Leica 16-18-21mm f/4 - A Super-Wide Lens with Training Wheels

Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles

Nikon D850 - First Impressions 

An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA

Revisiting A Shelved Project... and finding a way to finally use it

Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version

Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner

Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down

Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron

Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron

Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation with Two Friends

Tokyo Story - Leica M10 + 21mm f/1.4 Summilux

Nikon 28mm f/1.4E - How is the 35mm f/1.4 still a thing?

Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV

Sony A9 vs Leica M10 vs Leica SL - Part III

Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II

Sony A9 - First Impressions from a Leica Perspective

Leica 28mm f/1.4 Summilux-M ASPH vs Nikon 28mm f/1.4D - Analog Edition + Digital Epilogue

Making Sense of the Leica SL... now that the Leica M10 is here

The Only Way to Save Analog Photography - A Far Fetched or Out of the Box Solution

Reflecting on a Photowalk with Anna

Film Photography - A Personal Journey on a Labor of Love

Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version

Leica 50mm f/1.4 Summilux SL - First Impressions

Leica 35mm Summicron Versions I, II + III, IV, V, VI + 35mm Summilux Versions I, II, IV

An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6

Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit

Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering

Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range

An Investigation into why the Leica SL isn't an M Camera

Leica M10 vs Leica SL - Part I - Under Normal Use

Anna in New York with the M10 + 28mm f/1.4 Summilux

Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison

Leica M10 Review - Part 1 - First Impressions

Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II

The Mathematics of Popularity in the Age of Instagram

Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White

Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II

Canon 24-105mm f/4L USM II - Testing the Image Stabilization

Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm

Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R

Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm

Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison

A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts

Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City

Photographing Without Purpose

What To Photograph - Everything or Just One Subject?

Leica 85mm f/1.5 Summarex - Vintage Lens

Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light

Has Digital Technology Ruined Street Photography

Being a Tourist in Milano

Waiting for the Light to Change

24mm f/1.4 Challenge - Between Leica, Canon, and Nikon

Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit

A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment

Huawei P9 Leica Dual Camera

The Leica SL - Zone Focusing + Street Photography - Part 2

Canon 5D Mark IV - Sample Images at High ISO + Pushed

The Leica SL - Low Light Dynamic Range - Part 1 Supplement

A Crisis of Purpose in the Age of Instagram

Leica SL + Leica 24-90mm - Being a Tourist

Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images)

Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open

Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2

Nikon 105mm f/1.4E

The Leica SL - Low Light Review - Part 1

The Sony A7r MKII from a Leica M Photographers POV

Leica M246 Monochrome vs Leica M240 Desaturated vs Leica M6 B+W Film - plus an appearance from the Sony A7rII Hi-Res Desaturated

Shooting with the Leica M246, Leica MP-6, and Hasselblad XPan

LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical

An Illustrated Case of the Misguided Photographer Believing his Work is Art

Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street

Saving Badly Photographed Images in Lightroom and Photoshop

What I can do with a Leica 50mm f/0.95 Noctilux on a Sony A7rII that I cannot do on a Leica M Body

Leica 28mm Summilux: The Perfect Vacation Lens?

Has Digital Technology Ruined Black and White Photography

Night Photography: Leica 35mm f/1.4 FLE and 35mm f/1.4 AA

Awesome Comparison: Bokeh Shootout between 50mm 0.95 to 400mm 2.8

REMATCH: Techart Autofocus Accuracy Challenge vs Leica M240 with Noctilux Lenses

Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon

Techart Sony to Leica M Autofocus vs Leica M240 Manual Focus Challenge

Leica 35mm Summicron ASPH I vs II: 24MP vs 42MP Resolution Test

Street Shooting Wide Open with Leica's 50mm f/0.95 Noctilux and the Sony A7rII

Bonus Crazy Comparisons: Bokeh between Fast Leica Primes, Current and Vintage

Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version

Leica's New 28mm Elmarit ASPH - First Impressions Street Shooting

Comparing Image Samples - 3 Generations of 35mm Summicrons

Leica 35mm Summicron ASPH vers. 2

What the Leica MD taught me what the Nikon Df should have been

Differences in Blown Highlights and Crushed Shadows between M246 Mono and M240

Leica M-D Typ 262

A Eulogy For Film

How My Leica Taught Me To Appreciate My Nikon

Learning Leica In Reverse: From Noct to Cron

A Defense for the Lonely UV Filter

The Case for Cropping