcing Elin to change https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/04d7c1f1-6a21-46b2-aa9e-660d3af7ac9e/L1008343.jpg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Back to the beach. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500376684622-R7BT986BYYWSJOT0LNFL/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Private beach chairs. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500376831152-W0PBN45LF4ME7Y5PN4PK/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends An hour to kill before checkout. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500376910934-G4H58VGBREDA1AMYO15P/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Finding a hammock. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1500376973390-HXHRMWP8791JN2990EEF/image-asset.jpeg SERIES I - Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Until next time, Bali! https://www.streetsilhouettes.com/home/2017/7/13/tokyo-story-leica-m10-21mm-f14-summilux monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499988591329-0QJTSRR0DHJ09DNK094W/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Looking for film in Shinjuku https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499988629727-BN3Y2IAIQXT8S5SIH1PX/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux At Yodobashi after iMessaging Bellamy, https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499988666093-V4A42ZYVXEEJ7BZ5YCC6/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Looking at some Holga's. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499988741869-817K7SWNB6A427SFHTXQ/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux With Anna leading the way, since I have no sense of direction. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499988838066-H46SCR2P54RGGN7ZQ6YJ/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux More crowds in Shinjuku. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499988866259-ZVR35JSMQB9PY8BR5PY5/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Bag shopping, since I was tired of carrying Anna's stuff. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499988894707-D9EHD2KNHXV8EQ5EDT6S/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Inside Uniqlo at Shinjuku. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499988923037-VLISR2KVLSK75EKOJVRT/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Huffing and puffing... no success in finding a bag. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499988966071-BRM83GLZDJ8K86OMDFSQ/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Taxi back to Roppongi. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989016558-K4PWOLHA2X23F2TAJ395/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Looking for some toiletry. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989051062-H1MH7IUVG3TN91MMW3CC/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux In front of Fujifilm Square in Midtown Tokyo. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989090074-CHSUZADR1PKOOPJEPGMX/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Streetview at Midtown Tokyo. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989126532-S3D6WEF5JQVISEUW8WDA/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Another street view outside Tokyo Midtown. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989162044-A6H9EESR0NMU720UQY40/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Inside a side street by a Japanese vending machine. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989192380-GTW0YE0V9S93AOJ663Y1/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Leaning against a Japanese vending machine. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989224005-00FJFCPOB7MR7XAK7OGW/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux In front of a closed down establishment. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989259074-CZSW3KN3Z13HJZ9S89BP/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Next door... a typical neighborhood Izakaya. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989290869-82PBSJN23HBTG465BX8E/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux A quiet alleyway to residential property tucked away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989337757-E286WT26CYA5EK3GLXVX/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux A row of lanterns from what I can only suspect to be another Izakaya bar and grill. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989375424-IWHOW68BP0BI1FY7B2Z6/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Next day, at the famed Shibuya crossing. Note there were less pictures on the second day, since I shot film all that morning - panned from the hip, so this image was definitely cropped. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989411789-WL7W5U8BRI9883JD7BPK/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Another capture at the Shibuya crossing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989439494-QPGUYEYH3OO56XWXJJAB/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Neon lights at Shibuya. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989474021-ZH35DUVQW95N6ZMCJJWU/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux More neon lights at Shibuya. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989497852-D7GVQQ4XKFZ61Q54I1V8/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux From an elevated perspective at Shibuya. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989535865-99RWQ1EW9TGXRS0C5JDQ/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Cropped image set - Takeshita Street at Harajuku. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989605518-YB3B9M33L547OS6LUIFQ/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Being amused by a robot in the shop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989704796-5V67FREKL31JF0YTBBJU/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux A quick pose outside the rows of shops - this one isn't cropped though. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989756299-N6R8IEHP7Q3YGOJDP9DJ/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux A quick glance at some shirts. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989782970-AMYD3UWVXI3IIJ1CZX5M/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux An unexpected surprise - albeit out of focus. A caption bubble over Anna's iPhone. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989854003-9DVDAIBVKWDTM5B779JY/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Some final shots taken with the 28mm Summilux. At Kiddyland. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989892399-3NQE5LPP8RSC82TQHYLT/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux The midday sun was pretty fierce. It's why we didn't take many shots outside during the daytime. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499989940553-MFP4TFKGS51LSGJH84VI/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux In the shade tucked behind a typical alleyway leading to a residential neighborhood. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499990053626-4KEEAG4EE7C5O1KLVX86/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Looking for souvenirs. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499990005495-DZ475LTVVJMRD00A7GBM/image-asset.jpeg SERIES I - Tokyo Story - Leica M10 + 21mm f/1.4 Summilux Finally, back in Anna's hotel room. Saying goodbye to our modified cameras. https://www.streetsilhouettes.com/home/2017/7/5/nikon-28mm-f14e-how-is-the-35mm-f14-still-a-thing monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499311682242-A3NMNFJBNP8S6IF71JZ3/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E - Raw unedited image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499311707086-ZWOKAAKTLZZI9F3N2CLS/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E - Raw unedited image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312102362-1M2HA6331Q6UR84MWAV7/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E - as you can see, shooting Leica has made me out of practice with food! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312163535-2AWAMR2HX218FBQECGMD/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499311749604-8YR3DMRE71XMVUJHCI38/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312215220-C36PD3COLYN45E7K07I9/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312250245-7Y3AU795VSOXFNRNI4ZU/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312295811-KFOOIJ9ZJZYWT2KJD24N/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312369608-WZ0UA6QQ8L7X1TKMKL8I/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312398045-0ZRCCUQJB2FQAVUNBAC0/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312440923-YC4GWJD2WM2H51HAWWKE/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312487601-MOTNEPM08HFXWHTMU60T/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312513947-X7X82HCLT49V3K8UCSV0/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312552497-PWWRP7N7DOILO780OYBQ/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312597089-P7O0IE5QATDSBTU4WZX5/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312691997-MJLJ5GZ2FSRHIQHPZSCE/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312827816-DT8T80QI3YM26YN3J7I3/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon D800E + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312896191-1FAEFXC8P2JA6SYD4MV6/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon D800E + 28mm f/1.4E - 200% Magnification https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312745772-GI566NAFHMQJT56OQKL7/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon D800E + 28mm f/1.4D https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312873168-2G1AQUPIEI56CWDJH63U/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon D800E + 28mm f/1.4D - 200% Magnification https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312776386-XFVKCGEC6WYL64K3AKXO/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon D800E + 35mm f/1.4G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312914849-11BCMMDKIHGKS3G05XVG/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon D800E + 35mm f/1.4G - 200% Magnification https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312804055-1ON5DHRGMPRSPHA88KRT/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon D800E + 24mm f/1.4G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499312850007-T1HO8HXWRYO8NICS5JQD/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon D800E + 24mm f/1.4G - 200% Magnification https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499313120346-R0QE1ZBXU6FE04S2JPTW/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499313144045-SHJZMW78XY0S9MXDGB84/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4D https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499313163435-ZK2HPP5MDF6FQWX0ZK10/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 35mm f/1.4G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499313182118-W4M6DPUWO2NSQR8HDHZZ/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 24mm f/1.4G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499313211797-R7FWLXNTUIS6YUGUB7YN/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Leica M10 + 28mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499313272339-PX8U63LN5Q8X694EDNSG/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499313325439-G8LMGJHZFLCYID8VEZFJ/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4D - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499313300886-S40EN6UMOLDTJIR57H8O/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 35mm f/1.4G - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499313352215-I3TK053EY2YUQOB381RX/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 24mm f/1.4G - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499313371039-4F88KAPFXJCUTQN6XQJA/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Leica M10 + 28mm f/1.4 Summilux-M ASPH - stopped down at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499313085372-E4B36QPB0U2SKIV52QCZ/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499313243945-T7TU6MYALUXPZEHKUXGP/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1499313392839-J7AEQVY3QYYT6QR16BY7/image-asset.jpeg SERIES I - Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing? Nikon Df + 28mm f/1.4E https://www.streetsilhouettes.com/home/2017/6/22/sony-a9-vs-techart-adapter-vs-leica-sl-autofocus-comparison-part-iv monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497491431141-A78RFSYPAYE159EK3FZD/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + Techart M to E AF adapter + Leica 50mm f/1.4 Summilux-M - ISO 400, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497491474390-4LXSNJ47MUNM3RJU809W/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica SL + 50mm f/1.4 Summilux-SL - ISO 400, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497491559714-INC5Y2QX3P4U8XG0GWD1/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + Techart M to E AF adapter + Leica 50mm f/1.4 Summilux-M - ISO 400, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497491610629-MIHX289BZ98SR7LZJINI/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica SL + 50mm f/1.4 Summilux-SL - ISO 400, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497491643938-DQ6F7DF9F5H5FZY8QJYM/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + Techart M to E AF adapter + Leica 50mm f/1.4 Summilux-M - ISO 400, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497491741878-FGETPY5ILIWIWURVUF1G/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica SL + 50mm f/1.4 Summilux-SL - ISO 400, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497491711440-D9I4ZUSG8W7JQQOMSOXH/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 - ISO 400, +0.25 stops, tones: -40 highlight, +40 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497491676046-OCBGDT7Z352ZWGHKJ7GV/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica SL - ISO 400, + 1 stop, tones: -40 highlights, +40 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497491812159-7P4XKDO14WUMHSWXOZVA/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 - Auto ISO 2000 + Aperture Priority, tones: +40 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497491861573-NIRACED98JZ28DX1KMJA/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica SL - Auto ISO 6400 + Aperture Priority, tones: +40 shadows, +30 highlights https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497491929153-BNKF1XJZYBJXD7FBPHTJ/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 - Auto ISO 1250 + Aperture Priority, +2.75 stops, tones: -40 highlights, -10 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497492098107-XD4DON7OTVYAEAFEXNBD/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 - ISO 6400 + Aperture Priority, tones: +0.5 stops, tones: -40 highlights, -10 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497495817774-ONYUMFDB7T5BSPX0BJXT/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica SL - Auto ISO 6400 + Aperture Priority - +2.5 stops, tones -40 highlights, +30 shadows https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497492235171-KS1SJ47JKYXB3P75RBHI/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + Techart M to E AF adapter + Leica 50mm f/1.4 Summilux-M at f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497492267079-RFUKU3OZZZXS5K6UNY8N/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + Techart M to E AF adapter + Leica 50mm f/1.4 Summilux-M at f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497492312105-D03I7X52MEMJK61K1YUN/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + Techart M to E AF adapter + Leica 50mm f/1.4 Summilux-M at f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497492351934-XILL9ZJ9D1YPHYYVM9ZX/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica SL + 50mm f/1.4 Summilux-SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497492385120-HOBOKR0ADHUTOY4GGBV7/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica SL + 50mm f/1.4 Summilux-SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497492780570-TOF336GXAKK6GD96R73D/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Desaturated "Documentary Style" to emphasize the damaged region (while still keeping the Leica red in frame, no less) - Magnification x4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497492417492-TB4L2K7K1C1J27OJJ1BG/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica SL - Anna looking awkward and sympathetic at the damaged lens... but the autofocus still appears to be accurate https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497492982664-Z03B3K93U6GNEJX30AAW/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + Techart M to E AF adapter + Leica 50mm f/0.95 Noctilux-M - the benefit of a tilting rear display https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493017094-VSJVZ72DPVHGBL8IZKMW/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + Techart M to E AF adapter + Leica 50mm f/0.95 Noctilux-M - shooting from an even higher vantage point with the tilting rear display https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497507420719-GMQ3GOQ01ZLI7Y9KM4G1/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + FE 50mm f/1.4 ZA at close to the minimum focusing distance of 17 3/4inches (0.45cm), shot with in-body stabilization, ISO 400, f/1.4, 1/6s... also worth noting, this image was shot from above with tilting rear display, resulting in some distortions https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493077740-P8TGCF7HZJDPEGSZPIIJ/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + FE 50mm f/1.4 Summilux - outside from higher vantage point with the tilting rear display https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493130279-N0LL1XLTXL6NK9CJU4F7/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + FE 50mm f/1.4 ZA - finding the focus point and tracking with ease at waist level https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493206066-77NBL5015V762X2CATX7/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + FE 50mm f/1.4 ZA - autofocus selected Anna https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493241912-ZORXTVDHG6ARF6FLWOBV/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + Techart M to E AF adapter + Leica 50mm f/0.95 Noctilux-M at f/1.4 - autofocus selected Anna https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493283944-ZSCHE49YRF0SPXFGP8BR/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica SL + 50mm f/1.4 Summilux-SL - autofocus selected Anna https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493386567-RLJDJHDHCIBDO704GS9G/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica M10 + 50mm f/0.95 Noctilux-M at f/1.4 - manual focus baseline https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493478111-NCFLHMSSB7ZZMK32EOL7/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + FE 50mm f/1.4 ZA - autofocus selected Anna https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493438145-EJHGDPD1LXXETSL9WX0C/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + Techart M to E AF adapter + Leica 50mm f/0.95 Noctilux-M at f/1.4 - autofocus selected Anna https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493514767-3CN69KZYJSYQP745RIZW/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica SL + 50mm f/1.4 Summilux-SL - autofocus selected Anna https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493544837-P48VOV1H9HCZQ15RXNC3/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica M10 + 50mm f/0.95 Noctilux-M at f/1.4 - manual focus baseline https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493620543-21G1XHJKEQT3XUKIAR8O/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + FE 50mm f/1.4 ZA at f/5.6 - autofocus selected Marina https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493590197-DL2R1KMOG5V0SL2X04RU/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + Techart M to E AF adapter + Leica 50mm f/0.95 Noctilux-M at f/1.4 at f/5.6 - autofocus selected Marina https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493654349-YRB9DHHMSQ0HUPKBP7LO/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica SL + 50mm f/1.4 Summilux-SL at f/5.6 - autofocus selected Marina https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493682503-0A907RY1BJMTJ4VX294F/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica M10 + 50mm f/0.95 Noctilux-M at f/5.6 - manual focus baseline https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493731846-QKOVFZA1CJ949N6DCGS7/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Sony A9 + FE 50mm f/1.4 ZA at f/2.8 - autofocus selected Anna https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493802888-M076Y8ITQNR78K3GQUQF/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica SL + 50mm f/1.4 Summilux-SL at f/2.8 - autofocus selected Marina https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493837986-0UHHTMWZTYL66PRQ4C03/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica M10 + 50mm f/0.95 Noctilux-M at f/2.8 - manual focus baseline https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497493888510-L9WL7PRBAMENH6U37DTT/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica SL - autofocus selected Masha.... also worth noting what really happened that afternoon... Anna conversing with Masha and Marina, intermittently interrupted by yours truly with the camera... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497496415393-KULJWH5JB6RMWXLCKJ1Q/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica M10 - Masha https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497496436102-QVXCWB0U19J2YP7NWRUY/image-asset.jpeg SERIES I - Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV Leica M10 - Marina https://www.streetsilhouettes.com/home/2017/6/8/sony-a9-vs-leica-m10-and-leica-sl-part-ii monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496981909521-Y2FZ736HEI2FGAAGBG45/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A9 + FE 50mm f/1.4 ZA at ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496981364256-JRO03HQOM0Q3ZM1LWFAR/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Leica SL + 50mm f/1.4 Summilux-SL ASPH at ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496981645384-VAOP1R6TV6QK1GQDMK3H/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Leica M10 + 50mm f/1.4 Summilux-M ASPH at ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496981046884-HRBCYTBC0721G3T25D0O/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A9 + FE 50mm f/1.4 ZA at ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496981462746-18TRCOKGAAB21LAL6JI9/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Leica SL + 50mm f/1.4 Summilux-SL ASPH at ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496981729765-QYCFJYM5KV5VT19CLTC0/L1090397.jpg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Leica M10 + 50mm f/1.4 Summilux-M ASPH at ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496981281330-PO2FB0VGK8IBMXD7QSZO/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A9 + FE 50mm f/1.4 ZA at ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496981555231-D6U0KINQXZ4GIYWKRGO9/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Leica SL + 50mm f/1.4 Summilux-SL ASPH at ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496981813907-LN412FIKZ9E5XICPQD00/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Leica M10 + 50mm f/1.4 Summilux-M ASPH at ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496983509001-1K3J7ZC4UI7RRMSJAQDE/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A9 + FE 50m f/1.4 ZA at ISO 51200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496986488634-CT3ZMDNWZW3TZRUV615B/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Leica SL + 50mm f/1.4 Summilux-SL ASPH at ISO 50000 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496986237718-4DXOYHGHOR0JD15YKOPB/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Leica M10 + 50mm f/1.4 Summilux-M ASPH at ISO 50000 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496985741303-FUTB55X16S3HU8PNQDWA/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A7s MKII + FE 50m f/1.4 ZA at ISO 51200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496986019703-GM8ZK5H7J2077EKV8GGP/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A7r MKII + FE 50m f/1.4 ZA at ISO 51200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496985498591-46JC2EPJYII1EW5OJIH7/DSC00734.jpg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A9 + FE 50m f/1.4 ZA at ISO 102400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496985826922-IJWWC14D9A1LUPG0TYML/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A7s MKII + FE 50m f/1.4 ZA at ISO 102400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496986118848-ON5TKTPTBBDEAJGQ1PO8/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A7r MKII + FE 50m f/1.4 ZA at ISO 102400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496985613456-2FDDULIL8KU1STMLOMKO/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A9 + FE 50m f/1.4 ZA at ISO 204800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496985915174-AGAJ2HC1NHWJ8KGSDS05/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A7s MKII + FE 50m f/1.4 ZA at ISO 204800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496986855934-BQ21KNO748WJ44NXHGIE/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A9 + FE 50mm f/1.4 ZA at ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496987367022-VRP6GROOH6WUMFL51SH8/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Leica SL + 50mm f/1.4 Summilux-SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496987307231-OMSPRG4ELKZT2P328M5E/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Leica M10 + 50mm f/1.4 Summilux-M at ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496986889631-8AGA2TSP51RP87RLURKW/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A9 + Metabone M to E Adapter + Leica 50mm f/1.4 Summilux-M at ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496987122016-C743AK6BD08VGV344NS0/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A7 MKII + Metabone M to E Adapter + Leica 50mm f/1.4 Summilux-M at ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496987023446-A2QRKQP1J1W3W4Y7ZSWM/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A7 MKII + FE 50mm f/1.4 ZA at ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496987196926-V0CDJO1ID81YUB0FLXCO/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A7s MKII + FE 50mm f/1.4 ZA at ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496987259687-50VCHBJUD8331NDH80JA/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A7r MKII + FE 50mm f/1.4 ZA at ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496987452739-75MC39G32OC6LK9Y3GJX/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A9 + Metabone E to M adapter + Leica 50mm f/0.95 Noctilux-M ASPH at ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496987534399-5PU9V5SUES4XOVGE1MI5/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A9 + Metabone E to M Adapter + Leica 50mm f/1.4 Summilux-M ASPH at ISO 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496987591498-LANI2L3KUSOZ4Y988G00/image-asset.jpeg SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Sony A9 + FE 50mm f/1.4 ZA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497402903803-CWSL218TGNVJF0EY13A0/IMG_1837.JPG SERIES I - Sony A9 vs Leica M10 and Leica SL - Part III Dropped my A9... heartbreak... notice the scuff marks on the bottom left and right corners. The A9 may possibly be one tough cookie, despite its modest appearance. https://www.streetsilhouettes.com/home/2017/6/10/sony-a9-on-its-autofocus-and-what-it-revealed-to-me-about-sonys-intent monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999586575-LNJME1ICEL7DVB3VZAIC/DSC00369.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II Having just registered Anna's face for Face Recognition https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999609339-Y0DD9FO9CXLWLBLSVHEX/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II With difficult backlighting in the shade - easily focused https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999641692-018PNQYNVUOFWW8N6X97/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II Another quick opportunistic capture, the instant after the people in the background left the terrace https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999660928-SB8WUS6ZQ1RDFHVNXLJC/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II Walking uphill - no face, no recognition - but the A9 was still able to get focus https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999685386-PX7AF8JLXQKW85R74P0F/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II Strangely, it was easier to get facial recognition focus on Anna from a distance - which means the facial recognition algorithm is likely dependent on contrast https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999707356-5IFOAAMZL78GD4ZLCEWL/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II Walking uphill again set to AF-C https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999744733-AWSACHFX73D0DVY9UF3S/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II Tracking Anna uphill on AF-C, while backing up myself https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999786070-J396SZEJOVG7SI1VG14Q/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II Anna posed for this one, but unlike the Leica M10, focusing was instantaneous without any effort https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497003861123-YCSNZ4H7AEPJF8ZERJWG/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II A quick over the shoulder head twirl focused immediately https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999823578-B0QGOWVALTSS0L0PXBY7/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II Difficult back light from the pane glass window, while standing indoors https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999841389-YIA1PR7P94TA2ZHSQICT/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II Going down an escalator at low shutter speed https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999867763-DB8BBLOHUHHJVSDXB9VX/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II A bumpy cab ride through a winding mountain road https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999893191-1V2BKC40AH4TZ41M6FT1/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II Quick turn around shot https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999918774-V39O9QPYN0VR1KJCU5ZR/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II A quick opportunistic shot capturing this lovely expression from Anna https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999936236-O4U5EUJ5PTLGKLUFDP7N/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II More opportunistic shots... I liked how the wind was picking up https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999977662-5IGQ75UAUNDCLJ1446LW/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II Approaching closer with the wind picking up... her hair did not obscure the autofocus https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497094669222-N6EA1AZRXT4GNLB66D70/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II The instance Anna's hair stopped blowing in the wind https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497000280660-2DH4VI4GD6XEKQM0UWXF/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II In darkness with AF Assist Light at ISO 51200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497000217604-7QLTZ78Z6PVJOCVO426R/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II In darkness with AF Assist Light at ISO 102400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1497000150951-EET99ITAZUVWTYGDBOX3/image-asset.jpeg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II In darkness with AF Assist Light at ISO 204800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999258771-SC3HW1GO0QFC3G8I13GN/DSC00604.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999269869-IQ15AN1JDLYQSP4ZNSLU/DSC00605.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999281479-1NWBQOLZPE5RYDLH7L8P/DSC00606.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999287605-MVQM7WA136BPLNZZTFTA/DSC00607.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999297857-LJC1LAP6X5XAE0FLGP2Y/DSC00608.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496999306584-951YXSILI9646Q28F3AY/DSC00609.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496998477210-YZO03UYUMQKYP69YXZQA/DSC00672.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496998486659-NMZEFD9WG7VHAH4UK9GE/DSC00673.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496998495562-OUXOU5NMWKEGWADI7DUW/DSC00674.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496998506103-WU5KC2WY321WRNEDAC5L/DSC00675.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496998514656-9AW1CZWVM86CQDS5FZQG/DSC00676.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496998525710-A9C8AUDN0KY94B7ED26T/DSC00677.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496998536319-A8DEB1IGRMO4O16YE2I7/DSC00678.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496998547617-G93K2Q3B1BNG2KMXCI98/DSC00679.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496998591251-XW2E8KQL00U0Q8ERDZ10/DSC00680.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496998599283-5QVUKOAIYEFF2VZV3NBJ/DSC00681.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496998606912-I5C92FRRPK31RN9XIG9Y/DSC00682.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496998615068-IDBHT4WI6Y4RV18BY6NU/DSC00683.jpg SERIES I - Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II https://www.streetsilhouettes.com/home/2017/6/2/the-sony-a9-first-impressions monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496372528325-YTY37CJ1636ZS16YF5D2/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 100, 1/250s, f/1.4 - Weird color balance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496481035990-PWYWUOI00ZZH3ONKCCCI/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 125, 1/4000s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496481094973-HLFWLC5U9KXZ4IEUMAK5/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 400, 1/4000s, f/1.4 - Blown highlights and chromatic aberration on the sunglasses https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496480997592-SOUAI46LMTB4WADIBUMS/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 250, 1/4000s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496372648893-CMN6K0X6L5UP1GQOVADY/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 400, 1/4000s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496372703751-TXJ5ON44T2VI0JAV3X9E/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 250, 1/4000s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496372836581-LSILN7XJ8BVHDH5KM13I/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 320, 1/4000s, f/1.4 - Yana having fun at the florist https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496372888197-EQX8PLRFO6OU9H86MWA5/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 320, 1/4000s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496372940050-3JTZRJL8K6H4RABAP1YZ/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 250, 1/4000s. f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496372991266-012RIR40IAD7ZQOWLMAS/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 200, 1/500s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373039315-RX6YO444BZTXP232GZH7/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 124, 1/500s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373090618-CCIEEE3ATKTMDVLVXMSQ/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 250, 1/500s, f/1.4 - Weird color balance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373138588-3FD29QXNL95KE255F9VL/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 50, 1/400s, f/1.4 - Desaturated for composition https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496482737567-7R10IO6F953FWE189IP1/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 50, 1/1600s, f/1.4 - A sudden change in available light? More I guess? Maybe this was when I knocked my exposure compensation out of place? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373181195-0X4WQR1EFQ0GP11AVDT8/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 50, 1/2000s, f/1.4 - Bottom half of image -1 stop exposure gradation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373237468-3UJUKUSG67K7AMR9V730/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 50, 1/800s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373293041-LMED8E8ELEEKZ6AR20WQ/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 50. 1/800s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373331419-WD039OA00ZSI4JEA52AB/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 3200, 1/2500s, f/1.4 - Ducking into an underground shopping arcade for relief from the blistering heat. Also discovered the error in exposure compensation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373395098-URHHWTRRPCC9SPNQOL78/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 4000, 1/2500s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373447993-88KVHS5RCNWWL8CLD0X2/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 4000, 1/250s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373486552-8UUP6XB2JU64YSQRJBZY/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 2500, 1/2500s, f/1.4 - Yana walking towards me, with autofocus set at AF-C. Face detection wouldn't allow me to focus further to capture Yana from head to toe - much to Yana's chagrin. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373527477-6UQP8CI8DPL075X8BD1E/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 3200, 1/2500s, f/1.4 - Yana pretending to walk towards me - almost getting Yana's entire frame in the image with face detection autofocus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373610519-5MZY4QOI0PXM4VZ5M63X/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 5000, 1/2500s, f/1.4 - A spur-of-the-moment turn-around shot up the escalator. The AF caught focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373637738-ZFPOZB566KJU2637PMEF/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 100, 1/2500s, f/1.4 - Finally putting on the neutral density filter. Top right corner -1 stop exposure gradation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373674407-RZTCRD1FTYX3JHJXFF04/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 200, 1/50s, f/1.4 - After we got a referral to an establishment that squeezes fresh juice. Also forgot to remove the ND filter. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373733387-H0N26K4VS5E4PYTAZTA5/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 100, 1/400s, f/1.4 - Hydration after hours under the sun. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373794050-001TZ1WHNTY4ZA99J3T0/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 100, 1/400s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373821471-N4JBOLP7XTMAEXCR6WUK/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 100, 1/250s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373860394-588YO13EFSM8XGL9R8VD/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 100, 1/320s, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1496373906589-D4QDPZSHTU4LA1H6MHAY/image-asset.jpeg SERIES I - Sony A9 - First Impressions from a Leica Perspective - Part I ISO 100, 1/50s, f/1.4 - parting shots at the MTR station. https://www.streetsilhouettes.com/home/2017/5/20/making-sense-of-the-leica-sl-now-that-the-leica-m10-is-here monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495279452055-RCCXFX28EFKLEB767NGC/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Leica M246 + EVF 2 + 35mm f/1.4 Summilux-M ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495279471949-X5S6SD3XKK9V64BCLCWL/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Leica SL + R to SL Adapter + 50mm f/1.4 Summilux-R E60 Version https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495279496932-ICT2K0SIADRCOI373X31/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Leica M10 + Visoflex 020 + 28mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495279551514-GMHP902I0SO0OFGLJE8N/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Leica SL + R to SL Adapter + 50mm f/1.4 Summilux-R E60 Version https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495279593602-T83SIRXEJI47K3E3LNRB/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Leica M10 + Visoflex 020 + 28mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495281279594-GK58Q0JQDN4NJOMK2NN2/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Leica M246 + EVF 2 + 35mm f/1.4 Summilux-M ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495279672861-UDOTCSXGPLYCIW8IIU5H/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Leica M246 + EVF 2 + 35mm f/1.4 Summilux-M ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495279716791-LCS759NI2V8LV28TP0QD/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Leica SL + R to SL Adapter + 50mm f/1.4 Summilux-R E60 Version https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495280585868-TNN7GXTDRJNIHELKY18U/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Leica M10 + Visoflex 020 + 28mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495279960608-C9RCRFBTX6C8DCP1B12X/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Leica M10 + Visoflex 020 + 28mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495279987128-NFEWTCIHWSR24WZMYFIJ/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Leica SL + R to SL Adapter + 50mm f/1.4 Summilux-R E60 Version https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495280024914-GWXQULS1OFGNTIPGEIBN/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Leica M246 + EVF 2 + 35mm f/1.4 Summilux-M ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495280336421-FL0FD0KFL0Z9CPW5PO19/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Leica M246 + EVF 2 + 35mm f/1.4 Summilux-M ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495280129977-OU4TXGQWVHL8ZT7801JM/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Leica SL + R to SL Adapter + 50mm f/1.4 Summilux-R E60 Version https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495280153940-HD1N7ZQUNHCNOLNZPYJW/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Leica M10 + Visoflex 020 + 28mm f/1.4 Summilux-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1495281322239-S2P4WZ6V497S2QR7FA4P/image-asset.jpeg SERIES I - Making Sense of the Leica SL... now that the Leica M10 is here Bonus Image - Anna prepping for a shot. Leica M10 + Visoflex 020 + 28mm f/1.4 Summilux-M ASPH https://www.streetsilhouettes.com/home/2017/5/9/the-only-way-to-save-analog-photography-a-far-fetched-or-out-of-the-box-solution monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1494307893809-ZFBUMJDCTDFG2J9DTVN1/image-asset.jpeg SERIES I - The Only Way to Save Analog Photography - A Far Fetched or Out of the Box Solution Pink Leica M3 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1494307930313-IHSNHYLQMR1FA9DZ5JRM/image-asset.jpeg SERIES I - The Only Way to Save Analog Photography - A Far Fetched or Out of the Box Solution Yellow Leica M2 "Leicachu" with 50mm f/1.2 Noctilux Double Aspherical https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1494308048646-1NPTC24FZWX3Q265K7C4/L1001964.jpg SERIES I - The Only Way to Save Analog Photography - A Far Fetched or Out of the Box Solution Leica MP6 + Nikon F4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1494308106444-5D30GUH86HVK7IJRS4D5/image-asset.jpeg SERIES I - The Only Way to Save Analog Photography - A Far Fetched or Out of the Box Solution Leica M6 + Nikon F3 + Nikon F2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1494308178726-87ED7QXNAYOHWTVYBQGR/image-asset.jpeg SERIES I - The Only Way to Save Analog Photography - A Far Fetched or Out of the Box Solution Mint SX-70 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1494308276196-G7VIMX47EMX733FKK4BD/image-asset.jpeg SERIES I - The Only Way to Save Analog Photography - A Far Fetched or Out of the Box Solution Leica Sofort + Mint SX-70 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1494308787069-2PY99S0W0PGMYO121RP3/image-asset.jpeg SERIES I - The Only Way to Save Analog Photography - A Far Fetched or Out of the Box Solution Pink Leica M3 + Yellow Leica M2 "Leicachu" https://www.streetsilhouettes.com/home/2017/5/8/reflecting-on-a-photo-walk-with-anna monthly 0.5 2021-06-04 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477900402037-2GPNPXID1W3E3YPWKRWU/image-asset.jpeg SERIES I - Reflecting on a Photo Walk with Anna I'm not crazy about those sunglasses. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477900433150-DWUYPVU9S4QLMF24YY58/image-asset.jpeg SERIES I - Reflecting on a Photo Walk with Anna Kneeling down for a better perspective. Documenting a bicycle for her own interest. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477900469727-DINHPE3QPNI0QYC0CYHO/image-asset.jpeg SERIES I - Reflecting on a Photo Walk with Anna Photographing fruits at an open air market. Something I would never do. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622785547869-H6EJ2GX33E2Q2J5KETLI/Test-1001.jpg SERIES I - Reflecting on a Photo Walk with Anna Looking up to the branches. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622785435040-9YBBRZG4O1YKQMFVT48C/Test-1002.jpg SERIES I - Reflecting on a Photo Walk with Anna Getting down to shoot from a different perspective. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622785265741-KEJ2HH0RFREQRE5VM8U5/Test-1000.jpg SERIES I - Reflecting on a Photo Walk with Anna Photographing other people's dogs https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477900897377-EU3K8LEA7044G4SLNGS5/image-asset.jpeg SERIES I - Reflecting on a Photo Walk with Anna Framing up the stairs. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477900966866-GCP4FZGM074VLEORKRLZ/image-asset.jpeg SERIES I - Reflecting on a Photo Walk with Anna Now from the opposite direction. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477901023135-4KL49RDCQ4WT0Y1Q7ZH1/image-asset.jpeg SERIES I - Reflecting on a Photo Walk with Anna A moment to review. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477901182826-DT3TE208N4JQZ3XSD413/image-asset.jpeg SERIES I - Reflecting on a Photo Walk with Anna Enjoying the moment. https://www.streetsilhouettes.com/home/2017/4/28/film-hotography-a-personal-journey-on-a-labor-of-love monthly 0.5 2021-11-11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1493365261334-V4VKDTUO96SIE9Y2MS4T/2017-04-14-0011.jpg SERIES I - Film Photography - A Personal Journey on a Labor of Love Leica M6 + Cinestill 50 + Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1493360946762-G95BBIWPK27VIZRXOJNU/image-asset.jpeg SERIES I - Film Photography - A Personal Journey on a Labor of Love Sony A7R Mark II + Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1493365055542-22TVLL7Q85FFHR23MDR6/2017-04-14-0004.jpg SERIES I - Film Photography - A Personal Journey on a Labor of Love Leica M6 + Cinestill 50 + Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1493361079121-GOOK3P5P88QSO7H6CWHM/image-asset.jpeg SERIES I - Film Photography - A Personal Journey on a Labor of Love Sony A7R Mark II + Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1493364856880-VIS3HJQ9VNNDE30CC15G/2017-04-14-0005.jpg SERIES I - Film Photography - A Personal Journey on a Labor of Love Leica M6 + Cinestill 50 + Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1493361178584-DVWYSO0AY2PJU0U2ZIS0/image-asset.jpeg SERIES I - Film Photography - A Personal Journey on a Labor of Love Sony A7R Mark II + Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1493366531739-HCNNY9O31PCRMA0JGMKV/2017-04-14-0020.jpg SERIES I - Film Photography - A Personal Journey on a Labor of Love Leica M6 + Cinestill 50 + Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1493361276256-3KDZSQ3LGE32LA9HLW1C/image-asset.jpeg SERIES I - Film Photography - A Personal Journey on a Labor of Love Sony A7R Mark II + Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1493365745741-T8MU17XHN3CN44UF7OVP/2017-04-14-0029.jpg SERIES I - Film Photography - A Personal Journey on a Labor of Love Leica M6 + Cinestill 50 + Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1493361370170-48NMI8RQUJH75YX9ME0N/image-asset.jpeg SERIES I - Film Photography - A Personal Journey on a Labor of Love Sony A7R Mark II + Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1493365926533-ODXE4LJ71THKT3DO0GWO/2017-04-14-0031.jpg SERIES I - Film Photography - A Personal Journey on a Labor of Love Leica M6 + Cinestill 50 + Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1493362800467-BB4G59DD3Y5JNOWB5OPQ/image-asset.jpeg SERIES I - Film Photography - A Personal Journey on a Labor of Love Sony A7R Mark II + Leica APO 50mm f/2 Summicron ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1493366066223-NZ6A1UPEPOSGFQHPNQLZ/image-asset.jpeg SERIES I - Film Photography - A Personal Journey on a Labor of Love Leica M6 + Cinestill 50 + Leica APO 50mm f/2 Summicron ASPH - something went wrong with the color capture completely... I'm assuming. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1493362981689-MB6JKHZC487SF2OKRUJQ/image-asset.jpeg SERIES I - Film Photography - A Personal Journey on a Labor of Love Sony A7R Mark II + Leica APO 50mm f/2 Summicron ASPH https://www.streetsilhouettes.com/home/2017/4/18/do-you-really-need-modern-lenses-for-film-photography monthly 0.5 2021-11-17 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/eeb3beb2-0f31-410e-95d8-fa0e087b8209/2017-04-13-0024-1000.jpg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 50 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/bc1d9c41-8fc5-4d54-a4a9-19e02785789e/2017-04-13-0064-1000.jpg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 50 + Leica 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c8627fd6-141f-43e6-9278-f090e767d95d/2017-04-13-0026-1000.jpg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 50 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/40ed81a6-da3a-41fb-ab20-4cba74033adb/2017-04-13-0067-1000.jpg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 50 + Leica 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/deee9cfb-380a-4645-9ee4-cdb0f12d345c/2017-04-13-0029-1000.jpg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 50 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/aa0ef0df-16f5-4d87-82c0-1b9a21bc2efa/2017-04-13-0060-1000.jpg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 50 + Leica 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9afe51ee-7f5f-4a90-8d95-5094cdf0822a/2017-04-13-0036-1000.jpg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 50 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/eeade416-a337-4743-882f-64b7c4be0df0/2017-04-13-0071-1000.jpg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 50 + Leica 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1492573678221-641GTM21VVIO012NJFUN/image-asset.jpeg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 800 + Leica 50mm f/0.95 Noctilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1492573802621-PC4R1DTH1W2N8TQJ7BXW/image-asset.jpeg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 800 + Leica 50mm f/1.2 Noctilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1492573844813-D8XR7JYMKD4JGUE6Q13P/image-asset.jpeg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 800 + Leica 50mm f/0.95 Noctilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1492573881062-WH3WCRINGXPU8IZ8XKO3/image-asset.jpeg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 800 + Leica 50mm f/1.2 Noctilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1492574206080-MPAMBBOF4LNGA2L4KVEV/image-asset.jpeg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 800 + Leica 50mm f/0.95 Noctilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1492574376583-M9T2N6A773XGN4YDMMLA/image-asset.jpeg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 800 + Leica 50mm f/1.2 Noctilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1492574461786-HMH8WE020HA97AFF6L7Q/image-asset.jpeg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 800 + Leica 50mm f/0.95 Noctilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1492574495875-KJU2LSGGZ47QIS8UJOVR/image-asset.jpeg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 800 + Leica 50mm f/1.2 Noctilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1492574313924-2LCOPA8MYPA6XZ76ZZ6G/image-asset.jpeg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 800 + Leica 50mm f/0.95 Noctilux ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1492574243867-6R56FPV25SY7HQVWWPSO/image-asset.jpeg SERIES I - Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Cinestill 800 + Leica 50mm f/1.2 Noctilux AA https://www.streetsilhouettes.com/home/2017/4/11/is-the-leica-50mm-f/14-summilux-sl-worth-it monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491619043077-04GK62VCZBWUCUA5OOM1/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux SL ASPH - ISO 50, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491619168395-4IKWJWPE5ZN73745J6IG/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux M ASPH - ISO 50, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491619206465-HCYAOTUVYKQISIAH62SP/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux R e60 - ISO 50, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491806521795-7ZU2M5YO0IDFCKE0VBHC/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux SL ASPH - ISO 50, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491619391262-DAS4SLN0QBWT6V1S5ALJ/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux M ASPH - ISO 50, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491619433051-VFFJ0KNZ74LSGW62PHTW/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux R e60 - ISO 50, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491619534315-FRRLQKIIMZ4AJ1QO9FN2/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux SL ASPH - ISO 1600, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491619710050-RISV7RTHRBHKHQ8Z34DN/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux M ASPH - ISO 1600, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491619746426-DUE83U3ETXXGOPVJOEIP/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux R e60 - ISO 1600, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491619792014-OHHANTQ97NMWE9WH2M7L/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux SL ASPH - ISO 1600, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491619842721-QFTCW4YN1LHINEJA176X/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux M ASPH - ISO 1600, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491619875675-UEPSJGM3GR453UFVXK0R/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux R e60 - ISO 1600, f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1492159104966-TT0XNJPV5IGDAY247JPI/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux SL ASPH - ISO 200, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1492159328745-OAVDWLS2JWD44T6CXSFE/L1020084.jpg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux M ASPH - ISO 200, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1492159198010-335D28LUKYHT6OOHF6OD/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux R e60 - ISO 200, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491620082770-MZ8OSW6606007CANOZXQ/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux SL ASPH - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491620127618-RRSY7U0KE3O6NYIAIV5K/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica M10 + 50mm Summilux M ASPH - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491620165089-213DR8G845SGXJYX13PO/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux R e60 - ISO 1600, f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491620218155-JX69343PPQ02V7YI8L6P/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux SL ASPH - ISO 1600, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491620240665-HVT2TLNJSNU11TFJ774F/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica M10 + 50mm Summilux M ASPH - ISO 1600, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491620272290-AUSRXXX8MK3JYOXUXIMH/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux R e60 - ISO 1600, f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491620339537-NN8UEA9C8B32WDH21J0M/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux SL ASPH - ISO 1600, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491620361690-QIRGTY0DUG09BS7QD5NW/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica M10 + 50mm Summilux M ASPH - ISO 1600, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491620395790-EEZTXB1SVALR071PNLKA/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux R e60 - ISO 1600, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491620447026-FE62TRR03T2N22J4OLKZ/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux SL ASPH - ISO 1600, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491620475591-38DM29ZZM7K2BH0OTBPZ/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica M10 + 50mm Summilux M ASPH - ISO 1600, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491620514113-J1ZQP2L1ISV5X0MX991M/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux R e60 - ISO 1600, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491620543256-4EKXDHM144JN3Y8JFE5A/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux SL ASPH - ISO 400, f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491620576250-23N6FV3PHB5BF41ZGQB7/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica M10 + 50mm Summilux M ASPH - ISO 400, f/1.4 - cropped for framing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491620604100-FBSG8JYCB3OB1QLP0O61/image-asset.jpeg SERIES I - Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Leica SL + 50mm Summilux R e60 - ISO 400, f/1.4 https://www.streetsilhouettes.com/home/2017/4/4/leica-50mm-f14-summiluxsl-first-impressions monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319146475-E7ELIIBWT3ED3GDPPURQ/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - I'm very impressed by the bokeh. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319169522-MLD38S8BKFR4WJENLX4N/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - I am even more impressed by the bokeh at closer focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319199308-OBGZJEDWLCB5A87J6S8S/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - I am impressed by how rich the colors are rendered by this lens. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319227571-7SKLD0XYQI43YNNVR8KB/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - Stepping back a step or two, I'm still impressed by how the lens isolates the subject. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319257641-UP9W4OJWA1FG4BZQAECK/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - Focus tracking isn't bad when there is sufficient light. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319283653-8WDMWPY625ON6SWPW7N8/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - Still getting sufficient focus tracking. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319316472-ESCV222O3VX3XXUR1O7I/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - Still getting sufficient focus tracking. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319355346-S54228RB5UMR53G2OO89/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - I've never been able to focus track at f/1.4 on a Leica. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319477991-WCMT4BILQK0VFLITIWK7/L1080529.jpg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - It is seriously sharp. This set is shot at ISO 50. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319500369-Y2IP1EEICBODDJS07SC4/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - This image is even sharper. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319397146-5X1T15UPPE7WUS49AQ5K/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - A comparison shot against the 50mm Summilux-R. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319538462-96H1X5KMSAXOFK16DZEQ/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-R - A comparison shot against the 50mm Summilux-SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319641891-66Z1PCT8XT28QDZA6B10/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - The hazards of a fast lens. This image should have been shot stopped down, in order to extend the depth of field, for the sake of getting the lanterns in focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319673626-AZIBPDYNJY5YYLHXWVKW/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - Indoor comparison shot against the 50mm Summilux-R. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319728309-PU16SW6YH6FTW4IBPYXM/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-R ASPH - Indoor comparison shot against the 50mm Summilux-SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319757799-ZL31BFWUX3ZG6Z3M0LD6/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - Focus hunting is evident at lower light. This is why Anna is somewhat off centered. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319782149-02ODQZMKGA7ONAC8128A/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - Accuracy of focus tracking is greatly reduced at lower light. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319808484-4MGUZQWHN0H6LMDR8LOF/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - Accuracy of focus tracking is greatly reduced at lower light. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319088797-I9S7NW9FAI5L8J2K6T81/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - I goofed up on this shot... I was suppose to shoot at minimum focusing distance in order to optimize bokeh at night with the background lights. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319588536-J77JUPO7W9ZMT1I79ZHP/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - Parting shots from Anna. This one she took of her shoe. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491319615336-IRVBBVIWFUKK2HHHTZOA/image-asset.jpeg SERIES I - Leica 50mm f/1.4 Summilux SL - First Impressions Leica 50mm f/1.4 Summilux-SL ASPH - Parting shots from Anna. She took this one of me holding the Leica M10. Cropped, since compositionally, I didn't like my bag in the photo. https://www.streetsilhouettes.com/home/2017/3/30/leica-35mm-lenses-5-summicron-versions monthly 0.5 2021-12-08 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490862978005-U0IH5X7GRD1RKNBARQZB/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/2 Summicron ASPH II (Version VI) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490863048286-1N62VYAE3BL6V80NEUMK/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/2 Summicron ASPH I (Version V) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490863097256-3LH0QUSTYINKCWRYVDYL/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/2 Summicron Version IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490863139123-983D7WHR4TDIHAN5KX6Z/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/2 Summicron Version II + III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490863173574-UCC2Y4PX55OBLCCPM3FC/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/2 Summicron Version I https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490863346190-6IL14PGD2L4UBFQWQJ48/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/2 Summicron ASPH II (Version VI) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490863424825-LO4NMZX8BYWBW8R1IZSW/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/2 Summicron ASPH I (Version V) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491440217501-54YF0EMUSU9K0P8IJJ9Q/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/2 Summicron Version IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490863549729-SJGXRVNGS7JT2G0D7BYX/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/2 Summicron Version II + III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490863591527-IZGXACN38CE0JBW0U2WI/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/2 Summicron Version I https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491021706320-33H2RBBM0DCIE528INR1/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm Summilux f/1.4 ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490863792788-LWRTINAY8SVJPAIHGW0U/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490863820393-2XEIMGZ2DAQ7ABF6RVVR/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/1.4 Summilux Pre-ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490863886720-ZWXDXVZC27IWEUK08EN5/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1491022382656-8YBOUJZP6YZO9R4L7RO7/L1080331.jpg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490863929884-TZ5ME8X60SNEJLLIZZJW/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/1.4 Summilux Pre-ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490863965216-XC2VA7QD3B4GY9PR9SB9/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/2 Summicron ASPH II (Version VI) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864084330-OOORGLYSG3R6ZW35UY62/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/2 Summicron ASPH I (Version V) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864007796-VB6OT7WMBIII2OYO7FJH/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/2 Summicron Version IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864051178-F969X0XCA2LYUACN2UNR/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/2 Summicron Version II + III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864115274-BPLNER3PC28W3NA1VAY1/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica SL + 35mm f/2 Summicron Version I https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864249074-U2CBR9RZ376BBTFMMVL3/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm f/2 Summicron ASPH II (Version VI) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864319140-YNNYV3BXNZ0VNVIZHG1K/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm f/2 Summicron ASPH (Version V) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864379037-RRECAV0J3JDLDSIQHH5R/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm f/2 Summicron Version IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864408699-FSN4211IUCYLQNFEDIVI/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm f/2 Summicron Version II + III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864449087-W33FLPDUBEULUB9VURJS/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm f/2 Summicron Version I https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864491768-91GPVHR5FA0U3R4BU82D/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864545854-3TPMKW1CP7HG5X5CQU11/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864575183-7KRTS7W327P1RHYEJBW7/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm Summilux Pre-ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864644891-F6R37NDAHGR8BYX2UMYT/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm f/2 Summicron ASPH II (Version VI) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864691502-A0TQUS0EV3XNHB6LZ5ID/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm f/2 Summicron ASPH I (Version V) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864719280-U273K03GW87L495ZVA1L/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm f/2 Summicron Version IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864749172-AC3G3V3XGO9YP43RJBFM/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm f/2 Summicron Version II + III https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864780652-YBC8B91FCLRPKJXEJ7AW/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm f/2 Summicron Version I https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864817623-JKM61NBD87B9FDMBXPC4/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864846598-6C3S10IBU0GYDME49GLX/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490864868762-ULDEDKA7U73JDGNZBRN6/image-asset.jpeg SERIES I - Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Leica M10 + 35mm f/1.4 Summilux Pre-ASPH https://www.streetsilhouettes.com/home/2017/3/20/an-inquiry-into-digital-versus-film monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490587508293-V18KG12TZ01JV07KZG66/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490587536240-5FAYZHWJR0Q1X1BP6RBR/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M9 + Leica 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490587622296-VXTRMD7KHZL6Q0C13NET/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M6 + Kodak Portra 800 + Leica 35mm f/1.4 Summilux Pre-ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490589995455-CKGRXEKBO6FKG0GNQLA8/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490590030451-9WC6B5HTFTJJ1L8XQT74/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M9 + Leica 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490590071899-USSBUOZG7TZ4UO981M6B/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M6 + Kodak Portra 800 + Leica 35mm f/1.4 Summilux Pre-ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490590620992-GLY69PDAH2LF9I0UP5KB/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490591291714-9TFZPIF09ND7F775E43B/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M9 + Leica 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490590693716-V0HWOFD66BISLM6QITKH/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M6 + Kodak Portra 800 + Leica 35mm f/1.4 Summilux Pre-ASPH - note minimum focusing distance of the older 35 Summilux is 1 meter and not 0.7 meters like the other two lenses. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490592687763-8HTCD8PPWKBBCU75ASF9/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490592726218-UGRG34N47W78EUSY3IX4/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M9 + Leica 35m f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490592764973-63CNRF866Q2O6UWH3709/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M6 + Kodak Portra 800 + Leica 35mm f/1.4 Summilux Pre-ASPH - note massive color balance editing, since I didn't have the benefit of colored gels and a flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490593543544-GOYR4L4HMTP7DXE5CBTO/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490593579170-DK8ID3JBOI7XCE48NK7B/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M9 + Leica 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490593625877-UTMKRKUKKBEJP1U9GTOE/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M6 + Kodak Portra 800 + Leica 35mm f/1.4 Summilux Pre-ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490594823360-BJ8LBZFBIFH2K41C0B8K/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490594853183-2VVC48I871CTCCHFD85F/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M9 + Leica 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490594896826-8CA613IMUH7CT0Z2YY8R/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M6 + Kodak Portra 800 + Leica 35m f/1.4 Summilux Pre-ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490595682298-8W0LZYEM31FTTLAHQ58W/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490595725556-YXEBNW84FQMDSQXJMQ4G/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M9 + Leica 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490595774630-B060J3YOXFZXCEWZKJW7/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M6 + Kodak Portra 800 + Leica 35mm f/1.4 Summilux Pre-ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490596208729-J1PY6JSEC2OGFAKKFBNK/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490596240431-ZR1QDOV0SMJ67PUJR0YS/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M9 + Leica 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490596285170-D689DQBI0P99JQK1B17M/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M6 + Kodak Portra 800 + Leica 35mm f/1.4 Summilux Pre-ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490596940634-NB89WGYU9TXSCSD6AX0J/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M10 + Leica 35mm f/1.4 Summilux ASPH FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490596986471-JWFTOHTNUO8J1I8MWQBX/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M9 + Leica 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490597064559-4O1K6SHCNL0SOIBG4RM7/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 Leica M6 + Kodak Portra 800 + Leica 35mm f/1.4 Summilux Pre-ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1490684604878-2G5E2SX9JI0GAC7SPNY4/image-asset.jpeg SERIES I - An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6 A final orphaned image from the Leica M6. The car service picked us up during rush hour, before I had an opportunity to shoot the M10 and M9. https://www.streetsilhouettes.com/home/2017/3/22/leica-m10-vs-leica-m9-vs-fujifilm-s5-pro monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489719581135-H1PH1RP5YY3TKFJ8KE2E/image-asset.jpeg SERIES I - Leica M10 vs Leica M9 vs Fujifilm S5 Pro - A Comparison of Digital Rendering with Vintage and Modern Lenses Leica M10 + 85MM F/1.5 Summarex https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489719653010-C5S81MEX7V2T8R1G284L/image-asset.jpeg SERIES I - Leica M10 vs Leica M9 vs Fujifilm S5 Pro - A Comparison of Digital Rendering with Vintage and Modern Lenses Leica M9 + 75mm f/1.4 Summilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489719683938-J4PX8V4IQACUEQ9ZOP2L/image-asset.jpeg SERIES I - Leica M10 vs Leica M9 vs Fujifilm S5 Pro - A Comparison of Digital Rendering with Vintage and Modern Lenses Fujifilm S5 Pro + 58mm f/1.4G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489721300487-FXLTY70DUJTKPOOJK1DN/image-asset.jpeg SERIES I - Leica M10 vs Leica M9 vs Fujifilm S5 Pro - A Comparison of Digital Rendering with Vintage and Modern Lenses Leica M10 + 85mm f/1.5 Summarex https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489721360942-IR3BIKSS39MGNSPJWNO1/image-asset.jpeg SERIES I - Leica M10 vs Leica M9 vs Fujifilm S5 Pro - A Comparison of Digital Rendering with Vintage and Modern Lenses Leica M9 + 75mm f/1.4 Summilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489721393234-FOMAOSCCNUX297Z1EYP4/image-asset.jpeg SERIES I - Leica M10 vs Leica M9 vs Fujifilm S5 Pro - A Comparison of Digital Rendering with Vintage and Modern Lenses Fujifilm S5 Pro + Nikon 58mm f/1.4G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489723599790-L3S8XWAC5L10FAFIZ81C/image-asset.jpeg SERIES I - Leica M10 vs Leica M9 vs Fujifilm S5 Pro - A Comparison of Digital Rendering with Vintage and Modern Lenses Leica M10 + 85mm f/1.5 Summarex https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489723639143-8HMGSYTZ4XMTKWB6DKTG/image-asset.jpeg SERIES I - Leica M10 vs Leica M9 vs Fujifilm S5 Pro - A Comparison of Digital Rendering with Vintage and Modern Lenses Leica M9 + 75mm f/1.4 Summilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489723949084-S0IRWNXY64XMFE9KHF7J/DSCF0024.jpg SERIES I - Leica M10 vs Leica M9 vs Fujifilm S5 Pro - A Comparison of Digital Rendering with Vintage and Modern Lenses Fujifilm S5 Pro + Nikon 58mm f/1.4G https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489724946241-SZ2V38H9YAIFZ3QDXFAF/image-asset.jpeg SERIES I - Leica M10 vs Leica M9 vs Fujifilm S5 Pro - A Comparison of Digital Rendering with Vintage and Modern Lenses Leica M10 + 85mm f/1.5 Summarex https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489724975723-TG0C82RMO96T0JSNIE68/image-asset.jpeg SERIES I - Leica M10 vs Leica M9 vs Fujifilm S5 Pro - A Comparison of Digital Rendering with Vintage and Modern Lenses Leica M9 + 75mm f/1.4 Summilux... with some digital aberratio`n https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489725017944-C4G0HPM4XA8DJGL4F97C/image-asset.jpeg SERIES I - Leica M10 vs Leica M9 vs Fujifilm S5 Pro - A Comparison of Digital Rendering with Vintage and Modern Lenses Fujifilm S5 Pro + Nikon 58mm f/1.4G https://www.streetsilhouettes.com/home/2017/3/12/quick-comparison-two-generations-of-leica-28mm-lenses monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489376536029-VI7BEKT4VVEBHL6V1D25/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Leica M10 + 28mm f/1.4 Summilux ASPH - Wide open and at close focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489376604256-BPORKYIUJ8HLSZ437U45/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Leica M10 + 28mm f/2 Summicron ASPH, version 2 - Wide open and at close focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489376826693-LOT8OEJWR1WZXJWIBQ52/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Leica M10 + 28mm f/2 Summicron ASPH, version 1 - Wide open and at close focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489376723440-X7EEPG7Q3G7CFSNOL1TP/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Leica M10 + 28mm f/2.8 Elmarit ASPH, version 2 - Wide open and at close focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489376895070-YMG8JDVWZLE8OYY3G5RY/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Leica M10 + 28mm f/2.8 Elmarit ASPH, version 1 - Wide open and at close focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489376438989-13LG0LQ5QXJWGOTZJZ2S/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Sony A7R MKII + 28mm f/1.4 Summilux ASPH - wide open and at close focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489378263945-GMPQS0GUXURWDXD09OFV/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Sony A7R MKII + 28mm f2 Summicron ASPH, version 2 - Wide open and at close focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489377395704-29332T3OL0NAB7AJGPHJ/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Sony A7R MKII + 28mm f/2 Summicron ASPH, version 1 - Wide open and at close focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489377291682-KN6W9UOL0LKC5KBXDONV/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Sony A7R MKII + 28mm f/2.8 Elmarit ASPH, version 2 - Wide open and at close focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489377454704-6EN00ZPJSDA5HR9227DW/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Sony A7R MKII + 28mm f/2.8 Elmarit ASPH, version 1 - Wide open and at close focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489378787158-MUUGMC1RN7WAGW35R6LF/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Leica M10 + 28mm f/1.4 Summilux ASPH - Close up crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489378880525-ITDHHZMIHQA6XAEUGUZA/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Leica M10 + 28mm f/2 Summicron ASPH, version 2 - Close up crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489379050981-695N9LUEDCMXCLCY7C7D/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Leica M10 + 28mm f/2 Summicron ASPH, version 1 - Close up crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489379014290-9OBG1D3E8LK58OBQ1YZ3/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Leica M10 + 28mm f/2.8 Elmarit ASPH, version 2 - Close up crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489379101231-PTRNWNH3EW0QIOLS71KL/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Leica M10 + 28mm f/2.8 Elmarit ASPH, version 1 - Close up crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489379144368-OKE38NQUNQNPSVXM7MYB/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Sony A7R MKII + 28mm f/1.4 Summilux ASPH, version 2 - Close up crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489379191017-Y59A53UD1OGFY5BCNPUN/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Sony A7R MKII + 28mm f/2 Summicron ASPH, version 2 - Close up crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489379263813-FAQZOEQU5ZKEAGTJ1LNW/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Sony A7R MKII + 28mm f/2 Summicron ASPH, version 1 - Close up crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489379231492-U9CGTOP0IQHBPMCZJMJ0/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Sony A7R MKII + 28mm f/2.8 Elmarit ASPH, version 2 - Close up crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489379287853-FAG39I5OXZA3RNXCJY1Z/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Sony A7R MKII + 28mm f/2 Elmarit ASPH, version 1 - Close up crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489380021167-TG9XW18BLRRCE8HVEGPZ/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Leica M10 + 28mm f/1.4 Summilux ASPH - Stopped down f/8 at normal focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489380127365-I8UNU330VI02SS6J9NUH/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Leica M10 + 28mm f/2 Summicron ASPH, version 2 - Stopped down f/8 at normal focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489380203431-04SQZ1COGDSZMEHFHC8F/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Leica M10 + 28mm f/2 Summicron ASPH, version 1 - Stopped down f/8 at normal focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489380168040-RYYUCJGPMGJ30CT51Y49/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Leica M10 + 28mm f/2.8 Elmarit, version 2 - Stopped down f/8 at normal focusing distance https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489380229598-D2QUTH4BVG0Y77NUDVM9/image-asset.jpeg SERIES I - Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit Leica M10 + 28mm f/2.8 Elmarit ASPH, version 1 - Stopped down f/8 at normal focusing distance https://www.streetsilhouettes.com/home/2017/3/13/leica-m10-vs-leica-sl-vs-canon-5d-mark-iv monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489043496442-P118BJINFRDXCWS3X4TV/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica M10 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489043524852-0QUSUUIQGDJRSQ3II96X/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489043549536-B00UXO5M5K8UDF5LQJ2H/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Canon 5D Mark IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489066145002-E12T5FC9GBBKBD3TL4W5/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica M10 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489066115850-IIG4JJ7VYRK650ONK5XK/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489066085170-B4RC6W5TKKRU212UGCJU/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Canon 5D Mark IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044063971-LWLXFA5XVOGK40VBZSBR/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica M10 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044088422-1QGI6B2ANGRJG3CHK19T/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044123739-GYLUFDAIJJASDDZ1WAX5/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Canon 5D Mark IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044169257-64LXWCON5BCCUTI65M6V/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica M10 - Full crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489141557219-Y3AJ0VY2RSRDZKOXSAC1/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica SL - Full crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044222601-PHIEVG96XMUGVS2C342H/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Canon 5D Mark IV - Full crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044252198-U6HEQZXAUOMPCY4Y4MJY/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica M10 - Full crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044285816-HASA1CZL1FH1PGGLIS5R/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica SL - Full crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044308699-080LWJISSARTR3JJQBSB/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Canon 5D Mark IV - Full crop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489045415104-3HDPYMQHGHLMNTOYTQRW/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica M10 - Full crop with exposure corrected, with contrast, clarity, vibrance, and saturation recovered https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489045436939-6KC59RXYFRLQTWPLV5AZ/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica SL - Full crop with exposure corrected, with contrast, clarity, vibrance, and saturation recovered https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489045462154-02QP89MKRHY7QYVUO1VH/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Canon 5D Mark IV - Full crop with exposure corrected, with contrast, clarity, vibrance, and saturation recovered https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489115673593-92WSLLCZZCNOYBF3IYQA/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica M10 - Same Optimization, Color Temperature at 4500 Kelvin https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489115457975-6X7RF3JKBVHIVAB7WYVO/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica SL - Same Optimization, Color Temperature at 5400 Kelvin https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489115882673-UACRN0HDQFNG17D6T3J2/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Canon 5D Mark IV - Same Optimization, Color Temperature at 4500 Kelvin https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044398784-BRTHHJZA9HIE8TPTYW3M/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica M10 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044442721-MYMHHSRWMDRZKSW3X3RQ/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044476305-ABUMCLB4T57AUYFY9OQ6/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Canon 5D Mark IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044515233-HPP7JLZIEZE11G91XB67/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica M240 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044558360-D8EOJ99WQVMVGPNSTEJ9/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Leica M9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044613810-SS6Q542RLF9EOWC2S5HA/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Nikon D700 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044658150-8T8OBQIQ0CQGYFMXM188/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Sony A7R Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489044686997-EN5INFN630PA5MMOR2L7/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Fuji S5 Pro https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489129112939-ZQWJDH56PMYKZMUKCXVU/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Photo 1 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1489129736657-O7DXVWZBB15ZO8FBIUL0/image-asset.jpeg SERIES I - Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Photo 2 https://www.streetsilhouettes.com/home/2017/3/8/leica-m10-vs-leica-sl-part-ii-high-iso-and-dynamic-range monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488871436988-OSKB1SRGEOVVIBPCGNQJ/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica SL - ISO 50,000 - Out of camera RAW https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488871531796-U19PO6YWOY9VX5SWZUGW/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica M10 - ISO 50,000 - Out of camera RAW https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488871628297-SY7PYBKUZ3EBBQ4RL4UP/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica SL - ISO 25,000 - Out of camera RAW https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488871691248-SJLBSJ6HTP0XVJC1YX39/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica M10 - ISO 25,000 - Out of camera RAW https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488871728692-9NPRE02312DM71BLNPKC/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica SL - ISO 12,500 - Out of camera RAW https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488871748257-2WXQ5L7FAPCVB2ZICY8I/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica M10 - ISO 12,500 - Out of camera RAW https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488873097030-WGW5MZDIQO62G6OSNS2C/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica SL - ISO 50,000, +2 stops. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488873186747-BTWEJ0H30B83L3PF2DV0/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica M10 - ISO 50,000, +2 stops https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488873253014-ET50BTYALXUX59XFVPG4/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica SL - ISO 25,000, +2 stops https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488873331515-8X6U7K9F6AQM8YCMJ2RL/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica M10 - ISO 25,000, +2 stops https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488873393977-5D517L643SQ76UOHVPB8/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica SL - ISO 12,500, +3 stops https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488873451830-1WC66UM07PDTZTJNKMQC/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica M10 - ISO 12,500, +3 stops https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488874386120-4ZRUNDGSDN7O2KJ17R2O/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica SL - ISO 25,000, -2.5 stops, same added contrast, saturation, vibrance, and clarity https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488874452966-WQNL7WS5C9NQJ1AHARMJ/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica M10 - ISO 25,000, -2.5 stops, same added contrast, saturation, vibrance, and clarity https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488890255233-5NGV8VJESG49SROLIWS4/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica SL - ISO 6400, -2.5 stops, same added contrast, saturation, vibrance, and clarity https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488890375132-7ZE3GQQROMMYGQTWUSXQ/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica M10 - ISO 6400, -2.5 stops, same added contrast, saturation, vibrance, and clarity https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488875055046-U4CKLNGVOEKCI9IY2KPL/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica SL - ISO 25,000, +2.5 stops, same added contrast, saturation, vibrance, and clarity https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488875106348-NWT0EJONBVC0FQT94MVJ/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica M10 - ISO 25,000, +2.5 stops, same added contrast, saturation, vibrance, and clarity https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488875822778-MK3LKKEK0FYLAYORRWXL/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica SL - ISO 6400, +3 stops, similar added contrast, saturation, vibrance, and clarity https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488875867417-77IXNGTGDPOPUQXUM0CJ/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica M10 - ISO 6400, +3 stops, similar added contrast, saturation, vibrance, and clarity... plus notice the lens flare defect of the early release APO 50! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488942500349-IILJ7CUR1A598B0FC6TX/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica SL - ISO 50,000 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488942592876-TA9YBAF868FK29NKNUD7/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica M10 - ISO 50,000 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488942704398-CO2VBK7ZFJQARTOP29X0/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica SL - ISO 25,000 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488942748450-ZPC71T7NLYDPYT4DKICB/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica M10 - ISO 25,000 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488942811291-5UNVY6E81CQOP5Z3VB3E/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica SL - ISO 12,500 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488942832490-DASD4UQS2GGFARIU1L9Y/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Leica M10 - ISO 12,500 https://www.streetsilhouettes.com/home/2017/2/28/an-investigation-into-why-the-leica-sl-isnt-an-m-camera monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486131990574-HDPURCRR7BF67EZQPU99/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Canon 1Dx Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486132085293-ODWL5SAJNFM6THWDLI25/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Leica SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486132196487-4MDBI0OIDTRFB8J6NKBW/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Canon 1Dx Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486132267866-G5KIN6I9O888D2K5TQIT/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Leica SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486132311379-FZ2IJ99G7HXCRTLNMUG2/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Canon 1Dx Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486132475387-9WJSBNPHBRQMF8OURMPP/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Leica SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486133011828-BI6LV84HLWW25IEJIQY8/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Canon 1Dx Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486133064495-9J074G3UUH0DE4H9M0EE/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Leica SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486133157240-TVNJPK1PS2CWE5KNF7ZA/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Canon 1Dx Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486133274111-WZ5X0LVUZAVK5027KYHD/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Leica SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486133329955-GWBFDTAFHKK6MJ2ETV2L/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Canon 1Dx Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486133465679-8KHZ3TRCL9NP6U3K9PBA/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Leica SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486133520468-HISIT66ZLQKYXE9DTLW4/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Canon 1Dx Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486133605989-617V6T0TDPLVCV47NX9H/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Leica SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486133639788-F0X8W11V7IVK3QTNJ12T/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Canon 1Dx Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486133748098-7DDEAKTV6IAXKV7V0BLG/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Leica SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488289225154-J6GJ8WS33PK2N454OE0G/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Canon 1Dx Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1488289125958-CT3Z344FGTYFUT8J1VEV/L1010794.jpg SERIES I - An Investigation into why the Leica SL isn't an M Camera Leica SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486133550328-8DWWE7H0YBN3S6A7XDFM/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Leica SL https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486133924841-OUHC1C1WA76VZYEDAMJK/image-asset.jpeg SERIES I - An Investigation into why the Leica SL isn't an M Camera Canon 1Dx Mark II https://www.streetsilhouettes.com/home/2017/2/23/leica-m10-vs-leica-sl-part-i-under-normal-use monthly 0.5 2020-06-10 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487819197574-CCLPKH1WBZUDM1I68IQY/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 + Leica 28mm f/1.4 Summilux - Looking away from Picasso's La Demoiselle d'Avignon at the Museum of Modern Art https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487820608387-K8UQOLVU65UP354NRPUB/L1000440.jpg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 + Leica 28mm f/1.4 Summilux - Cropped - Looking at Matisse's La Danse at the Museum of Modern Art https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487563322112-I2E52EXJNW4K5JNF2GES/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 + Leica 28mm f/1.4 Summilux - Wollman's Rink at Central Park https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487568502317-2UANEDPGFVNBJJZZ16JC/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 + Leica 28mm f/1.4 Summilux - The Sea Lion Pool at the Central Park Zoo https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487563499537-LJV74G3TOJVAP5IDMGPY/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 + Leica 28mm f/1.4 Summilux - The Penguin Habitat at the Central Park Zoo https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487563776353-V7ETA2FFXTBMI6CI4SB5/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL + Leica 21mm f/1.4 Summilux - The Mall in Central Park https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487565397669-GM9MPGOPZA04B8OP9DES/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL + Leica 21mm f/1.4 Summilux - Bethesda Fountain in Central Park https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487565957604-G10OP9KU6O7Z11MRHA4F/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL + Leica 21mm f/1.4 Summilux - On Madison Avenue across the street from the flagship Ralph Lauren store. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487582851285-ATUHONQ9GBH1YEKSV624/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 + Leica 28mm f/1.4 Summilux - Doing her best impression of Bolshevik Chic at the Russian Tea Room https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487565829467-0RQIZ20SO5DROIEC6MC9/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 + Leica 28mm f/1.4 Summilux - Across the street from Carnegie Hall on 57th Street. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487564945517-E4FIHOQVL67UHRNKC8QZ/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 + Leica 28mm f/1.4 Summilux - Coney Island on the beach https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487568868606-9GD8TJI4DXZZO1BDV03P/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 + Leica 28mm f/1.4 Summilux - Going Live on Facebook, atop a jetty at Coney Island https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487565595732-OMKJIZ21U2C9IEV1NH3S/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL + 21mm f/1.4 Summilux - Outside Coney Island Amusement Park https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487565668981-BDP2TMF40L4VYKOUIGU8/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL + 21mm f/1.4 Summilux - Nathan's Famous at Coney Island https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487566123553-IDACW5SDTASANZEELT0S/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 + Leica 28mm f/1.4 Summilux - Going up the stairs to the High Line. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487566212550-Z7HR7B4GJ9T0T7F0KV8N/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL + 21mm f/1.4 Summilux - On the High Line https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487566251107-RMA7K1DXOA53CABEE98S/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL + 21mm f/1.4 Summilux - Looking out of the High Line https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487566355364-VYNITUW9LUP8HICVKV0U/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL + Leica 21mm f/1.4 Summilux - The Arch at Washington Square Park https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487581267993-BXOR6NC65D8ALVE8201K/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 + Leica 28mm f/1.4 Summilux - The Farmer's Market at Union Square Park https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487566612810-A4GJCV69NMSADKKXHZAF/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL + Leica 21mm f/1.4 Summilux - Outside the Flat Iron Building https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487566659401-S470C4UL00KH1L4LAPC8/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 + Leica 28mm f/1.4 Summilux - Seated outside Murray's Bagels in Chelsea https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487566749118-4FDDBN51HVXN0SWGAPJT/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 + Leica 28mm f/1.4 Summilux - Storm clouds brewing outside Pier 59 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487566830203-RDPR6XF9I3SYREI03NR9/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 + Leica 28mm f/1.4 Summilux - Getting into the driver's seat https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487566949395-MWRU70V8LP0WI0QVP6JN/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL + Leica 21mm f/1.4 Summilux - at the top of the steps outside the Metropolitan Museum of Art https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487567115356-TYDXCDFEC8GND03P9USS/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL + Leica 21mm f/1.4 Summilux - At the bottom of the steps outside the Metropolitan Museum of Art. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487567016125-QTJYW25RQUTOEJ7BHUH6/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL + Leica 21mm f/1.4 Summilux - Inside a Yellow Cab https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487567328678-H0DYF98YBILMXMI50613/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL + Leica 21mm f/1.4 Summilux - Seated by the edge of the fountain at Lincoln Center. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487590101071-NMD5RW3IKAL3Z8I0MPEC/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 + Leica 28mm f/1.4 Summilux - Blind composition - Zone focused wide open on the balcony at the New York City Ballet. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487590323528-0N4EVRQ9LLYO7PEFTTPM/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL + Leica 21mm f/1.4 Summilux - Optically cropped to 28mm equivalent in post - Blind composition - Zone focused wide open on the balcony at the New York City Ballet. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487561320804-CCU8R1RJPQBPMAM1JZI5/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 at ISO 1600 wide open https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487561394771-C62NYEA0V5Y8OP0Y0X31/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL at ISO 1600 wide open https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487564535015-VVG7O8R3JX1BHQVXICZZ/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica M10 at ISO 6400 wide open https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1487564582964-YJ153GPQ1H9JJ11VW19H/image-asset.jpeg SERIES I - Leica M10 vs Leica SL - Part I - Under Normal Use Leica SL at ISO 6400 wide open https://www.streetsilhouettes.com/home/2017/2/12/anna-in-new-york-with-the-m10-28mm-f14-summilux monthly 0.5 2021-11-05 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486914722584-ZCE66KL4RJBCCGELI57X/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Anna freezing at the West Village. She didn't expect New York to be this cold. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486914742161-K6RPHQ54EH501813SMLD/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Outside the apartment of the fictional character, Carrie Bradshaw, of the formerly popular television series "Sex and the City" https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486914756142-V5DJ6P75GLVXR633EHBN/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Soaking in the West Village. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486914772017-4SFRPK4TU2GOVPLH33SY/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux On Green Street, in Soho. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486914784391-5ILEIOGKUWMD0H6FFHLQ/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux At a coffee shop, waiting for the Leica Store Soho to open. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486914803972-5DZAZSQKOX1AKNNHAOXF/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Finding a sale item at Rag and Bone. New York has the best sales of any city in the world! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486914821500-P97XRRSAS54YU170NRA2/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Leaving the shop. On her way back to the hotel to sleep off some of the jet lag. I chose not to lift the details out of the shadows, because I liked the pureness of the black wall on the right. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486914836658-P0GVICR9PMEDE8P09A3Z/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Hours later, somewhere in East Williamsburg, Brooklyn, attending Chris Gampat's birthday bash. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486914886862-XTFPGMJV9GE6P64DJ6WC/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Leaving early, because of jet lag. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486914868830-N48VT2QD55AC6GE5OOPA/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Waiting for our car to arrive. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486914922024-G5GCIGSMQVW3VFMQ0YFU/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Resisting the temptation to sleep and feeling excessively guilty for having indulged in such mass quantities, Anna decided to go for a walk to burn off some of the excess. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486914937160-ZPJ4CR40ZMRO9X4PXDB0/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Here at St. Patrick's Cathedral. A rare vertical shot by me. But the Stars and Stripe was too beautiful not to include in the nighttime photograph. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486914955156-W9QIKG7KDGVV4LW8CUX5/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Anna descending down the steps of the catherdral. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486914971389-KHJL0FZUOSHX2VO8EVEL/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Looking at some plastic flamingos inside a Saks Fifth Avenue store window display. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486915015889-VN2H326Y2QM5EEQC43UF/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Walking up Fifth Avenue with all the flags outside Saks Fifth Avenue. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486914987406-JG7F0VG4O0JJ0EXGPZ5G/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Across the street from Rockefeller Center, with Saks Fifth Avenue in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486915031189-3BVLHN0V47QLPOC7BUS1/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Around the corner of Rockefeller Center, with Radio City Hall in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486915044836-6L3296P4D57NWPMR4BMT/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Under the statue of Atlas at Rockefeller Center. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486915068782-ZBXQURZR7VXCE4VFWZ29/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux The cold winter air boosted Anna with a second wave. Now at the heart of Times Square. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486915086127-PFLCUEDQA6BGE7GM6RIA/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux The opposite direction of Times Square. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486915098249-JZHKCW7C9JY9R9MHNYJL/image-asset.jpeg SERIES I - Anna in New York with the M10 + 28mm f/1.4 Summilux Immersed in contemplation of her first full day in the city. https://www.streetsilhouettes.com/home/2017/2/8/leica-m10-review-part-2-low-light-comparison monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486535395609-BB8F0961AXGFNAAN5Q2G/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison M10 - ISO 50,000, +2 stops, highlights +30, shadows +30, white +20, and blacks +30. There were too much indirect light flowing into this space from the outside, so I had to find a darker place. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486538284464-PTVBU7UD8MDFTA7WZMTQ/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison Accidentally overexposed in the dark. M10 - ISO 6400, -2 stops, highlights +20, shadows +40, whites +30, black -5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486539084871-AZITIWZAQ7ILKFGGKVAP/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison Accidentally overexposed again? M10 - ISO 12,500, -2 stops highlights +20, shadows +40, whites +30, black -5, https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486538837437-M7PS7WOM0H2K7ZXRRHWA/L1000144.jpg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison Accidentally overexposed again! M10 - ISO 25,000, -2 stops, highlights +20, shadows +40, whites +30, black -5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486538909052-MMPE6AK4XWVF3EDNPCNF/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison And this one also overexposed! M10 - ISO 50,000, -3 stops, highlights +20, shadows +40, whites +30, black -5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486538394483-V9K1ITGWH7753WX7APZX/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison Deliberately under exposed at low ISO to test dynamic range. M10 - ISO 100, +3 stops, highlights +20, shadows +40, whites +30, black -5 - The original out of camera image was completely black https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486537199464-8VAVLEBIPR7S72YE6RLQ/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison M10 - ISO 12,500, +1 stop, highlight +30, shadows -20, whites +30, blacks 30 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486537093408-0WJEONMMJBAYXTP9SVHH/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison M10 - ISO 25,000, +1 stop, highlight +30, shadows -20, whites +30, blacks 30 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486535692871-EQRGGO4PKMGLAVRJQZH7/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison M10 - ISO 50,000, +1 stop, highlights +50, shadows +30, white +40, black -20% https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486536302520-KYOB102AUQP9NBBH2E9H/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison Deliberately under exposed at low ISO to test dynamic range. M10 - ISO 100, +5 stops, no edit in light or dark values - The original out of camera image was completely black, except for the backlit region (which was also somewhat dark) https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486538042483-DHF3MLEAUVQP5MK1UV1G/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison M10 - Anna's shirt has no obvious pixelated artifact. +1.5 stops. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486540071232-6CLFWIM9SJOKLPKYZ888/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison M240 - Anna's shirt has some pixelated artifact. +1 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486540167087-HI5OSSI0OFP30GKY60GV/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison M9 - Anna's shirt has many pixelated artifact. +1 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486539518758-DPNQFSH6NVJ3023XL7GW/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison M10 - Recovery of detail is obvious on the whiskers of Anna's jeans. +2 stops https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486539652480-1HTJ0JPW8ZHEE7GTNNOH/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison M240 - Recovery of detail is evident on the whiskers of Anna's jeans. +2 stops https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486539762948-TGI80W9LFNMQ85RLLAVB/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison M9 - Recovery of detail is not evident on the whiskers of Anna's jeans. +2 stops https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486541140129-XDXND82IX3QRJSUBBEFL/L1000170.jpg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison M10 - Since Anna is closer to the camera on this shot, the difference in focusing distance invalidates this set. But still, a nice parting shot. +1 stop and some other edits. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486540829141-PVJ8B056WVJANT6GLOOD/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison M240 - The silver M10 photographs better than the black body M9. +1 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486540914579-96ZANRTJ2Z5GPPGUXQYU/image-asset.jpeg SERIES I - Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison M9 - The titanium M240 photographs better than the black M9, but not as well as the silver M10. +1 stop https://www.streetsilhouettes.com/home/2017/2/6/leica-m10-review-part-1-first-impressions monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486445390990-SL43E48XL8FM1FP6BAGJ/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions Overexposed. Shot at ISO 6400, pulled 3 stops. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486445498090-G9MEJ0PXIC7AWSJBPPC2/L1000026.jpg SERIES I - Leica M10 Review - Part 1 - First Impressions Overexposed. Shot at ISO 6400, pulled 3 stops. Unfortunately, the highlights on Anna's nose was blown beyond recovery. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486445668208-T1Y88AE7ZDK5VVND9TAR/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions Underexposed. Shot at ISO 6400, pushed 3 stops. Unfortunately, the shadows around Anna's eyes were too crushed to recover. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486446172906-1VPZMWYGXQ6VPV13725T/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions Inside a dark elevator. f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486446250219-2SD3T8CB6UORG17YENHD/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions The back entrance to a carpark. Accidentally over exposed by 2 stops. f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486446324499-WGN6LMIRTVXAXR9Z3SSM/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions Now closer up. f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486446384995-KFP0EDD955TF9IP1FMDG/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions At an outdoor clothing bazaar. Unfortunately, I don't recall the aperture setting. Explanation below on my disclaimer paragraph. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486446801945-0PRD6PHCR4HVIXBYY2P8/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions Emerging from an alley. f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486446882259-PT9GPQGLYTA4BHNZB8Q2/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions On the main street. f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486447009870-KYYXI5JTX8TVYKZZF6BY/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions Up on a pedestrian flyover. f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486447135083-JF4GXUPNUQNB8OKDNNQ0/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions Anna sticking her head out to take a photo of me. f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486447184694-5R4FILTFRT3KWBN54XU1/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions Accidentally underexposed by 2 stops. Aperture unknown, unfortunately. It might actually be at f/1.4, given that I shot Anna from considerable distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486447770599-NB1G3EG3A6YJIKBH3LL0/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions On our way to the pier. f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486447798118-TNRN2CH2OQ6ROGM8JHF3/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions At the boat landing. f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486447836192-DX2331S0422PY4E7GUZE/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions Seated on a mooring bollard. f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486447885164-9GQ5YJ7LWJYSCIVE9ZWJ/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions Looking out into the harbor. f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486447923570-DMM4UGQEDSWQBZUHPIN7/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions Looking at me. f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486447952019-RN5FEBJ9638FNZENE76Y/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions Shot on live view and zone focused at f/1.4 with the camera two feet about my head. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486448172507-UUAVIU2EIL2TG50MN1S7/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions Shot from a distance at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1486448195547-ODQBDGE62JQRC498QDPS/image-asset.jpeg SERIES I - Leica M10 Review - Part 1 - First Impressions Shot closer up at f/5.6 https://www.streetsilhouettes.com/home/2017/1/25/28mm-summilux-vs-35mm-summicron monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485407763926-J8SYWM1DFVOZ9GGCAEOJ/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/1.4 - On our way to a temple that Anna stumbled upon, while I was away in Hokkaido during the holidays. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485406781665-6L667WCCIFNT4MY4ELLB/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron f/2 - The moment I discovered I brought the wrong lens. The current version 35mm Summicron looks remarkably similar to the current version 35mm Summilux. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485407839427-0EAIASAMSZAZGE7IDHJQ/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/2.8 - A small concrete parkette adjacent to the temple. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485407878189-P2KWTJUQ7TGCHAYYGYTI/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron, f/2.8 - Not the most interesting of parkette, I must say. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485407931773-RQV7MICP93EJZGA2NEFX/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/4 - At the entrance of the temple. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485407964315-H9VFH7HUM2IPRNKG4BMG/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron, f/4 - Shot quickly to avoid photobombing from behind. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408019754-1IDTV1QN8UP84J4ZNQ01/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/2.8 - To the side of the temple entrance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408045961-8M8HDO13M0XH54E7R3O3/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron, f/2.8 - Anna is investigating a large paper lantern. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408075268-CBCSV7JAF3JEYQJCZM87/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/2.8 - Roots of a tree on the side of concrete wall. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408108216-UKNL4FV9RN31RWTWA1WQ/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron, f/2.8 - Integration of plant life in temples apparently is rather common. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408138987-9P28UOZ1WUG7G3AA082E/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/4 - Small narrow walkway off to the side of the temple. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408161696-FFOLU7AMH42EW1TFUZ84/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron, f/4 - I much prefer the wider shot, in this case. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408193095-WY96M2V88KG5FA4020BJ/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/2 - Burning incense hanging from the ceiling. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408217846-9CNOW4RVOEWYU4OG5K7C/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron, f/2 - I prefer the tighter shot. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485419832932-2A8Q2SJOD6QPNMFS3IJB/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/2 - Here you can see how smoky the room is from the burning incense. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485419871915-XOV90T5NX1QWUS2M5ZO0/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron, f/2 - The smoke almost makes Anna's complexion appear chalky? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408337734-6ZNTUZUQJKTRG5KBBYUN/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/2 - A shot of an alter. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408381577-CGM215BKITPMXSH7WPBG/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron, f/2 - Now tighter in. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408415372-D1XED8TNU082KRRXTVHO/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/2 - A shot of the ceiling lanterns. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408479402-QFKUFPT7SBU4SPNSHHND/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron, f/2 - The ceiling lantern loses some context when shot with a tighter lens. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408545679-BCEKUNN0OS138K93V2T1/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/11 - Strangely outside within walking distance, there is a narrow laneway full of chop shops. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408596009-GNZE0QL2QI3B1AZJV546/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron, f/11 - I don't know why Anna doesn't look amused here. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485409357231-ED07QTKG9O5879XVH07R/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/11 - A wider shot of the cul-de-sac - if you could actually call it that. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408893384-H5L8N0Q83EG3X26PRMTB/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron, f/11 - Anna walking towards me. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408947528-UQDRAE7MUOU4V4IVIVAO/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/5.6 - Anna in front of a stone wall. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485408997833-BDN5T520B02Y5645J7AI/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron, f/5.6 - Closer up with a tighter shot. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485409047997-S6484FXVY666K6N1CR00/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/5.6 - Anna walking towards me. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485409076756-X5TC9RBM5QMLDJCQFP65/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron, f/5.6 - Still walking. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485409126133-I44SGOTRTTPQV5A9JY4E/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/5.6 - Fooling around at the entranceway of a very orange structure. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485409158634-B06YF179MRDGI076HLWO/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron, f/5.6 - Now just leaning over on one side. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485409241301-IK01M2IPOXNE7QZYQCAX/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 28 Lux, f/1.4 - The end of the shoot. Notice how the background detail at f/1.4 is still reasonably recognizable. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1485409266641-0OIP2YZY2A783Z2E3R9K/image-asset.jpeg SERIES I - Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II 35 Cron, f/2 - Saying goodbye to Anna - until four weeks later. https://www.streetsilhouettes.com/home/2017/1/18/the-mathematics-of-popularity-in-the-age-of-instagram monthly 0.5 2021-10-31 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1484718640865-CIZ0V0ZENRDDF7UAURAP/image-asset.jpeg SERIES I - The Mathematics of Popularity in the Age of Instagram Our first post over 2000 likes. That was quite remarkable, given that we had less than 5000 followers at the time, and the norm for number of likes per post is roughly 8% of followers. In other words, this post is getting as many likes as an Instagram account with 25K followers. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1484719098814-4FKZ345H7VF4JZJBYHNI/image-asset.jpeg SERIES I - The Mathematics of Popularity in the Age of Instagram Another successful post with over 2000 likes. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1484719171537-DFK1DMZ9ROD61H40D1UB/image-asset.jpeg SERIES I - The Mathematics of Popularity in the Age of Instagram Another successful post with over 2000 likes. Also, it was our first referred post. It was reposted on the Leica Boutique Perth Instagram page. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1484719367183-HIOHPMMCNRKBGQDGOP04/image-asset.jpeg SERIES I - The Mathematics of Popularity in the Age of Instagram Another post reposted by the Leica Boutique Perth and two other Instagram page (with permission). This post received over 1500 likes. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1484719425680-QENCQDKM8FY8O3UJ6UYV/image-asset.jpeg SERIES I - The Mathematics of Popularity in the Age of Instagram Another successful post with over 2000 likes, also reposted on several Instagram pages. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1484719570836-WKSLT21NF7OQ9MM5366F/image-asset.jpeg SERIES I - The Mathematics of Popularity in the Age of Instagram The most successful post so far, with over 2500 likes. This one has been reposted by various Instagram pages, including Leica Australia, Rent or Lend (who at over 80K followers received over 10K likes - the second most on their page), and at least three other pages. By the way, this isn't Anna. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1484719697889-8IMFIAX4F9QP6M9Q647D/image-asset.jpeg SERIES I - The Mathematics of Popularity in the Age of Instagram The most successful post by percentage. I had just reached 1000 followers, and this post received over 1000 likes. But more impressive, this post had no hashtag at all. So it makes you wonder if Instagram rewards you if you reach certain numerical milestones. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1484719819017-P4XLB8JTWILNB86X7Q1R/image-asset.jpeg SERIES I - The Mathematics of Popularity in the Age of Instagram This post was posted twice - once in June and once in early December. I reposted it, because a certain Leica store reposted it without my permission. On my first post, I think it received less than 200 likes. In the second posting, it received more than 1400 likes. So as you can see, you get more likes if you have more followers. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1484720019183-3K4OYP35FXJK5QX9GNXN/image-asset.jpeg SERIES I - The Mathematics of Popularity in the Age of Instagram The tepid response we received on this post was a surprise, although it was very telling. It received the low end of the normal range of likes - not just for me, but also for Japan Camera Hunter and the Leica Store New York Soho. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1484720154878-6PZAF72IHBCMRE8ABN70/image-asset.jpeg SERIES I - The Mathematics of Popularity in the Age of Instagram Another surprisingly low response post. I would have thought that this would be liked, given that Anna was underwater. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1484720231055-UI493RKJTQ3NBHDAGNWZ/image-asset.jpeg SERIES I - The Mathematics of Popularity in the Age of Instagram The response on this post surprised me. It started off on track towards 2000 likes. But somehow, within the sixth hour, the algorithm died. I could only assume that this has something to do with either the time zone differences or the fact that it was Martin Luther King Jr. Day. I've also experienced this during Christmas and New Years Day. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1484720394874-PWHUMICKS84XPO1NB4LI/image-asset.jpeg SERIES I - The Mathematics of Popularity in the Age of Instagram Another successful post. It almost reached 2000 likes. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1484720452309-UVB77Q8I48W0J8NZQ2J6/image-asset.jpeg SERIES I - The Mathematics of Popularity in the Age of Instagram I've only mentioned the number of likes I've had with these posts. But what about followers? Unfortunately, I didn't record how many followers we got for these posts. But roughly, it's 1 new follow per 20 likes. https://www.streetsilhouettes.com/home/2017/01/07/leica-246-monochrom-vs-leica-sl-desaturated-comparing-black-and-white monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482826875969-5SDFLGG5I3O1QPPXTT5Q/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 6400, f/4, 1/60s, +1/2 stop. Before wandering around - a discussion on what to do? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482826970094-F2M7V7X6CE97CP6SG7TR/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica M246 - ISO 6400, f/4, 1/60s, +1 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482826899484-04KJLXJAPZWK661T3WT2/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 400, f/2, 1/160s, +1/4 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827009860-45WUS6JPB8GKZH33QRDA/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica M246 - ISO 400, f/2, 1/60s, +3/4 Stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827097314-AFIC838PW80LAC0DRV7J/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 400, f/4, 1/30s, -1 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827117947-B3WMSGXYBOXWBDBOT7NR/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica M246 - ISO 400, f/4, 1/30s, -1/4 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827140692-YW9SW3XMAA07SWIIT6G8/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 400, f/4, 1/30s, -1/4 stop. Not the interesting signage above. At that moment in time, I didn't quite register with us. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827175408-4KL18JIYFOID0AEKSR3B/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica M246 - ISO 400, f/4, 1/30s, +1/2 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827218139-WYLN5XO6L6G6KPQS30IT/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 400, f/4, 1/30s, exposure as shot https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827239365-VKRX8FZ0ZCR38L2XPLWF/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica M246 - ISO 400, f/4, 1/30s, +1/2 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827270586-3C4UPVQ97CL9UT670K31/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 400, f/4, 1/30s, +1 1/4 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827358151-1RHAW3HO3BCZJF23BXZX/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica M246 - ISO 400, f/4, 1/30s, +1 1/2 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827774965-330CGNITLZH7NMXE3DOY/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 400, f/4, 1/30s, +1/2 stop. Guess what we stumbled upon in our exploration... the flagship shop of Mint Camera! That was an unexpected surprise! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827792662-5VXGY6D1DZR3OH0XE1F9/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica M246 - ISO 400, f/4, 1/30s, +1 1/2 stop. To be honest, Mint wouldn't have been on my radar, if it weren't for Chris Gampat's article on the Phoblographer. Well... we knew we had to get one, the next time we came back (since I was about to go up to the mountains for a period of contemplation... whatever that means). https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827730152-T81ZJOLM73N3CI51NGOF/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 400, f/4, 1/30s, +1 1/4 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827752682-5H181781JZ5FB0C5PE76/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica M246 - ISO 400, f/4, 1/30s, +1 3/4 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827814497-GEAAGL9ACFUMGI06ARNH/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 6400, f/2, 1/30s, -3/4 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827907555-NAJ622P486OGVMUO9M21/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica M246 - ISO 6400, f/2, 1/30s, -1/4 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827877756-UTYVBZWOTRRROA2EAULV/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 12500, f/2, 1/30s, +1/2 stop. The graininess is muddying up the image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482827950812-9V1EKCX0MAHJZPD9E91V/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica M246 - ISO 12500, f/2, 1/30s, +3/4 stop. By comparison, the high ISO is noticeably cleaner with the dedicated monochrome sensor. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482828070470-7I2H8GCO8958AWNY5WY5/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 400, f/5.6, 1/125s, +1/4 stop, bottom 1/3 -1 1/2 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482828042874-9FY7X0XYP39YDHPNWOPT/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica M246 - ISO 400, f/5.6, 1/125s, +1/2 stop, bottom 1/3 -1 1/2 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482828124733-8RPD3X1WL3YRZ0UUCDQP/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 400, f/5.6, 1/125s, +1/4 stop, bottom 1/3 -1 1/2 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482828145563-ZS8PU5VWDR2PZNQTT4R1/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica M246 - ISO 400, f/5.6, 1/125s, +1 stop, bottom 1/3 -1 1/2 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482828172689-GGZHKKXEKBV18BY9VJTT/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 400, f/5.6, 1/125s, +1/4 stop, bottom 1/3 -1 1/2 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482828194489-A34BFPILJQW961D7QGFB/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 400, f/5.6, 1/125s, +1/4 stop, bottom 1/3 -1 1/2 stop https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482828228649-MOCGNL4EVHWVQZEYLL6R/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 12500, f/5.6, 1/250s, https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482828262026-75BXCVQ5LI1VYTJ8EJBT/image-asset.jpeg SERIES I - Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Leica SL - ISO 12500, f/5.6, 1/250s, +1/2 stop https://www.streetsilhouettes.com/home/2016/12/18/pairing-the-leica-m246-monochrome-with-the-35mm-f2-summicron-asph-ii monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482119904830-N6KAAAOXVRY7P7GS65FL/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Warm up shot at ISO 800, f/2, 1/60s. Pushed 1/2 a stop. From this point onward, pushed a stop is an euphemism for bad exposure. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482119925015-JWH5S3OIEXPJC8UYZZ7Y/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Warm up shot at ISO 800, f/2, 1/60s. Pushed 2 stops. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482119953912-T72OJHW9D5BN02O2DEFN/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Warm up shot at ISO 800, f/2.8, 1/125s. Pushed 3 stops. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120017403-155WBCDQ1ZDH1REG7S0N/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II More warm up shot at ISO 800, f/5.6, 1/500s. The highlight in Anna's face has completely been blown out. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482119995583-5903DM0COW578SQCFTEA/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II More warm up shot at ISO 800, f/8, 1/500s. Pushed a stop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482119972548-EVPC7JIMOMDW9WQP6JYV/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II More warm up shot at ISO 800, f/8, 1/500s. With this much backlighting, and at that range, fill flash wouldn't have been a bad idea. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120037267-MXUMKPE1TAFONSVM1U9N/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 800, f/5.6, 1/500s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120058370-EOC7MD03KZE8HIPSPF31/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 800, f/5.6, 1/250s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120084241-RKJM97SAX2N8RQKTJSA5/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 6400, f/5.6, 1/250s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120105672-BSYYFWZ5UGMLUPHSTW8Y/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 800, f/4, 1/500s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120175263-87YI5D9KKMSRIN7QF4OH/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 6400, f/4, 1/2000s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120149670-SYR93BIQTOMCF56AGIH2/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 800, f/4, 1/250s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120200978-6GCQW5IGJSPL1D2J66VA/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 800, f/4, 1/125s. Shooting from far away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120225032-U10MD8QN3RO2X6JDBJIC/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 800, f/8, 1/60s. In front of an erosion retaining wall. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120250660-EDH9189O3MPXM6D1UQW1/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 800, f/11, 1/30s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120268445-SGYXES8F1C6VRJP0QOST/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 800, f/8, 1/500s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120285572-6H4FS1BDW13O4NX9JELG/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 800, f/5.6, 1/500s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120299309-Y0GHD9IRN0EUMZIC48LE/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 800, f/2, 1/750s. Not especially the best bokeh again... and not exactly from very far away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120315143-Z0U9UULWNMRKY5YHON1U/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 400, f/2, 1/4000s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120334419-19DCQDGNUBI0TEG8YHYB/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 400, f/4, 1/500s. Anna was almost run over by that double decker bus. That is the expression of Anna seeing her life flashing before her eyes. What Anna wouldn't do for a picture. I didn't see it coming, with my back facing the approaching bus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120372909-G7WTR67ZYEMDCRWDHVUX/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 400, f/4, 1/500s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120396521-0EQIIOFLL9ENEDO2JY5I/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 400, f/5.6, 1/500s. underexposed a stop in order not to blow the highlights on Anna's shirt. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120419509-9OW11L8MARUV1GJKITKE/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 400, f/2.8, 1/125s. Checking the distortion at the edges and corner, which isn't bad at all. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120441621-0B8ZNXURQ20YEHGZW64N/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 400, f/2, 1/350s. Close up to evaluate the bokeh. Not great, but not bad either. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120556859-MKWB236TS1D0NI56TQX9/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 6400, f/4, 1/500s. Zone focusing and tracking focus with the focusing tab on an approaching Anna. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120581310-9F1IHFQM2Y3IDMGGSSGQ/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 6400, f/4, 1/500s. The focus tab on the 35mm f/2 Summicron ASPH II glided smoothly. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120609498-CP54W2I51LRZDA8KRTO9/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 6400, f/4, 1/500s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120473813-YUJLARIW67RHP0YQ4F70/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 6400, f/2, 1/750s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120495469-MUPTMR0L3PBTGXMXWR4D/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 6400, f/2, 1/750s. Extreme backlighting close up. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1482120639893-JKD2ON3GUPN5MMUL4FWV/image-asset.jpeg SERIES I - Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II Shot at ISO 12500, f/2, 1/60s. A final high ISO example. https://www.streetsilhouettes.com/home/2016/12/14/canon-24-105mm-f4l-usm-ii-testing-the-image-stabilization monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481701896251-QN6MUIGY99SQ39NFNKJQ/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization Up the escalator to Computer City. Shot at 24mm, ISO 320, 1/30s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481701797634-3QZ28VO79S1A8T7ZDJKB/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization Searching shop to shop for a new DVD ROM of the now discontinued Adobe Lightroom 6. Shot at 24mm, ISO 200, 1/30s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481699999235-LX1MWI1JHJRH20BQBW9H/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization Up the next level, continuing the search. Shot at 24mm, ISO 500, 1/30s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481700137782-X07SDKQUGW3MYQZXTXB4/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization At the subway platform. Shot at 24mm, ISO 500, 1/30s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481700284184-ZZHV50YVSLB9NZULKO2M/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization When I realized we're at the wrong subway platform. Shot at 35mm, ISO 250, 1/15s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481700487844-POOPXE2TNFY8GWO4JC2Z/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization On route to the right subway platform. Shot at 24mm, ISO 1000, 1/30s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481700350277-INJT923MBW14J9LDO54T/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization At the right subway platform. Shot at 24mm, ISO 1250, 1/30s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481700401949-34R91AJPXBB56ZIROZRU/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization Going closer! Shot at 70mm, ISO 1250, 1/30s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481700453688-O495H8P06AO307ICSOGI/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization All the way! Shot at 105mm, ISO 2000, 1/30s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481700796748-Y2HC422B685VIF20LW6H/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization At the carpark. Shot at 24mm, ISO 5000, 1/15s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481700907816-X75FTUVG8TPXL4LJNMVM/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization Getting fidgety. Shot at 24mm, ISO 2500, 1/8s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481700954743-LLKU729IBEA303XBAYJ2/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization Eyes deliberately wide open. Shot at 24mm, ISO 1250, 1/4s, f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481701098963-GI8A0H6MUR61Y8Q6WCLJ/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization Not enough blur at 1/8s. Shot at 24mm, ISO 100, 1/8s, f/6.3 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481701137183-D00VM31J8N8GKG778MSH/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization The motion blur is much better at 1/4s. Shot at 24mm, ISO 100, 1/4s, f/9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481701176464-48LGIULLY2O4Z2SLV56B/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization All things considered, either my hand isn't steady enough, Anna is swaying back and forth, or the camera slap is making the image not 100% sharp. Shot at 24mm, ISO 100, 1/4s, f/9 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481772724364-O3JANHPCH3C3RVB15ZX6/image-asset.jpeg SERIES I - Canon 24-105mm f/4L USM II - Testing the Image Stabilization Anna basking in the delight with her discovery of Lightroom 6 in hand, underneath the festive lighting of the season. https://www.streetsilhouettes.com/home/2016/12/9/leica-21mm-f14-summilux-a-helicopter-plus-a-little-help-from-the-canon-16-35mm monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481339068709-WTDYYHWJ81P2HLX2CI6H/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm Generic super wide angle shot. Many think the purpose of a super wide is to capture more background. The image was shot stopped down. Pretty much all the images on this post is stopped down, unless otherwise stated. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481338983001-LNJ4JVNRBKWVKDE1A3US/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm A better reason for super wide angle is to shoot closer up. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481338939069-EUPQIQFQY47BGPGXFMV5/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm Or better yet... to shoot at different angles... but you would need to be careful with the distortion. Look at Anna's left hand (on your right). https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481337079301-KDPIDIAV9MQGBX4GVOSG/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm Having a quick bite at the Peninsula Hotel lobby café. Shot at f/1.4. Notice the mess on the table? That is the problem with shooting a super wide at eye level. Half the image is below the horizon line, which means half the image is technically unwanted foreground clutter, that is likely going to be out of focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481337194148-A1EDD4SIVQYOGROIOUOZ/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm Going up the lift to the orientation area. Shot at f/1.4. A shot made for the 21mm f/1.4 Summilux ASPH. Shot wide open in a very tight and confined space. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481337258667-ASZF0IHYGRN6XHZXRR7J/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm Waiting at the orientation area. Surprisingly not shot wide open, since it was shot zone focusing. I don't think I was suppose to take picture in here. I could be wrong. Shot below Anna's knee level to minimize foreground exposure. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481337777313-1GAIKRI2UE99N411FOPJ/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm On the helicopter pad. I don't often repeat title images in the article content, but given the short amount of time, I didn't get an opportunity to take many pictures on the pad. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481337969246-EM36BPAI7BLQHOAOOEP8/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm Boarding the helicopter. Anna already has the life preserver strapped around her waist. It is an aviation regulation requirements. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481338178324-XI64AA033WP2IRE6LSRQ/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm Getting strapped in a four point harness. Not to highlight my goof ups, but this image is out of focus. So much for zone focusing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481346002874-5OTJRKIRDUFJW8O562UE/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm What gives? A Canon lens on a Leica review? I just wanted a couple of sample images to compare between the 16mm and the 21mm focal lengths. Plus I didn't know if 21mm was wide enough. By the way, we're taking off in this image. Canon 16-35mm f/2.8L II. Shot at 16mm. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481338312074-VTFICNSSL60ZVTB3C5D3/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm Unfortunately, the Canon got to capture the more scenic background. Here are some little boats in the water to give you the impression of distance and scale. Canon 16-35mm f/2.8L II. Shot at 16mm. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481338366754-WL3N8F41AEMNMW64PZ9H/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm And here with a sampling of Hong Kong's iconic background. Canon 16-35mm f/2.8L II. Shot at 16mm. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481338462908-EFXQML5GZOFLWTEKQ75E/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm Back to the Leica 21mm f/1.4 Summilux. Fill flash misfired. But the Leica lens renders beautifully in the natural light. Unfortunately, the background outside the helicopter window is all blown in exposure. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481338510219-CRO9QX12HCGHL0FX2MRU/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm Now with fill flash... something I normally don't do. Unfortunately, I missed out on Hong Kong's iconic skyline, at this point of the tour. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481338561827-1Q0RXZXNGCU6ZDHMITT4/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm With the Leica 35mm f/1.4 Summilux-R and fill flash. Really, the 35mm focal length isn't wide enough to establish the significance of hovering 10,000 feet in the air. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481338644158-7SC5VEQD6S8QYXLPTRX2/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm At closer focusing with the 35mm f/1.4 Summilux-R. There would be distortion at this distance with the 21mm f/1.4 Summilux-M. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481338888081-VEGCB0LSFH8XHW05WAVD/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm Back down at the Peninsula Hotel lobby waiting for our Über. To minimize unwanted foreground content, I shot this with my camera held over my head, with live view, and autofocus locked on to Anna's face. Canon 16-35mm f/2.8L II. Shot at 16mm. Cropped slightly to edit out an unwanted foot coming through the opening door. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481338814659-K4YUSPZYPS31961009JZ/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm Closer up with the Leica 21mm f/1.4 Summilux. I love how the Leica renders a pinkish glow to the skin tone. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481339225383-PTBBN3GM1FBW31DZKN8Z/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm En route back to my office. Image had been photographed deliberately with the intent to crop the left hand side of the image out, in order to minimize the distortion on Anna's head. If Anna's head were on the left edge, the distortion would be hideous. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481339771603-34MH5HLR8QFYOSF9HDJF/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm A spot of tea before I headed back to the office. An attempt to frame Anna in an atypical way - although, if the truth be told, her face is still near the middle of the frame. Shot wide open at f/1.4. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481339391463-3LF0L6PSTM8UBZ2TWXFD/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm Image is framed to minimize distortion of Anna's face, while still demonstrating an aesthetic benefit of distortion, shown in the elongation of Anna's legs... not that she needs it. Shot wide open at f/1.4. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481353987051-400ZA8D181EDGIQBK61Q/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm A view from the North West corner of Hong Kong Island. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481354048176-88I0XMIX6PQ2XKDLS37O/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm A view from the South East corner of Kowloon, on the mainland. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481354187651-VAZR6GXY2C4Z326QY08E/image-asset.jpeg SERIES I - Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm I'm not sure where this was taken? I would guess on the South Side of Hong Kong Island? https://www.streetsilhouettes.com/home/2016/12/8/leica-sl-50mm-f14-summilux-m-asph-vs-50mm-f14-summilux-r monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481002079646-UHPY5YMJ37XHQGMCEIZQ/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 160, f/1.4, 1/200s. I took this photograph by surprise. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481002037704-YDSRI5AOIIAOFPTFMM5Z/L1000580.jpg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 125, f/1.4, 1/200s. Anna did not appear amused, on the second shot. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481002187788-SXC5YYVO4GR9NXKA4S6G/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 320, f/2.8, 1/200s. Tying her shoe lace. Another opportunistic shot. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481002131364-EJP9HXCAN3FPZ1DRRVSK/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 200, f/2.8, 1/200s. This one I asked her to do it again for the 50 Lux-R, so she's not really tying her shoe laces here. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481002238987-96UUSJT7WRBVP4IFYTBD/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 160, f/1.4, 1/200s. Shot at the lens' closest focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481002276365-TDKOPVG9BGVFAP8HAW2W/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 400, f/1.4, 1/200s. Shot at the M-mount version's closest focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481002323986-L6RM0J2KOATMEHN33ZQT/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 800, f/1.4, 1/200s. Shot at the lens' closest focusing distance. There is much less distortion than on the 35mm f/1.4 Summilux-R. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481002621065-Z0AICDFJQRMW95OGC2N0/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 250, f/1.4, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481004152633-YEX21IBPJBGM8G5Z2MU5/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 320, f/1.4, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481003955511-L6454VOUM56IBRWWBC4V/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 250, f/1.4, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481004020843-BDBUSMIBBGQIAY18Y7A9/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 320, f/1.4, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481005593871-41L2GWH9LWQ9GLSSRC5V/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 50, f/1.4, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481006002520-XR6DSA8DS5RB55MLSK19/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 50, f/1.4, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481004448466-PD6M61OUVZW6BUU15D40/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 320, f/5.6, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481005855290-R0YRJGRMAT1IUVU2W2CE/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 1250, f/5.6, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481006415225-N5N30CD4AYXI6IFN4KI2/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 4000, f/11, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481007851676-7Z1JD8E0T0W4PGYENSGJ/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 6400, f/11, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481006726206-VC75S32HHVJ5PR33SGR5/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 800, f/8, 1/160s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481008075911-2V33CRCTIPWWLF7OJT65/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 1250, f/8, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481006802673-QPF62ZQ71OW3AUHOU4L7/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 1250, f/5.6, 1/250s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481006872121-IGQO4LO6IG2KZYWEPFVR/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 1250, f/5.6, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481006927474-UX56KR31IFBIQ9EEBG1P/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 80, f/1.4, 1/160s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481006989711-VOYDVA124EDP6UAVTPG5/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 100, f/1.4, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481007057887-CDV1MXC21Q41LZ9QX038/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 6400, f/1.4, 1/250s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481007189438-QWD3PF8T1WWC2M8B6ETK/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 6400, f/5.6, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481007270881-MCEIJZTW1EZI5Z6IHYS7/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 80, f/1.4, 1/160s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481007326692-4PEE23C74WN7QG6JOUAP/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 6400, f/5.6, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481002562685-LOFEPU36PFLP8LPICSOS/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 125, f/1.4, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481004555220-X1LGIQKNFOVMUQWIE30X/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 80, f/2.8, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481005523220-76C5WY9PMFSCYS76J11U/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50mm f/1.4 Summilux-M, shot at ISO 80, f/2.8, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481002383498-2CYMM3UNR0MJ3D5YI80K/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 1000, f/4, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481002445482-5W888KE8J6X08D7HC24N/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 250, f/8, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1481002501464-VGY4YWPYLCP8DYBJEN0K/image-asset.jpeg SERIES I - Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Leica SL + 50 f/1.4 Summilux-R, shot at ISO 160, f/11, 1/200s. https://www.streetsilhouettes.com/home/2016/12/2/testing-auto-mode-on-the-leica-sl-with-the-24-90mm-vario monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480678608787-YPH6I86N7W9JVLLZTV2X/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm Warm up shot. I needed a couple since shooting in auto mode was outside my comfort zone. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480678644667-O8HR0WBDITSO9WM32MRS/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm More practice shots. You know the only reason why I'm including this image is because Anna's friend Lessy is making that goofy face. On a side note: this image has gone through quite a bit of post, given the extreme contrast in highlight and shadow caused by the direct noonday sun. I have to say that the dynamic range on the SL is pretty good. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480678676932-YCSAJRD8T30FNN0Z2O4D/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm I think that this is part of the Toy Story World? It's really just a reference shot, given that the first part of our visit didn't really feel all that much like the Magic Kingdom? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480678703551-HNMWZYDUO17VRJGJAV02/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm I needed some refuge from the intense noonday sun. I have no idea which world I had descended onto. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480678736807-LS4JW1SLGFY6KJJTLUZ0/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm I was beginning to get used to the face detection of the autofocus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480678889385-Q6BT1PUQPRHR7729I2ZI/L1000120.jpg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm At this range, face detection seemed to work very well. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480678968117-30DTM4RFYJJC9Q3YYQGT/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm With Anna and Lessy further away, it became difficult for the Leica SL to make out enough contrast for face detection. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679032802-BIR8Q2VQYJHRBVB3K0HF/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm Another example where auto mode found difficulty in selecting focus. I don't recall where the autofocus finally acquired focus. But clearly it wasn't Lessy's face. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679177298-FUXP492B05ONMODCGMQI/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm Another difficult autofocus situation. Under the shadow of the thick canopy, and at that distance, the autofocus couldn't make out enough contrast to select focus on either Anna or Lessy's face. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679200955-R6W4J5ARWB26V7LDB1GH/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm The spray of water mist made focus in auto mode more difficult, since it again reduced the contrast of Anna and Lessy's face. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679223608-ROV7DJL8DEKQBRVKGZKX/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm On tribal drums. This image has gone through considerable post, in editing. In the original capture, Anna's face was in shadow, while Lessy's face was in extreme highlight. As a result, there wasn't much contrast in either Anna or Lessy's face, making focus selection difficult in auto mode. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679258615-DTGL2P6A71S6MPYM4NTO/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm Another example where Lessy and Anna were far away from the camera, with the contrast in both their faces diminished as a consequence of distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679286106-QER1OXU4KOPRVQUD4F3Q/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm The autofocus completely missed focus on either Anna or Lessy's face in this image. The autofocus selected focus on the contrasty leaves of the closer hedges. I had to manipulate the camera's position to focus on the leaves closer to Anna and Lessy, in order to reasonably get focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679324123-X1I64R8FW44C8OPEKKUG/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm Lessy and Anna bolting off to make it to the Teapot ride. The autofocus didn't have a chance to acquire focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679354977-2U4TFVDQ5U9Y2FFZF8ME/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm There wasn't enough contrast on either Lessy or Anna's face, especially with the teacup rotating and snaking round the perimeter of the ride. Instead, the autofocus locked onto the graphics of the teacup. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679388574-HEGZ62KFVX8YKA5YLNJ9/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm Even closer up, and yet the autofocus again locked onto the graphics of the teacup. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679438454-RX8RO6XN36D6Y9H8BXF6/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm In the Its A Small World ride. Surprisingly, I was able to get reasonable focus on Anna's eyes. But more surprising is the dynamic range of the image file. The white balance wasn't this natural in the original capture. Also note that this was taken at 24mm, f/2.8, 1/60s, ISO 6400, and pushed two stops in post. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679490494-WMX21YX84WJDAQDNITZ7/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm Still on the Its A Small World ride. Here, there was sufficient light for a good image capture. Unfortunately, Lessy didn't move up closer to be in focus (or alternatively, Anna didn't lean back). Either way, autofocus selected the closer subject, being Anna in this case. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679545094-LH5UQWPK6242P6QJD6GD/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm The start of the Space Mountain ride - and no, I didn't capture anything else afterwards. Are you kidding me. It's a rollercoaster ride - albeit low grade - but still moving very fast. White balance is irrecoverable in this case, given that it was monochromatic - though in the magenta scale. Still, I was surprised that focus was acquired in auto mode. However, Anna and Lessy wasn't moving, and I was pretty close up to them. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679625077-1E64O9NBUUS683ZJQCCE/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm Bobbing up and down, within a reasonable distance, the autofocus was able to acquire focus in auto mode. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679681048-48HKDUW3416G5T367ZJA/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm Anna taking a photo of Lessy. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679583301-BMFSUGJL2CBEK6GKNTFS/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm After the Merry-Go-Round. This image has gone through considerable edit in post. With extreme backlighting, and both Lessy and Anna originally in shadow, the autofocus was still able to make out enough contrast on their faces to acquire focus in auto mode. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679714135-H84KL0LGTWDTJRAJFWXK/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm Another example where Anna and Lessy were originally in shadow. Again, autofocus was able to acquire focus in auto mode. Image edited in post to reduce the intensity of the shadow. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679822533-3EUTXRKHQ3V9SVO4QFZZ/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm A quick turn around shot at the Marvel gift shop. The autofocus was able to select focus in auto mode. I guess I was close enough for the face detection to get sufficient contrast. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679849040-OOENP9LA11D5R05K36KZ/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm Finally, a bite to eat. Obviously no problem getting focus, at close distance, with sufficient lighting, and at the 24mm focal length. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480679869979-S5CNGHHPY8EZHWVTWOYM/image-asset.jpeg SERIES I - Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm Leaving the happiest place on earth this side of the bigger pond, by Über, with my body twisted back to face Anna and Lessy for one final snap. The autofocus had no problem selecting focus. But given the twist and turn out of the amusement park, it was difficult for my hands to shoot steady. https://www.streetsilhouettes.com/home/2016/11/26/canon-35mm-f14-usm-i-vs-usm-ii-on-the-canon-5d-mark-iv-and-5dsr monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480149862025-CL4UBE7L7F32QIDSY7V5/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Canon 5D Mark IV + Canon 35mm f/1.4 USM I at f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480149912092-ICT5U6SXK3HTWCW4SO9A/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Magnification. Canon 5D Mark IV + Canon 35mm f/1.4 USM I at f/1.4. For the first set, the lead eye is the right eye. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480149943064-ZW92G0IDU1R3VXYZ1D3K/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Canon 5D Mark IV + Canon 35mm f/1.4 USM II at f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480149976420-5O9MUGOXCDDR94BE36PX/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Magnification. Canon 5D Mark IV + Canon 35mm f/1.4 USM II at f/1.4. Clearly the eye lashes here appear more refined than the USM I magnification sample. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480150038529-PVC7R5D66M0OKBKHYDMA/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Canon 5DSr + Canon 35mm f/1.4 USM I at f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480150144585-T8FKO63I096122SP07RT/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Magnification. Canon 5DSr + Canon 35mm f/1.4 USM I at f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480150168842-PVQUUZ77HGEO1RQP4RV5/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Canon 5DSr + Canon 35mm f/1.4 USM II at f/1.4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480150187365-5HHH6CP4V328QI9IJH8Z/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Magnification. Canon 5DSr + Canon 35mm f/1.4 USM II at f/1.4. I'm disappointed with this sample. Something must have went wrong, since the difference isn't immediately perceptible. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480150429439-1JHDSMZ2WXXS6JE0KR6A/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Canon 5D Mark IV + Canon 35mm f/1.4 USM I at f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480150479196-QRD96HA31VMRW39ANJSA/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Magnification. Canon 5D Mark IV + Canon 35mm f/1.4 USM I at f/4. The tips of the eye lashes are clearly feathered - evidence of reduced detail. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480150511448-HZLNZEMUDP1HR5FIKVXN/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Canon 5D Mark IV + Canon 35mm f/1.4 USM II at f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480150533265-O217E1GHOHYVSGQB9KNI/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Magnification. Canon 5D Mark IV + Canon 35mm f/1.4 USM II at f/4. By comparison, the eye lashes on this USM II version has greater clarity and refinement. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480150582318-66FIQ66QUM73PXYWJ0VV/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Canon 5DSr + Canon 35mm f/1.4 USM I at f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480150605666-ZTG1N6BAV70UWCLXUN2F/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Magnification. Canon 5DSr + Canon 35mm f/1.4 USM I at f/4. Strangely, the eye lashes look pretty good from this USM I version at 50 megapixels. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480150624709-DYSHO7FAJRR23S62AN1H/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Canon 5DSr + Canon 35mm f/1.4 USM II at f/4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1480150644785-CVKB3J1VM3IVAXJDZZI9/image-asset.jpeg SERIES I - Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison Canon 5DSr + Canon 35mm f/1.4 USM II at f/4 - Magnification. Clearly, the details of the eye lashes on the 5DSr from the USM II version is the most refined. Plus, Anna's baby blues just pops out in this combination. OMG, that is amazing! https://www.streetsilhouettes.com/home/2016/11/24/a-tale-of-adaptation-the-leica-sl-with-r-and-canon-ef-lens-mounts monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479773521004-6VTH94JMH790HJXTY1ZB/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Leica SL + Leica Adapter + Leica 35mm f/1.4 Summilux-R. Shot at f/1.4. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479773558725-RRJYXD19GRPLKCJFB9F3/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Leica SL + Leica Adapter + Leica 35mm f/1.4 Summilux-R. Shot at f/1.4. Love the bokeh! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479773796370-DIDB7TU6R7EELSNGMDHA/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Leica M240 + Leica 35mm f/1.4 Summilux-M ASPH FLE. Shot at f/1.4, at the closest focusing distance of 28 inches. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479773822488-4I9FAEZ5X25K94T6W604/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Leica SL + Leica Adapter + Leica 35mm f/1.4 Summilux-R. Shot at f/1.4, at the closest focusing distance of 20 inches. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479773729518-IZ6H73DZ2Z1RVNM7W5GZ/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Leica M240 + Leica 35mm f/1.4 Summilux-M ASPH FLE. Shot at f/1.4. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479773701709-UD96XTR2KP1MK3AWA6HY/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Leica SL + Leica Adapter + Leica 35mm f/1.4 Summilux-R. Shot at f/1.4. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479779392058-1TZJ01PJXI0WT39JH4TM/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Leica SL + Novoflex + Canon 35mm f/1.4L USM II. Shot at f/1.4. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479777475616-4OGK22ERHHR9LUC4GSWK/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Canon 5D Mark IV + Canon 35mm f/1.4L USM. Shot at f/1.4. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479777503965-YZJNZD3TNR1E3DXSIQC8/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Leica SL + Novoflex + Canon 35mm f/1.4L USM II. Shot at f/1.4. Shot on autofocus auto mode. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479778934271-4MFP83C8FI8TVU29CBUS/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Canon 5D Mark IV + Canon 35mm f/1.4L USM. Shot at f/1.4. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479778998696-PILOT9Z9YD2SJYI7XAY5/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Leica SL + Novoflex + Canon 35mm f/1.4L USM II. Shot at f/1.4. Shot on autofocus static mode. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479966229385-GYO0O8CWPNCJZ90GC709/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Leica SL + Novoflex + Canon 35mm f/1.4L USM. Tracking Anna at f/1.4 - not in focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479966280592-F7H7GZQACY4ONAPQ0CP4/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Leica SL + Novoflex + Canon 35mm f/1.4L USM II. Tracking Anna at f/1.4 - not in focus again. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479875202073-64H7X6CWU95S62X2AETV/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Leica SL + Leica Adapter + Leica 35mm f/1.4 Summilux-R. Shot at f/1.4 and 20 inches away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479875332000-97MM4249R5KPIXTU10XH/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Leica SL + Adapter + Leica 35mm f/1.4 Summilux-M ASPH FLE. Shot at f/1.4 and 28 inches away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479875262093-H57RJBUIKXWXZLKG2UTD/image-asset.jpeg SERIES I - A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Leica SL + Leica Adapter + Leica 35mm f/1.4 Summilux-R. Shot at f/1.4 and 20 inches away. https://www.streetsilhouettes.com/home/2016/11/16/canon-16-35mm-f28l-usm-iii-ultra-wide-zooming-in-a-crowded-city monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479285617671-1Q7QHKOGRW0PMUJC3TBZ/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 28mm, f/2.8, and 1/800s. Some perspective distortion when the subject is not in the center of the frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479285643158-E5J5O9I6FPHYWA18WE6R/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 35mm, f/6.3, and 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479285679987-Q21IXWJR0UWYFQ3OUJSI/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 28mm, f/7.1, and 1/250s. I cut off the feet to minimize the appearance of distortion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479285723098-I78CC123BQ59ZB52XVNO/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 35mm, f/7.1, and 1/250s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479285792303-5Y0NHM5FI4O5787M8HDT/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 28mm, f/3.5, and 1/60s. Very slight barrel distortion. Almost imperceptible. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479285854019-7EMBESMM1NV7AQ5HD3B2/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 16mm, f/4, and 1/60s. Hand rail simulates the perspective lines, running towards the center - which is the vanishing point of the perspective lines. Shot at my eye level, resulting in distortion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479285891888-W6B5WTRTXJRW9O3ECPPR/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 16mm, f/2.8, and 1/30s. Shot at Anna's eye level to minimize distortion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479286888334-B431PMB8ILQBH9Y185B7/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 400, at 16mm, f/3.5, and 1/640s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479286917879-WFIH8OQY7OFCELRWTOE0/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 400, at 35mm, f/3.5, and 1/320s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479286018922-94QMLSIHVTIKC3348LH8/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 35mm, f/5.6, and 1/80s. Christmas comes earlier without Thanksgiving, here in Hong Kong. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479286069353-R7WBHZ7WAVG2DEJDDJ1M/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 35mm, f/5.6, and 1/80s. The camera is angled down in order to reduce the amount of image capture above Anna's head. But as a result, the amount of distortion becomes exaggerated. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479286139480-OHX9VA14KV0PY34DMLGH/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 35mm, f/5.6, and 1/40s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479286537487-RFCLUOT0FXXRYI4VPEWH/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 16mm, f/3.2, and 1/50s. I was justifiably able to shoot straighter on at eye level, because the details above Anna looked interesting enough to document. Even so, I tilted the camera slightly, because I like the way the distortion tapers Anna legs near the bottom of the frame. The same is true for the next couple of images. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479285971360-080PRKB3ABVFT5Q29261/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 16mm, f/3.5, and 1/60s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479286181259-FRRTBWU59HNQ92RPN9M3/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 24mm, f/4.5, and 1/80s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479286491899-0CLQ06T6B1OBMV1HA7N3/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 400, at 16mm, f/4, and 1/500s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479286615755-VYKMB6HUHCI6ROU5D0FO/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 16mm, f/2.8, and 1/100s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479286654975-CLE03KRD5J3C7RB8QLKR/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 20mm, f/2.8, and 1/100s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479286684819-VBLJPQZR3BZM6BU825OW/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 100, at 35mm, f/2.8, and 1/60s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479286729624-8XG057XJZJMQBEZMJ393/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 400, at 16mm, f/2.8, and 1/400s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479286761569-WOV3WEMFWXXZJB8O8BFU/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City ISO 400, at 35mm, f/2.8, and 1/160s. Bokeh is rendered reasonably well by the lens, https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479288999317-KTC0E46PO7874M0NFAM9/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City Shot on the Canon 5D Mark IV https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479286992964-H1BDFDOAA5U0O9K4V2TP/image-asset.jpeg SERIES I - Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City Shot on the Leica SL + Novoflex adapter. I think the color looks nicer on the Leica. https://www.streetsilhouettes.com/home/2016/11/14/photographing-without-purpose monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479146965940-LQNWZZ977ATG70797JFA/image-asset.jpeg SERIES I - Photographing Without Purpose The litmus test of a good image is the "so what" test. Looking at this image, I wonder what the point is, other than the fact that the subject is attractive. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479147014235-F9LVYGU3T71LU3TUXYVN/image-asset.jpeg SERIES I - Photographing Without Purpose The composition of this image is messy, which makes the image look incomplete, which thus diminishes the impact of any purpose. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479147056464-27BJN43CLUD3QV6XU2S0/image-asset.jpeg SERIES I - Photographing Without Purpose It is cute how the main female subject is resting her head on who I presume to be her significant other. But again, the purpose of this image eludes me. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479147105812-SS8DR7I4HBYXIRAGZSF0/image-asset.jpeg SERIES I - Photographing Without Purpose You would think that this image demonstrates purpose. But does it really? It looks fun, with the two main subject skipping down the incline. The thing is, there is something still incomplete about it, which diminishes the impact of any purpose. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479147230381-HRRYMF4K91Z6AKZCWRCH/image-asset.jpeg SERIES I - Photographing Without Purpose An image taken in haste. You can tell by the way the subject looks, especially by the position of their lips. But even if their mouths were in a better position, what really is the purpose of this? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479147274221-24D7RHQP4EONO1SM8AA0/image-asset.jpeg SERIES I - Photographing Without Purpose You would think that documenting a kiss is purposeful. But is it? Besides, the composition of the image is compromised with the lady smoking in the background. That smoker is competing for attention. If I had shifted my position, perhaps I would have gotten a better picture. Then again what would be the purpose, other than that kiss? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479147321796-KWBMOD7JOGIQLTQ832G4/image-asset.jpeg SERIES I - Photographing Without Purpose Lady crossing the street. Like the first image, other than the appearance of the subject, what exactly is the purpose of the documentation? She's not going to make this street capture any more engaging. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1479147191383-MZBMJGDZJGO6DUMPUZMG/image-asset.jpeg SERIES I - Photographing Without Purpose A lady resting against a barrier. Clearly not much of a purpose to this image or any of the other images I randomly selected from my photo archive. Admittedly, my expectation might appear unreasonably high. However, I do feel very strongly about it. Without an obvious purpose, I just don't see the point of pretending to be a street photographer. https://www.streetsilhouettes.com/home/2016/11/2/what-to-photograph monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477885365014-F6VS63AV9FWCHKFSL9M8/image-asset.jpeg SERIES I - What To Photograph - Everything or Just One Subject? Breakfast with Anna. My recurring subject. This shoot was originally part of my Leica SL with fast lens test. But I figure that I'd rather use it for this write up. Leica 28mm f/1.4 Summilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477885394282-EVTTWTHSNWM30ZN25XYU/image-asset.jpeg SERIES I - What To Photograph - Everything or Just One Subject? I've been photographing Anna for the better part of three months. From the side. Leica 28mm f/1.4 Summilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477885416191-15MYHMNHOSP8M2F45JX7/image-asset.jpeg SERIES I - What To Photograph - Everything or Just One Subject? What began more formal, has become more casual. Now closer up. Leica 28mm f/1.4 Summilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477885444680-ZLSWCDTAHO7W00SWLEDF/image-asset.jpeg SERIES I - What To Photograph - Everything or Just One Subject? Continental breakfast basket of pastries. Leica 28mm f/1.4 Summilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477885482667-H8FN07P3FWG5GEDKSDL9/image-asset.jpeg SERIES I - What To Photograph - Everything or Just One Subject? With our interaction becoming more casual, a bond of trust has developed. On the bar stool. Leica 28mm f/1.4 Summilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477885563925-ICJ0Q6QQ8EQV2KN3FIWM/image-asset.jpeg SERIES I - What To Photograph - Everything or Just One Subject? Trusting each other, we can explore more possibilities. Admittedly texting isn't one of them. Leica 28mm f/1.4 Summilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477885519733-QJY2YWEPQAGIYN5PPRAE/image-asset.jpeg SERIES I - What To Photograph - Everything or Just One Subject? However, here I was able to photograph Anna in the process of illustrating something. She is especially good with cats and dogs, in watercolors, no less. The illustrations are so cute! Leica 50mm f/0.95 Noctilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477885593644-716JKKUWC3CN860H6BPH/image-asset.jpeg SERIES I - What To Photograph - Everything or Just One Subject? An appreciation of fine Egyptian cotton. I love how the light in the room brightens the foreground without lightening up the background. Leica 35mm f/1.4 Summilux FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477885616225-3OTI6TK33MDULZ5XXC83/image-asset.jpeg SERIES I - What To Photograph - Everything or Just One Subject? The bone white sheets acting like a natural reflector bouncing off sunlight from the window. Leica 35mm f/1.4 Summilux FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477885638267-RF6KCU9UN41EFXA6QOYB/image-asset.jpeg SERIES I - What To Photograph - Everything or Just One Subject? Closer up again. Leica 35mm f/1.4 Summilux FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477885696732-MK0S1CPU2QRVSDGWF6T9/image-asset.jpeg SERIES I - What To Photograph - Everything or Just One Subject? It should be noted that I am under no illusion that just because I'm photographing Anna a lot, that my pictures somehow hold the moral high ground. On the sofa. Leica 50mm f/0.95 Noctilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477885728167-76H404VNVLQOWKXHU9WE/image-asset.jpeg SERIES I - What To Photograph - Everything or Just One Subject? But what is clear to me is that I am refining my observation and technique, because of familiarity in photographing Anna. Reclining. Leica 50mm f/0.95 Noctilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477885759285-SNI9PC30B36GBJFV5M23/image-asset.jpeg SERIES I - What To Photograph - Everything or Just One Subject? At the very least, I know how best to portray Anna, or at least, based on my preference. Close up at 280mm. Leica 90-280mm f/2.8-4 Vario Elmarit https://www.streetsilhouettes.com/home/2016/10/27/leica-85mm-f15-summarex-vintage-lens monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477460784468-U3I3PP7D3XXX8PK8AKAD/image-asset.jpeg SERIES I - Leica 85mm f/1.5 Summarex - Vintage Lens Seated for lunch at a table. At 85mm, you're not going to get an environmental documentation in the background and foreground - which means, no food in the image. But already, you can see that the bokeh has a character of it's own. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477561307172-G80RZATMGTBQ3EYTTIYO/image-asset.jpeg SERIES I - Leica 85mm f/1.5 Summarex - Vintage Lens With more "stuff" happening in the background, the 85 Rex really begins to show the uniqueness of it's rendering wide open. The shadows in the background looks like brush strokes. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477544666380-MMBITMQHTHW0GQVCWSRH/L1060021.jpg SERIES I - Leica 85mm f/1.5 Summarex - Vintage Lens There is a wonderful rectilinear quality in the impressionist rendering of the 85 Rex. To me, it looks like broad strokes from a flat edge brush. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477462756840-Y683EVBC6OYDOLHR6YY5/image-asset.jpeg SERIES I - Leica 85mm f/1.5 Summarex - Vintage Lens Even with an overexposed background, given that Anna's in the shade, the bokeh is still somewhat noticeable - and not overly distracting too. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477460953752-MYB7MK0YZBXY7VMY4EWY/image-asset.jpeg SERIES I - Leica 85mm f/1.5 Summarex - Vintage Lens The background rendering appears to break up the space in the background, which gives the image a sense of texture that is generally missing in modern lenses. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477460986862-3GGAEBF9QQSX4WBCKGBI/image-asset.jpeg SERIES I - Leica 85mm f/1.5 Summarex - Vintage Lens Here is a comparison image from the Leica 75mm f/1.4 Summilux. The strangler fig of the banyan tree in the background looks noticeably smoother in rendering than the image shot on the 85mm f/1.5 Summarex. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477461016582-U7CPP6AAVGUAFNZ5M7CN/image-asset.jpeg SERIES I - Leica 85mm f/1.5 Summarex - Vintage Lens Edge and corner sharpness on this lens is completely clueless, when shot wide open. It's so soft that anything near the edge or corner of the frame cannot be sharp. This made getting tack focus impossible. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477463469955-I2L9MW6MW1XVMF19HROR/image-asset.jpeg SERIES I - Leica 85mm f/1.5 Summarex - Vintage Lens By comparison, getting tack focus was just as unlikely on the 75mm f/1.4 Summilux paired with the M240, when focusing a subject beyond a body length, given the need to recompose after focusing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477544360550-RLAB8QW1WOURHOJYP5D1/image-asset.jpeg SERIES I - Leica 85mm f/1.5 Summarex - Vintage Lens Even at this closer distance, with the subject's eyes nearer the edge of the frame, image sharpness wasn't very good outside the center. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477461221093-KVX8K3GK780DE5NYGA7B/image-asset.jpeg SERIES I - Leica 85mm f/1.5 Summarex - Vintage Lens When the background isn't interesting on the 85mm f/1.5 Summarex, it just melts away into a gradation of colors. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477461245716-YPSTWGHEOGRTGR1C6LZV/image-asset.jpeg SERIES I - Leica 85mm f/1.5 Summarex - Vintage Lens Similarly, the bokeh doesn't look all that different on the 75mm f/1.4 Summilux. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477569600275-2DGBB75LGTUGJI41089H/image-asset.jpeg SERIES I - Leica 85mm f/1.5 Summarex - Vintage Lens I thought a handful of boats would make the background rendering more interesting. I was wrong. Shot on the 85mm f/1.5 Summilux. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477534317878-AXDKUR4E9ZRW33EJDVMB/image-asset.jpeg SERIES I - Leica 85mm f/1.5 Summarex - Vintage Lens Finally, I found an area of the market where it wasn't too crowded. Still, I wasn't able to get tack focus on Anna's eyes, given how soft the lens is wide open at the edge and corners. Plus the image was photobombed by a tourist in the background, effectively ruining the composition. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477461351711-AY4LYOH59KS2Z6FEUR68/image-asset.jpeg SERIES I - Leica 85mm f/1.5 Summarex - Vintage Lens But the minute I close in, and do a proper portrait shot, Anna's eyes come to life. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477461316882-WSPFVBUC42K3NZLOM9DU/image-asset.jpeg SERIES I - Leica 85mm f/1.5 Summarex - Vintage Lens And the background bokeh - in the clutter of this market - is rendered like the brush of an impressionist painter. It is a uniquely distinct image capture, different from the uniformity of contemporary lenses. https://www.streetsilhouettes.com/home/2016/10/21/leica-75mm-f14-summilux monthly 0.5 2021-11-03 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477115312997-AVNPLLOIMPW20UCJTL8U/image-asset.jpeg SERIES I - Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light Leica 75mm f/1.4 Summilux, at f/1.4, ISO 400, 1/60s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477115334612-C0U01V5JBY40INSH2HDM/image-asset.jpeg SERIES I - Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light Leica 75mm f/1.4 Summilux, at f/1.4, ISO 400, 1/60s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477115362816-V19NWOSLL5H2R8P6JT1L/image-asset.jpeg SERIES I - Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light Leica 75mm f/1.4 Summilux, at f/1.4, ISO 400, 1/60s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477115558329-PKIF77CT8CQS02CH8SSF/image-asset.jpeg SERIES I - Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light Leica 75mm f/1.4 Summilux, at f/1.4, ISO 100, 1/25s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477115583792-E49FYB69L056UTJKN35E/image-asset.jpeg SERIES I - Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light Leica 75mm f/1.4 Summilux, at f/1.4, ISO 800, 1/250s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477115614628-7YR6852YQQOURGM1L1DH/image-asset.jpeg SERIES I - Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light Leica 75mm f/1.4 Summilux, at f/1.4, ISO 800, 1/250s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477115694196-LRUDPE8LJ2FEEAWXLBJW/image-asset.jpeg SERIES I - Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light Leica 75mm f/1.4 Summilux, at f/1.4, ISO 500, 1/100s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477115667724-JRYA5MBPAT1O59XUI3JP/image-asset.jpeg SERIES I - Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light Leica 75mm f/1.4 Summilux, at f/1.4, ISO 500, 1/100s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477115745827-RDCVSDENWIZJKGDLF7MN/image-asset.jpeg SERIES I - Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light Leica 75mm f/1.4 Summilux, at f/1.4, ISO 500, 1/100s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477115854990-ZHY7C3VLKUZQSM2BSCC8/image-asset.jpeg SERIES I - Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light Leica 75mm f/1.4 Summilux, at f/1.4, ISO 1000, 1/100s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477115887951-Z2E5BX5HJVV5DZ09MKWW/image-asset.jpeg SERIES I - Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light Leica 75mm f/1.4 Summilux, at f/1.4, ISO 5000, 1/200s. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1477115914715-EUXCN1AQSVEYNSHL47YK/image-asset.jpeg SERIES I - Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light Leica 75mm f/1.4 Summilux, at f/1.4, ISO 3200, 1/200s. https://www.streetsilhouettes.com/home/2016/10/17/has-digital-technology-ruined-street-photography monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1476694146918-AMRCDV49F0X9P8FPT7RI/image-asset.jpeg SERIES I - Has Digital Technology Ruined Street Photography For this article, I've decided to use the street "photography" I took when I was in Paris, during the spring. I figure I might as well use these pictures for something. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1476694285796-YZQIZQ1JXLTY1QKQE66Z/image-asset.jpeg SERIES I - Has Digital Technology Ruined Street Photography There is nothing special about this image too. It's just an opportunistic image capture of two smokers talking in Paris. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1476694540548-0TBR4TH18ZUZ2JSQLXUF/image-asset.jpeg SERIES I - Has Digital Technology Ruined Street Photography Honestly, I don't know what the significance of this image is. Other than being street documentation of a brasserie in Paris, there is nothing special about it. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1476694811147-LO74CYTF4BYQ6SQGCFJ4/image-asset.jpeg SERIES I - Has Digital Technology Ruined Street Photography A woman getting onto a bus. Not exactly interesting. But since I was just standing around the bus stop, it was an easy photo opportunity. So I figure why not. Not exactly much thought was put into it. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1476694958532-S9K54NEUW3FSJ86WJ9A5/image-asset.jpeg SERIES I - Has Digital Technology Ruined Street Photography Shot from the hip. You can tell because of the angle of the framing, plus the fact that I didn't get the subject's feet, while getting quite a bit of building above his head. Again, not very interesting, and another example of street documentation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1476695088506-21M6NJE1KLKGV6C6F86S/image-asset.jpeg SERIES I - Has Digital Technology Ruined Street Photography The backs of people's heads. Well technically, one person's head did turn slightly visible towards the camera. But who am I kidding. It's just a poorly shot photo. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1476695213758-GIG7XN7FWS29Y0IXHP8G/image-asset.jpeg SERIES I - Has Digital Technology Ruined Street Photography Honestly, there is nothing interesting about this street capture. Another man smoking in Paris. How very unoriginal. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1476695274291-6Y6W0WQCM4QDVT4PELBB/image-asset.jpeg SERIES I - Has Digital Technology Ruined Street Photography A woman walking across the zebra crossing on a typical cobblestone street. At the time I thought that this was a very Parisian street scene - which it is - and which is why it's unoriginal. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1476695561607-49ZTC6ZC987UL9L44VNO/image-asset.jpeg SERIES I - Has Digital Technology Ruined Street Photography This would be a better street capture if I shot from a different angle, and if that person on the left didn't photobomb the image. But since I was in a hurry, I only took a quick snap. Not exactly much thought was put into it. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1476695757152-LAV8OGXF65SA216B54UI/image-asset.jpeg SERIES I - Has Digital Technology Ruined Street Photography Another image shot from the hip. You can tell, given the orientation of the subject in the framing. Luckily, as a composition, it does work. But the way I photographed the image has nothing to do with my perspective. It's just another opportunistic street documentation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1476695891278-N8U4DG8QAT1A4CL0381X/image-asset.jpeg SERIES I - Has Digital Technology Ruined Street Photography The subject is in the process of eating something. How is this a good image? At the very best, it's just another example of street documentation. If I actually took the time to observe her, I probably wouldn't have taken the shot. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1476696170830-VXR4KDNO1H1V5M2LZ0O5/image-asset.jpeg SERIES I - Has Digital Technology Ruined Street Photography A final example of another opportunistic image capture. I liked her silhouette, but I hated her rolling luggage and the car turning behind her. This is why it is important to be more observant than opportunistic. Getting the perfect shot without thought and preparation is near impossible. https://www.streetsilhouettes.com/home/2016/10/11/being-a-tourist-in-milano monthly 0.5 2021-12-29 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475890954823-UCPA5CQ13JVGXQXM0R0J/image-asset.jpeg SERIES I - Being a Tourist in Milano I wasn't prepared for this shot. Such a goof. At the last minute before she closed the door, I relied on zone focusing from the hip. I figure I would get another opportunity to get this establishing shot, but I never did. I just forgot. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475891039956-Y3IDTB46PL6UNOH64G8B/image-asset.jpeg SERIES I - Being a Tourist in Milano Inside the Quattroporte. I think I made the right choice of vehicle to ferry us around the city. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475891131420-28C9YO1A290FNYSR5F2F/image-asset.jpeg SERIES I - Being a Tourist in Milano Outside Café Marchesi, on via Montenapoleone. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475891178768-HNQGGZ6OCJW0FNL7BNP4/image-asset.jpeg SERIES I - Being a Tourist in Milano Deciding what to get at Café Marchesi. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475891214887-LCEGPUIGUBICJPA4AJKM/image-asset.jpeg SERIES I - Being a Tourist in Milano The spoils of our visit. Just two boxes, so we won't regret after a binge. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475891322050-7QP5ZT14SIEFCN5Q3WWZ/image-asset.jpeg SERIES I - Being a Tourist in Milano On a side street, off Montenapoleone. It was a zoo out there with all the tourists. Vera is in the process of twirling around. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475892627472-U0GX96JBKM6SFJH89B1I/image-asset.jpeg SERIES I - Being a Tourist in Milano Off Montenapolene, in a corridor leading to a palazzo where Burberry is at the far end. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475891405297-6QURLXUKFWO53UYE5403/image-asset.jpeg SERIES I - Being a Tourist in Milano I just thought that this looks sweet. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475891473701-QTMFDO5AENGZOGB6LZ3B/image-asset.jpeg SERIES I - Being a Tourist in Milano At Galleria Vittorio Emanuele. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475891515611-SCHOKHUWLKLO2XOLF18R/image-asset.jpeg SERIES I - Being a Tourist in Milano The glass roof at Vittorio Emanuele. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475891564674-UVHDI183L7IRGQZQYTP1/image-asset.jpeg SERIES I - Being a Tourist in Milano The strong afternoon sun at the Duomo. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475893379120-GRI9Z0VA1314DR3Z4RSX/L1040765.jpg SERIES I - Being a Tourist in Milano A photo of the Duomo from a different perspective, before the Carabinieri "instructed" me to get off the ground. You can imagine what position I was in get this photograph. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475891825471-4HP38NUOSV3N0MLZNEGG/image-asset.jpeg SERIES I - Being a Tourist in Milano At Sforza Castle, trying not to fall into the moat. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475891877635-NG4Q3VWNG5NV1YJN4H5P/image-asset.jpeg SERIES I - Being a Tourist in Milano Fooling around with no one around, feeling free as a bird. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475891936552-2RI98LJ31459LXA8B0WV/image-asset.jpeg SERIES I - Being a Tourist in Milano At a gate. We were hoping that it was unlocked, so that we could explore inside. No luck, obviously. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475892042289-IEOZ3SCKII6GCSQDDNKM/image-asset.jpeg SERIES I - Being a Tourist in Milano On some red carpet, on a narrow cobblestone lane, at the Brera district. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475892110931-4HNJPYCMS1PZN41G1HP0/image-asset.jpeg SERIES I - Being a Tourist in Milano Fooling around some more. Just wished I leveled the photograph better. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475892164654-CQ7OJ59FXMUMFKE6MDGP/image-asset.jpeg SERIES I - Being a Tourist in Milano I really loved this door. It's the door I want one day for my apartment, I joked to Vera. I don't know what this place is, but it has the tell tale clamshell of Venus above the door. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475892289709-PGRRIVCRU8G4TVPNOT65/image-asset.jpeg SERIES I - Being a Tourist in Milano We got lost, and couldn't find our way back to the car. I think I like this photograph, because of the red Vespa on the left. It just makes it seem all the more Italian. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475892413260-OT1RU2PHB2P9Q8BQQ36I/image-asset.jpeg SERIES I - Being a Tourist in Milano At the Basilica of Sant'Ambrogio. Vera is walking over to me. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475892460538-HJ1DQT6CAW59UL54Q1IB/image-asset.jpeg SERIES I - Being a Tourist in Milano Resting her feet. It had been a long day. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475892490638-H1W4Y8EJAI7DL2UNQTIT/image-asset.jpeg SERIES I - Being a Tourist in Milano Inside the church. The fading light was lovely. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475892534204-K40UXXEMHF5WOES412P9/L1040990.jpg SERIES I - Being a Tourist in Milano Outside the Chapel of Mary. https://www.streetsilhouettes.com/home/2016/10/7/waiting-for-the-light-to-change monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475905270218-JDT8OJ2KTYHCD8JTWADN/image-asset.jpeg SERIES I - Waiting for the Light to Change It's just past 6PM... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907049757-ZQ2OSY7WCJX1FZ9LAOAK/image-asset.jpeg SERIES I - Waiting for the Light to Change ...And the sun does not appear to be setting just yet. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907189830-2Q36FVBAU04OO06H5RS0/image-asset.jpeg SERIES I - Waiting for the Light to Change The sky is noticeably white. Eleonore is bending closer for a better look. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907276143-YBCIR78UUFZIQNRW2WYL/image-asset.jpeg SERIES I - Waiting for the Light to Change With la Stazione Centrale in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907305999-YA1RRRGW5L1WPSO1BHL0/image-asset.jpeg SERIES I - Waiting for the Light to Change Now, looking over the edge towards my direction. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907351414-I0ZDQ3Y8XSTPACAKIVS6/image-asset.jpeg SERIES I - Waiting for the Light to Change Seated on the ground by the glass balcony, with la Stazione Centrale in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907445131-N5S9WBXMD9M3ZS6ABPU2/image-asset.jpeg SERIES I - Waiting for the Light to Change Looking out the terrace again, almost an hour later, with the sun beginning to set. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907412700-FJ1BLHOPEXTL9M86J6PW/image-asset.jpeg SERIES I - Waiting for the Light to Change The warm glow from the sun is no longer reflected off the limestone walls of la Stazione Centrale. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907474254-TAICH8YDAMP0Q2C8IP1H/image-asset.jpeg SERIES I - Waiting for the Light to Change Standing up, a wider view of the terrace and la Stazione Centrale. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475913676661-4TY6FBB2BJVH74KGHW45/image-asset.jpeg SERIES I - Waiting for the Light to Change A half hour later. It's officially sunset. The sky has turned blue, and the terrace light has now equalized with the outdoor light. A view of la Stazione at night. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907523600-BY6DAD8276IF74LS7XHV/image-asset.jpeg SERIES I - Waiting for the Light to Change From a different angle, straight along the balcony ledge. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907553485-09GEKCZ4IFDPXFLRHY2Z/image-asset.jpeg SERIES I - Waiting for the Light to Change Now a view towards the inside of the terrace. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907628133-JVM2RKFMUR6MNMMUZCLP/image-asset.jpeg SERIES I - Waiting for the Light to Change Looking at the menu. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907661372-GZCC97RTG9JD8ZHXFOZW/image-asset.jpeg SERIES I - Waiting for the Light to Change Pomodoro e Mozzarella di Bufala. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907687974-3Q0S7U22ZLJO0BO89GJH/image-asset.jpeg SERIES I - Waiting for the Light to Change Spaghetti con Gamberi. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475913406336-RZFVSRV31AJIEPML105R/image-asset.jpeg SERIES I - Waiting for the Light to Change At street level with a couple of taxis passing by. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907775404-5GIZQKPV6OB85RGM8VK9/image-asset.jpeg SERIES I - Waiting for the Light to Change A little closer up. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907746692-BJ1QWDQN84ZAJHVLPY8E/image-asset.jpeg SERIES I - Waiting for the Light to Change Closer up still... the background melts away with balls of light. I love it. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907875068-YSMV82YTVV6ZFL8Z4KZ1/image-asset.jpeg SERIES I - Waiting for the Light to Change Around the corner, outside the Hotel Gallia. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907841608-48DT30VNOPFN4CRDAYN6/image-asset.jpeg SERIES I - Waiting for the Light to Change Closer up... the background melts away again. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475907915151-9HS5XLTYXPUE6J9L8KTF/image-asset.jpeg SERIES I - Waiting for the Light to Change From a different perspective. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475908000843-GOX8V5F82JEEJODZZKDI/image-asset.jpeg SERIES I - Waiting for the Light to Change By the front entrance of the Hotel Gallia. https://www.streetsilhouettes.com/home/2016/10/6/24mm-f14-challenge-between-leica-canon-and-nikon monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475800083176-U85SJPD9V2CV6CX34ZKN/L1050091.jpg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon A row of boxing gloves. Leica 24mm f/1.4 Summilux ASPH. Canon 0, Leica 1, Nikon 0 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475800607440-8DKFPENBC4N96DXHLVEB/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Close up. Olga taping up her hands. Canon 24mm f/1.4L. Canon 1, Leica 1, Nikon 0. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475801106485-F0VYUV95GX43GXWZ30MW/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Olga taping up. Leica 24mm f/1.4 Summilux ASPH. Canon 1, Leica 2, Nikon 0. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475800990769-6N3VJY1QORFKKHSQ05NZ/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Anna getting taped up. Leica 24mm f/1.4 Summilux ASPH. Canon 1, Leica 3, Nikon 0. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475800831182-NALGVL7UJLPZLZA2AA09/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Warm up before the session. Nikon 24mm f/1.4G. Canon 1, Leica 3, Nikon 1. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475801449448-844L1BZGLG6YE26EDLXU/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Tony giving instructions. Canon 24mm f/1.4L. Canon 2, Leica 3, Nikon 1. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475801618764-NBJXJC3IKDP6R0K2QGD8/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Olga and Anna doing as instructed. Leica 24mm f/1.4 Summilux ASPH. Canon 2, Leica 4, Nikon 1. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475802893556-V978SUJ9DFDAEZGRBZ5W/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Defensive position. Leica 24mm f/1.4 Summilux ASPH. Canon 2, Leica 5, Nikon 1. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475802317489-SR73HMKHOWIE82MQVCA7/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Upper cut. Canon 24mm f/1.4L. Canon 3. Leica 5, Nikon 1. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475801741646-DVY2TFKTNKSQZWAH4VIH/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Closer up. Canon 24mm f/1.4L. Rotational crop. Canon 4, Leica 5, Nikon 1 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475803042169-X9H3LRPMM4ERUC7PVMXF/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Listening to Tony. Canon 24mm f/1.4L. Canon 5, Leica 5, Nikon 1. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475803171689-FU4IJ06SPS23361VF445/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Defensive pose. Nikon 24mm f/1.4G. Canon 5, Leica 5, Nikon 2. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475803262841-EPNGJSU7736GLF60RDY8/L1050154.jpg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Learning to elbow. Leica 24mm f/1.4 Summilux ASPH. Canon 5, Leica 6, Nikon 2. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475803343599-0JV7XBISCOT4OXZ816DA/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon From a different angle. Leica 24mm f/1.4 Summilux ASPH. Canon 5, Leica 7, Nikon 2. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475804500199-DURH4ASGSHZ53MSZT6B4/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon The gloves are on. In the ring. Canon 24mm f/1.4L. Canon 6, Leica 7, Nikon 2. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475804754609-RQZ4LBWGBH3ZM8BJ78OT/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Sparring. Canon 24mm f/1.4L. Canon 7, Leica 7, Nikon 2. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475804903740-2359L3FWOBYKVRKO9OLF/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Setting up for a knee strike. Nikon 24mm f/1.4G. Canon 7, Leica 7, Nikon 3. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475805048834-I8BPU78NNAN6ATHP4EIT/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Getting the knee strike. Nikon 24mm f/1.4G. Canon 7, Leica 7, Nikon 4. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475805836504-0SXVXWSS1HY8G2X6IAU5/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Anna's turn. Nikon 24mm f/1.4G. Canon 7, Leica 7, Nikon 5. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475805380245-H657FKPCFK7MWUQ79E29/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Anna getting in position. Leica 24m f/1.4 Summilux ASPH, Canon 7, Leica 8, Nikon 5. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475805437629-0ZTGFMSPJBI9E50YWOSO/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Anna doing a knee strike. Leica 24mm f/1.4 Summilux ASPH. Canon 7, Leica 9, Nikon 5. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475806464925-KJH2TUY7FGTM463G15SW/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Olga's turn again. Leica 24mm f/1.4 Summilux ASPH. Canon 7, Leica 10, Nikon 5. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475807033355-69EL3YOHCPDV92I97FVB/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Olga off the canvas. Canon 24mm f/1.4L. Canon 8, Leica 10, Nikon 5. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475805156524-N9FJEAQ8LSGRSAFT0J4E/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Flying punch. Canon 24mm f/1.4L. Canon 9, Leica 10, Nikon 5. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475808028630-GMUR365F3YRWX5W9G813/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Off the canvas again. Canon 24mm f/1.4L. Canon 10, Leica 10, Nikon 5. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475808091515-C576X0AC0K8GR1JH7B92/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Landing with a knee strike. Canon 24mm f/1.4L. Canon 11, Leica 10, Nikon 5. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475808809053-IEUT51GKZ4T6HRO8OTOO/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Anna's turn. Nikon 24mm f/1.4G. Canon 11, Leica 10, Nikon 6. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475808885378-KH93PSHK7SDMGAS29HHU/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Upper cut to the ribs. Nikon 24mm f/1.4G. Canon 11, Leica 10, Nikon 7. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475800240160-3KKZ2HGKDZGOQYGW9D28/image-asset.jpeg SERIES I - 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon Leica 21mm f/1.4 Summilux ASPH. Not shot wide open and not part of this challenge. https://www.streetsilhouettes.com/home/2016/9/18/canon-5d-mark-iv-24-70mm-f28-vs-leica-sl-24-90mm-f28-4 monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475192316373-R6W66V3ZB0RRTPOZ3NQQ/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit I had breakfast reservations at a local Hong Kong vegan restaurant, only to discover they had an eleventh hour television shoot slotted in the same time. So much for our run, afterwards. Image from the Canon 5D Mark IV. Score: Canon 1, Leica 0. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475196137888-Y4G8LDU9DB6VVFDHKVHW/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Anna's friend Olga suggested that we go over to PMQ, where there was another vegan-esque restaurant. It was just off Hollywood Road. Image from the Canon 5D Mark IV. Score: Canon 2, Leica 0. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475196197708-3X52Y7UBT71BCY0B9TI8/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Following Olga to the other vegan-esque restaurant. Unfortunately, it appears to be closed. Image from the Canon 5D Mark IV. Score: Canon 3, Leica 0. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475208398461-PQQA9JNJKMQNOR7RJ2HA/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit So we decided to sit for a while. Image from the Leica SL. Score: Canon 3, Leica 1 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475208477204-128O30J6PH6GCJ79YXLO/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit While we decided what to do next. Image from the Leica SL. Score: Canon 3, Leica 2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475210022627-2D8CE7IYAMPT6EZT3LK1/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit On the move. Exploring PMQ. Image from the Canon 5D Mark IV. Score: Canon 4, Leica 2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475210170219-AMA3T62BC3GV1MEY7321/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Going up the stairs. Image from the Canon 5D Mark IV. Score: Canon 5, Leica 2. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475210265561-Y2IBU39GPARW6XSD3D9E/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Onwards, through the first door. Shot on the Canon 5D Mark IV. Score: Canon 6, Leica 2. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475211042945-98LBQ8WRWNTHEPCKQ7NW/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Outside, by one of many terrace overlooking the enclosed courtyard. Image from the Canon 5D Mark IV. Score: Canon 7, Leica 2. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475211188183-T0JD726SK98RYLLCFH4Q/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Now leaning on the railing. Image from the Leica SL. Score: Canon 7, Leica 3. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475211293391-4605F2Z43HPFZYYS57D3/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Looking down into the courtyard. Image from the Canon 5D Mark IV. Score: Canon 8, Leica 3 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475211748471-Q4J72RERY790UK78Q85N/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Anna at the piano. Image from the Leica SL. Score: Canon 8, Leica 4. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475211788621-OBGEKYZ83YUAZ0409SA4/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Still playing the piano, from the other side. Image from the Leica SL. Score: Canon 8, Leica 5. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475212004483-PHY4ZY1ANSE25URBH7ZP/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Meanwhile, Olga found a place to rest her feet. Image from the Leica SL. Score: Canon 8, Leica 6. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475212635725-A1ZLL8F8916WSK3V0NXI/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Now lounging around. Image from the Leica SL. Score: Canon 8, Leica 7. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475213217734-O0XR9AIWZ9F4LLOLYCLC/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Leaving PMQ. Olga striking a pose down the steps. Shot on the Canon 5D Mark IV. Score: Canon 9, Leica 7. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475213293304-E0SXL0IL1V8Y0Q59KZCM/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Olga stretching. Shot on the Canon 5D Mark IV. Score: Canon 10, Leica 7. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475215205269-CAFPSLE7IM5JF6PCO9HD/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Olga jumping. Surprisingly caught on a Leica SL. Score: Canon 10, Leica 8. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475215363115-6XCWK3ECQC36HNEHGGCL/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Now taking a breather. Image from the Canon 5D Mark IV. Score: Canon 11, Leica 8. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475214136261-KM4OISWBVJ18J1NC6VXB/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit In the shade. Image from the Leica SL. Score: Canon 11, Leica 9. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475214353451-PP0DMWA7HZVI9I7F3P2O/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Title image of this writeup. Image from the Leica SL. Score: Canon 11, Leica 10. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475216755183-86QHBNZHTYDJF2P6CAVC/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Going down the steps, back to the vegan restaurant. Image from the Canon 5D Mark IV. Score: Canon 12, Leica 10. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475216854919-OA7N9C8ZZXHSAR7C1NH9/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Back on Hollywood road. Image from the Canon 5D Mark IV. Score: Canon 13, Leica 10. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475217051964-PW3WSQ4L403BNQAI9VVB/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit At 90mm. Waiting outside to be seated. Image from the Leica SL. Score: Canon 13, Leica 11. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475216935622-2E8ERNXA1MMOCEW0DOOZ/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit Ordering lunch, since breakfast was over an hour and a half ago. Image from the Canon 5D Mark IV. Score: Canon 14, Leica 11. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1475216992573-2ZV5R8V064L9TAT2JC86/image-asset.jpeg SERIES I - Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit A final close up of Anna - also shot at 90mm. Image from the Leica SL. Score: Canon 14, Leica 12. https://www.streetsilhouettes.com/home/2016/9/12/a-photographers-predicament-creating-value-in-a-low-barrier-to-entry-environment monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1474480693886-J16KOWOSFECTM48VEGWQ/image-asset.jpeg SERIES I - A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment Follow the breadcrumbs of my photographic images to see how I deal with the consequence of oversupply. Here with Lada, by the grand stairwell at the Excelsior Hotel Gallia, in Milano. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1474474326947-7J0645TGYP5E63Y1VXWS/image-asset.jpeg SERIES I - A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment Walking down the stairs, shot with the Leica SL and the Leica 50mm f/0.95 Noctilux. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1474474358057-C7BAAB33KLQSCUTXMN7O/image-asset.jpeg SERIES I - A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment Continuing down, on the left hand side, shot with the Leica SL and Leica 50mm f0.95 Noctilux. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1474474449259-CTVERDO455FP7BDZESJQ/image-asset.jpeg SERIES I - A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment Establishing location. This is not Hong Kong or New York City. I really am in Milano. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1474474488962-DKOU196K9OMZR1M2SJLE/image-asset.jpeg SERIES I - A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment Inside the entrance of la Stazione Centrale in Milano. Shot with the Leica SL and the 24-90mm Vario. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1474474521818-TGT3E30EYI8C7U0E60KC/image-asset.jpeg SERIES I - A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment Leaning against the railing, relying on the autofocus to automatically acquire focus. Leica SL and Leica 24-90mm Vario. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1474474568859-T47SSW4DIWCLFTQEKDFE/image-asset.jpeg SERIES I - A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment Establishing shot outside the Excelsior Hotel Gallia. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1474474741967-NLOVBK6A5RO18PRCEIBC/image-asset.jpeg SERIES I - A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment And a close-up shot at 90mm shot wide open with the Leica SL and Leica 24-90mm Vario. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1474474796554-3RT78NZRVQ0Y32ZDUQUC/image-asset.jpeg SERIES I - A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment Up the steps, right before Lada informed me that I bumped into Gigi Haddid. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1474474976312-FD9WCBDNJIPUTVGDBGBY/image-asset.jpeg SERIES I - A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment At the Gallia Lounge for tea and coffee. Shot at minimum distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1474475031457-ZJSP6QTWCFK37GQ004X0/image-asset.jpeg SERIES I - A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment Focusing on her iPhone. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1474475070827-NMH43FIKEEG981MPRHBL/image-asset.jpeg SERIES I - A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment A cropped closeup of her café latte. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1474475291239-KM4HHSDH4D8PQICW5YP5/image-asset.jpeg SERIES I - A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment Back inside. Shot with the Leica SL and Leica 28mm f/1.4 Summilux M. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1474475223559-PTSVQ6SSBUSNNP3E560Y/image-asset.jpeg SERIES I - A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment Reclining. Leica SL and Leica 24-90mm Vario. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1474474932421-68383O1Z776UV6B9GT5Y/image-asset.jpeg SERIES I - A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment A final close up, with the Leica SL and Leica 90-280mm Vario. So if you followed the breadcrumb, you will see that a great deal of attention to detail was made, in order to differentiate my content - in an attempt to create value - from subject to location to lens selection and to stringing together a visual narrative. This works for me, but may not necessarily work for you. It's up to you to figure out what works for you, in your attempt to create value for yourself. https://www.streetsilhouettes.com/home/2016/9/11/huawei-p9-leica-dual-camera monthly 0.5 2021-10-29 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473660588316-RM36YVMK4JJDCMAG5HGB/image-asset.jpeg SERIES I - Huawei P9 Leica Dual Camera First shot of the day. I shouldn't be surprised, but I found the lens to be generously wide - too generous, if you know what I mean. In order to get a pleasing shot of Anna, I asked her to bring her torso forward, for a more agreeable photograph of her. Otherwise, she would look too bottom heavy - which is never good. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473665267403-QDHBU4PQFJP2FBEA5XT4/image-asset.jpeg SERIES I - Huawei P9 Leica Dual Camera Fun shots - I asked Anna to kick her legs up. You can set the shutter speed on the camera app, so you can freeze action on the P9 better than the current iPhone 6. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473664988237-FLHVF4Y25AJGR18DTJ5S/image-asset.jpeg SERIES I - Huawei P9 Leica Dual Camera Just a quick click to capture the goofy moment. The P9 was great in evaluating exposure. If only the M240 could be as good. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473660953143-NLMAO9SPW48VI8EYUMRL/image-asset.jpeg SERIES I - Huawei P9 Leica Dual Camera With a full body shot, you will begin to notice the limitations of the measly phone image sensor. If you could increase magnification, you will notice just how unsharp and pixelated Anna's face is. However, looking at it in it's current screen size, the image looks better than good enough. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473660656652-14XN6IC77GZV4W6XVA0S/image-asset.jpeg SERIES I - Huawei P9 Leica Dual Camera Color is rendered with a nice amount of saturation, while skin tones are optimized to look smoother, and with a touch greater luminescence. The outcome of this algorithm in digital rendering is a more contrasty image, without being less forgiving to skin tones. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473666649757-NC59S4OZ6OG7DRPDQRR0/image-asset.jpeg SERIES I - Huawei P9 Leica Dual Camera I found the fill flash to be awful. And although this image doesn't show it, the fill flash can blow highlights, if the subject is wearing white. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473662389166-Z3W7SWO82TRRXD6W4P1X/image-asset.jpeg SERIES I - Huawei P9 Leica Dual Camera This is when I first tried the f/0.95 function. It really does look great, in rendering that classic Leica look. At this distance to the subject, it does look very sharp, while the background blur is rendered smoothly. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473668941817-MIUHT2MVIMPEUP849B9D/image-asset.jpeg SERIES I - Huawei P9 Leica Dual Camera I do like the rendering of the monochrome JPGs. Just wished it could be captured as a DNG file, so I can better optimize details in highlights and shadows, when exposure is off. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473668694066-V9KW1AERQLTK2YWID410/IMG_20160908_122558.jpg SERIES I - Huawei P9 Leica Dual Camera More gratuitous bokeh at f/0.95. I love how that looks. I don't think I've seen another smart phone camera that can produce an image like this. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473664694241-7KR3WSKN0UCBOMQJFJQV/image-asset.jpeg SERIES I - Huawei P9 Leica Dual Camera This is how I'm pretty sure that the P9's f/0.95 aperture setting is a digital algorithm and not optimally rendered. Although I'm somewhat close to Anna, I'm not close enough to create the nice creamy bokeh in the background of this image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473663783004-GWI9ZBI1BSNFPATDZEBR/image-asset.jpeg SERIES I - Huawei P9 Leica Dual Camera Final shot in monochrome. I wanted to shoot at f/0.95, but that only seemed to work with the color camera. https://www.streetsilhouettes.com/home/2016/9/7/the-leica-sl-zone-focusing-street-photography-part-2 monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473300496402-QCM2ZD9D55WS5LLMO73T/image-asset.jpeg SERIES I - The Leica SL - Zone Focusing + Street Photography - Part 2 Anna tagging along with me. Or is it the other way around? In any event, it was much too dark to do any zone focusing inside that dimly lit hallway. Shot wide open. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473300521626-E4XJBYILB31MQJNHCJW4/image-asset.jpeg SERIES I - The Leica SL - Zone Focusing + Street Photography - Part 2 My regular "ideal" zone focus shot, with the entire body in the frame, with enough environmental background to establish setting. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473300555347-3EDOQI0ZBDQ1NHXQ6CKA/image-asset.jpeg SERIES I - The Leica SL - Zone Focusing + Street Photography - Part 2 The paradox of street photography is to shoot successfully without crowd cover. You don't want the crowds photobombing you, but the crowds can distract the subject from your intent. Without distraction, the SL would definitely attract attention, given it's imposing facade. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473300607278-V54NZSWFSXINVYIP4FJY/image-asset.jpeg SERIES I - The Leica SL - Zone Focusing + Street Photography - Part 2 When I am shooting away from eye level (not necessarily from the hip), rotational shifts become more exaggerated at closer range. Needless to say, this image has been cropped. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473300633071-84TFYP2CUZUX1RUQ012O/005.jpg SERIES I - The Leica SL - Zone Focusing + Street Photography - Part 2 I'm not enthusiastic about shooting at the hip with the SL. But when it comes to shooting at eye level, the SL is so much better than the M. You can frame the shot with so much more accuracy. And with zone focusing, you can capture spontaneity with more success. In this image, I was able to get the shot the instance Anna turned around. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473300738621-MN8P81AEJ79RPIWCAHFV/image-asset.jpeg SERIES I - The Leica SL - Zone Focusing + Street Photography - Part 2 Honestly, it would be such a waste not to shoot at eye level with the SL. After a while, I stopped shooting from the hip. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473300760202-D90S182X9JWVFLEYS4DD/image-asset.jpeg SERIES I - The Leica SL - Zone Focusing + Street Photography - Part 2 Mind you, it was a weird sensation to zone focus at eye level with the SL. I felt this overwhelming need to adjust focus, only because I was framing through the EVF. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473300656799-APMU8QMM749P9ZIJA6HD/image-asset.jpeg SERIES I - The Leica SL - Zone Focusing + Street Photography - Part 2 After a while, zone focusing with the EVF on SL was rather fun. You start to shoot thinking about composition. In my case, I wanted to highlight the street elements of Hong Kong. In this image, I waited for a Hong Kong streetcar to pass by. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473300687594-T7CA62JPGZZVJPG2LZP5/image-asset.jpeg SERIES I - The Leica SL - Zone Focusing + Street Photography - Part 2 I asked Anna to stand between one side of the streetcar shelter and the street light. This naturally frames her in the image. The SL feels much better at eye level than away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473300713991-N8Z3E5QMKSHWRK2IA25A/image-asset.jpeg SERIES I - The Leica SL - Zone Focusing + Street Photography - Part 2 This image has been cropped. Anna's dress was having a Seven Year Itch moment. The passing streetcar blew a rushing gust up her dress not as elegantly as it did for Marilyn Monroe. Mind you, cropping isn't anything abnormal when it comes to street photography. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473300785948-JFCVK39DYL50Z3YG7E9D/image-asset.jpeg SERIES I - The Leica SL - Zone Focusing + Street Photography - Part 2 Anna's Bridgette Bardot moment... or rather the turnaround look reminiscent of Claudia Schiffer's incarnation of the French actress for Guess. I'm disappointed at myself for tracking her at 1/500s, while both of us were moving rather briskly. So the image has a slight motion blur when Anna whipped her head around to look back. Still... I kind of like that imperfection, in that it reinforces the feeling of motion in the most inviting way. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473300812282-RHIAP9HIEGG64N9C2SNS/image-asset.jpeg SERIES I - The Leica SL - Zone Focusing + Street Photography - Part 2 Final boring shot at the barricades. But there were no-one around to photobomb this image, which was fine with me. https://www.streetsilhouettes.com/home/2016/9/8/canon-5d-mark-iv-sample-images-at-high-iso-pushed monthly 0.5 2017-02-19 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473385404718-6RYCQYZ87AOAX5QTQKP7/image-asset.jpeg SERIES I - Canon 5D Mark IV - Sample Images at High ISO + Pushed Canon 50mm f/1.0, ISO 800, 1/40s. The light in this restaurant is truly appalling from a photographer's perspective, but very cozy from a social point of view. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473385385717-74XSB6NEBMGIAV6XE9GM/image-asset.jpeg SERIES I - Canon 5D Mark IV - Sample Images at High ISO + Pushed Canon 50mm f/1.0, ISO 200, 1/40s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473385446927-WK3LUH836AZDB8NL5IDI/image-asset.jpeg SERIES I - Canon 5D Mark IV - Sample Images at High ISO + Pushed Canon 50mm f/1.0, ISO 2000, 1/40s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473385426268-6Z7IE11P2XYW6ARNE4FY/image-asset.jpeg SERIES I - Canon 5D Mark IV - Sample Images at High ISO + Pushed Canon 50mm f/1.0, ISO 640, 1/40s https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473385478975-HLNDNPAQZCG8PUZ0GYTB/image-asset.jpeg SERIES I - Canon 5D Mark IV - Sample Images at High ISO + Pushed Canon 50mm f/1.0, ISO 800, 1/40s - pushed 1 stop. Tweaked white balance with the Canon Imaging software... Nightmare doesn't begin to describe it for me. #LightroomFanBoy https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473385505208-W8SDJ9PYXC3508CWM8AH/image-asset.jpeg SERIES I - Canon 5D Mark IV - Sample Images at High ISO + Pushed Canon 50mm f/1.0, ISO 2000, 1/100s - pushed 1 stop. Love the lens flare. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473385626850-GS8EB7AEHAWL72VS763Y/image-asset.jpeg SERIES I - Canon 5D Mark IV - Sample Images at High ISO + Pushed Canon 50mm f/1.0, ISO 2000, 1/100s - pushed 1 stop + sharpened in Photoshop, because I couldn't use Lightroom to optimize the image without artificial sharpening - like contrast and clarity... #Don'tKnowHowToOptimizeOnPhotoshop #OMGLoveLensFlareOnThisLens https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473386292732-EMDLH7CGCZJRCUFCE5E1/image-asset.jpeg SERIES I - Canon 5D Mark IV - Sample Images at High ISO + Pushed Canon 24-70mm f/2.8 at 70mm, ISO 12,500, 1/100s - pushed 1 stop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473386420844-QMYWKPLK6ACPAGCRNXQK/image-asset.jpeg SERIES I - Canon 5D Mark IV - Sample Images at High ISO + Pushed Canon 24-70mm f/2.8 at 30mm, ISO 12,500, 1/100s - pushed 1 stop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473386608017-74NFRVOTHEDCZ9HHAYCT/image-asset.jpeg SERIES I - Canon 5D Mark IV - Sample Images at High ISO + Pushed Canon 24-70mm f/2.8 at 70mm, ISO 25,600, 1/100s - pushed 1 stop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473387362198-XGTLG5EV5JJWWCNTEHRZ/image-asset.jpeg SERIES I - Canon 5D Mark IV - Sample Images at High ISO + Pushed Canon 24-70mm f/2.8 at 28mm, ISO 2500, I/100s. Anna on her way home. Notice how the lead eye is in the region of an autofocus point. I was much too out of it to reframe after focusing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473387427181-J921C4ZIFGZK35S0VKPR/image-asset.jpeg SERIES I - Canon 5D Mark IV - Sample Images at High ISO + Pushed Canon 24-70mm f/2.8 at 70mm, ISO 8000, 1/100s - no edit in white balance! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473387502036-5436Q751SC3RQ2KZZRSL/image-asset.jpeg SERIES I - Canon 5D Mark IV - Sample Images at High ISO + Pushed Canon 24-70mm f/2.8 at 70mm, ISO 3200, 1/100s https://www.streetsilhouettes.com/home/2016/9/7/the-leica-sl-low-light-dynamic-range-part-1-supplement monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473236607946-O20ZVTVLB3TADFG7UHRI/L1000557.jpg SERIES I - The Leica SL - Low Light Dynamic Range - Part 1 Supplement Okay. Not quite at ISO 6400 yet. Shooting at 28mm, ISO 4500, 1/30th of a second, f/1.4. At ISO 4500, the files still look relatively clean. The only light source came from the 60W incandescent light bulb from the left, six feet away. And yes, I drew in the curtains. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473236646354-P0QN5E9B045J77YU07SU/image-asset.jpeg SERIES I - The Leica SL - Low Light Dynamic Range - Part 1 Supplement Now at ISO 6400, at 1/60th of a second, the image gets grainier. Actually, I shot this image before the previous one. You can tell because the lamp shade from the only light source is on the floor, to the left. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473236681820-PD3M1HKIDTQ10I4EF426/image-asset.jpeg SERIES I - The Leica SL - Low Light Dynamic Range - Part 1 Supplement Shot at 28mm, ISO 6400, 1/90th of a second, f/1.4 and pushed 2 stops in Lightroom. The image file is grainy and not particularly sharp to my eyes, but I think it's still perfectly usable. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473233980268-OY9PIKW1PWLGZTMBLT73/image-asset.jpeg SERIES I - The Leica SL - Low Light Dynamic Range - Part 1 Supplement Shot at 50mm, ISO 6400, 1/125th of a second, f/0.95, pushed 2 stops in Lightroom. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473234124595-F3G9MEEZB6O5RM0Y7J0H/image-asset.jpeg SERIES I - The Leica SL - Low Light Dynamic Range - Part 1 Supplement Also shot at 50mm, ISO 6400, 1/125th of a second, f/0.95, pushed two stops in Lightroom. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473234216522-0U2GQXCWZ33XV7TM4Y95/image-asset.jpeg SERIES I - The Leica SL - Low Light Dynamic Range - Part 1 Supplement It got brighter outside, with more lights bleeding through the shades. 50mm, ISO 3200, 1/125th of a second, f/0.95, pushed two stops in Lightroom. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473234314853-P75VZS1CFZRN75DEPCRQ/image-asset.jpeg SERIES I - The Leica SL - Low Light Dynamic Range - Part 1 Supplement Then I decided to roll up the shades, for some major backlighting. The SL's sensor, with metering set at center weight, was confused, and had consequently set ISO at 100. 50mm, 1/125th of a second, f/0.95, pushed three stops in Lightroom. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473236728896-1YSWPOZORO31VDXE3824/image-asset.jpeg SERIES I - The Leica SL - Low Light Dynamic Range - Part 1 Supplement Shot at 28mm, ISO 1100, 1/125th of a second, f/1.4. The backlighting was so extreme that I had a choice of either pushing the exposure or decreasing the shadow intensity, along with pushing up saturation, clarity, and vibrance. I did the later. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473236759828-4W4HURM3V9TBMDJH4UYH/L1000648.jpg SERIES I - The Leica SL - Low Light Dynamic Range - Part 1 Supplement For this image and the previous image, I decreased shadow intensity by 70%, and increased saturation, clarity, and vibrance by 20%. https://www.streetsilhouettes.com/home/2016/9/2/a-crisis-of-purpose-in-the-age-of-instagram monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473048707410-8PJTHV81GFRZSDF9BYTW/image-asset.jpeg SERIES I - A Crisis of Purpose in the Age of Instagram I know I said I wasn't going to do street photography anymore on my site. However, in this case, it made sense, given this writeup is related to my experience on Instagram. This image was the first one I posted on Instagram. On the first day, I was able to get 19 likes. I was so encouraged with the response that I posted fifteen images that first day. I was able to get 5 followers by the end of 24 hours. Over the last three and a half months, this post has grown to 37 likes. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473048536847-XYNI4T3CXDMRF95EAE20/image-asset.jpeg SERIES I - A Crisis of Purpose in the Age of Instagram Another one of my early posts on Instagram. I only had 7 likes for this image. I have since deleted it, since I don't want more than 90 images on my account. I thought it was a nice image. But I guess I was wrong. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473048942118-47MU2N52R0R7XUNWBYGK/image-asset.jpeg SERIES I - A Crisis of Purpose in the Age of Instagram Another early post on Instagram. This one only got 8 likes. I've seen similar images like this on other people's Instagram account with more likes. I have since deleted this image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473049091679-9K85VO6OFMXQ5KQH16UD/image-asset.jpeg SERIES I - A Crisis of Purpose in the Age of Instagram I thought that this was an interesting capture. It had all the essential elements of a good photograph. The main subject was in white, with everyone else in black. And most importantly, the main subject was doing something notable. Nonetheless, this image got around 6 likes, as I recall. I have since deleted this image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473049271337-4TL7F9ZW7DOTV5FWXKOO/image-asset.jpeg SERIES I - A Crisis of Purpose in the Age of Instagram I really thought that this image was going to be liked. Shot at 21mm, and relatively close, at high shutter speed, I was able to freeze both runners in motion, without an overly distracting background. Still, this post only got 8 likes. I have since deleted it. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473049392732-EBOVBOY6HZXDUJ9VVWW8/image-asset.jpeg SERIES I - A Crisis of Purpose in the Age of Instagram This was a surprise post. At the time I was able to get 30 likes. I didn't expect it. However, that was three months ago, and my likes has since climbed with increased followers. So I've deleted it. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473049488368-3WV5Z439IPYXSEV0V835/image-asset.jpeg SERIES I - A Crisis of Purpose in the Age of Instagram Of all my street photography, this was my first really successful post. At the time I posted it, two months ago, when I only had 300 followers, I received 70 likes. It has now grown to 85 likes. I don't think that this image is necessarily better than my other images. But it goes to show just how much having an audience influences response. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1473050077420-9VJEP4K715TS8QM3LCZ7/image-asset.jpeg SERIES I - A Crisis of Purpose in the Age of Instagram The new normal, past 500 followers. I was able to get 65 likes for this post - which is typical, these days. It has since reached 75 likes. I suspect as my following grows, my likes will also increase. This is not to say that what I am photographing is getting better. It just means that I have more people viewing my work and thus more chances to be liked. https://www.streetsilhouettes.com/home/2016/9/1/leica-sl-leica-24-90mm-being-a-tourist monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472797689233-ZR9UAC99F6C7T1X0G1SP/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist Shot at 24mm, f/4, ISO 70, 1/250th of a second. Literally my first shot with the 24-90mm Vario. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472780066070-B0W1MX66SML455OL7TM7/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist You would think that I'm shooting from 35mm. But you'd be wrong. Still at 24mm stepping closer to Anna. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472780114999-HKTTFGEHNDN7CU6R0PK7/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist Definitely not 50mm here. Still at 24mm. A couple of steps closer. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472781696447-Y2SVKJTW3A4EVNN9KK0O/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist A comparison of focal length. 24mm, f/4, ISO 50, 1/500th of a second https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472781789539-LQA24KF7E3PY2WJ3RN4W/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist A comparison of focal length. 28mm, f/4, ISO 50, 1/500th of a second https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472781820904-69P31T9ST6WC38K92WS9/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist A comparison of focal length. 35mm, f/4, ISO 50, 1/500th of a second https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472781847721-7GYPU3Y08KS3OEKOFV7Q/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist A comparison of focal length. 50mm, f/4, ISO 50, 1/500th of a second https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472781871907-EP3FOWX264CVYNA4R3TK/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist A comparison of focal length. 75mm, f/4, ISO 50, 1/500th of a second https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472781902424-6S9EN648DF8Y3YFNEPFT/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist A comparison of focal length. 90mm, f/4, ISO 50, 1/500th of a second https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472784960793-8NRTJOPN1G488SUH62RU/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist 28mm, ISO 400, f/8, 1/500th of a second. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472785007102-0AWG1V7L14L105FZJBHR/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist 35mm, ISO 400, f/8, 1/500th of a second. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472785041965-SPIJT1JM6B2OBDM0T0DC/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist 50mm, ISO 400, f/8, 1/500th of a second. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472787168572-DF63MDMJRNKQO2NLQVAY/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist 35mm, ISO 1000, f/8, 1/500th of a second. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472787229617-JOVGFLK0AI0HJ871543L/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist 50mm, ISO 1000, f/8, 1/500th of a second. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472787256437-WNGUDI9FBGX0HBNXW6B6/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist 90mm, ISO 1000, f/8, 1/500th of a second. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472788754418-JYVUBTCZSEAGE3L7QTLB/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist Outside the Peninsula Hotel. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472788806323-A2TWSY2JYT6CDH5JXXCO/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist Cappuccino at the lobby café. 24mm, wide open at f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472788892437-F7477T470WCRWOJEQJ7K/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist 35mm, wide open at f/3.1 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472788934759-93GQXHC3KRCAMESOSI0D/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist 50mm, wide open at f/3.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472788971037-FZF5W5W3REZB7NWPRSD1/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist 90mm, wide open at f/4. The bokeh here has that characteristic Leica look! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472789159751-1KASLDU8U2PHT96PSG84/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist Close up at minimum focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472789106014-THI7UNXKX8U696YL400Y/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist Close up at minimum focusing distance. 90mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472790794343-KXQWRUCIE7PYFR2O54CF/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist In an Uber going back to Hong Kong side, 24mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472790828885-DS1P8O8VYE1QAHYJ1H8O/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist Now closer at 50mm. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472790869294-56ZN8050DCIMTYZOE9RS/image-asset.jpeg SERIES I - Leica SL + Leica 24-90mm - Being a Tourist Even closer at 90mm. https://www.streetsilhouettes.com/home/2016/9/1/nikon-105mm-f14e-a-tale-of-brand-loyalty-and-superiority monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472704129520-TRN1YLQZ3NEORXO9JC3M/image-asset.jpeg SERIES I - Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images) What this lens is made to do. Close up head and shoulder portraitures, with an awful background to render into bokeh. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472704079152-DNHRIWRC53LZKODTT4VF/image-asset.jpeg SERIES I - Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images) Pulling out a little more, and the details of the background curtains become more visible. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472716541395-4J1P4NEXB72TUPJZAB98/image-asset.jpeg SERIES I - Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images) I might be wrong, but the eyes don't look that sharp here. Either I'm a bad shot, since I had to reframe after autofocusing, or the corners aren't as sharp. I want to believe that it's me, and not the lens. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472716561277-7DWPVY3REPOIWZS6262A/image-asset.jpeg SERIES I - Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images) The lead eye in this image doesn't appear terribly sharp too. Must be user error. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472705128155-95QLT3TF1S7VYDI3IEBJ/image-asset.jpeg SERIES I - Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images) But going this close, and the lead eye sharpens. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472704318780-M2HG0HO08XBBPFESD6TW/image-asset.jpeg SERIES I - Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images) Sharper https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472704341132-Q7O6O6134MNAIRD6T71E/image-asset.jpeg SERIES I - Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images) Sharpest! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472704374340-BPKPZYF7AXI9PWSTPJNM/image-asset.jpeg SERIES I - Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images) With the head in a 3/4 pose, you can see how shallow the depth of field is, in comparing the lead eye with the recessive eye. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472704398850-9WX042GWEQMTRWEUJDGV/image-asset.jpeg SERIES I - Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images) At this extreme closeup, it feels as if only the lead eye is in focus. All the other details seem to just fade away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472713256104-LAUM8R1RK5VJ5K87NVAU/image-asset.jpeg SERIES I - Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images) No awful background here. It has all been blown away by the highlights. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472704449271-N9WLYAVWY1J8465EXRO2/image-asset.jpeg SERIES I - Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images) I normally don't like to take vertically oriented images. But the room wasn't long enough for me to shoot horizontally. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472704476960-TDNZY27O9G3WXV8F3NJJ/image-asset.jpeg SERIES I - Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images) It was very bright outside. Exposure compensation was set at +2. And still I had to push by a stop in post. https://www.streetsilhouettes.com/home/2016/8/30/nikon-prime-comparison-2414g-3514g-5814g-8514g-and-10514e-wide-open monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472617588924-UICGMW95TL0G06VV40ZI/image-asset.jpeg SERIES I - Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open D800E + 24mm f/1.4G. I think I was around a person's length away from the subject. I know, I tilted the camera in order to reduce the facial distortion... which kind of regret in retrospect. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472615961051-6MQ5TX0730XBEIHSNQNG/image-asset.jpeg SERIES I - Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open D800E + 35mm f/1.4G. I think I was under ten feet away from the subject. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472614951594-TYWBR5POD0LVIV85GO2X/image-asset.jpeg SERIES I - Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open D800E + 58mm f/1.4G. I must have been around two person's length away from the subject. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472616334489-W71CAVP1RW20T44NHOA7/085_3.jpg SERIES I - Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open D800E + 85mm f/1.4G. It felt like I was more than fifteen feet way from the subject. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472616139105-FOWS5TNTSSBY814T18C7/image-asset.jpeg SERIES I - Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open D800E + 105mm f/1.4E. I don't have the actual measurement, but it seemed like I was around twenty feet from the subject. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472617636806-FINGZDCCNX9V32TM8KT1/image-asset.jpeg SERIES I - Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open D800E + 24mm f/1.4G. Shot at less than four feet away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472616729608-O00AKWDPI5FV0U43MZ07/image-asset.jpeg SERIES I - Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open D800E + 35mm f/1.4G. Shot at a body's length distance away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472615239684-MP2LOICCK68KTIUF5J32/image-asset.jpeg SERIES I - Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open D800E + 58mm f/1.4G. Shot at less than ten feet. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472614504649-0PK8W2ES8YJTCL50ZY22/image-asset.jpeg SERIES I - Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open D800E + 85mm f/1.4G. Shot at around two body lengths away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472602446977-E0XXC8CGU8ZXONEW1WII/image-asset.jpeg SERIES I - Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open D800E + 105mm f/1.4E. Shot at around fifteen feet away, give or take... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472617794595-B0ULDIHX8YIO27TCK04L/024_1.jpg SERIES I - Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open D800E + 24mm f/1.4G. I was so close to the subject's face, that I didn't think it right to shoot straight on. The distortion would disfigure her, I thought, so I shot slightly from above. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472616901680-5LH8LA6O5K5PED4M2EXI/image-asset.jpeg SERIES I - Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open D800E + 35mm f/1.4G. Not quite up to her face, but I think I was less than four feet away. Still there was noticeable distortion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472615562190-DDO4ZWR0H95NH6B6EAB1/image-asset.jpeg SERIES I - Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open D800E + 58mm f/1.4G. I must have been around a person's body length away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472602215683-2P8O3PR92M260C0DOE4S/image-asset.jpeg SERIES I - Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open D800E + 85mm f/1.4G. I must have been under ten feet away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472604033943-WLJTYARMC7QZ83FO716C/image-asset.jpeg SERIES I - Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open D800E + 105mm f/1.4E. I was halfway across the room from the subject, so I guess I was a little more than two body length away from the subject. https://www.streetsilhouettes.com/home/2016/8/24/leica-50mm-f12-noctilux-aa-shot-wide-open-part-2 monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472029418394-4XP5CRLVO89ZX2J5OBSC/image-asset.jpeg SERIES I - Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2 A half hour before sunset, facing the window. ISO 100, 1/250th. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472029470508-YR8Z38UT9YLS6ZKU865E/image-asset.jpeg SERIES I - Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2 ...with the conference table behind... also ISO 100, 1/250th https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472029510563-UNAODMT0K2XEYV9ZKVQQ/image-asset.jpeg SERIES I - Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2 With a view of Victoria Harbour in the background. ISO 100, 1/250th, and Exposure Compensation +2. This image was shot slightly tilted, so I've leveled it (meaning there's going to be some cropping involved). What's interesting is the distortion of vertical lines in this image. I noticed vertical distortion from this version Noctilux, if your camera isn't reasonably leveled. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472029579190-ILM9RSG609RO3DQJNVB7/image-asset.jpeg SERIES I - Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2 And now facing the other side of Hong Kong... ISO 400, 1/250th Exposure Compensation +2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472029687747-F3JYRXFIW304DLAIK5F6/image-asset.jpeg SERIES I - Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2 Inside my office, ISO 400 1/250th https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472032429372-PIB8FNKDOB7XK7ZCSA3H/image-asset.jpeg SERIES I - Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2 Closer... ISO 400 1/250th https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472029875904-6MB5OJB2TYSGQ6QIRP6B/image-asset.jpeg SERIES I - Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2 Finally outside, with the sun setting. ISO 560, 125th of a second. The spiral effect in the background bokeh. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472029831104-XS0V6M7JV94X2TS62IMM/image-asset.jpeg SERIES I - Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2 Closer up. ISO 140, 1/250th of a second... I really don't understand how the ISO is so low? It was dark outside. For some reason, there's less spiral effect here. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472189017163-D74569T55IKGBE4N50DR/image-asset.jpeg SERIES I - Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2 Even closer - More bokeh! ISO 1600, 1/250th of a second. ISO is creeping up, but still much lower than I would have expected. Again, the spiral effect in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472030026081-KLQVAAABF8IBU1TSB5F4/image-asset.jpeg SERIES I - Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2 At the bus stop. ISO 280 1/250th of a second. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472032217690-PRKB26E3JY04CMEEIMBK/image-asset.jpeg SERIES I - Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2 Closer. ISO 200, 1/250th of a second. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472030212000-VSJYBAOYWV51OUT06B1R/image-asset.jpeg SERIES I - Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2 After sunset. ISO 280, 1/250th of a second. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472188984809-KGH2W99WR1GR24CQ705M/image-asset.jpeg SERIES I - Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2 Bokeh. ISO 140, 1/250th of a second. https://www.streetsilhouettes.com/home/2016/8/23/leica-sl monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472016246516-GKH70RI6MJB4YWOMF4PI/image-asset.jpeg SERIES I - The Leica SL - Low Light Review - Part 1 Leica SL + Leica 50mm f/0.95 Noctilux. Wide Open. No light source from inside my office. The only light source is from the dying light of the sun, minutes before sunset. Shot at ISO 6400. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472011674850-15R81B51HGYCIYQOTDK8/image-asset.jpeg SERIES I - The Leica SL - Low Light Review - Part 1 Leica SL + Leica 50mm f/0.95 Noctilux. Wide Open. Shot at closer distance. I don't know how in awful light the exposure was set at ISO 100? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472014866131-26JK76R2SG1GAO3F8L4T/image-asset.jpeg SERIES I - The Leica SL - Low Light Review - Part 1 Leica SL + Leica 50mm f/0.95 Noctilux. Wide Open. Shot further away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472015181317-IQUJPPC010M3OSYPOFG8/image-asset.jpeg SERIES I - The Leica SL - Low Light Review - Part 1 Leica SL + Leica 50mm f/0.95 Noctilux. Wide Open. Shot at closer distance. I included this shot because I love how the bokeh completely blurs the escalator in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472016687011-FMVEE1RABSS92JSSZ2JW/image-asset.jpeg SERIES I - The Leica SL - Low Light Review - Part 1 Leica SL + Leica 35mm f/1.4 Summilux. Wide Open. Shot at mid distance. Surprisingly, this was shot at ISO 800 with poor light. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472016724776-XGTQYUV2DE47RZIIAM9U/image-asset.jpeg SERIES I - The Leica SL - Low Light Review - Part 1 Leica SL + Leica 35mm f/1.4 Summilux. Wide Open. Shot further away. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472016755658-W55E7OM7Z7VJYQ4TN8BP/image-asset.jpeg SERIES I - The Leica SL - Low Light Review - Part 1 Leica SL + Leica 35mm f/1.4 Summilux. Wide Open. I just like the passing bus! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472024453890-5XHA3Q9BYYZ301X9G4WR/image-asset.jpeg SERIES I - The Leica SL - Low Light Review - Part 1 Leica SL + Leica 28mm F/1.4 Summilux. Wide Open. The only thing I blew was the white balance. I accidentally pressed the white balance short cut button on this series of images. Although I've fixed the white balance - somewhat - I decided to leave in a hint of blue. This and the next two shots are taken at different focal lengths from 28 to 35 to 50mm. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472015894757-OHOXWZCZZIMQVGEG8BP4/image-asset.jpeg SERIES I - The Leica SL - Low Light Review - Part 1 Leica SL + Leica 35mm f/1.4 Summilux. Wide Open https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472015673301-STUMWBBIYQWOH2OXI278/image-asset.jpeg SERIES I - The Leica SL - Low Light Review - Part 1 Leica SL + Leica 50mm f/1.2 Noctilux. Wide Open. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472015797264-4V8UFV2RV6S0Q6YNRB97/image-asset.jpeg SERIES I - The Leica SL - Low Light Review - Part 1 Leica M240 + Leica 50mm f/0.95 Noctilux. Wide Open. I included this shot to show you the difference between the M Sensor and the SL Sensor. Unfortunately, I goofed by using the wrong Noctilux lens for this comparison. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472016020412-D0T9SASYPMHFO4WMV15V/image-asset.jpeg SERIES I - The Leica SL - Low Light Review - Part 1 Leica SL + Leica 50mm f/0.95. Wide Open. ISO 4500. The lights in my office were turned off. The only available light came in from the hallway and also from the city light outside. Shot at close distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472016118772-4VPQS0WCYORNFMS2J4N5/image-asset.jpeg SERIES I - The Leica SL - Low Light Review - Part 1 Leica SL + Leica 50mm f/0.95. Shot Wide Open. Shot at mid distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1472016170407-JNKQR3GS1RX06URDLG8V/image-asset.jpeg SERIES I - The Leica SL - Low Light Review - Part 1 Leica 50mm f/0.95 Noctilux. Wide Open. Shot further away. https://www.streetsilhouettes.com/home/2016/8/9/7fil5w43ywggtf2e6506qw7s04kfxl monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471136194688-J3IQNNCGPZ3YK9FT9ZDJ/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV Improved focusing aids enabled me to get this shot, under the bad light of the Uptown Express Train towards Astoria. Leica 50mm f/1.2 Summilux. ISO 2,500, f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471135681336-SZFCVKSAIU49E4CAYRCY/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV More subway shots. The lighting conditions of the Uptown Express train isn't exactly optimal. However, the Sony A7r MKII still performed relatively well. Needless to say, I would never be able to get such clean files with a Leica M240 or M9, under the same light conditions. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471135750759-1W5LYKLSC1TNHTPY29TL/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV The only thing worse than the lighting on the Express Train is the Local Train. I do not understand that ghastly greenish tinge inside the subway car. Thankfully, the Sony A7r MKII's better white balance made it easy to fix in post. A Leica M240 or M9 would not get this shot. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471135817482-JDT3UFLCSEOR464DKPWB/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV A final shot taken on the Uptown Express Train to Astoria Queens. Again, a Leica M240 or M9 would never get this shot. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471136249728-2UGKZNKERH6WVT8F1LZU/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV The auto ISO accidentally metered incorrectly by two stops over. The dynamic range on the Sony A7r MKII was generous enough for the overexposed details to be saved in Lightroom. Plus in silent shooting mode, the subject didn't notice I was just a couple of feet from her, with a wide 28mm lens. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471136325288-LW3JKONRB1RY6I1B2DAC/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV The auto ISO accidentally metered incorrectly by two stops under. The dynamic range on the Sony A7r MKII was generous enough for the under exposed details to be saved in Lightroom. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471174099147-0BJKK32HYN1MPKUB2A9V/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV This shot wasn't metered incorrectly. However, lifting the details of the subjects inner-wear underneath her transparent top, in relatively low outdoor daytime light, was facilitated by the Sony sensor's generous dynamic range. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471137154956-VSQNV7OLTGFIA5V24ACH/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV Distortion from panning the camera too quickly while shooting. Notice the vertical S curve on the door. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471173423724-9CD34ZD5S92HNBV57J5E/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV Zone focused with the ample sunshine giving me depth of field. So I can click and forget. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471173500286-J3JNE73Y9Z4QMWKRTPHW/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV Zone focusing with the Sony is just as quick and discreet as the Leica M bodies. With the 28mm Summilux, I was only four feet from the foreground subject. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471173632997-ZNL4WL6OY8AO8HCGQV6U/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV With the subject running towards me at full chat, I was able to capture her with relative ease, zone focusing on the Sony. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471173706967-5HWVGBVAIQSVHZKE6MN7/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV Holding the A7r MKII still, and in silent shooting mode, the Sony is a very discreet camera when zone focusing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471173809964-6YN594OWXP69I7IJXE09/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV With the flippy rear LCD screen, composition of subjects in low angle is much easier to deal with, especially while zone focusing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471173908641-C6P7PUC25CV8QFS91ON0/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV Honestly, the Sony feels better in hand than the Leica, when zone focusing. It feels more balanced with a better hand feel. Just wished that people didn't look at their phones while they're walking. Would've like some more eye contact... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471174561052-5MBMTIXB7TAEXUQXDB0G/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV People really look at their phones way too much. But in the case of this subject, I suppose she's looking up? But that's because I'm directly in front of her, and she doesn't want to bump into me. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1471174704756-B57BU6SLOSYU9W1F01OW/image-asset.jpeg SERIES I - The Sony A7r MKII from a Leica M Photographers POV Finally, eye contact. But still clutching onto her phone. The Sony may be just too discreet for street photography - if there is really such a distinction. https://www.streetsilhouettes.com/home/2016/8/4/leica-50mm-f12-noctilux-double-aspherical monthly 0.5 2021-12-12 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470444712803-1ZQA8WQV9HQGEBVOR4FE/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical Commuting on a downtown local train towards Union Square. I would have preferred a 35mm focal length, but your best lens is the one you have with you. So I had to stand all the way pressed up against the subway train door, with the back of my Sony A7rII shoved against my chest, in order to increase my distance from the subject, just to get as much of her into the frame. Shot at f/2.8 at ISO 12,500. Missed focus by a hair, since I couldn't focus in camera. Full crop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470356806933-UA4SJH0IQAPU1WR5T460/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical Above ground again, and the Leica 50mm f/1.2 Noctilux zone focuses like a champ! Shot from the chin, at f/5.6. Full crop. I shot this subject because I liked her distressed jeans. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470357152454-BXQWYCU506WREO01H736/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical The subject is out of focus, because he was moving too fast out of my depth of field for me to react and refocus. Still, I'm happy with this photograph. Shot also at f/5.6. Full crop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470357489365-7NVNR47PW6YQJHJ9YR9S/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical Just missed focus on this shot. I forgot to refocus, after having focused on something earlier that was further than 12 feet away (my preferred prefocused distance at 50mm), Still, you can look at the corner sharpness at f/5.6. Out of camera RAW file. Full crop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470445327858-GJDYVROYU6PQDOETCPQ3/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical Full crop, shot at f/4. At this aperture, the corners don't look particularly sharp. This subject caught my attention, because of her platinum blonde braided pigtails and Thrasher T-shirt. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470446691428-1QE3BTF5G6Q6PGDPBGNW/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical Full Crop, shot at f/5.6. At this aperture, the corner begins to look sharper. This subject caught my attention, because it seems so very SoHo to me, from her stylish black dress, to her black ankle boots, to the metal steps, to the vermillion painted brick wall. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470359296029-ATVTR9XDDWBVXF9CIQK8/DSC03362.jpg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical Full crop, shot at f/8. Stopped down to f/8, the image looks sharp, but the background corner is beyond the depth of field to determine corner sharpness. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470446854526-4HPJ9HRVIFF8UZQA632O/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical Shot at f/2.8. Cropped for composition. I just missed shooting the subject without having to crop for composition - anchored on the top right hand corner. The train arrived a step to soon before I could reach the optimal focus distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470445998819-ALFUZB12FDMZSZW4FWKX/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical Shot at f/4. Cropped slightly for composition. More eye candy images... I liked it because it looked very SoHo to me. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470529057960-YKNM49RKESUJ5JPD9167/DSC03415.jpg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical Loved the ink... Shot at f/5.6. Cropped for composition to get the head on the left out of the frame. It was grabbing focus away from the subject. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470483070278-UDSSV0K5LZNJ0XXG7HCW/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical Shot at f/8, cropped for composition. This image was shot under the blazing noon sun. I had a shopping bag with me at the time, so the image was shot with a slight rotation. I had to level the image a tad in Lightroom. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470528814593-PQ16YDB5H6EVWMAC6T7P/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical I shot this in the subway station, with no more room to back up to get the two subjects into the frame. I got her into the frame. Unfortunately, part of his head was outside the frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470446592888-45KLBFLKBQ09DAA8IJFH/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical I shot this image because it was just the cutest thing to see - visitors taking picture of the Flat Iron Building, on a cropped sensor Nikon. Love the photography theme in the image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470446464720-GUXC2IIGA8XKXUBBSK3H/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical Friends having lunch. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470410941348-K6FP3F6PEJYEHCN4T0S1/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical Friends taking a rest. At the time of shooting, I didn't notice the tourist in the empty fountain photobombing my composition. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470445381794-8H4DAMV716DLA9KS94W9/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical Yellow dress and yellow cab. Same yellow. Enough said! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470437079022-ADJNEGBXE3UDYFDRE5RK/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical This image was shot straight on without at f/4. There appears to be some evidence of barrel distortion. But I'm not definitely sure that the lens is the cause of it. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470359552127-9Z0FMVOV7BYJVLP3ALIW/image-asset.jpeg SERIES I - LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical All day I've been trying to hit focus wide open at f/1.2. Unfortunately, with this lens, it's impossible to purposely get focus wide open without help from the subject staying perfectly still. In the end, I just gave up, and decided to photograph the subject in this image - two very talented musicians at Washington Square Park. Even so, they were singing and strumming along, so they weren't exactly still for the wide open shot. Shot wide open at f/1.2. https://www.streetsilhouettes.com/home/2016/7/31/the-photographer-and-the-artist monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469999831428-I34NHY62S08KKZDUZF2C/image-asset.jpeg SERIES I - An Illustrated Case of the Misguided Photographer Believing his Work is Art Unfortunately, I don't shoot landscapes... does this count as art then? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470000061271-KSDWEKAD52Z6YEUA4OKI/image-asset.jpeg SERIES I - An Illustrated Case of the Misguided Photographer Believing his Work is Art My hommage to Mondrian. Urban Landscape. Kind of like landscape. Is this art? I mean, it is black and white. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470000720669-703NR3W9JLVMWM3VC1A6/image-asset.jpeg SERIES I - An Illustrated Case of the Misguided Photographer Believing his Work is Art This image is very expressive. It must be art - right? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470000386766-BU14KLTWPYQ9TCI90P01/image-asset.jpeg SERIES I - An Illustrated Case of the Misguided Photographer Believing his Work is Art Offsetting the subject all the way to the right... doesn't the tension of the composition make this art? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469999735272-DSRKLVGJUJX2BY6N0HRX/image-asset.jpeg SERIES I - An Illustrated Case of the Misguided Photographer Believing his Work is Art Dan le Louvre. A touch of Français, just like the reviews of Monsieur Photo Blogger... https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469999774517-3IUDCEOPF2HL68B2DDJ6/image-asset.jpeg SERIES I - An Illustrated Case of the Misguided Photographer Believing his Work is Art Et un autre "artistic" shot inside the Louvre. Doesn't dropping in some French make this seem more artistic? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469999884454-L9XF5IDI9N0RMAIFBWTX/image-asset.jpeg SERIES I - An Illustrated Case of the Misguided Photographer Believing his Work is Art The colors of this image is very vibrant and contrasty. Does that make it art? And don't the planes look so small - like miniatures. This certainly qualifies for an artistic image! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470000834332-YT3YN1E9WBFTF3JJEYCG/image-asset.jpeg SERIES I - An Illustrated Case of the Misguided Photographer Believing his Work is Art This must be art. It's a deliberate close up of someone's designer ankle boots. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470000559625-E4FGX3Z6EC8XLJHACXKI/image-asset.jpeg SERIES I - An Illustrated Case of the Misguided Photographer Believing his Work is Art Ok... I admit... this can be duplicated very easily. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470000635073-MFZTA06POY31G09R55LP/image-asset.jpeg SERIES I - An Illustrated Case of the Misguided Photographer Believing his Work is Art And I guess that this can also be duplicated very easily too. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470001962548-HA36OD27F865JUT4UO0Y/D80_8290.jpg SERIES I - An Illustrated Case of the Misguided Photographer Believing his Work is Art I thought that this was artistic. But I guess that this is just documentation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470010090286-Q9UHMKGLNB8RXV0XU5OB/image-asset.jpeg SERIES I - An Illustrated Case of the Misguided Photographer Believing his Work is Art I thought this was artistic too... given the angles and perspective. But I guess it's just documentation again. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470001041496-D4B0LK70O7ON8Z4FIO0Z/MM001305.jpg SERIES I - An Illustrated Case of the Misguided Photographer Believing his Work is Art It's true. I've never done anything artistic in photography. The closest would be an attempt to elicit an artistic mood in my photography, which isn't the same thing. In this image, it's a play on rectilinear lines, in the urban landscape. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1470001177107-RMSKMDYNU6T1M6LM078H/image-asset.jpeg SERIES I - An Illustrated Case of the Misguided Photographer Believing his Work is Art Here in this image, I'm just trying to rip off... I mean recreate a Fellini-esque feeling in the mood. Also note my selfie in the store window! How cool is that. That must at least count for bonus points! Just wish my eyes weren't looking down at my bubble leveler. https://www.streetsilhouettes.com/home/2016/7/31/28mm-summilux-part-2-in-bright-daylight-and-on-the-street monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469973108422-FRZ16NT5TX4KPWGSL3S1/image-asset.jpeg SERIES I - Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street This street subject immediately noticed me taking a picture of her. However, she was very cool about it. I was very happy that she looked up at me. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469975995796-053AX8F9KRN11W1ZFN7Y/DSC02714.jpg SERIES I - Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street Shot at f/2.8. The two subjects were staring at my camera. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469976223305-H7DXQV80LLITJ11GFM0Z/image-asset.jpeg SERIES I - Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street These two appeared startled when I took a photograph of them. They were obviously looking at my lens! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469975303754-P797PHXTYNAGEJAINRXN/image-asset.jpeg SERIES I - Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street The 28mm Summilux when shot close to the subject can cause significant perspective distortion. However, the perspective distortion can also be used for composition. In the case of this image, the perspective distortion creates the illusion of a rising composition, while also directing the viewer's attention towards the main subject. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469979361288-IMGSUGTKA4GBULDGO8QK/image-asset.jpeg SERIES I - Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street Another example of an image shot at an awkward angle. The perspective angles draw the viewer's eye to the main subject in the image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469973920011-3W43CYIO0IJYD7Z0CQEQ/image-asset.jpeg SERIES I - Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street For a tall subject like him, I would have had to shoot further away to get all of him into the frame. That meant I would have had to include a crowd of people that were directly behind me. Because I was close enough, no one photobombed my shot. Shot at f/2.8 in bad light. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469978864120-AV0PNEZNBD2OZV0WNN9A/image-asset.jpeg SERIES I - Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street Being able to shoot closer, you can get more of the subject into the frame without being blocked by passersby. And for the sake of documentation, you also get more of the background. Shot at f/5.6. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469974327174-IL0HE399RGUUETSUUZWU/image-asset.jpeg SERIES I - Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street In this shot, my camera was actually beside an elderly gentleman. If I used a tighter lens, like a 35mm lens, I would not have gotten this shot without blockage. Shot at f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469973522271-1IT82TQ4SXZENGFMXUI2/image-asset.jpeg SERIES I - Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street Zone focusing at f/4, normally I would have hit focus at this distance, if I were using my 28mm Elmarit. Instead, I'm slightly off. Image sharpness has been improved with Photoshop Shake Reduction Filter. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469977008001-MQX50GSBXUS4308FI52V/image-asset.jpeg SERIES I - Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street Also shot at close distance, roughly four to five feet away at f/4, I missed focus by a hair. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469974792112-34BII0YPKG7PW65UE2JO/image-asset.jpeg SERIES I - Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street Shot at f/8/ This image has not been cropped for composition. I don't see much difference here from shooting the 28mm Elmarit at f/8. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469976843070-HSBNEZFAB4F9FS7V4O5W/image-asset.jpeg SERIES I - Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street Another full crop image. Shot at f/4. I don't see much difference here, compared to the 28mm Elmarit, shot at f/4. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469973287084-VP2FIDDVJ01NDJKUBGSO/DSC02725.jpg SERIES I - Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street Shot zone focusing wide open at f/1.4. I didn't know that this was even possible! Image has been cropped for composition. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469973307715-KU0LEOWCWTU7K8RCX2XG/image-asset.jpeg SERIES I - Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street Another image shot zone focusing wide open at f/1.4. This image however has not been cropped. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469974205645-ITRHVNMES20MK1GFOLAD/image-asset.jpeg SERIES I - Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street Overall, I loved the 28mm focal length. You can shoot close enough, so you won't get photobombed by some passerby between you and the subjects. You just need to remember to shoot closer, and be careful with your angles if you shoot too close. https://www.streetsilhouettes.com/home/2016/7/30/saving-bad-photographs-in-lightroom-and-photoshop monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469924545510-3F8PITJQXNAMEJVMIYG6/image-asset.jpeg SERIES I - Saving Badly Photographed Images in Lightroom and Photoshop Probably one of my favorite images. This was shot with a 28mm f/1.4 Nikkor lens, with the bulk of the subject shot at the left hand bottom corner. To save this image, I had to crop the image, straighten the image's rotation slightly, and do an extensive amount of vertical and horizontal transformation in Lightroom. After that, I had to export the image file in large resolution to Photoshop, where I had to skew the image some more in order to get the rest of the distortion fixed. And because I shot this image, while jogging, the image was slightly out of focus. A camera shake reduction was done to sharpen the out of focus bit. When that was all done, I downsized the image, in order to bring the pixels together, in hopes of optically sharpening the image some more. After that, the image became usable. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469923711210-QR9N5C673L4SKJ0W8H1D/image-asset.jpeg SERIES I - Saving Badly Photographed Images in Lightroom and Photoshop This was another image that came from a sudden photo opportunity. I had just turned the corner on the street, saw the subject turn around. My camera wasn't in position, but I still took the shot. In the end, the image was off in rotation. And when I transformed the image to fix it, the main subject's hair line was cut off. However, with Photoshop's content-awareness tools, I was able to incrementally save the subjects hairline after a rotational crop. Now, the image is usable. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469922987547-AIK11VMLLGYSHOXM6TW0/image-asset.jpeg SERIES I - Saving Badly Photographed Images in Lightroom and Photoshop The title image of this post was shot blindly with less than a split second. The subject was looking straight at me, just as I turned around to face her. It was for me a perfect image in my head. She was just coming into the light, wearing a green shoulderless maxi dress, with a produce stand, largely in shadow behind her - also very green. I just took the shot, and hoped for the best. In the end, the image was slightly out of focus, and very distorted, given the short focusing distance from the 28mm lens. I had to do a noticeable amount of vertical and horizontal transformation in Lightroom, in addition to a rotational correction. The focus was improved with the camera shake reduction filter in Photoshop. The image was exported large from Lightroom, and downsized in Photoshop. After all that work in post, this image became usable. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469926045955-W2LKTUECR0VNUTC54HIV/image-asset.jpeg SERIES I - Saving Badly Photographed Images in Lightroom and Photoshop This was a photo opportunity, when I suddenly turned around. I was relatively close to the subject when I took the shot. The resulting image files had a significant amount of perspective distortion. I had to do a considerable amount of vertical and horizontal transformation to make this image usable. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469925344332-KPBWOPT7IMSP12E0X61Z/image-asset.jpeg SERIES I - Saving Badly Photographed Images in Lightroom and Photoshop I was twenty feet away from the subjects, when I saw them both put a plastic fork into their mouths. I didn't think they were going to leave the forks in their mouths indefinitely, so I had to run over quickly. Once there, I took no chances, and snapped a photo waist level. Unfortunately, I misjudged the angle of my camera. Most of the image was on the top right hand corner. As a result, there was considerable perspective distortion on the near subject's head. To fix the photo in Lightroom, I had to crop the image, straighten the rotation, and leave white spaces in the frame to be exported along with the rest of the image to Photoshop. In Photoshop, I had to skew the image on both the left hand bottom corner, and the right hand top corner. When that was done, I had to crop the image some more, to remove the white spaces. After that, the image became usable. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469926426484-NV1312VW59MZSTOT7PXE/image-asset.jpeg SERIES I - Saving Badly Photographed Images in Lightroom and Photoshop This is another image shot at close focusing range from a weird angle. I had already taken a clean shot of this subject from a further distance, so this was actually my insurance shot. In truth, I could have just deleted this file, but I liked the close-up detail of the subject's lace top. To fix it, I had to do some horizontal and vertical transformation, along with straightening the image rotationally. Once I did all that, the image became usable. https://www.streetsilhouettes.com/home/2016/7/27/what-i-can-do-with-a-leica-50mm-f095-noctilux-on-a-sony-a7rii-that-i-cannot-do-on-a-leica-m-body monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469656940622-CIV0H3JA38ZAUG1BRPP8/image-asset.jpeg SERIES I - What I can do with a Leica 50mm f/0.95 Noctilux on a Sony A7rII that I cannot do on a Leica M Body This image is an example of what is required to get tack focus on a Leica M240, under "suboptimal" light conditions. Shot on a Sony A7r MKII, the subject's face is actually in the center of the frame - in order to simulate optimal focus on a Leica body. In other words, this image was not reframed for composition after focus. Composition was fixed in post, by cropping out the excess area. Also note how dark the image is, since it was shot at ISO 6400. The only reason why the image still works is because the subject's smartphone was lighting up her face. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469656427415-KASDY7CSL0Z49KPG5JTF/image-asset.jpeg SERIES I - What I can do with a Leica 50mm f/0.95 Noctilux on a Sony A7rII that I cannot do on a Leica M Body One of my warm-up shot in the dark. This shot would have been close to impossible, if I were to have shot it on a Leica M body. Granted, I can't say for sure if I got tack focus, given the noise from the high ISO. However, given how far away the subject is - roughly twenty feet from me - I think that this shot works. It can only get better from here on in. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469656694020-CV9C5CQ1CJ20130NXEQ1/image-asset.jpeg SERIES I - What I can do with a Leica 50mm f/0.95 Noctilux on a Sony A7rII that I cannot do on a Leica M Body Getting focus with focus magnification on the Sony A7r MKII was easy. What would normally take me a great undertaking to focus with the Leica M240, the Sony enable me to do it in seconds. And once I hit focus, I didn't need to reframe the image, since with the Sony, I was able to move the focus point to the subject's eyes. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469657870176-GRF20X3N55DH4EB0VI5Q/image-asset.jpeg SERIES I - What I can do with a Leica 50mm f/0.95 Noctilux on a Sony A7rII that I cannot do on a Leica M Body I still cannot get over the fact that I was able to get tack focus on the subject's lead eye. As you can see, bokeh isn't that impressive, even though the image was shot wide open at f/0.95. However, the blurring in the foreground and background sufficiently does it job in isolating the main subject, thus giving greater emphasis in the image's narrative. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469658088538-R111M1Q18JYTRUMC26XY/image-asset.jpeg SERIES I - What I can do with a Leica 50mm f/0.95 Noctilux on a Sony A7rII that I cannot do on a Leica M Body It may not be apparently clear, but this image was taken in relative darkness, and required a little more TLC in post - meaning pushed more than a stop of exposure. But once the exposure is resolved on Lightroom, you can see just how much detail the Noctilux retains, even when shot wide open. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469659255522-5BGLE4V79V03EXWX393R/image-asset.jpeg SERIES I - What I can do with a Leica 50mm f/0.95 Noctilux on a Sony A7rII that I cannot do on a Leica M Body Another image shot in relative darkness and fixed in post. I still cannot get over how much detail is preserved by both the apparent sharpness of the lens wide open and the dynamic range of the Sony A7r MKII sensor, especially when compared to my experience with the Leica M240 sensor. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469659027663-Z7FWAV0023Z6YBJGRS7N/image-asset.jpeg SERIES I - What I can do with a Leica 50mm f/0.95 Noctilux on a Sony A7rII that I cannot do on a Leica M Body This image was shot in a relatively brighter area of the bar. As a result, the auto ISO was set at 6400. That meant that at f/0.95, I was able to get an even cleaner file. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469659371019-4N6SO1DKVHBOE4GW6NPA/image-asset.jpeg SERIES I - What I can do with a Leica 50mm f/0.95 Noctilux on a Sony A7rII that I cannot do on a Leica M Body I don't normally photograph people who are working... but in this case, I will make an exception. All night long he was giving me vodka tonic, even though I only wanted sparkling water. I think he was doing me a solid - only I've stopped drinking alcohol, for the last ten years. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469659394517-4Z34L1LWSI7T8Z64HJPK/image-asset.jpeg SERIES I - What I can do with a Leica 50mm f/0.95 Noctilux on a Sony A7rII that I cannot do on a Leica M Body The main subject and the foreground people kept moving and moving, so getting focus on her would have been impossible on a Leica M body. But with focus magnification, it was easy to get sufficient focus on the subject's lead eye, despite her animated personality. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469658299364-3LFQSCVYKF5UOB0RDIXE/image-asset.jpeg SERIES I - What I can do with a Leica 50mm f/0.95 Noctilux on a Sony A7rII that I cannot do on a Leica M Body Bokeh Bokeh Bokeh! Although the Noctilux was intended for low available light photography, it's really the bokeh that makes photographers love it. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469658620674-1T9IDR163JJS5PFS85NK/image-asset.jpeg SERIES I - What I can do with a Leica 50mm f/0.95 Noctilux on a Sony A7rII that I cannot do on a Leica M Body One final shot - not from the Noctilux. This shot with the Leica 28mm f/1.4 Summilux was only possible, because it was taken in that relatively brighter area of the bar. If all I had was the Summilux, I would've only had one usable image file for the entire night. That would have been very disappointing. https://www.streetsilhouettes.com/home/2016/7/18/leica-28mm-summilux-the-perfect-vacation-lens monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468988238583-7PSDA677D6M05S3B3K33/image-asset.jpeg SERIES I - Leica 28mm Summilux: The Perfect Vacation Lens? What a fast 50mm looks like at the restaurant table. At the table, you're too close to get enough of the background to establish your setting. And besides, the bokeh, albeit amazing, is just too much to allow you to document your visit. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468896048905-E1LD8T7OK9PIXRJ4EKX6/image-asset.jpeg SERIES I - Leica 28mm Summilux: The Perfect Vacation Lens? By comparison, at 28mm, you can get much more of the background, sitting at the same position as the first image taken with a fast 50mm lens. Admittedly, a 35mm lens would also let in more of the background, however, not as much as the 28mm focal length. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468896237092-X9TEQW9211N1DDX6J9I9/image-asset.jpeg SERIES I - Leica 28mm Summilux: The Perfect Vacation Lens? A second image from more or less the same position. I can't say that I was trying very hard to get tack focus, but overall, I found the 28mm Summilux to be rather forgiving, even wide open at f/1.4. In addition, sitting at closer distance, the 28mm renders a pleasant bokeh that still provides enough details in the background for context. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468896480095-HXM6Y3X776NES9JF0TAI/image-asset.jpeg SERIES I - Leica 28mm Summilux: The Perfect Vacation Lens? Obviously, with this being a Leica Summilux, there's no way that you can focus this closely. But since I have an extra stop of ISO, the image file is so much cleaner that even an extreme crop like this looks pretty good. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468896342770-COVUXBLY6OQWDSV1AJ5F/image-asset.jpeg SERIES I - Leica 28mm Summilux: The Perfect Vacation Lens? Because I was shooting relatively closer on this shot, and because the lighting was creating a combination of unpleasant highlights and shadow on the subjects face, made worse by some distortion, I asked her to tilt her head down, for a more pleasing look. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468896778013-XM1CVMBC0A8SUGWB7WW0/image-asset.jpeg SERIES I - Leica 28mm Summilux: The Perfect Vacation Lens? At 28mm, it's easier to get closer for a wider shot of the subject. You're less likely to get photobombed in the foreground by unintentional passersby. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468896723184-PUG0XVIYZEUSZ0BU9IYS/image-asset.jpeg SERIES I - Leica 28mm Summilux: The Perfect Vacation Lens? A second image shot a little further away from the camera, with the subject standing. Shot wide open, the focus appears to be very forgiving. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468896987765-ZPDQQF11Y0MUM0TNB6II/image-asset.jpeg SERIES I - Leica 28mm Summilux: The Perfect Vacation Lens? To be honest, I really can't say that the background bokeh and isolation of the subject with the 28mm Summilux looks all that different from the 28mm Elmarit or even the 28mm Summicron. Where the 28mm Summilux differs is that it can shoot faster at f/1.4, giving you an additional 1 to 2 stops, thus making an indoor shot like this possible. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468897019929-BKN8JE6URL6EG2Y66WQU/image-asset.jpeg SERIES I - Leica 28mm Summilux: The Perfect Vacation Lens? Here is another image demonstrating how well the 28mm Summilux documents the background while shot wide open in suboptimal lighting conditions. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468897045644-5N1E0Y0OHWY4U56KJJ4Q/image-asset.jpeg SERIES I - Leica 28mm Summilux: The Perfect Vacation Lens? I don't have anything more to comment with regards to this image. It was getting late, and we're just fooling around at this point. Overall, I really liked the Leica 28mm Summilux. I like it much more than the 35mm Summilux. I didn't think I was going to like it, because of it's size and 49mm filter thread. But I was wrong. It's probably the best all around documentarian lens, which really makes it the best holiday/vacation lens. https://www.streetsilhouettes.com/home/2016/7/22/has-digital-technology-ruined-black-and-white-photography monthly 0.5 2019-03-08 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469317955709-CXQDZK7VES6CV71F57RP/image-asset.jpeg SERIES I - Has Digital Technology Ruined Black and White Photography A properly optimized black and white photograph should have a full tonal range, ranging from the blackest black to the whitest white. In the case of this image, the whitest white are the fluorescent tubes, while the blackest black is in the background shadow. Leica M246 + 35mm f/2 Summicron ASPH v1. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469317667119-2VA65XG72A75DXIUXNXX/image-asset.jpeg SERIES I - Has Digital Technology Ruined Black and White Photography This was actually a very difficult image to optimize exposure in post. The subject is wearing a black lacy top underneath her jacket. In providing optimized exposure, the lace had to be black enough, while still optically perforated to render the transparency of the lace. Too much underexposure to make the lace more black would result in the complete loss of detail in the lace. Leica M246 + 35mm f/2 Summicron ASPH v1. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469317259546-P9Q4I1GB7B5O95X19UT8/image-asset.jpeg SERIES I - Has Digital Technology Ruined Black and White Photography This image is significantly underexposed. The details in the subject's clothes has essentially all been crushed. Stylistically, the subject appears more a silhouette than three dimensional. However, the reduction in details render the image more dramatic, reinforced further by the tilted wide angle perspective. Leica M Monochrome + 21mm f/3.4 Super Elmar ASPH. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469317472775-GH254KUCJFSTGY8E9T75/image-asset.jpeg SERIES I - Has Digital Technology Ruined Black and White Photography An off-centered subject, dominated by a large underexposed wall with very little perceptible details, in order to elicit a more solitary mood. Leica M246 + 35mm f/2 Summicron ASPH v2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469381437855-8C7VPHZDV05031NE2DAV/image-asset.jpeg SERIES I - Has Digital Technology Ruined Black and White Photography The mood can also be changed by overexposing the image. Overexposing the image can elicit a dream like quality, by washing out details in the highlight. Leica M246 + 35mm f/2 Summicron ASPH v2. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469318122711-DO4Y1PV8731X7HR4XVU6/image-asset.jpeg SERIES I - Has Digital Technology Ruined Black and White Photography It would have been easy to underexpose the background in order to bring out the foreground subject. But in doing so, you would lose the details of the tree roots growing into the wall. Leica M246 + 35mm f/2 Summicron ASPH v1. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469318285664-WT02REXZPOBNM9AR9PLQ/image-asset.jpeg SERIES I - Has Digital Technology Ruined Black and White Photography When the exposure is properly optimized, all the details will appear clearer. Note the details in the folds of the subject's clothes. If the image were underexposed, all the creases would have been blacked out. Leica M246 + 35mm f/2 Summicron ASPH v2. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469370431687-JGZKX5OQCNNDO3O9OIMF/image-asset.jpeg SERIES I - Has Digital Technology Ruined Black and White Photography At the zebra crossing at Times Square, Hong Kong. Especially with this many people in the frame, it's very difficult to optimize the black and white tonal range of each figure while still optimizing contrast to reinforce visual emphasis of the main subject. As important as the main subject is, it shouldn't diminish the details of the supporting figures. Leica M246 + 35mm f/2 Summicron ASPH v2. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1552031506507-0AZY86LYI3DAXW0D30EH/MM002071.jpg SERIES I - Has Digital Technology Ruined Black and White Photography Full tonal range does not mean having a black and white tonal range in equal parts. You just need to make sure that both the darkest black and the lightest white is in the image to anchor the full tonal range. Leica M Monochrome + 35mm f/2 Summicron ASPH. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469372669676-VTYE0M795OLU7F3G3GG3/image-asset.jpeg SERIES I - Has Digital Technology Ruined Black and White Photography Optimizing the full tonal range, will preserve details in the image. In this image, the ribbing of the main subject's dress and the woven fabric of her jacket are clearly visible. Failure to optimize the tonal range would turn the main subject's jacket and dress into a single black mass. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1469373435504-LRK07NLQ675QG6VGLOPJ/image-asset.jpeg SERIES I - Has Digital Technology Ruined Black and White Photography One final image taken under the bright noon day sun. Finding the right tonal balance in the image was tricky, given the dominance in light tonal objects. To provide dimension, it was necessary to bring out the black in the shadows of those objects. However, too much emphasis on that detail and the details on the main subject's clothes will become less visible. Leica M246 + 35mm f/2 Summicron ASPH v2. https://www.streetsilhouettes.com/home/2016/7/8/night-photography-leica-35mm-f14-fle-and-35mm-f14-aa monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468032052782-IDYLV1ZDV5AGM2NNVV6J/image-asset.jpeg SERIES I - Night Photography: Leica 35mm f/1.4 FLE and 35mm f/1.4 AA 35mm f/1.4 Summilux FLE - Here is an example of difficult lighting. The background light was brighter than the foreground, which was largely in shadow. This image is only possible, because of post processing on Lightroom. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468032079363-APXWGU7Z4LWDZGSCZY98/image-asset.jpeg SERIES I - Night Photography: Leica 35mm f/1.4 FLE and 35mm f/1.4 AA 35mm f/1.4 Summilux FLE - This is an example of a very ideal night shot. The subject is well lit, and the background is full of action and light all blurred out by the shallow depth of field. You get both context and isolation of the subject. This would not be as effective on a lens with a larger maximum aperture. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468032113476-DAY3KIOGJ1YS0EUOA1AJ/image-asset.jpeg SERIES I - Night Photography: Leica 35mm f/1.4 FLE and 35mm f/1.4 AA 35mm f/1.4 Summilux FLE - Another well lit urban street scene. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468032140167-DJXZUGGG8C5YPN32TS5G/image-asset.jpeg SERIES I - Night Photography: Leica 35mm f/1.4 FLE and 35mm f/1.4 AA 35mm f/1.4 Summilux FLE - This is the point where I decide to change lens. You can make a comparison between this sample image and the next sample image, shot with the 35mm f/1.4 Summilux AA. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468032746868-KGM2Y6DP35UGGEOBY1GK/image-asset.jpeg SERIES I - Night Photography: Leica 35mm f/1.4 FLE and 35mm f/1.4 AA 35mm f/1.4 Summilux AA - You can make a comparison between this sample image and the previous image shot with the 35mm f/1.4 Summilux FLE. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468032786812-UH0STEFQWN5BCYTGVA7H/image-asset.jpeg SERIES I - Night Photography: Leica 35mm f/1.4 FLE and 35mm f/1.4 AA 35mm f/1.4 Summilux AA - A whole body image with a deep background of non-competing urban objects blurred out to provide context of the scene. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468032833073-CD4NR7UCRZZC1DG54OCR/image-asset.jpeg SERIES I - Night Photography: Leica 35mm f/1.4 FLE and 35mm f/1.4 AA 35mm f/1.4 Summilux AA - stopped down in order to better freeze the moving bus in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468049617546-Z5PIVFJDUA4DNF015XT3/image-asset.jpeg SERIES I - Night Photography: Leica 35mm f/1.4 FLE and 35mm f/1.4 AA 35mm f/1.4 Summilux AA - I just like this image. It captures the subject just right, the moment the bus passed. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468032384412-ZWZDWF8FM2O12MVJ9KZM/image-asset.jpeg SERIES I - Night Photography: Leica 35mm f/1.4 FLE and 35mm f/1.4 AA 35mm f/1.4 Summilux FLE - The background bokeh isn't all that pleasing, but at the same time enough to isolate subject from the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468032343462-UJ7BJUZGQFZU7ISXGAZ0/image-asset.jpeg SERIES I - Night Photography: Leica 35mm f/1.4 FLE and 35mm f/1.4 AA 35mm f/1.4 Summilux FLE - Moving up closer by a couple of feet, and bokeh improves a little. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468032410416-6N1JLQ9K9Z1OKEKVSGW6/image-asset.jpeg SERIES I - Night Photography: Leica 35mm f/1.4 FLE and 35mm f/1.4 AA 35mm f/1.4 Summilux FLE - Up close, bokeh is optimized. https://www.streetsilhouettes.com/home/2016/7/16/awesome-comparison-bokeh-between-focal-lengths monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468724992460-03DG8KW1ZN7B7Y2H8XI5/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between 50mm 0.95 to 400mm 2.8 Leica 50mm f/0.95 Noctilux. The background rendering is more or less the same as in my previous bokeh comparison. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468725025563-HGEAFH29N4IVUNZAP6GO/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between 50mm 0.95 to 400mm 2.8 Leica 90mm f/2.0 Summicron. At 90mm, the bokeh looks as pleasant as the Noctilux. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468725049966-0KUK5PY4NSV34YP96V9L/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between 50mm 0.95 to 400mm 2.8 Nikon 135mm f/2.0 DC. At 135mm, the background appears to be getting more blurred out than the Noctilux. But this is largely a factor of blowing up the background, which in turn reduces the background area for the lens to render bokeh. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468725081763-KGP5S5O3J705E2M786LR/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between 50mm 0.95 to 400mm 2.8 Nikon 135mm f/2.0 DC - Defocused Used. With the defocus control used, the bokeh gets a bit more of a blur than without it. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468982567184-7RKSIMAWCEJSMD63R964/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between 50mm 0.95 to 400mm 2.8 Canon 70-200mm f/2.8 USM II set at 200mm. This is the standard for most portrait rendering. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468943231444-T3AX0K5VSYKSE6EU8TYH/280mm.jpg SERIES I - Awesome Comparison: Bokeh Shootout between 50mm 0.95 to 400mm 2.8 Leica 105-280mm R Vario Elmarit set at 280mm. The result of this lens is most interesting. The bokeh is pleasant, but the overall image is hazy and lacks contrast. It almost reminds me of the Canon 50mm f/1.0. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468981007897-FMKBONUVEY3J0RFMJ93Y/400mm.jpg SERIES I - Awesome Comparison: Bokeh Shootout between 50mm 0.95 to 400mm 2.8 Canon 400mm f/2.8L USM II. At 400mm, the image really doesn't have much background to render into bokeh. What little variance the background sky once had appears to have all melted away into a single mass of tonal variation. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468982170342-38CUOFSI8FCL6NVU7GCC/800mm.jpg SERIES I - Awesome Comparison: Bokeh Shootout between 50mm 0.95 to 400mm 2.8 Canon 400mm f/2.8L USM II with a x2 extender, set at 800mm. At 800mm, there's even less background to render into bokeh. As a result, the background has become one solid mass. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468981052313-ZFWP0T68G948YT0H3RP8/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between 50mm 0.95 to 400mm 2.8 Image from the Leica 105-280mm Vario edited in Lightroom. Although it is possible to edit in post, the color balance and saturation is so awkward, that I would recommend against using this lens. But if you don't mind the extra work, I do think that this lens does produce a unique rendering, with a very pleasant bokeh, combined with a good combination of sharpness and softness to produce complementary rendering of skin. https://www.streetsilhouettes.com/home/2016/7/17/rematch-techart-focus-accuracy-challenge-with-leica-noctilux monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468747435287-4F46ZBOCZJGR6LDO03W2/image-asset.jpeg SERIES I - REMATCH: Techart Autofocus Accuracy Challenge vs Leica M240 with Noctilux Lenses Leica 50mm f/0.95 Noctilux x Sony A7II with Techart AF adapter. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468747136357-7VJO63UOCB558JB3FXIP/L1003083.jpg SERIES I - REMATCH: Techart Autofocus Accuracy Challenge vs Leica M240 with Noctilux Lenses Leica 50mm f/1.2 Noctilux x Leica M240. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468747704551-PPJRZ6FSU6M95V2AR45V/image-asset.jpeg SERIES I - REMATCH: Techart Autofocus Accuracy Challenge vs Leica M240 with Noctilux Lenses Leica 50mm f/0.95 Noctilux x Sony A7II with Techart AF adapter. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468747776723-DNP4CZKQGLIE014BR0HQ/image-asset.jpeg SERIES I - REMATCH: Techart Autofocus Accuracy Challenge vs Leica M240 with Noctilux Lenses Leica 50mm f/1.2 Noctilux x Leica M240. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468747884715-MH7US2LH4D1AT6BPDOW2/image-asset.jpeg SERIES I - REMATCH: Techart Autofocus Accuracy Challenge vs Leica M240 with Noctilux Lenses Leica 50mm f/0.95 Noctilux x Sony A7II with Techart AF adapter. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468747928817-BWWZI27V898WPGA691OG/image-asset.jpeg SERIES I - REMATCH: Techart Autofocus Accuracy Challenge vs Leica M240 with Noctilux Lenses Leica 50mm f/1.2 Noctilux x Leica M240. Although the Techart adapter was more accurate in focusing, this image was able to get tack focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468748199062-TGL6KHP7I3515G2Q1K2P/image-asset.jpeg SERIES I - REMATCH: Techart Autofocus Accuracy Challenge vs Leica M240 with Noctilux Lenses Leica 50mm f/0.95 Noctilux x Sony A7II with Techart AF adapter. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468748243461-3LYHWWEJG4ISQ31HI4IW/image-asset.jpeg SERIES I - REMATCH: Techart Autofocus Accuracy Challenge vs Leica M240 with Noctilux Lenses Leica 50mm f/1.2 Noctilux x Leica M240. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468749382766-178GX62RZ7M3MNJ22FHW/image-asset.jpeg SERIES I - REMATCH: Techart Autofocus Accuracy Challenge vs Leica M240 with Noctilux Lenses Leica 50mm f/0.95 Noctilux x Sony A7II with Techart AF adapter. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468749417865-9H3O9YYGR4XZ2VJ0MUYA/image-asset.jpeg SERIES I - REMATCH: Techart Autofocus Accuracy Challenge vs Leica M240 with Noctilux Lenses Leica 50mm f/1.2 Noctilux x Leica M240, tweaked with Photoshop Shake Reduction filter. https://www.streetsilhouettes.com/home/2016/7/8/crazy-comparison-bokeh-shootout-between-leica-canon-and-nikon monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468025972879-LC8UX64III3YYIR701XB/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon Canon 50mm f/1.0L x Canon 1Dx Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468026004281-A5VNIT3BYADL715ZGCD3/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon Canon 50mm f/1.2L x Canon 1Dx https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468026028718-OI6NIRY2SBWTLNERHKIU/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon Leica 50mm f/1.2 Noctilux x Leica MP240 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468026054156-IKFNZXSSB7QLQG1K92BH/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon Leica 50mm f/0.95 Noctilux x Leica MP240 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468071541985-YGSQPXPS1ASNDSVN183V/Nikon50mmf12xD4.jpg SERIES I - Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon Nikon 50mm f/1.2 Ais x Nikon D4... almost got it right the second time around... except I missed the mark, and shot the subject half a foot further from the camera than the other sample images. Not happy about that. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468026197020-TDQGKRRSG1OFO2ZR579K/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon Nikon 58mm f/1.2 Noct-Nikkor x Nikon D4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468026242013-J9VHBFB5WPLM632BOEH4/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon Nikon 58mm f/1.4G x Nikon D4 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468026403314-DV32YND8V39VC3NT0O3J/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon Canon 50mm f/1.0L x Sony A7r Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468026434373-GWWTOEVE8SIWH33PI488/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon Canon 50mm f/1.2L x Sony A7r Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468026303407-RIZD9XRTY79B977U6OU1/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon Leica 50mm f/0.95 Noctilux x Sony A7r Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468026359734-SBIJ7NBP77QXE1G4XAWF/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon Leica 50mm f/1.2 Noctilux x Sony A7r Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468026514832-G543VQ4RF3JGXLM5KDPJ/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon Nikon 50mm f/1.2 AIs x Sony A7r Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468026469502-U1KS4HNH9B2OZE1OLRNB/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon Nikon 58mm f/1.2 Noct-Nikkor x Sony A7r Mark II https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468026560885-L103PO23AGKSZWRQEH69/image-asset.jpeg SERIES I - Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon Nikon 58mm f/1.4G x Sony A7r Mark II https://www.streetsilhouettes.com/home/2016/7/9/techart-autofocus-vs-m240-manual-focus-at-f12-challenge monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468133913475-SLU96H9SW1SXQ5VWVKKD/image-asset.jpeg SERIES I - Techart Sony to Leica M Autofocus vs Leica M240 Manual Focus Challenge Left to Right: Leica MP240 + Leica 50mm f/0.95 Noctilux and Sony A7r MKII + Techart AF Adapter + Leica 50mm f/1.2 Noctilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468124230896-EUGRW4Z9I7ALXFEWCKV1/image-asset.jpeg SERIES I - Techart Sony to Leica M Autofocus vs Leica M240 Manual Focus Challenge Leica 50mm f/0.95 Noctilux x Leica M240 at f/1.2. The bokeh would be even creamier at f/0.95. But that isn't the point of this challenge. Focusing at close distance with sufficient lighting wasn't difficult. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468124272169-YNIIUT3CNN4WFJFVF392/image-asset.jpeg SERIES I - Techart Sony to Leica M Autofocus vs Leica M240 Manual Focus Challenge Leica 50mm f/1.2 Noctilux x Sony A7rII with Techart AF adapter at f/1.2. Although the 50mm f/0.95 Noctilux appeared sharper, I really like the bokeh of the 50mm f/1.2 Noctilux. There is a hypnotic quality to it. I know that this is not the point of the challenge, but goodness, this bokeh really needs a shoutout! It's unreal! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468124833927-GSLIBN6HH29I4OCBMT8U/image-asset.jpeg SERIES I - Techart Sony to Leica M Autofocus vs Leica M240 Manual Focus Challenge Leica 50mm f/0.95 Noctilux x Leica M240 at f/1.2. It was actually rather dark at this spot. It was almost impossible, it seemed, to see enough detail to get the lead eye in focus. And it took even more effort to reframe the camera after focus, making sure not to deviate my focusing plane as as I lowered my body to recompose. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468125847600-DC53UNH9OKZ84N3NC3GZ/image-asset.jpeg SERIES I - Techart Sony to Leica M Autofocus vs Leica M240 Manual Focus Challenge Leica 50mm f/0.95 Noctilux x Leica M240 at f/1.2. Since it was much brighter at this spot, getting focus was much easier. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468125883360-X62G6WVP7IT68393BIV2/image-asset.jpeg SERIES I - Techart Sony to Leica M Autofocus vs Leica M240 Manual Focus Challenge Leica 50mm f/1.2 Noctilux x Sony A7rII with Techart AF adapter at f/1.2. Again, it was brighter here, so getting focus was easier. Still, I couldn't get tack focus. Without focus magnification, there is no way for the Sony A7rII to fine tune focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468126692290-5AMEA1SPGNKYTX5VVUI3/image-asset.jpeg SERIES I - Techart Sony to Leica M Autofocus vs Leica M240 Manual Focus Challenge Leica 50mm f/0.95 Noctilux x Leica M240 at f/1.2. There was a lot of backlight in the background obscuring the darker foreground of the subject. But since the subject was close enough to the camera, getting focus was relatively easy. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468126714838-QTM7V3SJMEW004I4W93J/image-asset.jpeg SERIES I - Techart Sony to Leica M Autofocus vs Leica M240 Manual Focus Challenge Leica 50mm f/1.2 Noctilux x Sony A7rII with Techart AF adapter at f/1.2. Despite being closer to the subject, the darkness in the foreground of the subject may have made the autofocus more difficult. Again, it would be great if the A7r would support focus magnification on third party lenses, but then again, what incentive does Sony have to do something like that? https://www.streetsilhouettes.com/home/2016/7/9/leica-35mm-summicron-asph-i-vs-ii-24mp-vs-42mp-resolution-test monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468102325382-86QH1YUYSWH88QVQHR34/image-asset.jpeg SERIES I - Leica 35mm Summicron ASPH I vs II: 24MP vs 42MP Resolution Test Leica 35mm Summicron ASPH I x Leica MP240 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468102379542-4C19WN4EBSCA659HALFK/image-asset.jpeg SERIES I - Leica 35mm Summicron ASPH I vs II: 24MP vs 42MP Resolution Test Leica 35mm Summicron ASPH II x Leica MP240 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468102406614-BWK4NWRJWWQ099ZPWQAG/image-asset.jpeg SERIES I - Leica 35mm Summicron ASPH I vs II: 24MP vs 42MP Resolution Test Leica 35mm Summicron ASPH I x Sony A7rII https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468102437883-K9R8PA8IZ28HV1BA7U61/image-asset.jpeg SERIES I - Leica 35mm Summicron ASPH I vs II: 24MP vs 42MP Resolution Test Leica 35mm Summicron ASPH II x Sony A7rII https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468103536927-2C548FJ1KW2Z00VTF5Y4/1-M24035v1-400x.jpg SERIES I - Leica 35mm Summicron ASPH I vs II: 24MP vs 42MP Resolution Test Leica 35mm Summicron ASPH I x Leica MP240 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468103582338-85C2EJRUC66N0BQTA6W5/2-M24035v2-400x.jpg SERIES I - Leica 35mm Summicron ASPH I vs II: 24MP vs 42MP Resolution Test Leica 35mm Summicron ASPH II x Leica MP240 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468102946450-Z862BZKR7TVHOTT1L3KO/image-asset.jpeg SERIES I - Leica 35mm Summicron ASPH I vs II: 24MP vs 42MP Resolution Test Leica 35mm Summicron ASPH I x Sony A7r MKII https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1468102988632-W81U0MBYY7VIGJDX1AJ9/image-asset.jpeg SERIES I - Leica 35mm Summicron ASPH I vs II: 24MP vs 42MP Resolution Test Leica 35mm Summicron ASPH II x Sony A7r MKII https://www.streetsilhouettes.com/home/2016/7/5/street-shooting-wide-open-with-leicas-50mm-f095-noctilux-and-the-sony-a7rii monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467711801837-7US6EFZ6K501MGVR0FMJ/image-asset.jpeg SERIES I - Street Shooting Wide Open with Leica's 50mm f/0.95 Noctilux and the Sony A7rII I've been testing the Sony A7rII combination with Leica's 50mm f/0.95 Noctilux in Tokyo for the last two days. This shot was taken in Harajuku with less than a second to focus. I think I almost got tack focus on the subject's eyes. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467712685874-HGWCUMJQ2PW6WAE0X2DP/image-asset.jpeg SERIES I - Street Shooting Wide Open with Leica's 50mm f/0.95 Noctilux and the Sony A7rII Yes, I'm still in Japan with this image. When you're further away from the subject, your odds of hitting focus increases, only because the scale of the subject decreases too, making the details of the lead eye less visible. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467712021866-4463GODLZ3JJXYXISTMA/image-asset.jpeg SERIES I - Street Shooting Wide Open with Leica's 50mm f/0.95 Noctilux and the Sony A7rII The difficulty of getting focus wide open at f/0.95 in street photography can be seen in this image. Even though you can focus peak, the focus peaking isn't completely exact in confirming focus on the lead eye. To be fair, the focus peaking is a good focusing guide, but it's not enough to get tack focus if the subject's face is not close enough for the photographer to better visually evaluate the subject for better focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467712386839-DWZ7SH601NT79MRBAYRY/image-asset.jpeg SERIES I - Street Shooting Wide Open with Leica's 50mm f/0.95 Noctilux and the Sony A7rII I find the bokeh of this image to be somewhat abrupt, and not very smooth and almost un-Leica like. I will need to evaluate this issue properly with a proper comparison at a later date. What I did with the Pokemon comparison on my Instagram account will not be sufficient, going forward. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467720290204-T5YJB3OTJU2XUTZMVD3O/image-asset.jpeg SERIES I - Street Shooting Wide Open with Leica's 50mm f/0.95 Noctilux and the Sony A7rII Night shot, wide open, photographed at ISO 3000. You wouldn't be able to get such a clean shot like this on the Leica M240. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467720312827-J6SAQPSS1D3U9USRXFDX/image-asset.jpeg SERIES I - Street Shooting Wide Open with Leica's 50mm f/0.95 Noctilux and the Sony A7rII Even darker, this shot was photographed at ISO 5000. The noise beyond ISO 3200 on the Leica M240 would already have noticeable noise and artifacts. In this image shot with the Sony A7rII, the file is relatively clean. https://www.streetsilhouettes.com/home/2016/6/30/crazy-comparisons-bokeh-between-fast-leica-primes-current-and-vintage monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467868850932-FF4WIMGUH1GYS6KE27B4/image-asset.jpeg SERIES I - Bonus Crazy Comparisons: Bokeh between Fast Leica Primes, Current and Vintage From Left to Right: Leica's 50mm f/0.95 Noctilux, 50mm f1.2 Noctilux, 35mm f/1.4 Summilux FLE, 35mm f1.4 Summilux AA, and 28mm f/1.4 Summilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467335565417-6KY2ALUD5HTE1Q5QZFNF/image-asset.jpeg SERIES I - Bonus Crazy Comparisons: Bokeh between Fast Leica Primes, Current and Vintage 50mm f/1.2 Noctilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467335587831-JU9GI3OGC7YIK3LLJMTU/image-asset.jpeg SERIES I - Bonus Crazy Comparisons: Bokeh between Fast Leica Primes, Current and Vintage 50mm f/0.95 Noctilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467335611372-ST01P9R6RG83HJ568JOD/image-asset.jpeg SERIES I - Bonus Crazy Comparisons: Bokeh between Fast Leica Primes, Current and Vintage 50mm f/1.2 Noctilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467335627116-TFS4LSYK4RT6HF41P6II/image-asset.jpeg SERIES I - Bonus Crazy Comparisons: Bokeh between Fast Leica Primes, Current and Vintage 50mm f/0.95 Noctilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467439658410-1H2K0B225XXO8HA0J5G3/image-asset.jpeg SERIES I - Bonus Crazy Comparisons: Bokeh between Fast Leica Primes, Current and Vintage 35mm f/1.4 Summilux AA. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467335792663-8B86U3D8H0ZIFK5IL01V/image-asset.jpeg SERIES I - Bonus Crazy Comparisons: Bokeh between Fast Leica Primes, Current and Vintage 35mm f/1.4 Summilux FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467335771760-6ZDNTUHOI4F6OEIXC0XU/image-asset.jpeg SERIES I - Bonus Crazy Comparisons: Bokeh between Fast Leica Primes, Current and Vintage 35mm f/1.4 Summilux AA https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467335846859-4KLWZFFVHU64CPEAFY0H/image-asset.jpeg SERIES I - Bonus Crazy Comparisons: Bokeh between Fast Leica Primes, Current and Vintage 35mm f/1.4 Summilux FLE https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467336737106-B4Z0QMZ3IHPVXAPG2R92/image-asset.jpeg SERIES I - Bonus Crazy Comparisons: Bokeh between Fast Leica Primes, Current and Vintage 28mm f/1.4 Summilux https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467439719782-2RP5GRX01ZZEKVH5ZXSD/001_28Luxv2.jpg SERIES I - Bonus Crazy Comparisons: Bokeh between Fast Leica Primes, Current and Vintage 28mm f/1.4 Summilux. https://www.streetsilhouettes.com/home/2016/6/30/comparing-image-samples-the-current-version-28mm-f28-elmarit-vs-the-previous-version monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467327308971-LL2I17FNTDFSTJ9PW33C/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 1 Elmarit ASPH, stopped down at f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467327330399-2NXWX1JO22SIPT77CBZY/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 2 Elmarit ASPH, stopped down at f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467327384652-NRUT2G5DALMJMEZLL194/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 1 Elmarit ASPH, stopped down at f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467327410953-CW2AMIW9K68BDD7XVRRR/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 2 Elmarit ASPH, stopped down at f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467328093552-2IQUWPKPNOILH9MK8PII/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 1 Elmarit ASPH, wide open at f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467328151967-WHKAREOLQZAWS7SO6KQA/004_28v2.jpg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 2 Elmarit ASPH, wide open at f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467328203798-92CRWZEFFJ6HLBEHJ9QM/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 1 Elmarit ASPH, wide open at f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467328229900-U1WUH97RC33SHSUCIBIZ/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 2 Elmarit ASPH, wide open at f/2.8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467328612093-2WZ9BSR81PVNMRTTSFD3/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 1 Elmarit ASPH, stopped down at f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467328653168-EQGAQ7631MA2MLTSPXPO/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 2 Elmarit ASPH, stopped down at f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467328704239-9Q5EU580NEHZDHOD2YP5/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 1 Elmarit ASPH, stopped down at f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467328730706-YB767XFD9XLUWIZ26KB6/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 2 Elmarit ASPH, stopped down at f/8 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467328781168-XN0VZG68O5BJT8HNYJVS/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 1 Elmarit ASPH, shot at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467328860696-O9H53PENGTIHD3Q4HBNY/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 2 Elmarit ASPH, shot at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467328892281-YAM4OOBMWIGO17QK1X7I/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 1 Elmarit ASPH, shot at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467328911500-NQHR744Q53UI12425Y08/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 2 Elmarit ASPH, shot at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467328937003-9NMMLFOH3WNMX2EHVV2K/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 1 Elmarit ASPH, shot at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467328956209-K00G5HS7MBUJNQYG9RCR/image-asset.jpeg SERIES I - Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Version 2 Elmarit ASPH, shot at f/5.6 https://www.streetsilhouettes.com/home/2016/6/6/finding-old-negatives monthly 0.5 2022-01-03 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e63d6f79-81c4-4612-8e2b-aad72b6b5e18/13A.jpg SERIES I - Finding Old Negatives - Make it stand out Nikon FA + Nikon 50mm f/1.4 AI-S + Kodak Gold 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b3a8a9fe-34ee-4094-9c4c-a785477d7e76/18.jpg SERIES I - Finding Old Negatives - Make it stand out Nikon FA + Nikon 50mm f/1.4 AI-S + Kodak Gold 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/bb90fa46-51c5-4ab5-bbcd-67b793d485eb/3A.jpg SERIES I - Finding Old Negatives - Make it stand out Nikon FA + Nikon 50mm f/1.4 AI-S + Kodak Gold 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b4369a53-9b41-422c-a8a1-2ae52f7be61a/30.jpg SERIES I - Finding Old Negatives - Make it stand out Nikon FA + Nikon 50mm f/1.4 AI-S + Kodak Gold 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6ea993d0-7e83-40b2-9e4f-1bf4260d5c6d/2-2.jpg SERIES I - Finding Old Negatives - Make it stand out Nikon FA + Nikon 50mm f/1.4 AI-S + Kodak Gold 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/5465183b-108f-45ab-8646-57ae5ae1cd3c/4.jpg SERIES I - Finding Old Negatives - Make it stand out Nikon FA + Nikon 50mm f/1.4 AI-S + Kodak Gold 100. When friends don’t cooperate in a low light situation. https://www.streetsilhouettes.com/home/2016/6/5/leicas-new-28mm-elmarit-first-impressions-street-shooting monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1465184132285-LUHO9H7KMIWTK4JPPHRY/image-asset.jpeg SERIES I - Leica's New 28mm Elmarit ASPH - First Impressions Street Shooting Caught in the rain. Image was cropped because the foreground passersby was too distracting. But you can see how close to the subject the 28mm focal length allowed me to go. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1465184261367-EXDS37Y3ESC5KWRN3YAS/image-asset.jpeg SERIES I - Leica's New 28mm Elmarit ASPH - First Impressions Street Shooting When the subject is shot straight on, distortion doesn't appear to be much of an issue for the 28mm Elmarit. Also notice how forgiving the lens is to pitch and roll. The horizon line is almost leveled. Image has not been cropped. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1465184389300-QCTQ518HT86MO1W9KPOR/image-asset.jpeg SERIES I - Leica's New 28mm Elmarit ASPH - First Impressions Street Shooting One thing you need to keep in mind when zone focusing subjects up close, likely on the 28mm Elmarit, is remembering to refocus when a new photo-op is further than your prefocused distance. Still, I found the 28mm Elmarit rather forgiving, even if the image is slightly out of focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1465184679958-92WYLU6PF8KGNVASZHER/image-asset.jpeg SERIES I - Leica's New 28mm Elmarit ASPH - First Impressions Street Shooting Again, a very forgiving lens. Shot a split second after I turned my head towards the direction of the subject. I didn't even have time to reposition my camera, so there was a slight pitch, which required a very slight rotational cropping of the image. Update: July 1, 2016. I have added some additional images below. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467383287278-5RUEMYRDF8JZ5K7PYSQC/image-asset.jpeg SERIES I - Leica's New 28mm Elmarit ASPH - First Impressions Street Shooting https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467383304062-FA9LOI2P71U4B34F0ZHS/image-asset.jpeg SERIES I - Leica's New 28mm Elmarit ASPH - First Impressions Street Shooting https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467383316998-OF180RG08IC4YZB9LQEF/image-asset.jpeg SERIES I - Leica's New 28mm Elmarit ASPH - First Impressions Street Shooting https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467383331866-GHUR9FXK42YNNYOZNIJY/image-asset.jpeg SERIES I - Leica's New 28mm Elmarit ASPH - First Impressions Street Shooting https://www.streetsilhouettes.com/home/2016/5/31/comparing-3-generations-of-35mm-summicrons monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464683102263-7IRSYGN3ECLHMOWMA3EW/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35 Summicron ASPH. Shot f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464683157544-9SLP29B5WYC19GEEY5OW/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron ASPH vers. 2. Shot f/2. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464683278804-H6PYUYPHYHCGBBMC8KNY/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35 Summicron ASPH. Shot f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464683362233-D1PXK1T6IYQ8YQDJJTL7/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron ASPH vers. 2. Shot f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464683474838-6LBLTX6F8SJVB3E8SMV8/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron ASPH. Shot f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464683755783-UBEUM7V79GSYNV90GB8N/35CronASPH2003.jpg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron ASPH 2. Shot f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464683522640-X60BHZ24YGPP8NXWKYQZ/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron ASPH. Shot f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464684202564-9S6QSGUHJDZR6MEYQFDR/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35 Summicron ASPH vers. 2. Shot f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464684080059-DON6D4O1VLS5L6VC1QF3/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron vers. IV. Shot f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464683564618-AGRHKJCL9UD4YNPUVE0A/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron ASPH. Shot f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464684298720-8XPS9ZXYY625M34R8PXM/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron ASPH 2. Shot f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464684342559-LNNVNWD4DWWOUN3JAID7/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron vers. IV. Shot f/11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464684550218-6MYQ11YKENUKAABA9CIY/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron ASPH. Shot f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464684592384-HJO6JNXI6QXU5LOWX428/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron ASPH vers. 2. Shot f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464684634518-KSSEVQY5OQA90VWPVZ7K/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron vers. IV. Shot f/2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464684690351-6WIQD90CLJWZR09OOCN7/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron ASPH. Shot f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464684815043-DA5K59XFHK0E1LOX7TNU/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron ASPH vers. 2. Shot f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464684860862-38UDXPA4OQUDMDK4JX6X/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron vers. IV. Shot at f/5.6. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464684733804-NRC0IFYBDC9ICJMV5LRI/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron ASPH. Shot at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464845754627-ZV4GH34OMJBZ7UQ06SKP/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron ASPH vers. 2. Shot at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464684904967-GWC8X6ULBOAV95UN4N4D/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron vers. IV. Shot at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464685194934-MN7MVYIG7ZBKSDNN2626/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron ASPH. Shot at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464685082958-KY8M66YK9F2U8LJE97HG/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron ASPH vers. 2. Shot at f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464685224732-YNYH4HF210C5ZFX3D7E0/image-asset.jpeg SERIES I - Comparing Image Samples - 3 Generations of 35mm Summicrons 35mm Summicron vers. IV. Shot at f/5.6 https://www.streetsilhouettes.com/home/2016/5/27/leica-35mm-summicron-asph-vers-2 monthly 0.5 2021-12-08 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464700788195-W0044L8CMLO3AIOEC34X/image-asset.jpeg SERIES I - Leica 35mm Summicron ASPH vers. 2 Three generations of 35mm Summicrons. From Left to Right - pre-aspherical 35mm Summicron version IV "King of Bokeh", 35mm Summicron ASPH (previous version), and 35mm Summicron ASPH version 2 (current version). Also notice the white scuff marks on the previous version Summicron (in the middle). That's where the paint was scratched off by the clips of the rubber hood. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464700056012-E0PLA94FONZL3O4BS2H7/image-asset.jpeg SERIES I - Leica 35mm Summicron ASPH vers. 2 Shot on Leica M 246 Monochrome. Tokyo. ISO 12,500. F/4.5 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464870476358-X1RK3DBCNR515DJN9D5X/L1000450.jpg SERIES I - Leica 35mm Summicron ASPH vers. 2 Shot on Leica M 246 Monochrome. Paris. ISO 400. f/8. Not cropped, so you can check out the corner sharpness stopped down. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464700511514-POK5G8VRQ2D3FBJ9782C/image-asset.jpeg SERIES I - Leica 35mm Summicron ASPH vers. 2 Shot on Leica M 246 Monochrome. Paris. ISO 3200. f/5.6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467382846736-I9P58I9G40MNNN6FR9A0/image-asset.jpeg SERIES I - Leica 35mm Summicron ASPH vers. 2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467382873623-22UZGM2K64VDKNV10EI5/image-asset.jpeg SERIES I - Leica 35mm Summicron ASPH vers. 2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467382900676-7BO9QXOGINAJYDQOJ7QC/image-asset.jpeg SERIES I - Leica 35mm Summicron ASPH vers. 2 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1467382926738-VESXQ10PQEPRMQ91U3QT/image-asset.jpeg SERIES I - Leica 35mm Summicron ASPH vers. 2 https://www.streetsilhouettes.com/home/2016/5/27/what-the-leica-md-taught-me-about-the-nikkn-df monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464661467148-1BL9P1LG45LI5TH0FS6Y/image-asset.jpeg SERIES I - What the Leica MD taught me what the Nikon Df should have been Having fun with my legacy Nikon lens on the Df. Nikon 135mm DC f/2.8 Lens. Quickly discovered that it was a horrible lens for street photography, but figured that the main benefit of using the Df on the street was to be able to use a medium telephoto autofocus lens. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464661514654-70G79NWUXTC0P9SF9ZHJ/image-asset.jpeg SERIES I - What the Leica MD taught me what the Nikon Df should have been Quickly discovered that the Nikon Df was rather slow and not very accurate in getting focus on AF-D lenses - which was rather upsetting, given that one of the main reason to use the Df was to use Nikon's AF-D lenses. Autofocus is much better on the current AF-S G lenses, but for those lenses, you might as well just use the D610 or D810. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464661534272-VQ6ZVOF3KJUPV6E3IKXD/image-asset.jpeg SERIES I - What the Leica MD taught me what the Nikon Df should have been Again, couldn't quite get focus. If I have to resort to manual focus, or a wider angle lens, I'd be better off with my Leica M system. Perhaps Nikon cannot improve on the autofocus performance of AF-D lenses. If that is the case, then they should optimize the manual focus user experience, and have autofocus as a secondary convenience. https://www.streetsilhouettes.com/home/2016/5/24/color-by-day-mono-by-night monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464101589981-OQN6K3DJLMN8BTFYC2ZU/image-asset.jpeg SERIES I - Differences in Blown Highlights and Crushed Shadows between M246 Mono and M240 This image was shot on a Leica M 246 Monochrome. It was accidentally overexposed by one stop. The subjects legs were in shadow, but his upper body was under an extremely bright beam of sunlight. I was able to retrieve a reasonable amount of details from the overexposed shadows in Lightroom, but the highlights were blown beyond repair. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464101231031-FAXB08LQ5JB7X4QK50P3/image-asset.jpeg SERIES I - Differences in Blown Highlights and Crushed Shadows between M246 Mono and M240 The image was shot on a Leica MD Typ 262. The subject walked into shadow just as I also walked into shadow. The image was underexposed over two stops. Areas of dark and shadows were all crushed. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464159817915-43SMQRZBC8GCI0ZJ4G0Q/image-asset.jpeg SERIES I - Differences in Blown Highlights and Crushed Shadows between M246 Mono and M240 The image was shot on a M 246 Monochrome. The image underexposed by one and a half stops. All the details were lifted out successfully on Lightroom. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464158511904-FHDLMCETYG7TSP01TJ0J/image-asset.jpeg SERIES I - Differences in Blown Highlights and Crushed Shadows between M246 Mono and M240 This image was taken at night, at ISO 12,500, and underexposed by one stop, in order for me to increase the depth of field and increase shutter speed, to get more of the image in focus, and reduce image blur. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1464168542104-1GPU3UBNY2SYDY59ZONY/image-asset.jpeg SERIES I - Differences in Blown Highlights and Crushed Shadows between M246 Mono and M240 Image was shot on a Leica M 240. It was overexposed by one and a half stop. All the stone masonry were white on the image, as were the highlights on the subjects skin. Lightroom was able to salvage the image. https://www.streetsilhouettes.com/home/2016/5/18/leica-md-typ-262 monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1463630948191-D5U35FZ370QTMN9EF0FA/image-asset.jpeg SERIES I - Leica M-D Typ 262 Ironically, photographed with a Sony A7s II. Front view of the Leica MD Typ 262. Has the same notched upper corner as the M9, but is noticeably not an M9, because of the function button mistaken by the lay person as the M240's video button. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1463630926018-9P3VZC51A290RB9PTQ0Q/image-asset.jpeg SERIES I - Leica M-D Typ 262 Rear view of the Leica MD Typ 262 - the ISO dial where the LCD monitor should be. Personally, I wish that the ISO wheel weren't so tight. But it is still better than the ISO dial on the Nikon Df. https://www.streetsilhouettes.com/home/2016/5/21/a-eulogy-for-film monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1463882329319-G7ALDOHP3UP5CLCUWW9C/image-asset.jpeg SERIES I - A Eulogy For Film Piazza Spagna, Roma. Full negative print. Kodak Gold 100. Shot on a Contax T2. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1463882376470-P1HBLLLOJAHY98Z9X8H9/image-asset.jpeg SERIES I - A Eulogy For Film Haystacks. Kodak T Max 400. Notice the imperfection on the image - dust and scratches on the negative - another issue with film photography. https://www.streetsilhouettes.com/home/2016/5/21/a-defense-for-the-lonely-uv-filter monthly 0.5 2021-11-08 https://www.streetsilhouettes.com/home/2016/5/21/the-case-for-cropping monthly 0.5 2018-09-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1463886600354-BU3EFHMU7EU0DT3W6Z0D/image-asset.png SERIES I - The Case for Cropping In cropping the above title image of the article tighter, I remove the pink jacket on the right hand side, making the cyclist's red handbag the dominant red-toned shape on the image. In addition, I remove the blue arm on the right that is in the foreground, making the cyclist closest to the foreground. And finally, because of the crop, the entire image is brought closer, emphasizing the cyclist as the main focus of the image's visual narrative. The loss of resolution is minimal, given that the image was shot on a Nikon D800. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1463886648023-QG30OQMZEKY46TP4BUC0/image-asset.jpeg SERIES I - The Case for Cropping With the final cropped image, you can see how much stronger it is than the original image posted at the top of the article. https://www.streetsilhouettes.com/home/category/Reviews monthly 0.5 https://www.streetsilhouettes.com/home/category/Narrative monthly 0.5 https://www.streetsilhouettes.com/home/category/Op+Editorital monthly 0.5 https://www.streetsilhouettes.com/home/category/Insight monthly 0.5 https://www.streetsilhouettes.com/home/tag/Nikon+58mm+f%2F1.4G monthly 0.5 https://www.streetsilhouettes.com/home/tag/200mm monthly 0.5 https://www.streetsilhouettes.com/home/tag/Leica+28mm+f%2F2+Summicron monthly 0.5 https://www.streetsilhouettes.com/home/tag/35mm+Summilux monthly 0.5 https://www.streetsilhouettes.com/home/tag/75mm+Summilux monthly 0.5 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Two photobombers has been removed from the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/edbc7ffe-7936-45f5-aa2b-17547e631591/A-F6-1003.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d500624a-ea12-47a0-8024-d42e0366ab88/A-F6-1004.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/0695c009-9577-41a7-8a10-eb7db8603213/A-F6-1005.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/50bfb145-6801-432b-9f67-145b70e8a167/A-F6-1006.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/27c7b34b-9720-4ec9-848a-ae81eba12e5c/A-F6-1007.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e676d5e9-b557-4c23-b011-59175750c0df/A-F6-1008.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d1c8601c-5b0b-4709-b8d5-9eb3ae80155d/A-F6-1009.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/34e51b64-a763-49f8-9b93-13bb7e8f15fa/A-F6-1010.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/4ec61e26-ea38-4dfe-9234-0134ac002c4a/A-F6-1011.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/62a7d86a-3a2d-466e-a8de-8c432bb85b63/A-F6-1012.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6af57c33-f71f-4552-88b9-b2bd242e5a49/A-F6-1013.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/69741366-fec9-4d04-8c97-a28f4792db65/A-F6-1014.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f4750a01-883a-495a-9a78-1c6c66ff00a2/A-F6-1015.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1802c998-53cf-4460-ac36-7c15da3a3a3b/A-F6-1016.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length. A plastic bag has been edited out under the trolly. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9e43b65f-de2c-4b41-8e7e-eaf6bd625712/A-F6-1018.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/07010cb7-c99f-424b-965e-8efc4edfab7b/A-F6-1017.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2276363c-5196-45aa-859d-d156edac94ab/A-F6-1019.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c770eadb-5c3f-47dd-9187-f48b7f361511/A-F6-1020.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e451e99f-f79f-41db-b071-a4ab0a863450/A-F6-1021.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1746b326-552e-473a-906e-0d135a13e193/A-F6-1022.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9f1b3436-6866-469c-a670-8ead7a80844a/A-F6-1023.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/548fcab8-7205-4b85-9989-22ba140a268a/A-F6-1024.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c292e27a-39d1-4afe-a1e6-0d28b70b7781/A-F6-1025.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ecadd987-3547-41f5-9aea-5214bb4d3bea/A-F6-1026.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/667298fc-f9d1-4857-bc01-56750fa559b2/A-F6-1027.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length. Evidence of focus breathing ‍ https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/01e8206a-5adf-4fc5-8fd3-149b354ac76d/A-F6-1028.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a180db5d-9f94-42da-9e40-03429f5e2c10/A-F6-1029.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/de06881f-6109-4ae9-84e8-8264ac85520c/A-F6-1030.jpg SERIES II - Photography as an Expression of Personal Freedom - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://www.streetsilhouettes.com/blogv2/recording-is-not-photography-thoughts-on-the-rumored-leica-m11 monthly 0.5 2022-01-14 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/7ab8d4ba-dcff-4846-8dd1-ac8710edd260/WanchaiBW-1001.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/be67d7a5-faad-4404-8474-1729875f1811/WanchaiBW-1002.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/bca84b67-f6db-4e10-854f-686cbccca17f/WanchaiBW-1003.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ac6363ba-103a-4997-945e-1791504e70bf/WanchaiBW-1004.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3373d85f-5271-4a4b-a2bc-e2514bb87cbd/WanchaiBW-1005.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1a68f977-f0d8-40b2-9eb8-32714a5b8194/WanchaiBW-1006.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/5984d6be-2277-4929-8efc-c60b441f5b0f/WanchaiBW-1007.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b277efa9-25fa-489d-a4a7-29d7c57b4834/WanchaiBW-1008.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2ff624e9-e7c3-4895-b479-7e9ef1676005/WanchaiBW-1009.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/67359088-2479-499e-a9b6-3f356cfbd28f/WanchaiBW-1010.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3ee42751-3236-49b4-8b2a-7114e4705c2e/WanchaiBW-1011.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6c2e6598-ca93-4f22-95ec-c09c05ba266b/WanchaiBW-1012.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/53bfb62e-87ab-400b-8edc-f63f9a7fab63/WanchaiBW-1013.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1a02783a-21ea-4d96-ab53-c1979d9bd84d/WanChaiBW-1014.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2748d586-ee17-4294-beda-ed23e04b444d/WanChaiBW-1014.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/8eb796c3-e4e8-42ef-9d0a-b78cabb76cf0/WanchaiBW-1022.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d13f7fc5-e3fc-4786-bca2-60583ad4b4b0/WanchaiBW-1020.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b756a451-010b-4bb0-8f49-c9c851f9ce2a/WanchaiBW-1021.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/fc35ace0-eeb8-4f53-ba1e-28bfe2175347/A-Wanchai-1018.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length. Image has been edited to remove photobomber and signage. Nothing exuberant. Just some fine tuning. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/07bc855e-eef3-4cce-b03f-c63e72cd0332/WanChaiBW-1024.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/0247a0b3-8243-4348-a4a2-20ed1c45712d/WanChaiBW-1021.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/309d6111-9bcd-4410-8674-ee46223fe544/WanchaiBW-1020.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f4aab016-ce64-4c1c-9f49-275a1693e6ba/WanchaiBW-1021.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/00b6066e-8a72-4541-8808-5ebd0e741097/WanchaiBW-1022.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3d02d979-9baa-4419-b1a6-dba3716e8501/WanChaiBW-1025.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/eda92d57-1651-4836-9356-9dd8fb4e4a65/A-Wanchai-1026.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/8cc565ba-e704-4589-9131-67ecdfc8a492/WanchaiBW-1027.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b3331a8a-8b2a-481a-a25c-93b7380c57ef/WanchaiBW-1028.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/4e045095-e46e-4893-bf76-e6c2421a79fe/WanchaiBW-1029.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a4102278-1c02-4a91-b47f-0a7a4bf207fd/A-Wanchai-1031.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f4ae09c7-c144-40e5-865e-8cb5ba3e639f/WanchaiBW-1030.jpg SERIES II - Recording Is Not Photography - Thoughts On The Rumored Leica M11 - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://www.streetsilhouettes.com/blogv2/leica-apo-35mm-f/2-summicron-m-asph-first-impressions monthly 0.5 2021-12-10 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/efd04ce1-5c62-4386-b6e5-2497a3d2c507/APO35-1001.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2472701d-7200-4af9-b75e-98af5d86b62d/APO35-1002.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800. Shot at 1’ (0.3m) with a tape measure and eyeballed to counter horizontal parallax. Unfortunately, forgot to compensate for vertical parallax. This shot would have been in focus, if the particular rangefinder I was shooting were not front focusing. No cropping. Also notice the perspective distortion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/bf087e8f-37fb-4793-9b9c-ba24d7d1d6df/APO35-1003.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2738627c-717b-4eea-ad18-5db71db371c7/APO35-1004.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/5f137d4b-6bf2-4d09-9f62-9adac2fc76c7/APO35-1005.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/8c69f25c-3b9c-4812-bad3-c07fd450925e/APO35-1006.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/fcf58735-d879-4ad0-8395-f7226e857107/APO35-1007.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1e0f4994-fa78-4453-93fe-abd1e9e0a3ff/APO35-1008.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/5933c1e4-6713-45d4-98fc-6061c578233e/APO35-1009.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800. Notice how her arm isn’t stretched horizontally, even tough she’s positioned at the edge of the frame. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d0d6ea33-86d3-44c1-8759-61018b75d440/APO35-1010.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2a2b3820-2b20-426e-a3d3-f9739978bad0/APO35-1011.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800. At closer shooting distance, her head and shoulders are beginning to exhibit slight horizontal stretching, in my opinion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1bbcb4bd-e75c-4ece-81fc-c1ea44cf3ea8/APO35-1012.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3c81d973-4cd3-40b5-922b-a43964623141/APO35-1013.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/7ab43fe8-531e-404e-a3b5-eda5ba7475ae/APO35-1014.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/23cb4b67-eb08-468e-b402-aea63e4fc3b9/APO35-1015.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800. A stray passersby was removed on the right side of the image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/70bdefbe-b6cf-4724-8eb2-c23fcafcc345/APO35-1016.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/cc6c2fd4-e422-46a4-b775-54e980741937/APO35-1017.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/819e4212-9bdd-4109-9889-47051f65b6b9/APO35-1018.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a694690a-585c-40b3-8e5e-48040990f082/APO35-1019.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/bb54dec6-be3c-4c7c-80e2-d6d30e271354/APO35-1020.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/cacc5a71-deda-4e5a-9be5-ea68ef8b8a89/APO35-1021.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/fd2cf839-5d71-4077-ae8f-4ce49d393062/APO35-1022.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/47bad935-ca57-4b12-b2c2-5a13e0291a5d/APO35-1023.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/140f0c45-02f7-4761-bd4c-2e33b18d7c08/APO35-1024.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/56a080af-7049-477e-81cf-45f8f25cd0ca/APO35-1025.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/8ea274ca-8f56-43c9-8a36-e20567e7dd0f/APO35-1026.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/81c7bfee-e915-4b1a-b5fd-393941890de3/APO35-1027.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f02c3db8-aaef-4e2e-a32a-567cc4150d66/APO35-1028.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ac183066-5831-4df3-acb1-9b6ff440548a/APO35-1029.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/aa425077-4b9f-4940-af77-ad55fc933b2d/APO35-1030.jpg SERIES II - Leica APO 35mm f/2 Summicron-M ASPH - First Impressions - Make it stand out Leica APO 35mm f/2 Summicron-M ASPH + Kodak Portra 800 https://www.streetsilhouettes.com/blogv2/leica-90mm-f15-summilux-m-asph-analog-edition monthly 0.5 2023-08-31 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/fe695a5b-61d7-4384-9c2c-30891444b5aa/90Lux-1001.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length. This image was taken on the frame before the first frame of the roll. Because of that, the left quarter of the image was blank. What you see on the left quarter is a reconstruction copied and pasted from another image. Also note that the lead eye is not in focus because my camera is back focusing slightly. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9ceb5ff1-0b0d-43f7-816b-318fa1dd7f87/90Lux-1002.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/0b951818-bbb5-4ff2-a8dd-cdfd47288e35/90Lux-1008.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/58307b35-6ce1-4602-9ed5-a7d101ef3ebf/90Lux-1003.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/59eef27e-8cb4-47ad-b55f-cf0e87316eb4/90Lux-1004.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2f47147a-de97-4d81-9cdf-d0e26fb23d1c/90Lux-1006.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6b639e1c-d07c-46a4-887e-35bb5d697953/90Lux-1006.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6dc86d7a-6075-43c5-b65c-8cc9618a193f/90Lux-1007.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/46962a6a-1193-4852-956f-93e388e10ccb/90Lux-1009.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/03fc81a2-2ff8-4d77-acd6-0abcdd637629/90Lux-1010.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/5ca87dab-54b5-4a87-aa24-3fa9985373b8/90Lux-1011.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/890c2346-bc9f-42d0-ab29-01841ca406d5/90Lux-1012.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/00e9df55-6e47-4805-9070-0d89b436687b/90Lux-1016.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/51038a02-2fd4-4bcd-bbc9-b5f0cb3e8e12/90Lux-1017.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/356e6b7f-6c40-4afa-a097-7204551108c6/90Lux-1018.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/93866f37-b398-4970-9320-998b7c82824c/90Lux-1019.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/94f89b43-ea76-4515-9311-2f6cc50047a1/90Lux-1017.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ea5e3327-d7a5-4b13-a144-599de450ef63/90Lux-1022.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/89e34808-a6f6-4253-8384-909c3834b40c/90Lux-1023.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/12087a84-df91-4bdd-8132-a31e41c252c6/90Lux-1024.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/44a20887-6041-4b6c-a3d3-cf0fc8127120/90Lux-1031.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6d9e9905-685d-46f7-a96a-17aca8dea4f5/90Lux-1023.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b6d96dbf-7330-48ea-a809-ac465260559d/90Lux-1022.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6875416a-0d37-4035-8efc-7bf61995062c/90Lux-1025.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/301e1d98-8d91-489f-936d-79190677ba46/90Lux-1025.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ee87cefd-bed2-440f-bbd8-003e7ee4ee1b/90Lux-1026.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/0f5b10c4-a417-4251-aba4-3ce0e6c23e7a/90Lux-1028.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length. A particularly large and visually distracting passersby has been edited out of the image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/27733635-e936-4416-9eaa-36153445d367/90Lux-1028.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length. Pushed 2 Stops in Post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9a70e92c-ea93-497a-ae95-6c9499649957/90Lux-1045.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length. Playing with the new detect subject tool in Lightroom. So fun! https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c1a3de6c-1323-4986-b04d-bc93f0b6a473/90Lux-1031.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6003a189-fc9f-41ac-bb29-04f994cd5029/90Lux-1032.jpg SERIES II - Leica 90mm f/1.5 Summilux-M ASPH - Analog Edition - Make it stand out Yes, I always take a fun shot when winding the film to the first frame. https://www.streetsilhouettes.com/blogv2/making-sense-of-film-photography monthly 0.5 2021-12-09 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635320567215-B04I78G7NDW2T0Y0G3CV/A-Wanchai-1006.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length - Pushed to ISO 800 by accident https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635148193813-RPZYXKXTXIWUBFZ8LRWF/A-WanChai-1005.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length - Pushed to ISO 800 by accident https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635146662769-PD8P5BPZTPSFVV9PU9LA/A-WanChai-1001.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635146695117-3D1Q97ZYFLENM3REGMD0/A-WanChai-1002.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635146719439-WU1ME0YWP4I2G4MBFD3Q/A-WanChai-1003.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635321393083-6A5JM5J1LVI3A98MUBXR/A-Wanchai-1005.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635146813858-DR2HG9GG6SG1UOYH596Q/A-WanChai-1007.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635146838794-IJWGO9OM42FUBFS0Q1H4/A-WanChai-1008.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635146864803-Z91LW2BIG7A0V0TIT5M2/A-WanChai-1009.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635321611922-90P4ACFF8XHKQDBA1DO2/A-Wanchai-1010.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635322176741-Q8XB1ZDP04XOYWT4A5OY/A-Wanchai-1011.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635322197468-ULVBUHK80IFKMOCYM4JC/A-Wanchai-1012.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635146970080-FD2FSWEBNZ6O6ZINWWYQ/A-WanChai-1014.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635146992046-3F8JEGO47U5IW2QRLQT3/A-WanChai-1015.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147015160-EFFJLU60K3R4A39TC5WS/A-WanChai-1013.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147041811-M50BKI3M58N3OOOV0YMU/A-WanChai-1016.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147068394-KWKHX2YXK00ZTY2IOOSM/A-WanChai-1017.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147092393-7IJSUDAXNT9HMTDE18XQ/A-WanChai-1018.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147115885-2CD7PUWNOXIKCU7IS9A4/A-WanChai-1019.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147139645-OIEXHMRPYPO1OEZORUV2/A-WanChai-1021.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147177780-O1IEAG34A3R58KOV1EPS/A-WanChai-1020.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147210134-ZGHJEWEAFZZMWJJY7JWQ/A-WanChai-1022.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147234934-K9TSV9FBDEAXAROP9E7Z/A-WanChai-1023.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147270774-K0FB8M1ZH2QRXJ01F7QN/A-WanChai-1024.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147294172-H34OZMUECYTOCFS9C03M/A-WanChai-1025.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147320576-D9JFQJ1JJ60RLP93FDDW/A-WanChai-1026.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147345158-6C9YKUO7C6DH8D90GJH2/A-WanChai-1027.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147365504-WLJCLFOC9P3GZ9LFKA4R/A-WanChai-1028.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147385379-8GHDKPSXYWCYX9TS57A1/A-WanChai-1029.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635147404720-9K36RXLI5GYL4O0Y0P39/A-WanChai-1030.jpg SERIES II - Making Sense of Film Photography - Make it stand out ISO 400 Film of Unknown Provenance & Questionable Storage @ 35mm Focal Length https://www.streetsilhouettes.com/blogv2/film-as-an-asset-class monthly 0.5 2021-12-13 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685832828-TFJXMMMLLW5FV6MVEP5W/A-PP3-1001.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685881827-ZYZW00J6HYOB0AYYSEG0/A-PP3-1002.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685911940-ACOJY5ZTML20WFN6F5UA/A-PP3-1003.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633930585160-54O4VZLBGMQZCBXPTQZX/PP3-1004.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 90mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633686012179-DWWRKHBTNUCRXD2PVMHA/A-PP3-1005.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633686127425-EM66GSQZGP46AMT0ELD1/A-PP3-1007.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633932107036-BB2I284SZ3UFERVB4IHP/A-PP3-1102.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d2d06cba-c487-4ad0-814b-eb2adba56310/A-PP3-1105.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633686167765-7K5VLVEPAZHN1ID5582S/A-PP3-1008.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633686284914-UR8HSNCW5R4W7Q6TY62M/A-PP3-1011.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633938221859-3BN98TFL388WWWPB583Y/A-PP3-1105.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633686313420-QDI345B7YO972T77TL6J/A-PP3-1012.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/0ba11448-64fc-45f8-b850-05d20f9ed7c2/PP3-1200.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633686524121-8NH9701X23SZQML9U9X6/A-PP3-1017.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633938325886-A8M3QEJN4AJSDQWA3XGT/A-PP3-1108.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633686565085-VZBJPI05AKU96QH7LY0M/A-PP3-1018.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/bb9ad519-76d9-4743-8cdd-89de2f9fe8d2/A-PP3-1127.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/61ffb4a7-8884-497f-9f7c-da599f949ffb/A-PP3-1126.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633686612723-NPGRS39HJC44FWJ2D2OH/A-PP3-1019.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3d4172d7-1bba-4c22-8dbb-0054384a5822/A-PP3-1020.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633686725038-QIKRL8B6TWBXKP8Z07S3/A-PP3-1021.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633686781484-EZKZG0T760TKF8090GDI/A-PP3-1022.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633686823438-QJP0DQW7LEXD7LI9WQ54/A-PP3-1023.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/cc873b44-f171-481a-933f-51dc1163ffda/A-PP3-1024.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633686902911-2V9NBDIWU2R2XG78X6QS/A-PP3-1025.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633686940538-TVOUXTI08OU2UEMFOONE/A-PP3-1026.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633686992440-EDV5XFJXK62CT8RKYKEG/A-PP3-1027.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633687858449-MFTGPWLSJFUGU35YTT8H/A-PP3-1028.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633687104941-6E3YEUEHHXBHHT4L1472/A-PP3-1029.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633687152724-E264E67SXF86ZWP6L7BW/A-PP3-1030.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633938466282-H9MDGBQYNRKXXKFYAHOA/A-PP3-1112.jpg SERIES II - Film as an Asset Class - Make it stand out Kodak Portra 800 @ 35mm Focal Length https://www.streetsilhouettes.com/blogv2/the-real-reason-for-our-love-of-gear monthly 0.5 2022-01-20 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633684488105-4DN9UZN9VLOG5AOKCDU4/A-HKPark-1001.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633684548573-SV409AFKLYO6I4EC1N9L/A-HKPark-1002.jpg SERIES II - The Real Reason for our Love of Gear - 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The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633684992572-611CK3C0AA2JTEIYG1ZS/A-HKPark-1013.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685032010-HG3NIABPRV6L8SY66P1I/A-HKPark-1014.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/fc03f926-a629-40e9-a322-b3f4012b9397/A-HKPark-1015.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685142779-68ZFXH95YA75R6HSS5SF/A-HKPark-1016.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685196457-A8B8N4YYTO16G0ZJFYJ6/A-HKPark-1017.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685231082-FWT4F7QSCMGNC2DVTT56/A-HKPark-1018.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685278508-3MMZTKAL2E8JB38NI754/A-HKPark-1019.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685310335-55OACP1NCBGMH4E0W3P1/A-HKPark-1020.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3a644caa-8af7-4d40-9db6-7612c9450394/A-HKPark-1021.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685381609-9V7Q2UMCUT39H4R45DX6/A-HKPark-1022.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f4f984b4-7706-4d99-a616-1930c62884ad/A-HKPark-1023.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685452054-ZXNJ96GFZ9807M428FON/A-HKPark-1024.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685492910-Z18C8OUCVSYICDEEEJMO/A-HKPark-1025.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685545776-EUTGFJXM8NJBERZHJALB/A-HKPark-1026.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685580456-XUPTAAJIPF0MUU9FW7WT/A-HKPark-1027.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685615799-OIQLGRZERQCWJQUS7A3U/A-HKPark-1028.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685652709-87WKZ0OHGPFYBFS8I8ZY/A-HKPark-1029.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633685692694-HZ1O62O08R8X0I3AC2UP/A-HKPark-1030.jpg SERIES II - The Real Reason for our Love of Gear - Make it stand out Fujifilm X-tra 400 @ 35mm Focal Length https://www.streetsilhouettes.com/blogv2/taking-photos-is-easy-but-getting-it-is-the-hard-part monthly 0.5 2021-11-18 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631510820352-J3C5NDRD1YD8C4DHY4LE/AniaVP-1001.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631510903145-C8IE6ZT23NGYGBINTIVG/AniaVP-1002.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511190083-JE43RNVCM5ZG76AOQZ62/AniaVP-1009.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631510957719-YMPOF1327SRYNG2LIO4I/AniaVP-1003.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631510995130-1E9XJ2ABHPPE5O01UE8K/AniaVP-1004.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511023060-V5HC1EOMGI3CD0RBP25I/AniaVP-1005.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511060257-EFAZ2VMY231RG1OCTE7J/AniaVP-1006.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511103257-NPSHQT89WXO3CWFHEKMY/AniaVP-1007.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511132985-WSFW5GUMUXADCUGF8CKB/AniaVP-1008.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511261663-R3W63SRBVETAZ6GCW2IA/AniaVP-1010.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511302805-KRDWENIVNLXBRINYTUY8/AniaVP-1011.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511333764-98LRE760NXY37H26TKZS/AniaVP-1012.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511364633-8HV08DJPI1XN77S0VG2H/AniaVP-1013.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511392988-9DH6NOSJ1VGOIR0TKSHL/AniaVP-1014.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511420303-T8IPKBW4EOWU3JCM7UAE/AniaVP-1015.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511452225-QT6147XOB74XPC55SE9T/AniaVP-1016.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511483311-UWY1C3YM0SVHD45GMCEX/AniaVP-1017.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511544798-945QZJTQZCSZ6Y6A9N1T/AniaVP-1018.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511641623-KWDTVAW373BEO8G70NL6/AniaVP-1019.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511674127-ALFGCJ5TVT4MXPEN3Q3N/AniaVP-1020.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511709154-OMYI1TOKW7EW3MQCZ5ZE/AniaVP-1021.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511787209-CBYYGI51D2HY5UVYZ7G3/AniaVP-1022.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511828978-UPMR70LHQCPPREX6T3JF/AniaVP-1023.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631511918506-CXENDG1F9K44S3C5V0I9/AniaVP-1024.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631512037781-VSI0IB5NYVUI9C7K84F9/AniaVP-1025.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length - Edited the wink because her right eye was not fully shut and I preferred this image because of the red taxi in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631512151179-GD2YPXP3TC8A5ZJHMF6L/AniaVP-1026.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631512238778-ZJI1TLH7U7DW1UB5Z04E/AniaVP-1027.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631512267246-12I7SXSCO9B6ROP0OVXC/AniaVP-1028.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631512294554-D0CQOZ3NVJLXL7ZV8G00/AniaVP-1029.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631512320902-WFR6G24STN0RZOQPR8UP/AniaVP-1030.jpg SERIES II - Taking Photos Is Easy (But Getting It Is The Hard Part) - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://www.streetsilhouettes.com/blogv2/photography-is-about-the-experience monthly 0.5 2021-11-03 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631519285181-D3ARTED59VJJ7KP5KL1K/LenCWB-1001.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631519357746-BXZOISNUL7EPGFLLUI71/LenCWB-1002.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631519452235-KDWEHBW1CMGF0SFNHRCU/LenCWB-1003.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631519512069-CC7OQ4XR17QE1MO100CQ/LenCWB-1004.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631519543824-WZ0YCYIII1V6CQULMLFZ/LenCWB-1005.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631519579493-W1OFUQM90NIQ55PVFM72/LenCWB-1006.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631519626466-D17MZGBLQ5CW13M48AJT/LenCWB-1007.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631519658768-BKIU4B72WP6VUYAODWGT/LenCWB-1008.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631519686569-QV0AXR1LIVJ7UMI7YZJD/LenCWB-1009.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631519716693-8BDSZAI0C1R9BEE8E12G/LenCWB-1010.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631519799054-WER4613ATZCQ6U0Y4N9I/LenCWB-1011.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631519834547-H5F1UZARQOQE857HNLKZ/LenCWB-1012.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/82055962-5647-4ed2-b50a-43677ff3fb34/L-CWB-1013.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length. Image was a victim of motion blur. I edited the image in Adobe Photoshop by creating a second layer. In other words, I copied the entire image then pasted it in place as a second layer. Then on the second layer, I used the Shake Reduction filter at default setting and then changed the opacity of that layer to 20%. After that, I merged down the second layer. This is an adaptation of a trick photographers used to do when preserving the look of focus on a double exposed image of the same exact composition, in which the first exposure is in focus and the second exposure is out of focus. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631519980266-DNT39EBQB6LVLPLTRMTN/LenCWB-1014.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631520010756-4JNXBBPSOE2BBG07EHNU/LenCWB-1015.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631520053361-R3GRME5TU0KNBPNYPB72/LenCWB-1016.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631520106417-UW3BLSTDNIRDVONG00JO/LenCWB-1017.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631520137268-CPNS32GCHPUXWHUGG5JY/LenCWB-1018.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631520181885-LH3MXMH8KL5VXXK2FTKY/LenCWB-1019.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631520218610-AVEKC0PZFQWDSY3NYIDT/LenCWB-1020.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631520269702-69TAY6HDJ5TU1RWNXYPJ/LenCWB-1021.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631520317763-3OK9WPRVBGGWLPPTSGY9/LenCWB-1022.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631520350226-D3MCEYZKB2BA7VIHE1RB/LenCWB-1023.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631520384461-NICR8G75IULG1E44IOQN/LenCWB-1024.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631520427443-GVET2E74TJU0T9B9V2CY/LenCWB-1025.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631520459801-YNVH80Y1NNUTL5RC84LL/LenCWB-1026.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631520491976-QZSDC1DZAWAW8S94XFRT/LenCWB-1027.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631520534837-CETNWUDZNBUJ97MXLAWK/LenCWB-1028.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631520568834-BQ46HW7944M9WLUFV7XN/LenCWB-1029.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1634282131869-5MYLF2YIOE7L5AVK74IC/LenCWB-1030.jpg SERIES II - Photography Is About The Experience - Make it stand out Kodak Portra 400 @ 35mm Focal Length https://www.streetsilhouettes.com/blogv2/the-leica-50mm-f/12-noct-i-leica-50mm-f/12-noct-ii-and-leica-50-lux-f/14-asph monthly 0.5 2021-12-11 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599069814-0YB9O4T6IFDQ8B3J2G05/LenNOld-1011.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.4 Noctilux-M ASPH Version I + Fujifilm Natura 1600 - at minimum focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631598559384-DZP218KBX10U728X1Q1I/LenNNew-1001.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.4 Noctilux-M ASPH Version II + Fujifilm Natura 1600 - at minimum focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599626105-5CMTR7ZS3DYOBVZD78TT/LenNLux-1021.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Natura 1600 - at minimum focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599123029-3K6J1KBIGN3SR72FPRR1/LenNOld-1012.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version I + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631598645318-FJIVEAU4APSCTSZ47B76/LenNNew-1002.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version II + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599678040-UDTCKFZDX1ASAV5J4LO9/LenNLux-1022.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599160118-8W4NC4WSX50OO03A9B88/LenNOld-1013.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version I + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631598684093-WB1C8MCOMU8EA91I88IU/LenNNew-1003.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version II + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599737644-WFP4O32QEMWIBTT9ZJLK/LenNLux-1023.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599200041-25IHAE1WNI9TTRY5TN6N/LenNOld-1014.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.4 Noctilux-M ASPH Version I + Fujifilm Natura 1600 - at minimum focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631598722364-46UQLJ55NRVN1ECL4UNZ/LenNNew-1004.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.4 Noctilux-M ASPH Version II + Fujifilm Natura 1600 - at minimum focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599781456-EJO8IT2EUTI36O1I9TI2/LenNLux-1024.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Natura 1600 - at minimum focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599252469-T7YCNT65LU0Y8P2QMPMK/LenNOld-1015.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version I + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631598760148-9PB4O75IZS5WW2V4MT2B/LenNNew-1005.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version II + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599837249-XP66K7C0QQWADIHZOZ16/LenNLux-1025.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599303656-1EUNBD1MLYR0A3IQ8DXP/LenNOld-1016.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version I + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631598799399-XR8SP4ZOL85D7JRJ3LGQ/LenNNew-1006.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version II + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1634282615742-V6UMS6BOB9OK3COB3NO1/NoctNLux-1026.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631600183822-SP49K34X29ADGKLJONWA/LenNOld-1017.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version I + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631598838994-HYDN5AXT25Q5SWYSJEEK/LenNNew-1007.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version II + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599936997-4LNY0CAS24KFRHAO21ML/LenNLux-1027.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599508200-YSQ29U0W09RDXGSGUMO1/LenNOld-1032.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version I + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599000728-D4Y7UYZ1VCDPVIA4YFMS/LenNNew-1031.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version II + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1634280391400-GP6E7FLR1JVG593ALYMV/LenNNew-1033.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version II + Fujifilm Natura 1600 - I forgot to photograph a comparison photo with the 50 Lux So, I included this photo as a placeholder because the color rendering was so different. Like I said, when the 50 Noct II gets it right, it really gets it right. I had to do a double take when I saw this shot. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599437038-2R352VI7WKKGJSLE5Y25/LenNOld-1019.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version I + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631598916144-HKTCIFMRLHB6KX60MDHI/LenNNew-1009.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version II + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631600031654-XMO05R20GIN416UQDEWC/LenNLux-1029.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631599473825-FNVZ5C1B4CPMJIMK34EK/LenNOld-1020.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version I + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631598951516-F1BK7AHN2R4VH1IBSGYY/LenNNew-1010.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.2 Noctilux-M ASPH Version II + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631600066755-RXZASX2IZ3JUJ036BUQA/LenNLux-1030.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Fujifilm Natura 1600 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1634280905214-0NLTOZF8BR525KF611E1/LenNLux-1034.jpg SERIES II - Leica 50mm f/1.2 Noctilux-M Heritage vs Original vs 50 Lux - Make it stand out Parting shots - I liked this photo because of the placement of the mask. 50 Lux. https://www.streetsilhouettes.com/blogv2/humanizing-the-photo-taking-process monthly 0.5 2021-11-01 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633929268643-GYSGLVRL4RQ1C273R8NS/PMQ-1001.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length. Yes, slightly out of focus because I couldn’t see without my glasses. Same with the title image https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633929137234-16G9XNTEE7BPSA6ZEM76/PMQ-1002.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515189847-GVXW4YB9NAZQ1WGPW5IG/LenPMQ-1003.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515229342-OAA15LR7OK19GTE4X6I5/LenPMQ-1004.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515268231-ZNHOTRBHAUMQLPOAQQXT/LenPMQ-1005.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515297336-O87A218XH41YGNF2ULZF/LenPMQ-1006.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515334121-TKZ80A22LA0NZDWRT5C7/LenPMQ-1007.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515363472-QDO5J3CRUDA3FFLAVKA2/LenPMQ-1008.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515389091-CNTFOJY7XTB2OCILJXSA/LenPMQ-1009.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515420037-7ELGNM15CB7YMLHWU2BV/LenPMQ-1010.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515447687-A86SV2IEG3J8G5SN0TBR/LenPMQ-1011.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515477349-9SI58XXTMMX09MIZNCT8/LenPMQ-1012.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515518963-7D5J35H5QFJKVI0NR1YT/LenPMQ-1013.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515550892-Z3U7KG2OF1E6CV5C13IY/LenPMQ-1014.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1633929664171-MW8S6UJN7LDU8YD8VMH2/PMQ-1018.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515580236-SDWG7N1I6W3G3MNMY4TF/LenPMQ-1015.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515607803-H3TM5H9L60JZHHA8BPOA/LenPMQ-1016.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515637945-4XLPRXZ3U8S0WS4OYG8H/LenPMQ-1017.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515700853-G97BG1C8PUJ515TFDJM7/LenPMQ-1019.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515731542-OHDH0QK5DXL7USX0M4KT/LenPMQ-1020.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515757178-8VCM83PJ4CP9BKWJ2O00/LenPMQ-1021.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515785343-HWLN2QC143J555EVD1R5/LenPMQ-1022.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515847677-SH2K2KRFAPWIQPOC3A1K/LenPMQ-1023.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515873835-XCOZ2H8O4MS520R6WPSL/LenPMQ-1024.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515951244-J8MB4JWJ1SZTD3FZV1BN/LenPMQ-1026.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631515993022-4PIORU752XE5AXNE00BQ/LenPMQ-1027.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635750731421-OUQ8I46RLUF1HTDF060D/L-PMQ-1100.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631516416397-UGVDFDEV2UCCB5LYJYEH/LenPMQ-1027.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631516166063-B0Z5NKFNWMOKXXFEX0TI/LenPMQ-1029.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1631516194508-CHZSMUEQQXGFMGEUCSBF/LenPMQ-1030.jpg SERIES II - Humanizing The Photo Taking Process - Make it stand out Kodak Ektachrome E100 @ 50mm Focal Length https://www.streetsilhouettes.com/blogv2/lessons-from-the-leica-28-35-50mm-f/4-tri-elmar-m monthly 0.5 2021-12-16 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/bfcefefc-e0d3-446b-b49e-89ad71a0c517/K-SheungWan-1001.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 + Fill Flash. Photobombing person in background removed. At 35mm focal length. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/8355c521-4327-4ea7-92f5-afbad0461dfd/K-SheungWan-1002.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 + Fill Flash. Now at 28mm focal length. At this point, I decided not to do a focal length comparison because that would be too tedious on film. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1632464628874-X0Z00LM6HCAUXMX5GHM4/K-SheungWan-1211.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 + Fill Flash. Evidence of barrel distortion @28mm. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6ecf51d9-da6e-4b81-9381-f2d0cc146ca8/K-SheungWan-1004.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 + Fill Flash. Strangely, the barrel distortion @35mm seems even more severe ‍♂️ https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/0f391659-c5ac-49c7-b81f-cc644ff302e3/K-SheungWan-1005.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623213561498-17CGBHJG0RYJL60FQ460/K-SheungWan-1202.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 + Fill Flash. She blinked. I edited the photo. More barrel distortion. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/cbebb63e-7286-420e-8a25-6e4c6185751b/K-SheungWan-1012.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623303292370-Z824Y2A5KH8E2KIXMBU9/K-SheungWan-1302.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100. She blinked here too. So, I edited the photo. Also too much play in the aperture ring again https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623131050039-NPQSMDYDH6RTJF4S5PR4/K-SheungWan-1006.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1632464379763-7OGQCQRQYWP6FQRMVA1H/K-SheungWan-1011.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623055047714-BNV5IGO40HRB7J58X51D/K-SheungWan-1008.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623063248148-OVQOL2DOFHG18OPC93UL/K-SheungWan-1010.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623299582630-AEDHTHQNQEFPMU4A91QY/K-SheungWan-1015.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623062815123-HE4ENM6M2B42VYEDQIFR/K-SheungWan-1016.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623055391136-DQGSL5Y899AD7EFZHPDQ/K-SheungWan-1017.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1632382183436-LA1IOT49L4M6XA4Y2RL1/K-SheungWan-1016.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1632381221611-N6RZP2LKPXI3VBFBQ4P4/K-SheungWan-1102.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1632381010113-N1769B0AT7OH7DC234RQ/K-SheungWan-1101.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1632463017770-ESRWS5CH14YDJ88NCLE4/K-SheungWan-1019.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623055527508-ZCA1CP5WS4ZF6MS9VM9I/K-SheungWan-1020.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623128950080-BP7N1FGCCVERTKZ8KFG0/K-SheungWan-1024.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623128990011-GVXRX25UVAI0256ZI5YY/K-SheungWan-1023.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1632462291411-6N7I6DAGHIVW17QEXCU6/K-SheungWan-1022.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623055793081-293GWUHSD5Q30RRYHT5C/K-SheungWan-1027.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3e9417a6-4471-430d-9af1-26ece7486e54/K-SheungWan-1021.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1632466359940-35WKD67EESHX7R2K7FTZ/K-SheungWan-1030.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623135121435-IUDYM8YJT8LBXKWUCJSD/K-SheungWan-1026.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1632460994996-XUTYQHQUFEWF4QM2A6GS/K-SheungWan-1025.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623055822815-G9KLR58IT4E5OJ9SZN11/K-SheungWan-1028.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1632462153247-NB9KYIUH2N8P20IOI0G5/K-SheungWan-1029.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1632382247483-H05ETK57711S3IFRRPG3/K-SheungWan-1018.jpg SERIES II - Lessons from the Leica 28-35-50mm f/4 Tri-Elmar-M - Make it stand out Leica 28-35-50mm Tri-Elmar-M + Kodak Ektachrome E100 https://www.streetsilhouettes.com/blogv2/rethinking-leicas-28mm-lenses monthly 0.5 2021-11-03 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622617065597-YPRYJJFUOEH5K5IYWIEW/K-Central-1002.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH version I + Kodak Ektachrome E100. Image is cropped. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f28bc76c-aaf5-4959-babc-3b13f97083e3/K-Central-1002.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622617588740-WVMWVEBCQGLXP9FA65O0/K-Central-1003.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100. La bocca della verità bancaria? Image is cropped. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622617016029-A0GM975VUF3NPMSUSWUP/K-Central-1005.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622616315097-08HZ41XOCOSVSSDO3GFG/K-Central-1004.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622445168847-XX6FJVXDEIV4RC407N0F/K-Central-1006.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622619777722-B3HINHOSF8HEQ354FA3B/K-Central-1007.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100. Photobomber removed in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622619872492-YFLQB04CLJ13D11F1K24/K-Central-1008.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622691697849-321PVXQ9XKPF8MKLTD07/K-Central-1009.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622445294078-8Q23IUB72JXVD86Z4YZO/K-Central-1010.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100. At minimum focusing distance. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622445323137-42Q35IPDDAN10RESSFGX/K-Central-1011.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1635397204175-GPSPHRB7E5R6XKNVHFMJ/K-Central-1012.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622445398901-PQQKXO5SSA5DMXV5UEDX/K-Central-1014.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622445377767-EW85UBRX69XLL56CJEA9/K-Central-1013.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622445465745-UHRISIYUHRYS5KP6PX78/K-Central-1016.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622446357269-96BX5F3A478217A6E7MJ/K-Central-1015.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622445492532-W8VOTBIHFJN2I9XESVT5/K-Central-1017.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622445519134-PGJ82Q5CBG4JR4XELXGH/K-Central-1018.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622618903526-8T893NNLD30L361OUN5D/K-Central-1103.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 + Fill Flash. Unfortunately, flash sync is at 1/50s. Hence, the motion blur. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622522923019-V11KHUQDX55IYYRIUJ9F/K-Central-1101.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622445552134-1JWTMD9NKORKOZF3SI77/K-Central-1020.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622445581303-NFWY01Y547ITHQ6KHNYN/K-Central-1019.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622693364272-IGF60OA4QU9U73QQGYJ8/K-Central-1022.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622445691892-F8V50V4WTIPIHIN06QN0/K-Central-1023.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622445800498-F58TS8SAZ127JL8BOBUN/K-Central-1026.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622445897376-R13M45WKFC0FNS1XRWFG/K-Central-1025.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622445934141-BAFP7RFA6K0GA1ZCMINW/K-Central-1027.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622445965647-RFPRM4ZXOZ8RIE6POGHI/K-Central-1028.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622618216411-NBUPT721T9MR3Z2M69G5/K-Central-1029.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622446088824-LJ1GMTDGZAIOKLNA3DUM/K-Central-1030.jpg SERIES II - Rethinking Leica's 28mm Lenses - Make it stand out Leica 28mm f/2.8 Elmarit-M ASPH Version I + Kodak Ektachrome E100 https://www.streetsilhouettes.com/blogv2/spirit-of-photography monthly 0.5 2021-11-01 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620884331278-XF5URYFHMQA4TFHCD6HG/K-Wanchai-1001.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620886453272-OGB8PUD4ARVSNIVCIKG7/K-Wanchai-1102.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length. Left half of the image has been edited to remove a photobomber. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620883839994-Z7S4EW0S58WSV7JESROT/K-Wanchai-1002.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620886525630-PW8QMJ1VNMV6BCG0ULRU/K-Wanchai-1103.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620886564661-HIAS8UCE9ANIG5JPZMJB/K-Wanchai-1104.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620883953121-BIRFHAS3NAK4BFMBO0PC/K-Wanchai-1003.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620882721509-CV0C64PE76FDAZVCICFJ/K-Wanchai-1004.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620882787453-8FX0PSGP04ZFNT5LTYBB/K-Wanchai-1006.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620884190442-3C14D5DSV43LR3C41Y22/K-Wanchai-1012.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length. A wad of wet tissue paper on the bumper under the left headlamps was edited out. I didn’t see it at the time of shooting. Hazard of not wearing corrective lenses when taking photos. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620884524717-WKWCPPLPUVF6J07328QA/K-Wanchai-1007.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620884590711-D6PLGQUEHKYY5WQOU1RV/K-Wanchai-1008.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620884622931-ZLDXAR31Q87M0GAJQDHZ/K-Wanchai-1009.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620882964439-R3LR0X9UP1ZS7H9EZFOY/K-Wanchai-1010.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620882995767-WHGXKWX6HXRJSNR59TRT/K-Wanchai-1011.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620886803314-R85ISTAGEQDFBCKR1819/K-Wanchai-1106.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620883182931-N6K9PVIPADYTXEE8N38F/K-Wanchai-1017.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1621233786011-5VOZ7ML2CCL39OJ3E0VU/K-Wanchai-1013.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620883106094-1VRNK3S7V3Z1MLJEIAH6/K-Wanchai-1015.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620967926688-93EFAQYM6I21W6FM7AAT/K-Wanchai-1020.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620883279146-TQPHH3B73SZ507O77SUC/K-Wanchai-1019.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620968037581-26EBH225NF6F1S8EPHLR/K-Wanchai-1021.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620883402063-IHBZ9K9FHQNO3YBHHRVZ/K-Wanchai-1022.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620883441204-DNSQR7P7WK0XMONJBZ4I/K-Wanchai-1023.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620883475097-V3NE0W9AY2KCGKRX4GOZ/K-Wanchai-1024.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620883533304-G5UUG51OHIU5CFY7346J/K-Wanchai-1025.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620883565572-79RY78K4XE264RWZFAOV/K-Wanchai-1026.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620883613340-YON9TN83AYGGSRWUURIC/K-Wanchai-1027.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620887135746-W4C2EZ56KXUBDDI9XVSG/K-Wanchai-1028.jpg SERIES II - Spirit of Photography - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Ilford Delta 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620968781673-P0T91XH9MOQUN3TVPIRX/K-Wanchai-1029.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length. I edited out a photobomber on the left side of the photo. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620883718616-QVP09QE7FYPE1IXI9VCN/K-Wanchai-1030.jpg SERIES II - Spirit of Photography - Make it stand out Ilford Delta 400 @ 50mm Focal Length https://www.streetsilhouettes.com/blogv2/the-35mm-focal-length monthly 0.5 2021-10-29 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620880268409-DY1TOTATMUG6WNP8V21H/K-CWB-1001.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620880389037-VTSPLNK8KRAGBWEEBK7K/K-CWB-1002.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620880427200-57P54KUTVBZI0Z2HFMBS/K-CWB-1003.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620880460038-4K8FFW5N94ME027JNOMG/K-CWB-1004.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620880501451-BACFGE5GPZY4K8BTQI2A/K-CWB-1005.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620880539968-XQ52CDE2SOIHPMO7GAQP/K-CWB-1006.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620880579498-5CIXS8B7BWBY0AZE8RU9/K-CWB-1007.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length. See how the plastic water filled barriers dominate the frame! And the concrete ground below the feet. And the underside of the concrete overpass. All this makes the subject appear all the more remote. 1/6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620880619059-QGV47F84J7EP4L3X6YJU/K-CWB-1008.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length. Again, plastic water filled barriers in the foreground dominating the frame. 2/6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620880689367-WFHKLK48YE9OWSXTFKQU/K-CWB-1010.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620971368967-WJJ7ZKLQOUZAIXUMJM2N/K-CWB-1009.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620880738092-A2OJ62OXP1I9JW3AGJOC/K-CWB-1011.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length. The subject is remote, but the foreground is not competing for dominance. Shot correctly, in my opinion. 3/6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620969360624-Z0N5J7LSMX9NF9OTVG08/K-CWB-1012.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620880801166-CWEVNCKK1NUZRSYI2JOE/K-CWB-1013.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620882037702-D15S6OPAGMY8B52UC58Z/K-CWB-1014.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620880882887-T8P08LPXFWL4FJHJLZCS/K-CWB-1015.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620882140306-EGAINL25C0D50G7DL68B/K-CWB-1017.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620880919923-H561ODHDKK93FAFNYPL2/K-CWB-1016.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620880994009-17M8VKQ0FQRLUYUFBPRW/K-CWB-1018.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620970021023-8B6H90MPOM8R9L4GEUXD/K-CWB-1019.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620881184794-5SR7QQP3OWP89XYW3TRS/K-CWB-1020.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length. The subject is remote, but the foreground is not competing for dominance. Shot correctly, in my opinion. 4/6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620881227500-BBDJ15RSIDOQ74V2WSLO/K-CWB-1021.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620881269209-3YERF1TAMGZ3SSB64UI8/K-CWB-1022.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620881305400-ADAD1T16Z53UL7XSYWM9/K-CWB-1023.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620881340369-WFBRLFK3L2FL7TEOEZI5/K-CWB-1024.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620881381442-0U0TDFGF851QZDVY33FN/K-CWB-1025.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length. This is what settling looks like. This photo would look better if shot with a tighter angle lens. 5/6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620881413280-OQ4E83LFXDCOQ7T3Q5K7/K-CWB-1026.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620881463497-OPA129KSBZZ5I6HLNH8Q/K-CWB-1027.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length. Here, the tiled walkway surface below the subject’s feet in addition to the Warren truss beams and handrail on the left side is somewhat dominant. But since the majority of my photos are shot at closer distances to the subject, I can chalk this photo up as a demonstration of being creative. Yes, you are allowed to do this. Just make sure it counts, and do not overdo it. 6/6 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620881494114-J5VIHLTBW2M0W5PV5YTQ/K-CWB-1028.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620881525960-6662P8HV6D4VUE2POOAY/K-CWB-1029.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620971980572-DP3MPI2K0MLWCPKOCD3T/K-CWB-1030.jpg SERIES II - The 35mm Focal Length - Make it stand out Kodak Ektachrome E100 @ 35mm Focal Length. A sliver on the right side was cropped out because of a photobomber who just got into the frame… and this was the last frame on the roll… so I couldn’t do a retake. https://www.streetsilhouettes.com/blogv2/leica-50mm-f/14-summilux-m-asph-revisited monthly 0.5 2021-07-26 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623134024183-JFVS0IOJYA9S30COZDP4/B-PMQ3-1101.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623133024864-N5454L6NNWYDWE3UGSSA/B-PMQ3-1102.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053152240-E26GVM5DNCTXIVRIEKQ4/B-PMQ3-1002.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053206395-Z3I39J66C85884N9FS58/B-PMQ3-1003.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053240811-GGASRXBYO3KXD99OAH2X/B-PMQ3-1004.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623132455521-CWCHR2P84547JX8W8G4C/B-PMQ3-1005.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053114075-RPJ252SJLVAQCCJ20M78/B-PMQ3-1001.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623307917450-PV9KA8NJD8FPG2Q6NLH0/B-PMQ3-1303.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053458500-U1U2HAVQEY2EVII5EA4C/B-PMQ3-1010.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053495005-F53JGST9IN60U5JTCY4T/B-PMQ3-1011.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400. Don’t know how that flare happened? https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053540434-S2QFLU9TLWVWO62PGTC3/B-PMQ3-1012.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053573570-21NBK5QSZR56IFKISYPT/B-PMQ3-1013.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053628346-3G7T2Q0AV9PUCKMQH4QS/B-PMQ3-1015.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053667343-MNB4IHN7RCCSLEO4PYN6/B-PMQ3-1016.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053701033-3LM2Y86TKP5EPLU9C4A2/B-PMQ3-1017.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053731749-21DTQ1TBPWIGK528W2N2/B-PMQ3-1018.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053761152-FU1MSPS1XT55L653S6BG/B-PMQ3-1019.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053793479-31MTOKAEIYUITNQ9PUQM/B-PMQ3-1020.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623054494566-PPI1OQN6HQE91BV02XW9/B-PMQ3-1023.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623054285986-4IWH2S6Q7LV59IOBFSRS/B-PMQ3-1024.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623054355851-6ADU9S8CWUEMIISSP2NA/B-PMQ3-1026.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623054403355-EU9MEF1V4N41PYA8NFDB/B-PMQ3-1028.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623054533579-WBZTGXVS4LG3H7GAGN9C/B-PMQ3-1027.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623054145929-NC79KB303YD3KDJE1Z6Y/B-PMQ3-1030.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623054146578-LMH62SXOGR9RZYUMVZ4H/B-PMQ3-1031.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623054157181-BDRD075RLW50SXWP2SM9/B-PMQ3-1032.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623054057548-RN8MXNM9JUHZGI1YOO9C/B-PMQ3-1033.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623054020168-HJ2QOL4VKLB9NNRXVBMN/B-PMQ3-1034.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053982195-11BRLXKBA87S9961YZOW/B-PMQ3-1035.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053944773-1NQ3M2185J1ZIPV08TZP/B-PMQ3-1036.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053911348-46QREBEQYT9HPBTG403X/B-PMQ3-1037.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1623053874783-635LOEH6LHAN8L3I0Z7X/B-PMQ3-1038.jpg SERIES II - Leica 50mm f/1.4 Summilux-M ASPH Revisited - Make it stand out Leica 50mm f/1.4 Summilux-M ASPH + Kodak Portra 400 https://www.streetsilhouettes.com/blogv2/the-integrity-of-edited-photos monthly 0.5 2021-06-28 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622439165453-Z2RPS11NLW4DCD0ESY6W/B-PMQ2-1001.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622441933476-P16P0FXGO1HSE715O9LL/B-PMQ2-1003.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length. Beatrice au naturale. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622442032130-OR7Q7ZUCJOFD24328HGO/B-PMQ2-1002.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622439374549-TZ6IL9URUOI4UV22NZZE/B-PMQ2-1004.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622439425745-IHIE3E7KP7QL79I14SY4/B-PMQ2-1005.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622281330065-KSUO86VD6SQUB5IW4GGM/B-PMQ2-1006.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length. An obstruction on the right bottom corner was edited out. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622439568684-0QP0XUP1FIUJW47MZCBI/B-PMQ2-1010.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622439596663-FPPFWSM9BML3BU8CU3W7/B-PMQ2-1011.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622789776039-FLX9IAZ6NP92QKTM560A/B-PMQ2-1014.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length. In the original photo, the dog’s head was turned away. But being the OCD person that I am, I replaced that instance of uncooperativeness with an instance of documented cooperativeness. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622786266269-6MWB237XU0GADTPWQV0J/B-PMQ2-1015.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622439743691-QZ69UT8JN6V77UZ0XO8U/B-PMQ2-1016.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622439767607-QS94913GI4OVGDIZL2XR/B-PMQ2-1017.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622439796605-8FLK5V2B4483VSVC7GJ6/B-PMQ2-1018.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622439877830-CU9G690NYN0RU5VLGGB8/B-PMQ2-1021.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622439902413-TDUZ8YYPKD1WB3GHVGK3/B-PMQ2-1022.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622439927345-MPW0HIE2JSJ7IEWN8HK5/B-PMQ2-1023.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622439952253-NAD01LZDTYPR9VA5PNBF/B-PMQ2-1024.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622605598366-XBLOYX4BD4JKHD7LTZ2M/B-PMQ2-1132.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length. Photobombers edited out from the middle of the image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622439990500-6GI6F5TXSMPZIZ6QNUEP/B-PMQ2-1025.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622440016031-I4CAY21LW2H9KCWEX4BL/B-PMQ2-1026.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622440045513-3UY300IAI11V9AA2XDMO/B-PMQ2-1027.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622440094557-UGCKZZJDVVGV1E0W5HZR/B-PMQ2-1029.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622440118912-FUG3ZZUVWGCI6RYGBG3F/B-PMQ2-1030.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622440322488-5FMCQ57UYRCE3RP6CN4H/B-PMQ2-1031.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622440363701-FA8YZ4YL28ZW407VYCMY/B-PMQ2-1032.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622440176508-8GWZ9J6VOBE9S6EKVMPG/B-PMQ2-1033.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622440219142-GWZS214RY7JI8CTEBINP/B-PMQ2-1034.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622614550581-S7UC3UTKGOFDAG7H5VDE/B-PMQ2-1035.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length. Stair newel has been edited out from the right hand side of the photo. The 50mm focal length was not wide enough to shoot closer in avoiding the obstruction. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622440272112-YH79FH9IBP3F2GU5PQES/B-PMQ2-1036.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622440295620-7DRR1ZPSVDKEUY4QWN0Z/B-PMQ2-1037.jpg SERIES II - The Integrity of Edited Photos - Make it stand out Fujifilm Superia X-Tra 400 @ 50mm Focal Length https://www.streetsilhouettes.com/blogv2/leica-24mm-f/38-elmar-m-asph-the-forgotten-child monthly 0.5 2021-11-03 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620878377397-5V113VGUKB12FNXA5PPN/B-Central-1001.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620965617672-IIE8LY1M2JV2MIWOR0KB/B-Central-1101.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800. Cropped the image to the 28mm equivalent for the sake of balance. The image was too bottom heavy. Hazard of not having a wide viewfinder. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620878469932-HDLWXEIMR5PY7RS3MXJP/B-Central-1002.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620878506135-TNFQ39RK6PCBFQMKC6UH/B-Central-1003.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620878548150-9JMIY2OKYXHL5LDHE80M/B-Central-1004.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800. Left side of image has been edited to remove two shoppers who photobombed the image. Hazard of not having a wide enough viewfinder. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620965662322-WDO8TATQ0L6H114CETUB/B-Central-1102.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620878642813-WUFV2AE7O7T1S0YWGC3W/B-Central-1005.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620878689041-15BCXFVMX53H1609K7PQ/B-Central-1006.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620966387610-OHYOYDISZSNX9FLG4A2P/B-Central-1103.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800. The second shot after my SF-24D ran out of battery! The one before was completely underexposed https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620878767121-7170BPABSKP92VOS52Y1/B-Central-1007.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800. I was too lazy to edit out the child on the right bottom corner of the image. Again, hazard of not having a wide enough viewfinder. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620878825801-EJXAD7NNSDAQKJN2LFWJ/B-Central-1008.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620878914155-XZMWQ4PLJ0LDX2H34CLW/B-Central-1009.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800. I was hoping that the wide angle focal length would have made the photobomber in the background appear further away in documentation. Apparently, not far enough. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1621577192914-EIF8OND0Q25QTB7M4XKJ/B-Central-1011.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620879123850-4Y8NQ6E0K795Z9RDPWLQ/B-Central-1012.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620966683741-RE738ZKPVOTH0XNY961F/B-Central-1105.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800. I made the background leaves on the trees extra green for the sake of complementing the red dress. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620966964586-NV23BPVOYDIG97YUMP2I/B-Central-1106.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620967003181-AZES1Z9QXD6UZCG4IM16/B-Central-1107.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620967030512-YEG9E3BAKRO9QHE0PVJ6/B-Central-1108.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620879485136-WH17E8DDPJNMKTVL1Q1D/B-Central-1020.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620967567736-3KGLS1TDGNXMMFLP3KO9/B-Central-1109.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620967595245-5YDMNTFJVO97K91G40KN/B-Central-1110.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620879630861-DWR0RTJZYU8OA6N3B92E/B-Central-1023.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620879668475-HHBLWQFABFVYXPX32ET2/B-Central-1024.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620966319896-BT31E6YKHEI5PXVAA4B9/B-Central-1104.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800. Cropped the image to the 28mm equivalent for the sake of balance. The image was too top heavy. Hazard of not having a wide viewfinder. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620879731853-TCMG4U0R8Z5JQ3INW0S9/B-Central-1025.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620879781484-GERNZUOU9KXZ312EYJ48/B-Central-1026.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800. At this point, the humidity was frizzing up Bea’s hair. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620879818353-ZO9E9AWMDUK0K5BQ5KUO/B-Central-1027.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620970967648-70WUBTLEQTW2PHIIVD8U/B-Central-1028.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620879900000-4QVFH63I5GKQTUGCEM0Q/B-Central-1029.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1620879933529-6BHZURXSJHHO8NCER289/B-Central-1030.jpg SERIES II - Leica 24mm f/3.8 Elmar-M ASPH - The Forgotten Child - Make it stand out Leica 24mm f/3.8 Elmar-M ASPH + Kodak Portra 800 https://www.streetsilhouettes.com/blogv2/addressing-background-photobombing-for-the-benefit-of-the-foreground-subject monthly 0.5 2021-11-01 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622788458411-YK2Q4AKUBFFRJITW7VZX/B-CentralPier-1001.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm. Wide angle lens diminishing the stature of far away strays and passersby. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1618468771095-O31YBJ4F3M6J1GV3AFX5/B-CP2-1006.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm. Stray passersby edited out of background in post. Hazard of rangefinder photography. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622092857191-U3PQK2AEB7ZJGF4X0QMC/B-CP2-1003.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm. A stray in the background that I haven’t edited out yet. Maybe I’ll do that on a later date. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1618391602341-Z1696MR57LOESL55TTFX/B-CP2-1007.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm. Shooting closer will pretty much insure that you will not capture strays and passersby in the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622093157628-K1SUYCZE14PAT90DYUEU/B-CP2-1005.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1619592339156-RJZZBWVXB46NTSCM254I/B-CP2-1008.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622093450385-6ULK0J9V5XBZYLR24JB5/B-CP2-1007.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm. I often take photos on the pier because I can close the spread between the foreground subject and the guard rail (to exclude strays and passersby) while still capture a wide background expanse separated by water that is distant from the subject. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622093473578-22LXRMUNWMTENAQSZTU9/B-CP2-1008.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622093497438-K6ADVL3TOP0BANQPNA6W/B-CP2-1009.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622093870666-H0GE27KKQC9JFVYSAHJO/B-CP2-1007.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622093898169-YUZ7EHDJABY7JNRZAEPU/B-CP2-1008.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622093932321-9U020U6Q57WVZNPQRTBN/B-CP2-1009.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1619592482147-0X15T4W7XX60EF7S4DUI/B-CP2-1019.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622094509742-6BUI3HYUB0U9HDYC5OMU/B-CP2-1014.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm. Although not quite shooting wide open, the strays in the background are somewhat blurred out. I know, this isn’t exactly the best example. But you get my meaning. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622094534907-GN9M4Z5CGVN7PUNEOTBC/B-CP2-1015.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622094883035-KX5H9EBOPK3JFD4BUGET/B-CP2-1016.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622094808240-Q6JIKV41GJLGF7YSZ126/B-CP2-1017.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622094830502-J1TWDANAFYM4QVQ0K7ZB/B-CP2-1018.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1618466376589-UW0OVSMMVCHE96J5TXUA/B-CP2-1032.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1618392286141-UV3QWPOLY58UPIKP90LW/B-CP2-1025.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1618466844744-S1YOUXWIUB8WW06VI1VR/B-CP2-1034.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1618466600972-0MVCRO9D2AHQI1NOP92D/B-CP2-1033.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm. One particular intrusive passersby was edited out of the background. That said, I was too lazy to edit out the remainder. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1618392328372-V3XBL2OPPWQDQ270IT1X/B-CP2-1026.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1618392364685-7GAK1P9V0KKQ0CTD0U8R/B-CP2-1027.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1618467623676-PM7PX2SEP8AGMVCFO23Z/B-CP2-1040.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm. Best way to avoid background strays and passersby is to shoot where there isn’t anyone else around. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1618392409162-O4C3V6JFZ27LD0S6PHCT/B-CP2-1028.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1618392461347-O9UU6VQI61GYCLY2HAKG/B-CP2-1029.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1618467003883-9F1N2TZXZ08KXVPORLS4/B-CP2-1036.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1618466960255-U9IUDERBGKH73PLOGWYL/B-CP2-1038.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1618392531841-MU0DO5BGP46L4BCK1WLJ/B-CP2-1030.jpg SERIES II - Addressing Background Photobombing for the Benefit of the Foreground Subject Kodak Ektachrome E100 @ 35mm https://www.streetsilhouettes.com/blogv2/the-impulse-for-wanting-new-gear monthly 0.5 2021-10-29 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615875021622-LQWF935793UHV942S02C/B-PMQ-1001.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800551230-0OCK2AUHIXOZ1GI4TNRG/B-PMQ-1003.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800587338-2IFXGUUAOGN78WFG49KX/B-PMQ-1001.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800626794-BXF4ME6HB0AVHJSZGEDZ/B-PMQ-1004.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800661637-1B7LVEU22ZOXSPPZB559/B-PMQ-1005.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800692810-QJVZAI8O53D890LFVBTX/B-PMQ-1006.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800728482-CRYJWXV3OFAKJ7PXLFVY/B-PMQ-1007.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800766471-T4MQ5N9QNRZF8K53CKDI/B-PMQ-1008.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800801955-LCG0TO60CHMW4GOJU5AP/B-PMQ-1009.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800849262-SSFT014IMKKDKTK13XU7/B-PMQ-1010.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800883749-YAANF21MIN11BVKN3D8Y/B-PMQ-1011.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800915809-P59VN167Y67ID5IU92OP/B-PMQ-1012.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615801094028-QIOUZ993UN2W4Y8AK0PI/B-PMQ-1015.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615801141896-IECVQDR0S8YR8ES7VM0C/B-PMQ-1016.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800999323-JSBUYT4FH0K0UTAG0P78/B-PMQ-1013.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615801045504-9H7WOQN9V1YZQN7GBTUW/B-PMQ-1014.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615801185388-XQ6IK9BRLAVKTIYZ298Q/B-PMQ-1017.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615801236785-ZR354NFD21PHTLEM8MEC/B-PMQ-1018.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616133930335-H69866OTCNJB8VJYAK8O/B-PMQ-1019.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616134001998-FMXT36JSRW3ZPOGE5LRB/B-PMQ-1021.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615801613788-1XQ7PF3IIAR1V8HREG6T/B-PMQ-1022.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615801655703-P349NR4AFAQNBIWQBMO8/B-PMQ-1023.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615801736510-825O5TG9RK013KLV3BY6/B-PMQ-1024.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615801792062-GT2EK7E1OGIU7ON7S8Z0/B-PMQ-1025.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615801827246-IOK1ZNZ7702RE0T5851T/B-PMQ-1026.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615801862234-949Q717YUV8XW3T37KJW/B-PMQ-1027.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615801906470-XE9PON6O27AZWJVGTAME/B-PMQ-1028.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615801943542-UJGJWJZ7JONM2MC7GWLK/B-PMQ-1029.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616134187820-8JIYU2274WPPJV3VPP3A/B-PMQ-1031.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615801980334-HNA9JT8MPEYN8C95NECN/B-PMQ-1030.jpg SERIES II - The Impulse For Wanting New Gear Fujifilm Superia 400 @ 35mm Focal Length https://www.streetsilhouettes.com/blogv2/when-worse-is-better monthly 0.5 2021-11-02 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615798900107-UGAEZ1MTCEC18QCDJEBZ/B-PP3-1001.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616734768017-QL0Q0N3984Q6HAE1AL3Y/B-PP3-1002.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length - Notice how the black of the trousers is peeking through the lavender top. It would be more pronounced on unexpired film or a digital sensor. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799054902-BE809HZK229KH8RKQL3T/B-PP3-1004.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799118523-DEG2OZT0EYF7TX5N6AOQ/B-PP3-1005.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799162813-8BWYRVE9S12IFVRS557D/B-PP3-1006.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616737043477-BWOP3WJMHP9E718GNG1X/B-PP3-1003.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length - Whole right side of the image has been edited (quickly) to remove a flaw in the mystery film. I prefer this pose to the donor photo. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799223387-YS597KBF0LZ9R6SJPCCP/B-PP3-1007.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799263504-K8I3ZGXSMN7KBV4UTPM5/B-PP3-1008.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length. If this photo was shot with unexpired film or a digital sensor, the black waistline would be more pronounced. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799305205-7OEQ28AX3YIB50X598CW/B-PP3-1009.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799340194-SPN5GP6EJ07WFH6EDWJ1/B-PP3-1010.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799374480-OWK27XR65VGXF3PM2693/B-PP3-1011.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799407480-B0GOI1HPXJZ0KCQN3NAB/B-PP3-1012.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799499710-3OBN0RFBEP2NVL6NP656/B-PP3-1014.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799535754-FK1XX6VAYRRX4T6UDWUL/B-PP3-1015.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799673923-4SO6A99CIWN5U9J3KS9H/B-PP3-1016.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799710882-GDEVASYZ63FQZVCKLWXE/B-PP3-1017.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799752994-WAKB5IH5LMLL1L0J8OEB/B-PP3-1018.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615877080645-SOWJJR3C8M4Z22OCS3VI/B-PP3-1013.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616734737369-VPZO94M023LWS6CM3G1D/B-PP3-1024.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799849169-6DYCPIUBDYKDAN09RJIU/B-PP3-1019.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615799893679-976K8S3LOXO952CM7XQO/B-PP3-1020.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800005703-FY1RIJW0U65N1X5XNBHH/B-PP3-1021.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800038609-YMGGZ1EJLQMOJ5GIDPE3/B-PP3-1022.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800074230-4MT22I4W7LWK8ZA0I75U/B-PP3-1023.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800156342-F55GY6K7BDA05RJBHEA6/B-PP3-1025.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800198036-XG4NLFTOASGGXLRGCZM3/B-PP3-1026.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800235293-8QN1NP91E50C6WTBX0I1/B-PP3-1027.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800274670-ETJWAZFRSI5MJSO7MEU6/B-PP3-1028.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800309046-KH0CEC7KZSSDYLTJTXLD/B-PP3-1029.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615800353515-H7DOTYDLH52YSEVXH2NA/B-PP3-1030.jpg SERIES II - When Worse Is Better ISO 400 @ 35mm Focal Length https://www.streetsilhouettes.com/blogv2/the-horror-of-taking-photos-on-a-sunny-day monthly 0.5 2021-11-09 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613029951030-8HQVPL0S18O4F5B6WXR6/BeaCPYoga-1006.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 400 - A properly exposed photo. Highlights, midtones and shadows are retained in properly rendering three dimensional volume. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613029904833-GE3MVL2W715U8X94CQBM/BeaCPYoga-1005.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 400 - Note that all photos have been cropped because I forgot the Leica M6J has a 0.85 magnification finder, which meant I shot my 28mm lens as a 35mm lens. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613029822973-KJ2919DMMGWUPIYG3YWR/BeaCPYoga-1003.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 400 - The tell-tale signs of intervention when dealing with an underexposed subject photographed in shadow on a sunny day. Also, the background is completely overexposed. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613029860087-FXL84HSD2MCENSOAA61B/BeaCPYoga-1004.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 400 - When in some shade and when the exposure spread between highlights and shadows do not exceed one stop. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613029785225-RBU5DFXZM9DEJSD205QH/BeaCPYoga-1002.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613029741214-5GL5WQFC332A5MJ6NFP2/BeaCPYoga-1001.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 400 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030066015-28MB5AVWKN105WXC6CXD/BeaCPYoga-1019.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 - Eyes in shadow because of shadows casted under the brow ridge. Also when shadows merge with black colored clothing - making the three dimensional volume flat. This happened because the photo was exposed for highlights, which is why the tonal integrity of white values has more definition. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030112406-6XI23H9E5CS2PIWWOKZJ/BeaCPYoga-1020.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030301992-WYRN3ZBD0YPMEV82UWNV/BeaCPYoga-1023.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030236157-HQT2SUJR36HZSANSHJHX/BeaCPYoga-1024.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030189494-T8OA625GM54DVY0839PQ/BeaCPYoga-1022.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 - When shadows merge with black colored clothing - making the three dimensional volume flat. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030148289-STLNYGPQU2TFK2SNGT7T/BeaCPYoga-1021.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030358650-IF68IJQAG3G8BR51EIMY/BeaCPYoga-1007.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 - When highlights merge with white colored clothing and shadows merge with black colored clothing, the combination makes three dimensional volume flat. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030397858-1TRLCGG7MI3T4A0CF7V4/BeaCPYoga-1008.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030434226-EI1NSKGMEAT32299MDEW/BeaCPYoga-1009.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030470341-3YEFWRXWFIPY0FPCBL00/BeaCPYoga-1010.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030525075-CJNXA7T0FZJMJYIBH2YR/BeaCPYoga-1011.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030559577-HIX2S5HZWX7L4UOBA94X/BeaCPYoga-1012.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030609563-YY5RZCULLSVQ2J8BER08/BeaCPYoga-1013.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030643822-7HPRO4VF0S0GLSY6FBHW/BeaCPYoga-1014.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 - On some of these photos, I have reduced the intensity of the black clipping in order to bring out some of the details (like seams on the leggings in this case). Unfortunately, doing that comes at the expense of losing deep black values too. Now the leggings look like it’s been in the wash too often. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030680834-XLNPFK8AW4RSI4QK4ESI/BeaCPYoga-1015.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030715441-WSR8WB8HPBKWGIVORU7A/BeaCPYoga-1016.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030751945-8W2U0EG3YOBW1P5RG44H/BeaCPYoga-1017.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030786574-U2APCIJRJAPWAA69S9HD/BeaCPYoga-1018.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030881336-7FRA2MDU49KHQCNKEAX5/BeaCPYoga-1026.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 - Again, when highlights merge with white colored clothing. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030992366-DDYFW961O3JL1Z2G5N51/BeaCPYoga-1029.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030918503-3WD9XHZX405MN12IQQ0X/BeaCPYoga-1027.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030960809-CIPNWQLHNRJ24TN5PY85/BeaCPYoga-1028.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613030831404-1DQ1FJXOBRO2T2HUANF7/BeaCPYoga-1025.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 - Head pointed up to avoid shadows under the brow ridge. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1613713485440-F4135EEF35G0R2BF5L6G/BeaCPYoga-1030.jpg SERIES II - The Horror Of Taking Photos On A Sunny Day 28mm Focal Length Cropped to 35mm Focal Length @ ISO 100 - head not pointed up resulting in shadows under the brow ridge. Intervention was made by dodging the white of the eyes and the removal of some shadows. https://www.streetsilhouettes.com/blogv2/the-consequence-of-smartphone-photos-on-ones-photography monthly 0.5 2021-10-09 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616132502629-KIQ2ISXFO7IOQYMCS0Q6/O-CP-1001.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Fujifilm Provia 400X (Expired 2010) @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616132526759-GK4OCBXP1IOUG9JMSMXW/O-CP-1002.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Fujifilm Provia 400X (Expired 2010) @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616132557408-BY1RRWWN1Y2XHYMSTSMW/O-CP-1003.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Fujifilm Provia 400X (Expired 2010) @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616131867013-L4XS6UWNKFBH7ZBGMOG7/O-CP-1004.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Fujifilm Provia 400X (Expired 2010) @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616131892262-3UO6G6GHRZCXUYK50W3A/O-CP-1005.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Fujifilm Provia 400X (Expired 2010) @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616132837575-LGRRKXSDMCPRCZHRSJJQ/O-CP-1006.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Fujifilm Provia 400X (Expired 2010) @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615873312474-XUD2XS656V1QPRP6XZ8P/O-CPier-1007.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Fujifilm Provia 400X (Expired 2010) @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615873391376-L2IGNMIULCH3TSUYK4QC/O-CPier-1008.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Fujifilm Provia 400X (Expired 2010) @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615873496709-3OI8IFTD8XS2Q3IJ5JI4/O-CPier-1009.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Fujifilm Provia 400X (Expired 2010) @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616130471942-YEIIADHKWFUSB00Y04AS/O-CP-1010.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Fujifilm Provia 400X (Expired 2010) @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616130538209-0YBRTP75PKM144DCZ2DZ/O-CP-1012.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Fujifilm Provia 400X (Expired 2010) @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616133079661-OGJPN55MKUISGSY5H8B4/O-CP-1005.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Fujifilm Provia 400X (Expired 2010) @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615874141909-JBFBQWS1FZJD1I7CIRX3/O-CPier-1013.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Fujifilm Provia 400X (Expired 2010) @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615874250607-EOEE33CXMK3IH7RQJL3S/O-CPier-1014.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Fujifilm Provia 400X (Expired 2010) @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615874426070-42ZOBAW6UG9DB0DFV1LU/O-CPier-1015.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Kodak Ektachrome E100 @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615874451287-NYEJCUVVKWMULZJISM2Z/O-CPier-1016.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Kodak Ektachrome E100 @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615874547016-YG2253JC03XY097U5WUM/O-CPier-1017.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Kodak Ektachrome E100 @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615874765809-2YVDZIHEFC4AWS6BZPW3/O-CPier-1018.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Kodak Ektachrome E100 @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615872378640-ADXSJAV5SF7KWSGYX6BJ/O-CPier-1019.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Kodak Ektachrome E100 @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1592803599235-MGZYICDQFHOL7DZ7D130/IMG-1021.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Kodak Ektachrome E100 @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615872255766-BHHT9EJD5VBEYW9USEAI/O-CPier-1022.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Kodak Ektachrome E100 @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1592803673549-MX6O063188WCHE76LZZX/IMG-1023.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Kodak Ektachrome E100 @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615872354153-64RBT6NSK6TMXI2RB4RN/O-CPier-1024.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Kodak Ektachrome E100 @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1616131095843-LXNZIS168PT0QQDNI0CY/O-CP-1020.jpg SERIES II - 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The Consequence of Smartphone Photos On One's Photography Kodak Ektachrome E100 @ 90mm Focal Range https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1615871550301-DQFGYV7I9RI99BLCXXY2/O-CPier-1030.jpg SERIES II - The Consequence of Smartphone Photos On One's Photography Kodak Ektachrome E100 @ 90mm Focal Range https://www.streetsilhouettes.com/blogv2/the-obsession-of-online-searches-for-gear monthly 0.5 2021-12-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607576750247-5IQC7ZGATMHAVD0D3EJO/image-asset.jpeg SERIES II - The Obsession of Online Searches for Gear Kodak Ektachrome E100 @35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/991aa853-72c7-4e87-a32e-6a7b98c1a9e0/DSC_1251.jpg SERIES II - The Obsession of Online Searches for Gear Kodak Ektachrome E100 @35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607576713984-QF0EPCBMFJA231NW19GW/image-asset.jpeg SERIES II - The Obsession of Online Searches for Gear Kodak Ektachrome E100 @35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607576686626-T31G2P846BL4JVW0UU3F/image-asset.jpeg SERIES II - The Obsession of Online Searches for Gear Kodak Ektachrome E100 @35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607576665491-8OG56ZPA7VXGTD5WW7QE/image-asset.jpeg SERIES II - The Obsession of Online Searches for Gear Kodak Ektachrome E100 @35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607576645604-4W42HXSWKJ6043LKZNQS/image-asset.jpeg SERIES II - The Obsession of Online Searches for Gear Kodak Ektachrome E100 @35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607576621846-962GY2JB82VYZIEO3HLO/image-asset.jpeg SERIES II - The Obsession of Online Searches for Gear Kodak Ektachrome E100 @35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607576583384-ISZGETH3IIKEAV5YP0WI/image-asset.jpeg SERIES II - 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The Obsession of Online Searches for Gear Kodak Ektachrome E100 @35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607576123361-RX38YN1QKJWAJHVZZX8I/image-asset.jpeg SERIES II - The Obsession of Online Searches for Gear Kodak Ektachrome E100 @35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607576083348-NAL6GEYXM7CWILT7B8N3/image-asset.jpeg SERIES II - The Obsession of Online Searches for Gear Kodak Ektachrome E100 @35mm Focal Length https://www.streetsilhouettes.com/blogv2/dear-wetzlar-leica-customers-really-dont-want-the-new-noctilux-m10-reporter-edition-etc monthly 0.5 2021-11-09 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287690357-3HP9XXYNGZ800US5WPNU/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc ISO 400 Film of Unknown Providence & Questionable Storage @ 35mm Focal Length. Cropped. First frame of the roll. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287656327-6VW4LUICM29KBZK6L6HL/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc ISO 400 Film of Unknown Providence & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287623266-VIELCLXLQKNLIFVMBF7U/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc ISO 400 Film of Unknown Providence & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287595518-M6T69NCDECZ8BUR0O27V/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc ISO 400 Film of Unknown Providence & Questionable Storage @ 35mm Focal Length and cropped for the impression of closer focusing https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287557631-L9IETRGZLY43MM3KXTSN/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc ISO 400 Film of Unknown Providence & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287500588-GNUDYI4Q2DRI1HT49OCZ/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc ISO 400 Film of Unknown Providence & Questionable Storage @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287442497-SSZW3EFSEJY71WGN4PH8/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287403217-G3IOD57HYPUS70DHFAVR/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287369105-FHTGN1HFBBGFDJOCFX8S/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287326172-EKVLJ4PUM16V1N8E5V16/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287292077-IA4Y0AFWRFHSUZGN1LIT/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287253599-ILB8WE2EXKHZG9BFP8ZF/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287210732-W1SLF7X0C0I3GR0MQD3S/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287162147-Z4EHM48PECWIYD5NI5MT/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287121709-UZ43EJY13QXUBH1AVEJB/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287069688-CO7G3LK968U9WXDMJRF7/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606287026680-RO5EBDZWHKQFKUXRHBCO/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606286985458-B66L27P7ETAMCQEJT61B/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606363057781-W1QPUNDY1U0WJ00FEQ36/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606286882215-22QKRKLRD4DN6W041B81/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606286845428-NGARV6UFS4PYLELMXATP/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606362994849-2C6MGSQXELZ7G1KIYTI6/MelProv-1022.jpg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606286776511-93W5L1MUIQ5RCU5USCSG/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606286726469-HY9MKXYV3SZ65C0HSIPJ/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm + Fill Flash https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606363716588-SPA37C1CXT4W3TLYL3KV/MelProv-1025.jpg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606286610521-7N9N3KD9CFKPVB86OS8U/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606286570071-E9NPANKAY23USMYSO2MT/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606286533510-UFEC8OGX78DE053GZX74/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606286486516-GPVPDIYA0OSBEMWDAJZQ/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606286407594-DQSDV0MA3KK4BNZYEWO5/image-asset.jpeg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1612758500421-NGYPWUROW3Z5YYGHPISC/DSC_1231-1000.jpg SERIES II - Dear Wetzlar, Leica Customers Really Don't Want the New Noctilux, M10 Reporter Edition, etc Fujifilm Provia 400X (expired 2014) @ 35mm - What 35mm at 2.3 ft (or 0.7m) looks like… give or take. https://www.streetsilhouettes.com/blogv2/the-fallacy-of-too-much-gear monthly 0.5 2021-06-04 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607667180863-FFASKK8B2VJTNMXL2BW1/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607667202569-M8N6YAM9BYMUI07G4TG2/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607922482956-M9XFI4ZYGX53233AVP4W/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1622707133329-I3JA0231JMA62MRJIOYJ/Melissa-1004.jpg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607667108831-J1CN458EA21UQUKU59NN/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607667087707-CB05GNITLF4ZOCQQV5OC/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607667058178-QFCZFB5DH4XVBHTEBLB5/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607667010635-YRG3D8N611LNJC7PSEN4/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666987892-EU9R28WJG6PW2W4FKWUS/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666968689-FMUMMYGQC7KRZIYXRVAB/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666898476-IGQB55A0V3NFA9O9GNK8/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666878845-A2ONC2WY1AEWWODXILQV/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666854697-N6OZ1P8HOFQYN7X42RPG/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666827340-6ZS3FA8BHPNCTZP9XMZA/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666799126-1HHPC3GQO556552PBM2N/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666772435-H5CSTMOJG50EQPITIJXE/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666752440-6O8Z8TLVABZ991R1442A/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666735791-LWXBBTQLBNNVE5X62NHL/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666663901-79X5E3C42JD5JQDKD15R/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666641142-FPHUK3B7CQLU582B0PUQ/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666622216-20KBYL3TGFVVPHMTL3OW/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666596625-ZJSLXJODRAOJRSAMMRXH/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666576385-4L6A83W35A2GMRRMERRS/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666556580-DUEBUQCQZ5BT8DN7IC7Q/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666519417-6WPEZRKR8WIQB28E67GL/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666497711-ERA6XG40KO8OAGKYU8YX/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666474198-O2PVR8HP6SAIUD5ESWLQ/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666450087-IML4WCNFDSE1YQLT3EIS/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666380027-4R7POV05F7VF241VUHI3/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1607666418242-G856IAOJ2HIHRSHOCG7O/image-asset.jpeg SERIES II - The Fallacy of Too Much Gear Ilford Delta 400 @ 35mm Focal Length https://www.streetsilhouettes.com/blogv2/dog-and-pony-show-revisited monthly 0.5 2021-11-09 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370947741-OB5T41N5J1Y3KZ3KNUVU/image-asset.jpeg SERIES II - Dog And Pony Show Revisited ISO 400 Film of Unknown Providence & Questionable Storage @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370917233-BTJ4NABQ6U102RDQ3E0B/image-asset.jpeg SERIES II - Dog And Pony Show Revisited ISO 400 Film of Unknown Providence & Questionable Storage @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370824577-QP2NU6MS9Z34XYD90UI9/image-asset.jpeg SERIES II - Dog And Pony Show Revisited ISO 400 Film of Unknown Providence & Questionable Storage @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370883628-JCAGVUEM19B2KCUL03PN/image-asset.jpeg SERIES II - Dog And Pony Show Revisited ISO 400 Film of Unknown Providence & Questionable Storage @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370854814-QLPAC7W5EPPO0HFH6N71/image-asset.jpeg SERIES II - Dog And Pony Show Revisited ISO 400 Film of Unknown Providence & Questionable Storage @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370791061-H2NG1P85ZUU61RR8AT9S/image-asset.jpeg SERIES II - Dog And Pony Show Revisited ISO 400 Film of Unknown Providence & Questionable Storage @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370756670-2PERH1CM2WFP940P7PZS/image-asset.jpeg SERIES II - Dog And Pony Show Revisited ISO 400 Film of Unknown Providence & Questionable Storage @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370729860-U8PVUAWBGYPBIMVBNOS1/image-asset.jpeg SERIES II - Dog And Pony Show Revisited ISO 400 Film of Unknown Providence & Questionable Storage @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370706503-YKPMCPCSCKFMYHU531H0/LydFug-1010.jpg SERIES II - Dog And Pony Show Revisited ISO 400 Film of Unknown Providence & Questionable Storage @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370639060-3LEPGPZHO00K1YAWSOY6/image-asset.jpeg SERIES II - Dog And Pony Show Revisited ISO 400 Film of Unknown Providence & Questionable Storage @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370535716-4ZZ5CTJ0HQW8BLYE32PZ/image-asset.jpeg SERIES II - Dog And Pony Show Revisited ISO 400 Film of Unknown Providence & Questionable Storage @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370609157-QAGTUBE8FL3ELJ1WB8N2/image-asset.jpeg SERIES II - Dog And Pony Show Revisited ISO 400 Film of Unknown Providence & Questionable Storage @ 50mm Focal Length https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370472508-UHCB0RE8F8IEIK69TXQG/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370432372-7ANK9Z6UJ7CPYNWBYMF4/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370371428-QNAMPRT342PB01ZHJD0U/LydFug-1015.jpg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370316002-CAE9EVJ8EHO01CT0OTYY/LydFug-1016.jpg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370247308-002WA0ZSY2LMJ997KAB6/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370283462-TWMXFUPH3WGWY0B0GO57/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370205485-D0942DG9D151EJHJELGX/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370181244-1JCG5774I7X82RJPC6TE/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370022533-S50YFNFWTI7D64A2R3UX/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370142486-M7N1EJRFH17R91YLYVQJ/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370086267-DAXOYIMDSRICISAVQ3BP/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606370053783-WOXOBFHNBNZ76PBV1GAB/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606369962820-70OY2MFSF549NLCFG766/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606369930468-D9PU42WEKHWS2AD7CAQQ/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606369896085-188FF1J6R5Z0EVEU8C6S/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606369865001-L7QEP43TKV1NVT2NDOL3/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606369824337-6RIOXAFAIMVDIEHZ95WQ/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1606369764176-O6QQXTH75IJZ7RCQ36WY/image-asset.jpeg SERIES II - Dog And Pony Show Revisited Kodak Portra 800 @ 50mm https://www.streetsilhouettes.com/blogv2/tag/Portra+400 monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Summilux monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Film monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Leica+90mm+f%2F1.5+Summilux+ASPH monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Leica+APO+35mm+f%2F2+Summicron-M+ASPH monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/leica+50mm+f%2F1.2+noctilux-m+asph+heritage monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Leica+90mm+f%2F1.5+Summilux-M monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/50+Lux monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/leica monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Leica monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/leica+50mm+f%2F1.2+noctilux-m monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/leica+50mm+f%2F1.2+noctilux-m+aspherical monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Kodak+Portra+400 monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Kodak monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/leica+noctilux monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/double+aspherical monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/50mm+f%2F1.2+noctilux+heritage monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Leica+APO+35mm+Summicron+ASPH monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/leica+50mm+f%2F1.2+noctilux monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/50mm+Summilux monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/50mm monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/50+1.2+noctilux+heritage monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Leica+APO+35mm+Summicron monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Leica+50mm+f%2F1.4+Summilux-M monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/heritage monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/90mm+Summilux monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Analog+Photography monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/leica+50mm monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/leica+50mm+f%2F1.2+noctilux+heritage monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Leica+90mm+f%2F1.5+Summilux-M+ASPH monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Leica+90mm+Summilux monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Leica+APO+35mm+f%2F2+Summicron+ASPH monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/APO+35 monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Analog monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Leica+50mm+f%2F1.4+Summilux monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Leica+50mm+f%2F1.4+Summilux-M+ASPH monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Leica+50mm+Summilux monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/leica+50mm+f%2F1.2+noctilux-m+asph monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/leica+50mm+f%2F1.2 monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/APO+35mm+Summicron monthly 0.5 https://www.streetsilhouettes.com/blogv2/tag/Film+Photography monthly 0.5 https://www.streetsilhouettes.com/blogv3 daily 0.75 2024-04-07 https://www.streetsilhouettes.com/blogv3/too-many-photos monthly 0.5 2025-01-15 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b67a3cbf-bd00-4161-b1b5-65a6c98fc176/Powell-1001.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2e73942a-4244-40b7-ac88-470a7ea72405/Powell-1002.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ead94b5f-fd1a-4615-be14-2e08d75339e3/Powell-1003.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e39c04c4-bdd2-4b3c-bee1-60ed6f3faadf/Powell-1004.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/8a4af434-9a61-4398-be4e-94efdad66a6f/Powell-1005.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1b489a7e-9223-46dc-aca6-3c0d1ca57e80/Powell-1006.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/4740b961-c57d-43a8-9d12-83d8307d54a8/Powell-1007.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1145a65e-80fd-4e52-97ff-21d2695815ee/Powell-1008.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/001a44c0-ad87-4680-adde-264776bb12cc/Powell-1009.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c4c667fb-f955-492b-b0ba-188e973311be/Powell-1010.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2bca7401-bc04-405e-bb67-1aaf9d88b10d/Powell-1011.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/060ad534-c13b-46b1-8972-fb776dbfafc6/Powell-1012.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/0576c8d7-d6bb-4493-b63e-20bb81051ae5/Powell-1013.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f2b790d5-7855-4e27-98c0-3c024827572d/Powell-1014.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ef6fc972-df89-4a67-9ce9-25769a16f202/Powell-1015.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ba491980-c417-40fc-b1b8-3d6f28bf13b4/Powell-1016.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/59f0f5af-daa6-481e-89da-8545f9ebffea/Powell-1017.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6a5746dc-d94c-4c9e-be15-c432024c9d91/Powell-1018.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c78c6ebc-8aaa-434f-9e93-f2f2823fe236/Powell-1019.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c18933bd-008e-45d1-a3e6-c79a58368d57/Powell-1020.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/bef0925c-2030-431c-ab0e-3f38a0e4a16d/Powell-1021.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a43956b7-ad43-4cac-8c7a-6339e500769c/Powell-1022.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/eff97e2a-f774-44a5-ac6f-64902b914499/Powell-1023.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a0d51205-fbfb-433d-a241-5b9c3783abdb/Powell-1024.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/72435355-0699-4d2e-bc4d-8e1af45c8c79/Powell-1025.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a24b908a-f5b4-434c-bb82-9b65f193e81d/Powell-1026.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9bc1ee95-9bf7-401c-a131-e4278d674996/Powell-1027.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/8bc1619a-2b7d-44f2-b288-009a64e09859/Powell-1028.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/5f6e2df2-31c9-4b44-8b16-51bfe53afdf0/Powell-1029.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e3609273-f1f1-441b-b558-231525306830/Powell-1030.jpg SERIES III - Too Many Photos - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://www.streetsilhouettes.com/blogv3/on-visual-narratives monthly 0.5 2024-03-27 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e64b2cce-f107-4669-96e2-0aa17868563c/Keizen-1001.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/535c6d9f-8c91-4035-9bf2-054891dc95c2/Keizen-1002.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/880f58be-e601-4641-9aef-9c95f8c2d469/Keizen-1003.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/bf5bdb0d-606f-4044-b3c4-8bf4131f655a/Keizen-1004.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/16082b11-d8b0-46cb-940b-bb64f4d58813/Keizen-1005.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/bbe6d104-f126-4f64-be2f-f098535d8723/Keizen-1006.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6ef22963-9fee-4a9e-95f8-41f677188697/Keizen-1007.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/40462b0d-cbc7-4c11-b254-3783f24f6d30/Keizen-1008.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b050a314-1590-483b-81a3-66ae4d1a4ffb/Keizen-1009.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d16b77b2-e110-472c-b0e4-b63752e575e9/Keizen-1010.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/29cdd8d0-6b30-43cc-afa8-3be0b6269250/Keizen-1011.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/335d554e-0897-410a-9c3c-bf35a460a0ce/Keizen-1012.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2275d3aa-d3a4-49aa-892d-a32f1f74c291/Keizen-1013.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M. Photobombing people removed from the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/59f35594-b7ca-463e-9efe-74e1367a557b/Keizen-1014.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/68adb7f3-e3e4-43f2-ab5e-56a766af4c84/Keizen-1015.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/40ab160f-d734-4b32-9328-54a8b52d9061/Keizen-1016.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/453bcedb-1706-4d8f-b476-abc5d8710a68/Keizen-1017.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d6de0420-cc23-4ecc-aa45-5c56c07b5d69/Keizen-1018.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/927eab3a-56c5-40f4-84c5-cd70994e8cc3/Keizen-1019.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a5be07a0-c887-4271-a918-55d98097a99a/Keizen-1020.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c73716ee-efe6-490a-b96c-7218cb9ac133/Keizen-1021.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ecee9379-95d9-4d91-b108-98212177bae3/Keizen-1022.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/80e4f062-ca8e-4d98-b3ec-b531926f65e6/Keizen-1023.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3f8d0002-f75c-46c4-b268-56038ca89a14/Keizen-1024.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M. Photobombing cars removed from the background. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/0a452a04-3dc0-401a-b237-9192b11c517a/Keizen-1025.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e8d3ce8e-5bd3-45f5-972c-f459bafec560/Keizen-1026.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/46abce71-b3b2-4cce-85cc-29beaefb1b00/Keizen-1027.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e32c7a22-6ed1-4c6d-aef5-f3b988ec9d33/Keizen-1028.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/bd71f708-e9ac-4e30-8e7c-e621fd21d486/Keizen-1029.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b0a1ef58-b067-48fd-998d-0534791fd838/Keizen-1030.jpg SERIES III - On Visual Narratives - Make it stand out Keizer, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://www.streetsilhouettes.com/blogv3/hump-day-sunday monthly 0.5 2024-02-24 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/dfea9b8a-c82c-4451-a87a-9e6168d1e9ec/State-1001.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3393c91a-686b-4eaa-b11d-917ddf537daa/State-1002.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6bc54eda-c2de-40ee-8d92-d64b6d7ada48/State-1004.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/fbd0cdfc-7080-4cd0-9b8b-2cf227ccb7c9/State-1005.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b9fddbbf-e10a-4ea4-8b81-2613e5cba5c1/State-1005.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/98ff139c-ea35-4149-8131-45e73ce7eb5d/State-1006.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/27736737-661e-48a1-87e9-3f782a7263c1/State-1007.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/cf5573da-d18a-422a-b712-7a8b38cbc08e/State-1008.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/54c85a18-fcce-46f6-a035-d7b6a2854a20/State-1009.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a90b91f8-eff5-46b8-877c-0a7ef46be47e/State-1010.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c5f81974-24d2-4912-a2c4-ad449ce2a76e/State-1011.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/7e5901fb-fd7c-48a5-bf31-2ba24a7a7083/State-1012.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/eb9d28e2-ea0e-4cbe-b5fb-748bf0e035d7/State-1019.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e53c4f67-3ae4-4915-901c-8e16ae2ad8c9/State-1013.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/796f20cc-6a8f-4686-8e17-f104bad0e265/State-1014.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/205b5aa9-aa6e-485c-ba49-20e453cc89c0/State-1016.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M. Top left hand corner has been edited with a combination of the Content Aware Function on Adobe Photoshop and a little elbow grease. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/36bb7088-1ece-489d-ad1e-c9ebd1916706/State-1018.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6c16529a-0e17-45f9-a247-c4e759d6995f/State-1024.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3e8dfb7a-f016-4bd3-a794-f06f96044ecf/State-1020.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f9207970-fa66-4fc9-ab70-3fbf1f2e9548/State-1021.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f35a2474-fb41-43bb-a1fa-992c9f8ad8e4/State-1022.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/37e36382-056f-4978-ba4f-73768fc80f7b/State-1024.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/11f9dab4-2e1f-4044-87e5-7835ba4ae90a/State-1023.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/93f8df5d-eb64-4241-9da2-6f0619eaa111/State-1024.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/0c3f03f6-2b13-4504-8130-143ff1599890/State-1027.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b95b00a4-6188-4409-9f05-efc98ea85ae2/State-1025.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1121209b-ec42-47f8-97b1-7a6d0093a0b6/State-1026.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/eda51643-3d4f-42f4-95f5-91144f9a84e0/State-1028.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c573c2cf-757b-4301-b9cc-10326cbdc09c/State-1029.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a2073dfc-5a1c-4b82-94a8-5474c313cd24/State-1030.jpg SERIES III - Hump Day Sunday - Make it stand out Downtown Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://www.streetsilhouettes.com/blogv3/boundaries monthly 0.5 2024-01-28 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b95edad4-3b0e-4347-8227-c3b2f41691b8/Deepwood-1031.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/8b96111b-4f56-484c-813e-8a5189abdb9f/Deepwood-1032.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/4ad80f74-0fb5-4225-82ff-10ef37034708/Deepwood-1033.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/beb42056-eb36-4c80-abcd-fa9c59a89361/Deepwood-1034.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/bd76993e-5a3e-4825-b0ad-297795aad070/Deepwood-1002.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/7fb311f5-f2bc-4e50-ac6b-7cdce1357aa3/Deepwood-1005.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/179718e5-c8ba-4ba3-a031-d28d1d089a35/Deepwood-1007.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c74278a9-282e-467a-8a69-ca004ea9da4f/Deepwood-1008.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/bae355ac-82e5-4a9a-a074-a6e87615715d/Deepwood-1009.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/cfe638ab-f309-4c61-82c8-d35478422fbb/Deepwood-1010.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/4c487dba-b4bd-4bef-8eac-52166e37ea6c/Deepwood-1011.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f4607814-39d0-4371-a759-401362c4c25c/Deepwood-1012.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e874a7e5-f7c5-4c39-aa9b-b55a64c21190/Deepwood-1013.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/4bd1f85c-ab58-46cf-9cf4-c4285791873c/Deepwood-1014.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1319c66b-ae81-41cd-8d53-e558cd181454/Deepwood-1015.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/8962de25-bc2e-429d-b0f4-2667faef9313/Deepwood-1016.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/8fff7bd7-6514-4b52-9d65-4669f86fbac2/Deepwood-1017.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/7ec0f460-a581-4bd2-9cdf-0d918321ce69/Deepwood-1018.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d977692d-f66f-4455-8883-6ed8d316e43e/Deepwood-1019.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/92149bc9-9bac-40cc-98ba-7cf5a9e19ca8/Deepwood-1020.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/dcb87982-122a-4b9a-8bac-d5e3099a1428/Deepwood-1021.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/97932db2-e9f0-4b48-9f7b-9334bf6c6765/Deepwood-1022.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/55cef304-a388-4d83-9663-46ca2f044b24/Deepwood-1023.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/26ecb65c-de29-4769-a82c-9dbb9d1d2709/Deepwood-1024.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1704baef-4c51-4138-9cdc-2f3f4d42b40a/Deepwood-1028.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1a66d0f3-0711-4a86-981f-805ebecf5f6e/Deepwood-1025.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/95034a26-ab5a-4d7b-b3bf-fe927e2371fe/Deepwood-1026.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/33f2e8a6-ebc0-421b-abf3-88f3ea841bbc/Deepwood-1027.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/56ce2223-3615-4074-abf0-88e95e8aa05e/Deepwood-1029.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/92514046-053c-4545-937b-6c9f901771d4/Deepwood-1030.jpg SERIES III - Boundaries - Make it stand out Deepwood Gardens, Salem, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://www.streetsilhouettes.com/blogv3/muse monthly 0.5 2023-11-09 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c2a9b894-fb6e-460a-9543-305ec635e11e/Hawthorne-1001.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/de88c3fe-f25f-4689-8ffc-d9d6db613f4a/Hawthorne-1002.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/22627438-bec5-46ca-b457-c4d597583f04/Hawthorne-1003.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a8df6fb4-d473-424d-8a88-0df687db66ef/Hawthorne-1004.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/0cb90925-bb04-48e1-8f87-a5c9fc372523/Hawthorne-1006.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/714c343e-d1c6-44a0-a87c-6e024692d93a/Hawthorne-1005.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6efdd37a-2b39-445e-a97f-6aeb252b9fc2/Hawthorne-1007.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/0fee8c39-cd7d-4d73-bbd0-cd90cf28a78e/Hawthorne-1008.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6d2dcfd2-45cb-4038-a0de-5b5bfa6404c6/Hawthorne-1031.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3e398bba-d1c1-4c11-b9b6-b16e55c6ae6b/Hawthorne-1010.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6d06fb71-fcfc-462f-8b07-2d7d8af5e50d/Hawthorne-1011.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/7f84e3c8-7f4a-483b-80ab-da8eb5095819/Hawthorne-1009.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/999b2010-8c61-43dd-91b7-f4b66fb08899/Hawthorne-1013.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/22c80923-30d6-42e2-840f-2922208ee696/Hawthorne-1033.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M. I edited out my shadow from the bottom right corner of the image. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/5870a5c6-d364-46b8-bc9f-ce0a5f01b584/Hawthorne-1015.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/089094d8-d589-4878-accd-4a39b64e12b3/Hawthorne-1016.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e1532f9b-bea7-428a-8401-b1acf3f6eb67/Hawthorne-1017.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/89a09347-2de2-4f58-8ee1-07441300492f/Hawthorne-1018.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/471fecda-a8e6-4d90-980c-e120fbb0da1d/Hawthorne-1019.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e8eb47c0-eeb8-4268-8d1e-5243599bb549/Hawthorne-1020.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/67765531-4313-41ac-b41d-c1f6b642c0e9/Hawthorne-1022.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e36ce936-fe44-465b-889b-eed04ae4e513/Hawthorne-1023.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/922352cf-5777-402b-a176-092137b02cd7/Hawthorne-1024.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6cd75e28-3ee4-40c3-8966-d4aef514e8cc/Hawthorne-1021.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1317a074-9abc-4936-a928-5b18fe5403ec/Hawthorne-1028.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/18f00906-f128-49e8-ab7f-accb8eb5a56d/Hawthorne-1025.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/133db209-b24a-499a-b96c-649665986b6e/Hawthorne-1026.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6fedeb18-9151-4945-8e8e-353ff3083576/Hawthorne-1030.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/75cba797-d625-4ce5-9183-13bdc8d7663d/Hawthorne-1027.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/fe09e21c-c6bd-4faf-8bd7-0abfe440b5b4/Hawthorne-1029.jpg SERIES III - Muse - Make it stand out Hawthorne District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://www.streetsilhouettes.com/blogv3/quirkiness monthly 0.5 2024-02-24 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/decc5847-b063-4d77-96df-b1e15f559915/NW23-1004.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3d8f34b1-8158-470b-8908-4760c1bc8d6e/NW23-1002.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c05034ef-4b62-48cf-89a7-51b48646b6e3/NW23-1003.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/955329ab-de3d-4b94-8ba2-8b40535b3249/NW23-1001.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ec4d00c1-368b-4eed-bf38-8c4a88b03307/NW23-1005.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9f0b7fb7-d1ed-49b9-8d48-ff42f1e50435/NW23-1006.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b8716410-890b-4694-9d14-5c0a1feeec6c/NW23-1007.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a1a2aae3-6c04-4787-a029-6bd93db6cb95/NW23-1008.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/85f0564c-70db-4f3f-8e70-fbc3f4e35cc4/NW23-1009.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/cb8c6903-24ec-4416-91c3-cadc77c0cce6/NW23-1010.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/90892082-03f8-4864-9442-07588f60a50d/NW23-1011.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/8d54864c-e74a-4ad2-8b28-4f9b0454754e/NW23-1012.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/dd94e97b-0d89-4587-bc27-40416467c4c8/NW23-1015.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/989523d9-92d0-4465-ad0f-6b964a51735e/NW23-1017.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/77258499-38b9-4fa9-9e2c-00a0b8b3a880/NW23-1013.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/822e1fdb-d0b1-403e-9da7-5f56d3c73e2b/NW23-1016.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ec5bf24e-4d5b-48d6-8d97-dc5264c62bd3/NW23-1014.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6351601e-927c-440f-850c-9585d223fcdb/NW23-1018.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ddaa08d8-e588-4634-ae67-1e49b33289cc/NW23-1021.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/bfa7eba2-13ce-4c3a-b0d3-ad0dc5a3839e/NW23-1022.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/90492bf8-7294-4cc4-a7fa-7b66d5317237/NW23-1020.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/67bd6d23-0e64-4fb0-bd68-37d41d97e5f1/NW23-1023.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d3f8efe7-390c-4b52-bea9-3fb5947cb076/NW23-1024.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/49f789ba-be12-4618-b75c-e12e99ee66da/NW23-1019.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c1bed552-fb8d-4a99-a2d6-2380baf9ec0c/NW23-1025.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d58dc30d-15f8-460c-99f1-abfd67b45cbd/NW23-1026.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f6a822da-19b9-40bc-abdb-60c935f7000d/NW23-1027.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/71aceea8-61fa-48bc-924a-97c1beb858f6/NW23-1028.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/75dc65ba-b25d-4e8a-8256-88aad38e3e65/NW23-1029.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/8912a1e8-85e0-4af7-949d-c6828d643c90/NW23-1030.jpg SERIES III - Quirkiness - Make it stand out North West Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://www.streetsilhouettes.com/blogv3/new-subject monthly 0.5 2025-04-20 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/8f545e8b-784e-4e84-a0f3-aef8a8869b24/Burnside-1001.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1e2bc977-2fea-4f32-ab27-c02fe75c24d5/Burnside-1002.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ae6bd7aa-20c9-4ebb-ac60-1669746ec515/Burnside-1003.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/36b8f957-4d03-4c69-8aed-4843bc872d89/Burnside-1004.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2b0f39bc-4643-43b8-9aaa-db3763891e3d/Burnside-1031.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/8d197446-9874-4b69-8f15-805178dcac03/Burnside-1006.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/168e3b00-ce55-4c6b-af1b-3723a50b3a2d/Burnside-1007.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ddba3fd5-5d98-4a3e-96cc-1132ee61eb9f/Burnside-1008.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1946e68d-9344-4523-95fb-3705cf7b1bb1/Burnside-1009.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e9f4bab1-af87-44d5-a2aa-734cfd90a0ed/Burnside-1010.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/20abe8f8-7897-4de3-93d4-df6d6dfec483/Burnside-1011.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/5ee59725-c18b-4ee9-9686-7dd44a017379/Burnside-1012.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/33c80044-e332-4fcc-b122-75d5c347a4ac/Burnside-1013.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/5472e418-fcc3-4e3b-95c5-b540ac75d05e/Burnside-1014.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/c32e4491-4e5e-4dc3-a346-ae69bda17b73/Burnside-1015.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/31bbbca6-6fb5-4bf5-af58-f2d5e4dddf3c/Burnside-1016.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b29e5c76-641f-4e86-9a86-a21f14c2d8cf/Burnside-1017.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f6d3d064-0ded-449b-9242-72574b36cafe/Burnside-1018.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/16a913a6-ecb6-4186-afbc-22ba0a486659/Burnside-1019.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a7e8aa9d-1f17-4fbb-be84-71d1f6d89184/Burnside-1020.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e54411ce-983e-4d1d-bb10-022c70e0eaa8/Burnside-1021.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/291e5d07-4b47-4cd4-98b4-d7f232f7c6ef/Burnside-1022.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/245ec7db-0256-476d-959b-21fadea7effb/Burnside-1023.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2ebe5faa-c60f-40b2-9a5d-9d4e0f1a7732/Burnside-1024.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d21667ab-6527-4d54-abce-03276f3f559c/Burnside-1032.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3eb389ca-5ea1-4503-b794-cbb2e3825d6c/Burnside-1025.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/24903811-aeb8-4602-b778-c3920a85d7cd/Burnside-1026.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/7e1c2a50-5bc0-4220-869d-e8742c497ec1/Burnside-1027.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/567ef04c-59b3-4e7a-9bef-54061f358ea8/Burnside-1029.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2a2f82a4-709e-4505-aa29-daaa9dcfb0df/Burnside-1030.jpg SERIES III - New Subject - Make it stand out Pearl District, Portland, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://www.streetsilhouettes.com/blogv3/new-beginnings monthly 0.5 2024-02-24 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/84f11306-3754-410c-9425-b1e100cac31a/Sherwood-1033.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3b099be2-987b-4b0b-9088-c18b5cae8f28/Sherwood-1034.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/804d0b6f-82af-49c8-924f-8a79b96711d0/Sherwood-1044.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d703fa64-04a6-4ca5-8d2a-4a114091574d/Sherwood-1023.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/7c7e0fb7-4953-4dd0-a905-05317de25af4/Sherwood-1041.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/258f41bb-896f-4a95-8e03-9d0eead9916c/Sherwood-1002.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/85d66ccb-0653-499b-b604-268178769172/Sherwood-1006.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/47f930e1-e244-4be9-bf9f-d992555fc662/Sherwood-1008.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2ff1dda9-7a55-4fa8-a002-64c12d93c7c2/Sherwood-1035.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/754d0c3e-e019-4485-b024-0521c8313037/Sherwood-1013.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/666178f8-5edd-4fdd-ba6a-4c03654ab854/Sherwood-1010.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d39fe007-6c12-4896-b2d9-af0f22b58ebd/Sherwood-1012.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e8a855f3-556d-454e-979b-1fc166e52f34/Sherwood-1014.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/708d7efc-33f7-481d-9093-738fc02420d4/Sherwood-1015.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b7a9906e-41e7-4082-b26a-fe0e3b5232c9/Sherwood-1018.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9d015da0-ca37-4a65-9cd4-2d9de8738e91/Sherwood-1116.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/87d6f8cd-07f4-48b2-aa60-5c3e44b96447/Sherwood-1017.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/4664f390-10c4-4c99-ab27-e3d4162a4ade/Sherwood-1019.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/14a528ff-4cff-497e-a49e-56bc2d090697/Sherwood-1020.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b763a3be-2943-4245-a8c2-24d6129a00e9/Sherwood-1021.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a5b3b593-cc74-4596-9c13-e7def3bc2006/Sherwood-1024.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f9cd989c-3b80-4d5f-a194-20596365466a/Sherwood-1011.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/955be70a-8aaf-45e3-8461-71e99d8e21e4/Sherwood-1022.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9778cde7-10ab-42a0-8a8e-613cbf21d19a/Sherwood-1039.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9cfeebed-70a2-4f8c-9859-f3dd78c09194/Sherwood-1037.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d7242adc-0418-4be4-a96a-6f3fbb11fcdc/Sherwood-1038.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9e2ecc4e-d102-427c-944e-fa8e8465ace2/Sherwood-1029.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/5562c183-976b-4888-9f7c-f50125f2d310/Sherwood-1036.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/96ccab31-d962-4cfc-9020-cda39908fad3/Sherwood-1042.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3b990eb4-7bc5-49f5-93ce-c70d83229b84/Sherwood-1043.jpg SERIES III - New Beginnings - Make it stand out Sherwood, Oregon - Leica M11 + Leica APO 35mm f/2 Summicron ASPH-M https://www.streetsilhouettes.com/blogv3/confessions monthly 0.5 2024-01-23 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3ba9b46e-3dd3-4d65-a099-6c44149ed34a/Hood-1002.jpg SERIES III - Confessions - Make it stand out Mount Hood, Timberline Lodge Parking - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a537dfd3-5b78-4bcc-9796-86ba823f250f/Hood-1004.jpg SERIES III - Confessions - Make it stand out Mount Hood from Timberline Parking - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/795a34e4-8837-44e7-b1ff-1f2e68c4f5c3/Hood-1001.jpg SERIES III - Confessions - Make it stand out Mount Hood, Timberline Lodge - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/7ed2a1c8-fe87-4563-a2ba-82b78495971e/Hood-1012.jpg SERIES III - Confessions - Make it stand out Mount Hood, Timberline Lodge - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2e07020b-a43d-445a-bdcf-492103b7f3c6/Hood-1007.jpg SERIES III - Confessions - Make it stand out Mount Hood, Timberline Lodge - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/384a24b1-3f40-4eb0-b78a-55d36a86a514/Hood-1008.jpg SERIES III - Confessions - Make it stand out Mount Hood, Timberline Lodge - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/db20edf1-101f-49b9-a952-4c014df6fe3f/Hood-1010.jpg SERIES III - Confessions - Make it stand out Mount Hood, Timberline Lodge - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/541cc83b-6d06-4732-aabe-e19d06ecb8b2/Hood-1009.jpg SERIES III - Confessions - Make it stand out Mount Hood, Timberline Lodge - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6ef34818-4f48-4495-a6bd-d24bbd4d345b/Hood-1011.jpg SERIES III - Confessions - Make it stand out Mount Hood, Timberline Lodge - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a2bcd0ad-de36-484d-9ede-630c3efed1df/Hood-1003.jpg SERIES III - Confessions - Make it stand out Mount Hood, Wy’East Day Lodge - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/02e37897-f7ea-407b-b070-116602a8be1f/Hood-1005.jpg SERIES III - Confessions - Make it stand out Mount Hood, Wy’East Day Lodge Parking - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/78f2edb3-df90-47d8-8108-81691411d321/Hood-1006.jpg SERIES III - Confessions - Make it stand out Mount Hood, Wy’East Day Lodge Parking - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/051a5e2a-e212-4a34-99a6-123e673c8dc4/Hood-1013.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/d5841e51-f98a-4630-970a-88ce284c27a2/Hood-1014.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/cbc921e1-b189-4865-a307-3cec9ed74faf/Hood-1015.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a0ea5b3d-ed34-437f-8827-f0ea6ca0fec4/Hood-1016.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/56221c4a-5410-4624-919e-5dc9abf92d36/Hood-1017.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/0844c482-a604-40cc-91b7-599e0a14b467/Hood-1018.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e87db30d-c20b-4cf2-92ff-a6c1aafdd49f/Hood-1019.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3bd78ecf-151e-406b-8095-1c4281e0d0ca/Hood-1020.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/648febed-da1f-4d8b-bec7-07e4b94fe89a/Hood-1021.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/07a1ad3c-81d1-4746-9c26-8540093b60b8/Hood-1022.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b7dee692-7cff-4fff-9d54-906da683d3c4/Hood-1023.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ea867478-1f26-4174-ac41-67f7ada45421/Hood-1024.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/cee094ab-e54d-40b8-a14f-92d518b07eff/Hood-1025.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/fb1e8a63-7bc6-464b-9ab4-c6a5705454d6/Hood-1026.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/7029b913-39ca-4eb9-abf0-e9f7703444de/Hood-1027.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/5a1226b7-740a-44e5-9bc3-dedcb5955a13/Hood-1028.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f30df9a6-8f55-41e7-818f-bfe208861698/Hood-1029.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f8e3d51a-51aa-48ee-bb26-d9ff17ee5f3f/Hood-1030.jpg SERIES III - Confessions - Make it stand out Government Camp Loop - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://www.streetsilhouettes.com/blogv3/technology-kills-fun monthly 0.5 2023-10-21 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/02804193-650c-4d5a-bac6-b39e50de890c/Toronto-1001.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3e8a04a2-13ca-45d7-8a99-631364ea3bb6/Toronto-1002.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b5be9c98-5f2e-4071-b9a8-93c6bf83b208/Toronto-1003.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/7042aaf0-c63a-4999-a981-5fa7a033e629/Toronto-1004.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6aabb038-a4f7-4d0a-bd85-0b3bb9210b33/Toronto-1005.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/5434079d-de58-4b10-9a93-ca5161439e19/Toronto-1006.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/93014318-eefd-4651-b6d2-547046f50c23/Toronto-1007.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3a768f3c-7004-4735-a02e-72e728cf20bc/Toronto-1008.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/56bf335c-69bd-4335-a704-d9da13268a58/Toronto-1009.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/adfc57ea-5c9d-4dff-b490-4dbf1aa55845/Toronto-1010.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/449ddfd1-67cc-45b2-bdc1-f38835f4a977/Toronto-1011.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9e662583-e451-42e7-9f5a-49299753e4a5/Toronto-1012.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a7310c02-ebe3-4b9c-87ac-d05f007680eb/Toronto-1013.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/4a6a0bab-626f-47dc-b72a-1c250e17350a/Toronto-1014.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/4594b558-17fd-4348-b433-7f29a874f2bb/Toronto-1015.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6bb3f678-45f0-43e1-955c-9489ca7db8d2/Toronto-1016.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/562a0636-cff6-440a-9328-78a54a5420e0/Toronto-1017.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b09a6f9e-56c2-4c85-a407-2bad2ff85cb9/Toronto-1018.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3ae6f76e-8285-4dd2-99c7-5816449d458f/Toronto-1019.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/31e42dcf-ca48-4cec-b2a3-30f28ba03567/Toronto-1020.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/cfcee26f-e270-4d10-bdc8-a937b97d9c09/Toronto-1021.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/17268423-974e-433c-817e-781554e868bf/Toronto-1022.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/f2741e40-c81e-47dd-82ef-d1df07896c65/Toronto-1023.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/62ff3f59-9ad9-45ab-895d-cfbaae65b0ac/Toronto-1024.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3a822c72-71a1-43b7-8e70-2095a39b3815/Toronto-1025.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/96173142-9326-4df7-b451-305071d80d8d/Toronto-1026.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/a613e258-24ca-4c57-b2bc-6c9e949d64d6/Toronto-1027.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/bb148e38-698f-43c1-805a-f3ebd62d9794/Toronto-1028.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/acf6ee14-1ae8-48e5-839f-40d5130cf4ba/Toronto-1029.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2d2bb514-7891-4a70-acc9-f1a8f88255d3/Toronto-1030.jpg SERIES III - Technology Kills Fun - Make it stand out Kensington Market, Toronto, Canada - Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH https://www.streetsilhouettes.com/blogv3/leica-m11 monthly 0.5 2024-01-23 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e7286440-405d-4bec-a9c5-7e3486e49ca9/Whitefish-1001.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 - taken at S-DNG. The rest of the photos on this blog entry are taken at L-DNG. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/6be015c8-3c81-4d27-af42-70ad6463a17a/Whitefish-1002.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/32f08bb8-0a7d-4411-9f2a-a2a3b62a7a57/Whitefish-1003.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/75ee7d68-ae9a-475a-be7a-615c518b5137/Whitefish-1006.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9dd3abc1-eed6-4cb4-a222-e03317a9740d/Whitefish-1004.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/87ba5ef4-d259-408c-8ca6-6365ee1e8485/Whitefish-1005.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ef5a5437-3bff-47a1-a36e-e600de92b6a1/Whitefish-1031.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/227d2cb0-cb46-4b6f-816b-391bee0526cd/Whitefish-1012.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/871bbc0b-872d-42ab-b357-24cce84047f9/Whitefish-1021.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/2256425f-c634-4fec-923f-5be1e31ac1fd/Whitefish-1013.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/3f4e33b5-3e84-4e27-96fe-3904742456fc/Whitefish-1022.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e4305177-1185-400e-b7f0-6c5fe746281a/Whitefish-1025.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/0cf87c17-88c4-48c6-8887-fac9e3cbdf7c/Whitefish-1016.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/34b7abcb-a041-4367-a604-568f0ac05bf7/Whitefish-1017.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/5f61a66d-201f-4008-a4a8-603ab96eb9fc/Whitefish-1018.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/dc3fa29e-c959-4cb1-827e-8eed23d3d964/Whitefish-1019.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/4f80311b-d13e-45a8-b63f-9fea7201808d/Whitefish-1020.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/be8e4d64-f7c7-4e85-8985-3f056f18ac7a/Whitefish-1014.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/62e6392b-659b-4ff1-a313-007fb5876374/Whitefish-1033.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/05d15053-1901-4a79-92b5-cca4e6e1296b/Whitefish-1035.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/b3f2ee73-7868-4b9e-8770-bfe0d573536d/Whitefish-1032.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/52a901f2-7f04-4888-912e-ab2a33769c3e/Whitefish-1036.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/9f43cae2-a462-4d11-8330-94b304b57d7c/Whitefish-1038.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/e4aef94a-d6b7-494c-b356-f2f497f0ad85/Whitefish-1040.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/44b75e79-06ad-4f06-8686-35f9a5a18cfc/Whitefish-1041.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 - black, white, shadow, and highlight values have been tweaked in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/443c3a76-fcf9-493c-a321-fc76a0b72042/Whitefish-1042.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 - black, white, shadow, and highlight values have been tweaked in post. Cropped to 50mm equivalent - not that it was necessary. https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/ebd348fe-82e7-4dbd-b1a0-839265ddbaee/Whitefish-1047.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 - black, white, shadow, and highlight values have been tweaked in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/105ad69d-e73b-4164-9983-ae46514c99fd/Whitefish-1046.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 - black, white, shadow, and highlight values have been tweaked in post https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/381010df-6814-4009-88ea-b2b47169c9a6/Whitefish-1051.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/26e07d66-c527-4a6a-8801-634fb2d8837c/Whitefish-1050.jpg SERIES III - Leica M11 - Make it stand out Leica M11 + Leica APO 35mm f/2 Summicron-M ASPH @ ISO 200 https://www.streetsilhouettes.com/blogv3/tag/Leica monthly 0.5 https://www.streetsilhouettes.com/blogv3/tag/Leica+M11 monthly 0.5 https://www.streetsilhouettes.com/blogv3/tag/M11 monthly 0.5 https://www.streetsilhouettes.com/index daily 1.0 2024-12-31 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1689051624497-DM0TG0GK0JHRNQWP8XGZ/IMG_2663.jpg HOME https://www.streetsilhouettes.com/80-frames-x-10-seconds daily 0.75 2018-03-31 https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522496978264-ZD3EF194DF7YOZUKR2ZE/DSC00197.jpg 80 Frames x 10 Seconds 80 frames in 10 second - autofocus set to dynamic tracking https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522496978571-95TI8JARTL1U0NSLK2SQ/DSC00198.jpg 80 Frames x 10 Seconds https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522496982601-Q50DGXG9KUJLSHCKXLFZ/DSC00199.jpg 80 Frames x 10 Seconds https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522496983077-US0SZW4U9Q4FE902S6KF/DSC00200.jpg 80 Frames x 10 Seconds https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522496986870-QJN15MSRU4IIK9Q73XCN/DSC00201.jpg 80 Frames x 10 Seconds https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522496987377-SJ6AXK6AM1RE077M6EW8/DSC00202.jpg 80 Frames x 10 Seconds https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522496991483-AZZ6G9FR9MOHXCR7DNAV/DSC00203.jpg 80 Frames x 10 Seconds https://images.squarespace-cdn.com/content/v1/5739407e7c65e49dc22407aa/1522496991914-93NWUFK55WRGLK434LK3/DSC00204.jpg 80 Frames x 10 Seconds 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